Read Poems That Make Grown Men Cry Online
Authors: Anthony and Ben Holden
First published in Great Britain by Simon & Schuster UK Ltd, 2014
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Copyright © 2014 by Anthony Holden and Ben Holden
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No reproduction without permission.
All rights reserved.
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sections 77 and 78 of the Copyright,
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ISBN: 978-1-47113-489-0
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Preface by Anthony Holden and Ben Holden
DAVID MCVICAR
Sonnet XXX by William Shakespeare
MELVYN BRAGG
‘On My First Son’ by Ben Jonson
JOHN CAREY
‘Amor constante más allá de la muerte’ by Francisco de Quevedo
ARIEL DORFMAN AND JAVIER MARÍAS
BORIS AKUNIN
‘Wandrers Nachtlied II’ by Johann Wolfgang von Goethe
JOHN LE CARRÉ
‘Frost at Midnight’ by Samuel Taylor Coleridge
SEBASTIAN FAULKS
‘Character of the Happy Warrior’ by William Wordsworth
HAROLD EVANS
‘Surprised by Joy’ by William Wordsworth
HOWARD JACOBSON
KENNETH LONERGAN
Extract from
The Masque of Anarchy
by Percy Bysshe Shelley
DAVID EDGAR
KEN LOACH
‘Of the Terrible Doubt of Appearances’ by Walt Whitman
STEPHEN FRY
‘Remember’ by Christina Rossetti
ROBERT FISK AND JULAIN FELLOWERS
‘After Great Pain’ by Emily Dickinson
DOUGLAS KENNEDY
Extract from
Peer Gynt
by Henrik Ibsen
KENNETH BRANAGH
‘Requiem’ by Robert Louis Stevenson
CHRISTOPHER BUCKLEY
‘The Remorseful Day’ by A. E. Housman
JOE KLEIN
‘The Wind, One Brilliant Day’ by Antonio Machado
ROBERT BLY
‘Orpheus. Eurydice. Hermes’ by Rainer Maria Rilke
COLM TÓIBÍN
‘Ithaka’ by Constantine P. Cavafy
WALTER SALLES
‘At Castle Boterel’ by Thomas Hardy
ALAN HOLLINGHURST
SEAMUS HEANY
SIMON WINCHESTER
‘The Soldier’ by Rupert Brooke
HUGH BONNEVILLE
‘During Wind and Rain’ by Thomas Hardy
KEN FOLLET
‘Dulce et Decorum Est’ by Wilfred Owen
CHRISTOPHER HITCHENS
‘God’s World’ by Edna St. Vincent Millay
PATRICK STEWART
‘Everyone Sang’ by Siegfried Sassoon
BARRY HUMPHRIES
‘Last Poems: XL’ by A. E. Housman
ANDREW MOTION AND RICHARD
DAWKINS
‘God Wills It’ by Gabriela Mistral
JEREMY IRONS
‘Out of Work’ by Kenneth H. Ashley
FELIX DENNIS
‘All the Pretty Horses’ by Anonymous
CARL BERNSTEIN
‘The Cool Web’ by Robert Graves
JOHN SUTHERLAND
‘The Broken Tower’ by Hart Crane
HAROLD BLOOM
‘Bavarian Gentians’ by D. H. Lawrence
SIMON ARMITAGE
‘A Summer Night’ by W. H. Auden
WILLIAM BOYD
‘Those Who Are Near Me Do Not Know’ by Rabindranath Tagore
CHRIS COOPER
‘Let My Country Awake’ by Rabindranath Tagore
SALIL SHETTY AND DAVID PUTTNAM
Extract from
Finnegans Wake
by James Joyce
JAMES MCMANUS
‘In Memory of W. B. Yeats’ by W. H. Auden
SALMAN RUSHDIE
SIMON SCHAMA AND SIMON CALLOW
‘If I Could Tell You’ by W. H. Auden
ALEXANDER MCCALL SMITH
CLIVE JAMES
‘My Papa’s Waltz’ by Theodore Roethke
STANLEY TUCCI
‘The Book Burnings’ by Bertolt Brecht
JACK MAPANJE
JOE WRIGHT
Extract from
The Pisan Cantos
by Ezra Pound
CRAIG RAINE
‘I see a girl dragged by the wrists’ by Philip Larkin
SIMON RUSSELL BEALE
‘The Mother’ by Gwendolyn Brooks
TERRANCE HAYES
‘The Death of the Ball Turret Gunner’ by Randall Jarrell
PAUL MULDOON
‘War Has Been Brought into Disrepute’ by Bertolt Brecht
DAVID HARE
‘Le Message’ by Jacques Prévert
PETER SÍS
‘Do Not Go Gentle Into That Good Night’ by Dylan Thomas
BENJAMIN ZEPHANIAH
‘Unfinished Poem’ by Philip Larkin
FRANK KERMODE
‘Over 2,000 Illustrations and a Complete Concordance’ by Elizabeth Bishop
JOHN ASHBERRY
‘End of Summer’ by Stanley Kunitz
NICHOLSON BAKER
ALEXEI SAYLE
‘Friday’s Child’ by W. H. Auden
ROWAN WILLIAMS
‘Long Distance I and II’ by Tony Harrison
DANIEL RADCLIFF
‘The Widower in the Country’ by Les Murray
NICK CAVE
‘A Blessing’ by James Arlington Wright
RICHARD FORD
CARLOS REYES-MANZO
‘The Meaning of Africa’ by Abioseh Nicol
JAMES EARL JONES
‘Elegy for Alto’ by Christopher Okigbo
BEN OKRI
‘Requiem for the Croppies’ by Seamus Heaney
TERRY GEORGE
‘Gone Ladies’ by Christopher Logue
BRIAN PATTEN
‘Dream Song 90: Op. posth. no. 13’ by John Berryman
AL ALVAREZ
JONATHAN FRANZEN
IAN MCEWAN
‘Crusoe in England’ by Elizabeth Bishop
ANDREW SOLOMON
‘For Julia, in the Deep Water’ by John N. Morris
TOBIAS WOLFF
WILLIAM SIEGHART
‘Dear Bryan Wynter’ by W. S. Graham
NICK LAIRD
COLUM MCCANN
‘eulogy to a hell of a dame –’ by Charles Bukowski
MIKE LEIGH
Midsummer
: ‘Sonnet XLIII’ by Derek Walcott
MARK HADDON
‘In Blackwater Woods’ by Mary Oliver
MARC FORSTER
‘Love After Love’ by Derek Walcott
TOM HIDDLESTON
Extract from
and our faces, my heart, brief as photos
by John Berger
SIMON MCBURNEY
‘Sandra’s Mobile’ by Douglas Dunn
RICHARD EYRE
‘Brindis con el Viejo’ by Mauricio Rosencof
JUAN MÉNDEZ
‘An End or a Beginning’ by Bei Dao
WUER KAIXI
RICHARD CURTIS
Extract from ‘Eastern War Time’ by Adrienne Rich
ANISH KAPOOR
‘It Is Here (for A)’ by Harold Pinter
NEIL LABUTE
‘For Andrew Wood’ by James Fenton
DAVID REMNICK
‘Not Cancelled Yet’ by John Updike
JOSEPH O’NEILL
PAUL BETTANY
‘A Poetry Reading at West Point’ by William Matthews
TOM MCCARTHY
BILLY COLLINS
‘The Lanyard’ by Billy Collins
J. J. ABRAMS
‘Regarding the home of one’s childhood, one could:’ by Emily Zinnemann
COLIN FIRTH
‘For Ruthie Rogers in Venice’ by Craig Raine
RICHARD ROGERS
‘Keys to the Doors’ by Robin Robertson
MOHSIN HAMID
Index of Contributors and Poets
Credits, Copyrights, and Permissions
ANTHONY HOLDEN
Late one afternoon in the mid-1990s a close friend of long standing called to tell me of a sudden domestic crisis. My wife and I went straight round to join him for the
evening, during which he began to quote a Thomas Hardy poem, ‘The Darkling Thrush’. Upon reaching what might be called the punch line – ‘Some blessed Hope, whereof he knew /
And I was unaware’
– our friend choked up, unable to get the words out. This was understandable: he was still upset by the day’s events. We ourselves were much moved.
That weekend we happened to be visiting the scholar and critic Frank Kermode. Frank knew the friend involved, and was also touched by his Hardy moment. ‘Is there any poem
you
can’t recite without choking up?’ I asked him. Never an emotionally
demonstrative man, Frank said immediately: ‘Go and get the Larkin.’
In front of his half-dozen guests he then began to read aloud ‘Unfinished Poem’, about death treading its remorseless way up the stairs, only to turn out to be a pretty young girl
with bare feet, moving the stunned narrator to exclaim: ‘What summer have you broken from?’ It was this startling last line that rendered Frank
speechless; with a forlorn waft of the
hand, he held the book out for someone else to finish the poem.
Also there that day was another professor of English, Tony Tanner, so it was not surprising that this topic of conversation lasted all afternoon, ranging far and wide, not just over other
candidates for this distinct brand of poetic immortality but the power of poetry over prose to move,
the difference between true sentiment and mere mawkishness, and, of course, the pros and cons of
men weeping, whether in private or in public.