âShe sounds very wise.'
âDaft as a brush, she is. But yeah, I guess she is wise too. She's a great mother, devoted to her kids. Just a big kid herself in a lot of ways. We're very close. I miss them, moving around the way we have. I really miss them.'
âThen go home,' Gregory said. âIt's not a hard choice to make, is it?'
âWe've sold the house.'
âGood. So buy another. Buy it close to the ones you love.'
It was apt advice, Naomi thought. And so obvious she wondered why she hadn't thought about it for herself. âDo you have people to love?'
âLove? No. As I said, there are people I have loyalties to, but less and less as time goes by.'
âWho helped Molly and Edward? You said it must have been this Clay.'
âAt first, yes. Later, I think they expanded their own network. But they continued to work with Clay. As I said, most of those they saved, they created a life for. False papers, a false past. It isn't so hard with children, I don't suppose. They can be persuaded to forget. New memories fill the old spaces.'
âIf you think that, then you don't know children,' Naomi told him.
âMaybe so. Anyway, eventually it seems there was a falling out.'
âAbout?'
âI would be speculating,' Gregory said.
âSpeculate away.'
âShall we sit? The view from here is very pretty. I could describe it to you.'
âAll right, but save the description and just get on with the story.'
They settled down on a bench. The sun was even hotter in this spot and Naomi breathed in the warm, scented air and allowed her body to relax. Somehow, she felt more at ease than she had felt in weeks. Gregory's simple analysis of their situation had focused her mind, clarified things. She now felt faintly ridiculous that they had made life so hard for themselves, but perhaps it was just that they had not been ready to accept it was as simple as that.
âYou were speculating,' she reminded Gregory.
âI was. Yes. From time to time, Clay would ⦠how can I put this? Choose to keep the children Edward saved. He trained them, educated them more often than not saw them through university and helped them into influential jobs. Sometimes they came back to join his organization.'
âOrganization?'
âI think that was what caused the rift. Edward believed that these children deserved a second chance. That they should be, well, rehomed, as I put it before and left to be whatever they wanted to be. Clay believed that there were some who could never be rehabilitated. That life, childhood, as it should be, had ended for them and nothing could bring that back. So he channelled their anger and their hatred; their need for revenge or restitution and he trained them accordingly. Sent them out into the world to do his bidding and to build his empire.'
âEmpire? That sounds rather grandiose.'
âIt's this view,' Gregory told her. âYou really should let me describe it to you. It evokes the grandiose.'
Naomi laughed. âYou are a very strange man,' she said. âSo, these other childrenâ'
âI think Clay may have sent one of them to kill Molly,' Gregory told her.
âWhy would he do that?'
âBecause, unlike Edward, who understood that although you may not like everything that happens, some things are beyond your remit; some secrets need to be kept. Molly Chambers, I believe, long ago shed those particular illusions or, if you prefer, dispensed with that particular safety net. Molly doesn't just know where the bodies are buried, she helped put quite a few of them in the ground and, now Edward is dead and gone, I don't think she cares who knows that or who else she might have implicated. Molly is what I suppose you could term a loose cannon. Frankly, she scares the hell out of me, and I'm not directly implicated in anything she may or may not have done. Clay is in it up to his neck and Molly knows that.
âWhat I still can't figure out is how the assassination failed. Why Molly is still here.'
âBecause the would-be assassin shot himself,' Naomi said.
Gregory laughed softly. âI don't believe that for a minute,' he said. âI just have two questions. One is, how did Molly kill the man Clay sent to kill her and the second is, when will he try again?'
D
I Barnes, as Alec had speculated, was not a man to take rejection easily. He felt that his nose had been well and truly put out of joint and, even if he couldn't hope to get to the bottom of things, felt he at least owed it to himself to try.
He had spent an hour ensconced with the young officer who had acted as liaison with Tariq Nasir, the home office representative, but learnt nothing new. Had spent a good deal of time looking over the crime scene photographs from the Gilligan and Hayes office and then even longer looking at the photographs from the warehouse where the security guard had been attacked, but after all that, was no further.
When the news came mid-afternoon that the security guard had finally regained consciousness, Barnes, having gained the assent of his opposite number, was on his way to the hospital even before he had ascertained whether or not the injured man was fit to talk. En route, he called Bill to check that he'd heard about his friend and made arrangements to come over and have another chat with him after. He wondered about Alec and if he'd come to any new conclusions; if he'd shown Molly Chambers that photograph.
He wondered about a lot of things and most particularly, why anyone should go to such elaborate lengths to kill two men and then steal nothing â that, of course, was if Molly was telling the truth about that, which, on balance, seemed a tad unlikely.
Barnes pulled into the hospital car park and tried to remember the directions he'd been given. He made his way up to the high dependency unit and gave his name to the nurse on reception, then showed her his ID. Behind her, a bank of monitors blinked and beeped and CCTV cameras filmed patients in their beds. Other staff moved across the screens. As she spoke to him, the nurse's gaze flicked back and forth from his face, to the cameras and the screens. Barnes wondered which one represented his security guard.
âI told the other gentleman, he really isn't in a fit state to talk,' she said.
âOther gentleman?' Not a police officer, then, he thought wryly.
âSaid he was a lawyer, or something. I asked him if the storage company had sent him and he said it was about compensation, so I assumedâ'
âWhat did he look like, this other man? Did he show you any ID?'
âHe gave me a business card, said I should pass it on to Tony's wife when she visited him. He was a young man, dark hair, not as tall as you. Nice-looking.'
âOK, thanks. Mrs Clark isn't here?'
âNo, she's been here most of the time and his brother's sat with him too, but once he'd woken up and the doctor told her they thought he was going to be all right, we managed to persuade her to go home for a bit and get some sleep. She was all in, poor thing.'
âDid you tell the other man that?'
âNo, but he didn't ask any questions, anyway. Just gave me the card.'
âCan I see it?'
The nurse fished about in her desk. The card was unprinted on the reverse, but a mobile phone number had been written neatly across the centre. On the front was the name of a company and another phone number.
âDid he give his name? Only there's no name on the card, just the company.'
âOh, yes. He said he was a new employee, that his personal cards hadn't come back from the printers yet. He said to call that number and ask for Nathan.'
She looked quizzically at him. âLook, I didn't give out any personal information, you know. And I did a quick Internet search after he'd gone. It's a real company. I don't think it was just some journalist looking for a story. We've had a few of those, all right.'
âGood thinking,' Barnes said, also thinking just how easy it would be to set up a company webpage, then wondering just why he was so suspicious.
âHas he said anything?'
She shook her head. âNothing much. You can have a chat with the officer that's been sitting with him, if you like. There's been a police person here all the time.'
Barnes told her he'd appreciate that. He watched as she crossed from reception desk to ward and pressed a buzzer on a com unit. A moment later a uniformed officer came out from behind the glass doors. They hissed closed behind him.
Barnes introduced himself. The officer nodded. âI was told you might be calling by,' he said. âNot much to tell you, I'm afraid.'
âHe's said nothing?'
âRambled a bit. Something about an old woman and a girl, but it could be anything and nothing. He kept saying they came too early or something like that.'
Molly Chambers? Barnes thought. Was the man recalling when she had come to collect something from the locker? But who was the girl?
âAnd nothing about the attack?'
âNothing useful. His wife asked him and he said he heard a noise, looked up, saw something crashing down and that was it.'
So, that was it, Barnes thought. He thanked the officer and watched as he crossed back towards the ward, pausing to clean his hands with gel before he was buzzed back through. He still had hold of the business card.
âI'm supposed to give that to the wife,' the nurse said.
âRight. Yes. I don't suppose you could take a photocopy for me?'
âThis is a nurse's station in a high dependency unit, not office supplies,' she said. âWe don't have one here.'
âOK, no problem.' He wondered at the sudden change of tone and assumed he had just outstayed his welcome. Taking out his phone he photographed the card on both sides and then handed it back. âTell Mrs Clark that she should check this out with the local police before she acts on it,' he said. âCould be a con.'
The nurse frowned. He glanced back as he left; she was staring at the card as though it might bite her. No doubt upset that the ânice-looking' young man might not be all he seemed, Barnes thought and then wondered if he was just overreacting. Why wouldn't it just be an insurance company doing a bit of low key ambulance chasing? Or maybe even the storage company, doing a bit of damage limitation.
Because it felt wrong, that was why, Barnes thought and then wondered if there was anything about this case that didn't feel wrong.
âOK, leaving aside your stupid idea that Molly may have killed that young man,' Naomi said, âwhat really doesn't make sense is if this Clay really wants Molly dead, why hasn't he done something about it? It's been getting on for three weeks, sinceâ'
âAt a guess, simply because another attack on her would draw more attention than he'd like. Presently, although there is the link of the same weapon being used in the Molly incident as in the two killings, Arthur Fields and this Norris character, there's not much else, so far as the police are concerned anywayâ'
âYou didn't know Herbert Norris, then?'
âNo, can't help with that one, I'm afraid. It's possible he was a part of Clay's organization or that he had some contact with Molly, or even that he was something to do with Arthur.'
âYou're talking about Clay's organization again,' Naomi accused. âWhat sort of thing are we talking about here?'
They had arrived back at the car and Naomi heard the beep as he unlocked the doors. âWhat kind of car is it?'
âA blue one.' Gregory sounded amused. âIn you go, big dog.' Napoleon deposited in the back, Gregory helped Naomi into her seat. âTruthfully, Naomi, I don't know how large. Clay is a man I've avoided assiduously. I've never knowingly worked for him and I've never knowingly provoked him either. I'm not like Molly.'
âSo, what do you think he'll do?'
âWait a little while, then arrange for a heart attack or something similar.'
Naomi went cold. âSo, if he could do that, why send a man with a gun? It seems like grandstanding.'
âExactly right,' Gregory said. âClay means to send a message, I think. The shooting of Arthur Fields was dramatic. It made the national papers and the international news. Arthur had friends, prominent enough that they didn't want to be seen at his funeral and who promptly erased all associations with his business. Herbert Norris's death does not seem to have created major waves, but Molly. Now that's another story. Molly and Edward are part of a lot of people's pasts.'
âYou say people wanted to distance themselves from Arthur Fields, but I don't get why. Importing Chinese pots doesn't seem very dodgy.'
âActually, that was the one element of Arthur's life that was totally genuine and totally above board. So far as I know, he didn't even use it as a cover for anything. You have to keep one part of your life clean. Pay your taxes, know your subject. Care about it. Do that with enough conviction and enough skill and you're halfway there. You have to live your legend; your cover story. Live it completely. There's no point going off half cocked; you'd be blown in a matter of days.'
âSo, what else did he do?'
âLike I told you before, he was an economic hit man. A word here, a bit of pressure there. A promise made on behalf of ⦠well, whoever.'
âAnd those who didn't attend his funeral. Were they afraid of connections being made?'
âPrecisely. If they'd all turned up, Naomi, you'd have had a collection of the so called great and good and the politically influential, that even the local press would have started to wonder.'
âBut why would Clay want him dead? And he wasn't exactly a young man; couldn't he have arranged one of those phoney heart attacks you were talking about?'
âI think ⦠no, I'm guessing that Clay wants certain people to sit up and take notice. That he wants it to be obvious that he can get to anyone, any time. What puzzles me is the timing. What has changed that makes it so important to him to be making statements now? I think if I knew that, I could do something about it. About Clay, too.'