The spinning carried him away from the building, then back toward it again. He could see the street spinning beneath his feet. The window glass was beginning to break away. He grabbed at the frame with his left hand, bits of glass cutting to his palm, but his own motion wrenched him loose again. If he didn't gain a purchase now, he would swing back and forth in an ever-decreasing arc, until he was level with the thirty-ninth floor, five feet out from the building.
He let go of the hose and the assault rifle and lunged backward with his right hand, then his left, so that he was hanging by his hands, facing the street. The rifle teetered on the edge of the floor, directly beneath his feet. To free himself of the hose, he had to pull himself up with one hand and unravel his belt with the other. Even if he could do that cleanly, which he doubted, and was able to drop straight down, if he landed on the assault rifle the wrong way, the result would be the same as stepping on a banana peel.
The weight of the hose was pulling him out into the street, and he wasn't sure he had the strength in either arm to resist it while he worked on the belt. It was as if he were being drawn to his death. He cried — he wailed, out of control, his eyes shut tight again. His left arm shook as he clawed at the belt. He could feel it coming loose, but not fast enough.
His fingernails ripped at the buckle. Paratroopers clawed through their clothing when their chutes didn't open. The hose began to fall away. Leland pushed at it, trying to twist against the thin air to get deeper into the room. He was screaming again, his fear and rage filling him completely, with the heat of an orgasm. His wrist felt like it was breaking, and then he lost his grip.
He landed on his spine on the assault rifle, his hands and forearms pushing back against the window frame as his legs and hips fell out of the window. The breath was knocked out of him; the only consciousness he knew was his terror. He was shrieking at the top of his lungs. His hand landed on the rifle and he almost pushed it out from under him. He rolled onto his belly and crawled into the room, sobbing.
There was somebody on the floor! On his back!
Leland was staring directly into Rivers's dead eyes. Leland's shriek scalded his throat, and his heart stopped. He could feel it, and feel it start again with a massive thump. He fell back, whining, gasping, grabbed the machine gun, and fired into Rivers until the gun was empty.
He looked down into the street, where the SWAT team was running from burning debris still raining down, and bared his teeth. He was alive — he had been saved again. He wasn't a cop, no matter what he thought. He was a victim. A victim. Little Tony and his gang kept trying to kill him, his heart had even stopped, but he was alive. He still had the Browning and the last spare clip for the assault rifle.
He looked around: the gang was still trying to get into the safe. Furniture had been piled in the hall to absorb an explosion. Dizzy, the pain glued onto his back like a shell. Limping and stumbling, Leland made his way into the building one more time.
...7:04 A.M., PST...
He headed downstairs. Each step felt like a knife in his back. He didn't know if his numbness meant he was going to lose his left leg or not, but at this point he wasn't sure he even cared. He would worry about his leg later.
Now he had an advantage, and he wondered how he could exploit it. Unless Little Tony could take the time in all this confusion to read the evidence on the fortieth floor in the shattered window and the mutilated corpses, the gang had no reason to believe Leland was alive.
Leland was thinking he was going to let the police, too, believe he was dead. Of course, there might be an advantage in having the gang take a close look at the corpses. Let them think they were dealing with someone who had gone insane. Leland understood what he had done — why he had done it. Never explain, never complain. THIS MAN IS A PRICK. Now it was keeping him alive.
He had been trained for this? Policemen had a view of the world that few others understood. It was the way humanity wanted things arranged. No one wanted to know what life — and death — really looked like. Every day this country slaughtered seventy-five thousand head of cattle, a quarter of a million hogs, and a million chickens, but not one person in a hundred actually knew someone with a portion of that blood on his hands. People expected the Lelands of the world to dispatch the Little Tonys as simply as the butchers turned lesser beings into cutlets. But you'd better not demonstrate just how thin the veneer of civilization actually was. If you covered yourself with blood, had the look of death in your eyes, you, too, had to be scourged. He was wise to that. He was still alone. He would be alone until he got out of this building. Leland wanted to live. Like everyone else, he had a right to life, and nothing else mattered.
He heard the elevators humming before the shooting started to fade. With only five left at this point, he could plan his killing so that the opposition was left defenseless at every step along the way. It was the only chance to save the hostages, starting with Stephanie, Mark, and Judy. Ellis had wanted Leland to see that he was doing people favors. Dwayne Robinson was incapable of understanding a really serious situation. The guidance systems that had directed the terrorists' rockets into two helicopters would not have been all that complicated to the kid who had built his father's Christmas television set. How many people had been able to see that highrise office buildings were beyond law enforcement, even after it had been shown that they were beyond fire protection?
Leland kept on going down, trying to remember where he would find equipment to replace what he had lost. If the gang thought he was dead, he might have the chance to kill them all. His head was spinning with it now. More than anything, he wanted to kill every last one of them.
In the northeast corner of the thirty-sixth floor, where he had built the fortress he had never used and where he had caught number five with his head up looking at the plastic explosive, he found a radio, and from the emergency lights near the staircases, he retrieved the explosive itself. The sun had risen clear of the downtown brightness, and the office, or what was left of it, was flooded with warm, pink light. Leland went around to the west side of the building to see what he could take from number four, the girl he had surprised when he had come out of the stairwell. Her kit bag was glued to the puddle of blood in which she lay. She had given him the Kalashnikov; now she surrendered a second radio.
She had some candy, but he didn't think he could stand any more. He was hungry, he thought, as he stood looking down at her shattered body, but he wanted a real breakfast, eggs over easy and bacon or sausage.
Elevators were humming again. More helicopters were in the sky than ever but all of them were quite high and far away. Leland stepped back from the window. If the police thought he was dead, they could have their snipers primed to shoot at anything moving above the thirty-second floor. He turned to channel nineteen: a man reciting prayers. Twenty-six had some kid yelling at the top of his lungs. Nine sounded with a steady, high-pitched note. On thirty Leland heard the man reciting the prayers.
God only knew what was going out over the channels he couldn't receive.
Leland took a piece of memo paper from one of the desks, wrote a note, folded the note into his wallet, and took the wallet to the window. A fire on one of the rooftops across the street was getting worse. He had to attract attention to himself. A quarter of a mile out, a small helicopter tightened its swing back toward the building. Leland waved the wallet, then tossed it out into the street. The helicopter rose and pounded swiftly overhead. Leland turned for the stairs. A noise erupted from the street, the crowd again, people yelling. Cheers. He understood who they were for, and he was chilled, as if he had made a mistake, and tested his luck.
He went down again, to the thirty-third floor, and worked his way out to an office on the northeast corner. It had a television set. From the hills chugged two large, red and white helicopters, great tanks slung to their bellies. They dropped down, swung to Leland's right, and passed over the fire across the street far below him, dumping a reddish cloud over the entire block. Leland turned on the television set and set the volume low.
The screen showed the fire department helicopters going away — from the angle, the picture was being taken from one of the helicopters far above. The air jangled with microwave transmissions. A reporter appeared, microphone riveted to his chin. He was in the street; behind him were four or five black-and-whites, and occasionally an officer in a bulletproof jacket sprinted past him. The director cut to the helicopter shot of the smoldering rooftop, while the reporter indicated that the fire wasn't serious. Leland changed the channel.
A night scene, with the words "recorded earlier" in yellow at the bottom of the screen. A black-and-white came into the picture from the right, seemed to shake as it crossed the center of the screen, then wheeled off crazily and into the light pole. Leland remembered something and turned the volume off. A shot of the muzzle flash of one of the terrorists' automatic weapons. Police running. Now the picture went out of control, spun around, and focused on the building with a cloud of smoke obscuring the upper floors. Daylight again... "Live" — showing the ring of destruction around the middle of the building. Leland had done the job; he had aced the whole building. He turned up the volume.
"...And then, with the sunrise, police helicopters came over the hills to try to protect the desperate, former policeman who, he says, has killed seven of the gang. Although three are known dead, the man observed early last night on the steps to the front entrance, the man shot and then who fell from, the guess is, the thirty-sixth floor, and the woman still visible on the roof — although, I say, although these three are accounted for, the information is that the police discount Leland's estimate of the size of the gang and his body count, as it were, because of the incredible show of strength by the terrorists at dawn, just a few minutes ago."
"I should have taken scalps," Leland said sourly.
"It ought to be said here that this is not a pretty piece of tape, so viewer discretion is advised..."
Tape of the street now: with slightly more light, it was possible to see bullets striking the walls and sidewalks. A long, long shot of empty sky, with a bit of the Klaxon roof coming into view. The helicopters appeared as spots growing larger. It took Leland a moment to get his bearings. He was out of the picture, to the left, and from this distance, his contribution, such as it was, would not even register. One after the other, the police helicopters exploded. None of the cameras was even trained in his direction.
"Now comes word from the police asking all those persons here in the Los Angeles area to stop, repeat, stop, jamming the forty Citizens Band channels. You will recall that Leland asked the mysterious Taco Bill to jam one of the channels on which the German language transmission had been heard. While no one knows exactly what did happen to Leland, there is no evidence of his death. He is not in view on the roof. Repeating: the police want the persons jamming..."
Leland changed the channel. A blonde woman in a blue housecoat watching herself on a television screen. Kathi Logan — with her hair down to her shoulders, Leland almost did not recognize her. A microphone appeared at her shoulder.
"Did you see anything?"
She leaned toward the microphone to speak. "No."
"What do you think?"
"He told me not to worry. I think he's alive. I've only known him a short period of time, but he's a very special man."
"He said he was going to do his duty," the reporter said with apparent amusement. Kathi Logan kept watching herself on television.
"Well, he's under tremendous pressure. Normally he doesn't talk like that, but people who know him are aware that he has his own set of rules and he lives by them even when it's very difficult to do so."
"He says he's killed seven people. What are your feelings about that?"
Now she turned. "My feelings are that I hope that God has mercy on their souls, because they'll need it. The man in that building isn't young, and he's alone!"
"If there are television sets in the Klaxon building, he could be watching right now. Anything you'd like to say to him?"
She glared at him. "We just
did
talk!"
"I mean now, on television, when he can see you. If he can."
"Just that I know that he's right and those hoodlums in there are wrong, and most of the people in this country agree with me. We don't want killing — we don't want to be threatened with machine guns or bombs, ever. We have the right to live our lives in peace, all of us, and we ought to say so. I think most people are like me. What you see is all I have in the world."
The reporter put his hand to his ear, "Uh, thank you. Back to the Klaxon building in Los Angeles."
Another reporter was standing next to a young black man with a badge on his jacket. Al Powell: he looked like a twenty-year-old. Leland smiled. Behind them was a battery of television sets, and Powell was holding a two-way radio. "Thanks, Jim. This is Sergeant Al Powell, pressed into service late last night. You've been actually talking to the man inside, Joseph Leland, haven't you?"
"Yes, but not in the last few minutes." Leland watched Powell's eyes, although it did not seem that Powell was thinking that Leland could be watching him. "We're asking people to stop jamming the CB. The telephones in there are shut down, and CB is his only means of contact with us. This man has been tremendously valuable so far, and we know that if he can continue to help us, he's going to try."
"Now, something came out of one of the windows a little while ago. What was that, a message?"
"No, the wind up there is pretty strong, and with all those broken windows, things are going to come flying out."