Palmetto Moon

PRAISE FOR

Palmetto Moon

“Kim Boykin’s Palmetto Moon grabs your heart on page one and never lets go. A beautiful, moving story that stays with you long after you’ve finished the last page.”

—Jane Porter, author of
Beauty’s Kiss

“Sweet, heartfelt, and brimming with Southern charm, Kim Boykin serves up a story that’s good enough to eat in her enchanting novel, Palmetto Moon. Vada is a captivating heroine who’s a delightful mixture of steel magnolia and naïve debutant, making her an easy character to root for as she searches for forgiveness, true love, and herself. Vada and the remaining cast of characters absolutely sparkle in this book with enough plot twists to keep readers turning pages. At times poignant and funny, this book is guaranteed to entertain.”

—Karen White,
New York Times
bestselling author of
A Long Time Gone

“In Palmetto Moon, Kim Boykin journeys to post–World War II South Carolina to brilliantly capture the differences in lifestyle and life expectations in both high society Charleston and a rural Southern town. Palmetto Moon is radiant, brimming with Southern charm and keen insights. Kim Boykin’s writing shines!”

—Mary Alice Monroe,
New York Times
bestselling author of
The Summer Wind

“Palmetto Moon is that kind of old-fashioned love story that makes you want to curl up on the sofa with a cup of tea, book in hand, savoring every word, scene, and character. In this engaging novel, Kim Boykin brings to life a bygone era that’s forever a part the Southern landscape.”

—Cassandra King, author of
Moonrise

“Rich with local color and engaging characters,
Palmetto Moon
kept me enthralled until the very end.”

—Shelley Noble,
New York Times
bestselling author of
Beach Colors

Titles by Kim Boykin

THE WISDOM OF HAIR

PALMETTO MOON

THE BERKLEY PUBLISHING GROUP

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street, New York, New York 10014

USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China

penguin.com

A Penguin Random House Company

This book is an original publication of The Berkley Publishing Group.

Copyright © 2014 by Kim Boykin.

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

BERKLEY® is a registered trademark of Penguin Group (USA) LLC.

The “B” design is a trademark of Penguin Group (USA) LLC.

eBook ISBN: 978-0-698-14163-6

Library of Congress Cataloging-in-Publication Data

Boykin, Kim, 1957-

Palmetto moon / Kim Boykin.

pages cm

ISBN 978-0-425-27210-7 (paperback)

1. Marriage—Fiction. 2. Single women—Fiction. 3. Autonomy—Fiction. I. Title.

PS3602.O95P35 2014

813'.6—dc23

2014011728

PUBLISHING HISTORY

Berkley trade paperback edition / August 2014

Cover photographs: woman © Lee Avison/Trevillion Images;

background © amiloslava/Thinkstock; border © Volhat Manusovich/Thinkstock.

Cover design by Judith Lagerman.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

PUBLISHER’S NOTE: The recipes contained in this book are to be followed exactly as written. The publisher is not responsible for your specific health or allergy needs that may require medical supervision. The publisher is not responsible for any adverse reactions to the recipes contained in this book.

Most Berkley Books are available at special quantity discounts for bulk purchases for sales promotions, premiums, fund-raising, or educational use. Special books, or book excerpts, can also be created to fit specific needs. For details, write: [email protected]

For Joan Gray and Peggy Boykin, two of the most extraordinary women I know.

There’s quite a story behind the writing of
Palmetto Moon
, but ultimately, everything this book is, I owe to my editor, Leis Pederson. Thank you, Leis, for your friendship and your support of my work. To Kevan Lyon, wonderful agent and friend, you’re the best. And to my readers, most especially Doni Jordan, thanks forever. You’ve given me the greatest gift I could possibly ask for, and you make me want to be a better writer.

Publicity is a thankless job, but women like Erin Galloway and Jessica Brock at Penguin and Kathie Bennett of Magic Time Literary Agency toil away because they love books. Thanks to these three amazing women, more people know about my work and for that, I’m eternally grateful.

Have to admit I felt a little nervous about writing anything connected to the history of Charleston; the history hounds will rightfully nail you to the wall if you get it wrong. But during my research, I found there was a gap in Charleston archives throughout World War II and well into the late 1940s. So, I’m offering fair warning that with very little to go on, I have bent history a bit.

Most notably and deliberately, I altered the history of Middleton Place. Even today, the plantation is breathtakingly beautiful. If you get to Charleston, it is a must see. However, I want to be clear, it was never owned by the McLeods and has been in the Middleton family since 1741.

If you’ve never had Lowcountry cooking, you’re in for a real treat when you get to the back of this book.
Huge
thanks to Executive Chef Frank Lee of S.N.O.B. for sharing your fabulous recipes. I am so grateful to Dick Elliott of Maverick Southern Kitchens and Susannah Runkle for coordinating this project to spread the gospel of Lowcountry cuisine.

Thanks to Charles Bierbauer and Elizabeth Quackenbush of the University of South Carolina School of Journalism for your support. So proud to be a product of that school. GO GAMECOCKS! Thanks also to Bob Webster and the good folks at Palmetto Moon across South Carolina. Yes, I borrowed my wonderful title from his clothing stores.

Author Harlan Greene, head of special collections of the College of Charleston, was gracious and helpful, pointing me toward historical support for Reginald Sheridan’s character. Reading Harlan’s work gave me a clear vision of what it might have been like to be gay in the south in 1947. Also a wonderful author, Valerie Perry, Aiken-Rhett Museum manager at Historic Charleston Foundation, is the truest lover of history I know. Thank you for answering my questions, for your generous spirit and friendship.

While Charleston is indeed the crown jewel of South Carolina, there are so many wonderful towns that add their own unique flavor, particularly in the Lowcountry. Thanks to Dana Cheney and his lovely wife, Bonita, for introducing me to the history of Colleton County and showing me around Walterboro and Round O. That you found “Miss Mamie’s boarding house” now and circa 1947 is remarkable and still gives me chill bumps.

I’m forever grateful to my writers’ group members—Wendy Oglesby, Mary Ann Thomas, Vera LaFleur, Claire Iannini, Kim Blum-Hyclack, and Susan Martin. Your love and support are invaluable.

Last, but never least, to Mama and Daddy, and to my family—Mike, Kaley, and Austin, I love you all. You are my heart.

CHARLESTON, SOUTH CAROLINA

JUNE 20, 1947

“
Murrah?
” Rosa Lee’s eyes go wide and she shakes her head at me like I’ve forgotten the rules, but I haven’t. Since before I was born, my parents forbade the servants to speak their native tongue in our house. Offenders were given one warning; a second offense brought immediate dismissal. I say the Gullah word again, drawing it out softly. “Why are you crying?” The hands that helped bring me into the world motion for me to lower my voice.

Rosa Lee’s husband, Desmond, told me my first word was
murrah
. It was what I called Rosa Lee, until Mother made me call her by name. “
My own murrah
.” The forbidden words bring more tears. I press my face into the soft curve of her neck and breathe in the Ivory soap Mother insists all the servants use, mingled with Rosa Lee’s own scent—vanilla and lemongrass.

She holds me at arm’s length, trembling, and I know I’ve done it again.

“You got to tell them,” she pleads. “Make them see you can’t go through with this.”

I point to the door that leads to the elegant dining room where my parents are eating their breakfast. “I have told them. Mother refuses to listen, and I’ve begged Father. He says I
have
to do this.” She looks away. Her body rocks, sobbing violently on the inside. “Rosa Lee, please don’t cry. I can’t bear it.” She shakes her head and swipes at the tears that stain the sleeve of her freshly pressed uniform. “I won’t do it again. I promise.”

“When you’re asleep, your heart takes over. You got no control, and it’s gonna kill you.”

She’s right. Since I graduated and moved home from college two weeks ago, I’ve been sleepwalking like I did when I was a child, but these outings don’t land me snuggled up in the servant’s quarters, between Desmond and Rosa Lee. Most of the time, I wake up and return to bed without incident, but last week Desmond found me trying to leave the house. He said I was babbling about sleeping in the bay, which might not have been so disturbing if I hadn’t been wearing five layers of heavy clothing. I knew what he thought I was trying to do to myself and told him not to worry.

Since then, Rosa Lee has insisted on sleeping on the stiff brocade chaise in my bedroom. Of course, my parents don’t know she’s there or that she’s so afraid I’ll walk to the bay or step off the balcony in my sleep, she’s tethered my ankle to the bedpost with three yards of satin rope she begged from Mrs. O’Doul.

“Maybe it will be different after the wedding.” I love her enough to lie to her. “Father says I’m a Hadley and once it’s over with, I’ll fall in line the way I was born to.”

“But what if Desmond hadn’t caught you?” She threads her fingers in mine and kisses the back of my hand. A part of me wishes her intuition hadn’t sent Desmond to check on me, that he hadn’t found me. “And what are you gonna do when we’re not there?”

“Don’t say that.” My knees buckle, and I melt into a puddle at her feet. Justin has made it clear he’s happy with his staff and has no plans to add “two ancient servants.” But living under his roof and not having Rosa Lee and Desmond with me is unthinkable, another high price of being the last Hadley descendant.

“You think it’s not going to get worse after you’re married? Who do you think’s gonna be there to save you? Mr. Justin?” She hisses the last word. “You think long and hard before the sun comes up tomorrow, because I’m afraid down to my bones that you won’t be alive to see it.”

She collects herself and heads into the dining room to check on my parents. They won’t look into her beautiful brown face and see she’s been crying any more than they see this wedding is killing me, or at least the idea of being yoked to Justin McLeod is. Not because he’s eight years older than me and, other than our station in life, we have nothing in common, and not because of his good qualities, although no one can find more than two: He is a heart-stoppingly beautiful man and the sole heir to the largest fortune in Charleston.

For over a hundred years, Justin’s family and mine have built ships. And while two world wars made us rich, a prolonged peace threatens to weaken our family fortunes considerably. Somewhere in all that, my father convinced Justin a Hadley-McLeod union would position them to take over the world, at least the shipping world. And Father is certain nothing short of a blood union will keep Justin in the partnership.

Rosa Lee pushes through the swinging door and pours the coffee down the drain, her signal that breakfast is over and my parents are no longer close by. I smile, trying to reassure her I’m okay, that I’m going to be okay. She shakes her head and starts to wash one of the breakfast plates in slow motion, barely breathing. I hate those things, and after tomorrow, I’ll own twenty-four place settings of them, part of my dowry. I don’t give a damn about thousand-dollar plates, but I do care for Rosa Lee.

“I can do this,” I say from behind her. My voice sounds sure, steady. “I will do this.”

“You and I both know you can’t walk down that aisle. Dear God in heaven, Vada,
tell them
.” Her head is down, and she says the last two words like a prayer. “Make them see so they’ll put a stop to this foolishness.”

There’s no point. I’ve begged my parents, told them I can’t marry Justin, because I don’t love him. I’ve told them I feel nothing for him, not love, not even hate. Even after I told my father about the other women, he shrugged and said I was being ridiculous. “There are no fairy-tale marriages, Vada. Know your place, your purpose. Marry. Procreate. Continue the lineage. That’s your job.”

This archaic arrangement is not the job I want or the one I applied for. My heart races at the thought of how furious my parents would be if they knew my favorite professor recommended me for a teaching position, not in a posh boarding school but a two-room schoolhouse near a tiny crossroads community. Mother would fume silently while Father would remind me that no Hadley woman has ever worked.

But it’s 1947 for goodness’ sake. What did they expect when they sent me away to college, that I would learn everything
except
how to think for myself? The swell of defiance is snuffed out by Justin’s testy voice in the foyer. “Well, I am here now, madam. What do you want?”

I can’t make out what my mother is saying and slip behind the dining-room door. From where I peer at them through the crack between the jamb, she looks tiny compared to him, but she emanates such presence. Justin has the posture of a rebellious teenager.

“It’s about Vada, and I am not talking about this here.” She points toward the study. He eyes her for a moment, knowing full well the drawing room is a woman’s place, the study a man’s domain for brandy and smelly cigars.

I can hardly breathe as she leads Justin into the study. Maybe she did listen. Maybe she’s finally going to tell Justin the wedding is off. The door to the study is slightly ajar. I slip off my shoes and tiptoe across the foyer to hear her say the words I’ve longed for since I was fourteen and learned about this horrible arrangement.

“You have me up before noon for this?” Justin is glaring at her, but she’s so strong, so beautiful. She’s not intimidated in the least.

“You must understand that Vada is a young girl, barely twenty. I heard the things she told her father. Your carousing.”

“My carousing?” He laughs and runs his hands through his short dark hair.

“Yes. The parties. The women. After the engagement, I thought you would change, settle down. Surely you don’t expect to carry on as usual after the wedding.”

Justin is no longer amused. His face is red, the veins in his forehead pronounced. “Let me remind you, madam, after tomorrow, I may be your daughter’s husband, but I’ll carry on at my own discretion, not yours, not your husband’s, and certainly not your Vada’s.”

Their standoff is palpable. Mother throws her hands up in disgust. “I shouldn’t even have to have this conversation with you, Justin, but Vada is extremely unhappy, and the very least you could do is try to be more accommodating.”

“More accommodating?”

“Just tell me, what is it going to take?”

“I beg your pardon?”

“Your price. To be a proper husband. Doting. Monogamous.” She draws the last word out.

“Trust me, madam, you don’t have enough money.” He stands and straightens the sleeves of his suit. “We’re done here.”

“Justin.” My mother grabs his arm. He towers over her. “
Don’t
hurt her.”

Her steely look is returned with amusement. “My dear Mrs. Hadley, for Vada or me to get hurt, one of us would actually have to care about this union. Tomorrow we marry together two fortunes for the greater good. Nothing more.”

“But you expect her to be a proper wife?”

“Of course. Why shouldn’t she?”

“Your level of arrogance is remarkable, Justin, even for you. Get out of my house.”

He makes an exaggerated bow. “Good day, Mrs. Hadley.”

The door opens, and Justin stands there for a moment, looking at my tearstained face. He sighs and pushes past me. “Really, Vada, after tomorrow, I’ll expect you to be more presentable in the mornings.”

I’ve honored Mrs. O’Doul’s refusal to talk about Darby for three years now, but with the wedding looming, the loss feels fresh, and I can’t help myself. “I miss her.”

Mrs. O’Doul gives me a hard look to remind me of our silent agreement not to talk about her daughter, my best friend. She nods curtly as she scrutinizes my dress, which she’s had to take in, again, for the rehearsal party. “You’ll be a good wife. You’ll make your ma and da proud.”

I shake my head at my reflection and the exquisite design that looks funny with my bare feet. “Maybe it’s best Darby’s not here. She’d be so ashamed of me.”

“Who knows where that girl is now? And, to be sure, she’d be ashamed if she showed her face around here, but not because you’re marrying Justin McLeod, I can tell you that.”

“She’s your daughter. You can’t still be mad at her.”

Another stern look reminds me Mrs. O’Doul lost more than a daughter when Darby was run out of town for her tryst with Mr. McCrady. But Mrs. McCrady didn’t stop there. She made sure Mrs. O’Doul’s wealthy clients boycotted her dressmaking business. Darby’s mother lost everything: her daughter, her shop, her apartment. My parents fussed when I insisted on Mrs. O’Doul altering my trousseau, but Mrs. O’Doul said it brought some of her customers back, the only good thing that has come from this wedding plan.

She smooths her hands down the seams of the ivory bodice and inspects a tiny pucker. “Damn beads.” She works the seam with her fingers until it lies flat, then steps back and inspects the dress. Her smile is thin, almost sad. “I remember every dress I ever made for you. And now look at you, wearing couture since you were sixteen. Getting married tomorrow in the finest dress I’ve ever seen.”

She’s right. I’ve always had a shameless love for beautiful clothes, even more so for shoes. But when Mrs. O’Doul made something for me, it meant going to Habberman’s on King Street. She always said Darby and me went together like grits and gravy, she couldn’t very well take one of us shopping without taking the other. While she selected the perfect material for my dress, we played hide-and-seek among the tall bolts leaned against the walls. Sometimes we sorted through bins of loose buttons or rhinestones and talked about what our lives would be like when we grew up.

As I got older, I worried that Darby would be jealous of the dresses her mother made for me. I know I would have been. But Darby said she didn’t care—they were just dresses, and we were best friends, the grits-and-gravy kind.

The other girls Darby grew up with wanted nothing to do with her after I went away to college. She gave up a lot to be my friend, and how did I repay her? I didn’t make time to phone her or return her letters. I was so wrapped up in things that didn’t matter, I forgot about the one person who mattered most to me. And by the time I heard Darby had been banished from Charleston, I was too ashamed of what I’d done, of the way I treated her, to try to find her, to tell her how very sorry I was.

“You’re a stunning young woman, Vada Hadley, and that dress—”

“The clothes you made, they were just as beautiful, and they meant something to me.”