Romola (13 page)

“I will be mute,” said Nello, laying his finger on his lips, with a responding shrug. “But it is only under our four eyes that I talk any folly about her.”

“Pardon! you were on the verge of it just now in the hearing of others. If you want to ruin me in the minds of Bardo and his daughter—”

“Enough, enough!” said Nello. “I am an absurd old barber. It all comes from that abstinence of mine, in not making bad verses in my youth: for want of letting my folly run out that way when I was eighteen, it runs out at my tongue's end now I am at the unseemly age of fifty. But Nello has not got his head muffled for all that; he can see a buffalo in the snow.
Addio, giovane
.”

Tito was soon down
among the crowd, and, notwithstanding his indifferent reply to Nello's question about his chance acquaintance, he was not without a passing wish, as he made his way round the piazza to the Corso degli Adimari, that he might encounter the pair of blue eyes which had looked up towards him from under the square bit of white linen drapery that formed the ordinary hood of the
contadina
at
festa
time. He was perfectly well aware that that face was Tessa's; but he had not chosen to say so. What had Nello to do with the matter? Tito had an innate love of reticence—let us say a talent for it—which acted as other impulses do, without any conscious motive, and, like all people to whom concealment is easy, he would now and then conceal something which had as little the nature of a secret as the fact that he had seen a flight of crows.

But the passing wish about pretty Tessa was almost immediately eclipsed by the recurrent recollection of that friar whose face had some irrecoverable association for him. Why should a sickly fanatic, worn with fasting, have looked at
him
in particular, and where in all his travels could he remember encountering that face before? Folly! such vague memories hang about the mind like cobwebs, with tickling importunity—best to sweep them away at a dash: and Tito had pleasanter occupation for his thoughts. By the time he was turning out of the Corso degli Adimari into a side street he was caring only that the sun was high, and that the procession had kept him longer than he had intended from his visit to that room in the Via de' Bardi, where his coming, he knew, was anxiously awaited. He felt the scene of his entrance beforehand: the joy beaming diffusedly in the blind face like the light in a semi-transparent lamp; the transient pink flush on Romola's face and neck, which subtracted nothing from her majesty, but only gave it the exquisite charm of womanly sensitiveness, heightened still more by what seemed the paradoxical boy-like frankness of her look and smile. They were the best comrades in the world during the hours they passed together round the blind man's chair: she was constantly appealing to Tito, and he was informing her, yet he felt himself strangely in subjection to Romola with that simplicity of hers: he felt for the first time, without defining it to himself, that loving awe in the presence of noble womanhood, which is perhaps something like the worship paid of old to a great nature-goddess, who was not all-knowing, but whose life and power were something deeper and more primordial than knowledge. They had never been alone together, and he could frame to himself no probable image of love-scenes between them: he could only fancy and wish wildly—what he knew was impossible—that Romola would someday tell him that she loved him. One day in Greece, as he was leaning over a wall in the sunshine, a little black-eyed peasant girl, who had rested her water-pot on the wall, crept gradually nearer and nearer to him, and at last shyly asked him to kiss her, putting up her round olive cheek very innocently. Tito was used to love that came in this unsought fashion. But Romola's love would never come in that way: would it ever come at all?—and yet it was that topmost apple on which he had set his mind. He was in his fresh youth—not passionate, but impressible: it was as inevitable that he should feel lovingly towards Romola as that the white irises should be reflected in the clear sunlit stream; but he had no coxcombry, and he had an intimate sense that Romola was something very much above him. Many men have felt the same before a large-eyed, simple child.

Nevertheless, Tito had had the rapid success which would have made some men presuming, or would have warranted him in thinking that there would be no great presumption in entertaining an agreeable confidence that he might one day be the husband of Romola—nay, that her father himself was not without a vision of such a future for him. His first auspicious interview with Bartolommeo Scala had proved the commencement of a growing favour on the secretary's part, and had led to an issue which would have been enough to make Tito decide on Florence as the place in which to establish himself, even if it had held no other magnet. Politian was professor of Greek as well as Latin at Florence, professorial chairs being maintained there, although the university had been removed to Pisa; but for a long time Demetrio Calcondila, one of the most eminent and respectable among the emigrant Greeks, had also held a Greek chair, simultaneously with the too predominant Italian. Calcondila was now gone to Milan, and there was no counterpoise or rival to Politian such as was desired for him by the friends who wished him to be taught a little propriety and humility. Scala was far from being the only friend of this class, and he found several who, if they were not among those thirsty admirers of mediocrity that were glad to be refreshed with his verses in hot weather, were yet quite willing to join him in doing that moral service to Politian. It was finally agreed that Tito should be supported in a Greek chair, as Demetrio Calcondila had been by Lorenzo himself, who, being at the same time the affectionate patron of Politian, had shown by precedent that there was nothing invidious in such a measure, but only a zeal for true learning and for the instruction of the Florentine youth.

Tito was thus sailing under the fairest breeze, and besides convincing fair judges that his talents squared with his good fortune, he wore that fortune so easily and unpretentiously that no one had yet been offended by it. He was not unlikely to get into the best Florentine society: society where there was much more plate than the circle of enamelled silver in the centre of the brass dishes, and where it was not forbidden by the Signory to wear the richest brocade. For where could a handsome young scholar not be welcome when he could touch the lute and troll a gay song? That bright face, that easy smile, that liquid voice, seemed to give life a holiday aspect; just as a strain of gay music and the hoisting of colours make the work-worn and the sad rather ashamed of showing themselves. Here was a professor likely to render the Greek classics amiable to the sons of great houses.

And that was not the whole of Tito's good fortune; for he had sold all his jewels, except the ring he did not choose to part with, and he was master of full five hundred gold florins.

Yet the moment when he first had this sum in his possession was the crisis of the first serious struggle his facile, good-humoured nature had known. An importunate thought, of which he had till now refused to see more than the shadow as it dogged his footsteps, at last rushed upon him and grasped him: he was obliged to pause and decide whether he would surrender and obey, or whether he would give the refusal that must carry irrevocable consequences. It was in the room above Nello's shop, which Tito had now hired as a lodging, that the elder Cennini handed him the last quota of the sum on behalf of Bernardo Rucellai, the purchaser of the two most valuable gems.

“
Ecco, giovane mio
!” said the respectable printer and goldsmith, “you have now a pretty little fortune; and if you will take my advice, you will let me place your florins in a safe quarter, where they may increase and multiply, instead of slipping through your fingers for banquets and other follies which are rife among our Florentine youth. And it has been too much the fashion of scholars, especially when, like our Pietro Crinito, they think their scholarship needs to be scented and broidered, to squander with one hand till they have been fain to beg with the other. I have brought you the money, and you are free to make a wise choice or an unwise: I shall see on which side the balance dips. We Florentines hold no man a member of an Art till he has shown his skill and been matriculated; and no man is matriculated to the art of life till he has been well tempted. If you make up your mind to put your florins out to usury, you can let me know tomorrow. A scholar may marry, and should have something in readiness for the
morgen-cap.
[
18
]
Addio
.”

As Cennini closed the door behind him, Tito turned round with the smile dying out of his face, and fixed his eyes on the table where the florins lay. He made no other movement, but stood with his thumbs in his belt, looking down, in that transfixed state which accompanies the concentration of consciousness on some inward image.

“A man's ransom!”—who was it that had said five hundred florins was more than a man's ransom? If now, under this mid-day sun, on some hot coast far away, a man somewhat stricken in years—a man not without high thoughts and with the most passionate heart—a man who long years ago had rescued a little boy from a life of beggary, filth, and cruel wrong, had reared him tenderly, and been to him as a father—if that man
were
now under this summer sun toiling as a slave, hewing wood and drawing water, perhaps being smitten and buffeted because he was not deft and active? If he were saying to himself, “Tito will find me: he had but to carry our manuscripts and gems to Venice; he will have raised money, and will never rest till he finds me out”? If that were certain, could he, Tito, see the price of the gems lying before him, and say, “I will stay at Florence, where I am fanned by soft airs of promised love and prosperity; I will not risk myself for his sake”? No, surely not,
if it were certain
. But nothing could be farther from certainty. The galley had been taken by a Turkish vessel on its way to Delos:
that
was known by the report of the companion galley, which had escaped. But there had been resistance, and probable bloodshed; a man had been seen falling overboard: who were the survivors, and what had befallen them amongst all the multitude of possibilities? Had not he, Tito, suffered shipwreck, and narrowly escaped drowning? He had good cause for feeling the omnipresence of casualties that threatened all projects with futility. The rumour that there were pirates who had a settlement in Delos was not to be depended on, or might be nothing to the purpose. What, probably enough, would be the result if he were to quit Florence and go to Venice; get authoritative letters—yes, he knew that might be done—and set out for the Archipelago? Why, that he should be himself seized, and spend all his florins on preliminaries, and be again a destitute wanderer—with no more gems to sell.

Tito had a clearer vision of that result than of the possible moment when he might find his father again, and carry him deliverance. It would surely be an unfairness that he, in his full ripe youth, to whom life had hitherto had some of the stint and subjection of a school, should turn his back on promised love and distinction, and perhaps never be visited by that promise again. “And yet,” he said to himself, “if I were certain that Baldassarre Calvo was alive, and that I could free him, by whatever exertions or perils, I would go now—now I have the money: it was useless to debate the matter before. I would go now to Bardo and Bartolommeo Scala, and tell them the whole truth.” Tito did not say to himself so distinctly that if those two men had known the whole truth he was aware there would have been no alternative for him but to go in search of his benefactor, who, if alive, was the rightful owner of the gems, and whom he had always equivocally spoken of as “lost;” he did not say to himself—what he was not ignorant of—that Greeks of distinction had made sacrifices, taken voyages again and again, and sought help from crowned and mitred heads for the sake of freeing relatives from slavery to the Turks. Public opinion did not regard this as exceptional virtue.

This was his first real colloquy with himself: he had gone on following the impulses of the moment, and one of those impulses had been to conceal half the fact; he had never considered this part of his conduct long enough to face the consciousness of his motives for the concealment. What was the use of telling the whole? It was true, the thought had crossed his mind several times since he had quitted Nauplia that, after all, it was a great relief to be quit of Baldassarre, and he would have liked to know
who
it was that had fallen overboard. But such thoughts spring inevitably out of a relation that is irksome. Baldassarre was exacting, and had got stranger as he got older: he was constantly scrutinising Tito's mind to see whether it answered to his own exaggerated expectations; and age—the age of a thickset, heavy-browed, bald man beyond sixty, whose intensity and eagerness in the grasp of ideas have long taken the character of monotony and repetition, may be looked at from many points of view without being found attractive. Such a man, stranded among new acquaintances, unless he had the philosopher's stone, would hardly find rank, youth, and beauty at his feet. The feelings that gather fervour from novelty will be of little help towards making the world a home for dimmed and faded human beings; and if there is any love of which they are not widowed, it must be the love that is rooted in memories and distils perpetually the sweet balms of fidelity and forbearing tenderness.

But surely such memories were not absent from Tito's mind? Far in the backward vista of his remembered life, when he was only seven years old, Baldassarre had rescued him from blows, had taken him to a home that seemed like opened paradise, where there was sweet food and soothing caresses, all had on Baldassarre's knee; and from that time till the hour they had parted, Tito had been the one centre of Baldassarre's fatherly cares.

And he had been docile, pliable, quick of apprehension, ready to acquire: a very bright lovely boy, a youth of even splendid grace, who seemed quite without vices, as if that beautiful form represented a vitality so exquisitely poised and balanced that it could know no uneasy desires, no unrest—a radiant presence for a lonely man to have won for himself. If he were silent when his father expected some response, still he did not look moody; if he declined some labour—why, he flung himself down with such a charming, half-smiling, half-pleading air, that the pleasure of looking at him made amends to one who had watched his growth with a sense of claim and possession: the curves of Tito's mouth had ineffable good-humour in them. And then, the quick talent to which everything came readily, from philosophical systems to the rhymes of a street ballad caught up at a hearing! Would anyone have said that Tito had not made a rich return to his benefactor, or that his gratitude and affection would fail on any great demand?