Authors: John Norman
Tags: #Science Fiction, #Fiction, #General, #Fantasy, #Adventure, #Gor (Imaginary Place), #Cabot; Tarl (Fictitious Character), #Outer Space, #Nomads, #Outlaws
thirty yards behind, with the next wagon; also, too, a wagon
is often guided by a woman or boy who walks beside the lead
animals with a sharp stick.
The interiors of the wagons, lashed shut, protected from
the dust of the march, are often rich, marvelously carpeted
and hung, filled with chests and silks, and booty from looted
caravans, lit by hanging tharlarion oil lamps, the golden light
of which falls on the silken cushions, the ankle-deep, intricat-
ly wrought carpets. In the center of the wagon there is a
small, shallow fire bowl, formed of copper, with a raised
brass grating. Some cooking is done here, though the bowl is
largely to furnish heat. The smoke escapes by a smoke hole
at the dome of the tentlike frame, a hole which is shut when
the wagons move.
There was the sudden thud of a kailla's paws on the grass
between the wagons and a wild snorting squeal.
I jumped back avoiding the paws of the enraged, rearing
animal.
"Stand aside, you fool!" cried a girl's voice, and to my
astonishment, astride the saddle of the monster I espied a
girl, young, astonishingly beautiful, vital, angry, pulling at the
control straps of the animal.
She was not as the other women of the Wagon Peoples I
had seen, the dour, thin women with braided hair, bending
over the cooking pots.
She wore a brief leather skirt, slit on the right side to allow
her the saddle of the kaiila; her leather blouse was sleeveless;
attached to her shoulders was a crimson cape; and her wild
black hair was bound back by a band of scarlet cloth. Like
the other women of the Wagons she wore no veil and, like
them, fixed in her nose was the tiny, fine ring that proclaimed
her people.
Her skin was a light brown and her eyes a charged, spark-
ling black.
"What fool is this?" she demanded of Kamchak.
'No fool," said Kamchak, "but Tarl Cabot, a warrior, one
who has held in his hands with me grass and earth."
"He is a stranger," she said. "He should be slain!"
Kamchak grinned up at her. "He has held with me grass
and earth," he said.
The girl gave a snort of contempt and kicked her small,
spurred heels into the Banks of the kaiila and bounded away.
Kamchak laughed. "She is Hereena, a wench of the First
Wagon," he said.
"Tell me of her," I said.
"What is there to tell?" asked Kamchak.
'What does it mean to be of the First Wagon?" I asked.
Kamchak laughed. "You know little of the Wagon Peo-
ples," he said.
"That is true," I admitted.
"To be of the First Wagon," said Kamchak, "is to be of
the household of Kutaituchik."
I repeated the name slowly, trying to sound it out. It i8
pronounced in four syllables, divided thus: Ku-tai-tu-chik.
"He then is the Ubar of the Tuchuks?" I said.
'His wagon," smiled Kamchak, "is the First Wagon and
it is Kutaituchik who sits upon the gray robe."
"The gray robe?" I asked.
"That robe," said Kamchak, 'which is the throne of the
Ubars of the Tuchuks."
It was thus I first learned the name of the man whom I
understood to be Ubar of this fierce people.
"You will sometime be taken into the presence of Kutai-
tuchik," said Kamchak. "I myself," he said, 'must often go to
the wagon of the Ubar."
I gathered from this remark that Kamchak was a man of
no little importance among the Tuchuks.
"There arc a hundred wagons in the personal household of
Kutaituchik," said Kamchak. 'No be of any of these wagons
is to be of the First Wagon."
"I see," I said. 'And the girl she on the kaiila is
perhaps the daughter of Kutaituchik, Ubar of the Tuchuks?"
"No," said Kamchak. "She is unrelated to him, as are most
in the First Wagon."
"She seemed much different than the other Tuchuk wom-
en," I said.
Kamchak laughed, the colored scars wrinkling on his
broad face. "Of course," said Kamchak, "she has been raised
to be fit prize in the games of Love and War."
"I do not understand," I said.
Did you not see the Plains of a Thousand Stakes?" asked
Kamchak.
"No," I said. ''I did not."
I was about to press Kamchak on this matter when we
heard a sudden shout and the squealing of kaiila from among
the wagons. I heard then the shouts of men and the cues of
women and children. Kamchak lifted his head intently, listen-
ng, Then we heard the pounding of a small drain and No
blasts on the horn of a bask.
Kamchak read the message of the drum and horn.
"A prisoner has been brought to the camp," he said.
Kamchak strode among the wagons, toward the sound,
and I followed him closely. Many others, too, rushed to the
sound, and we were jostled by armed warriors, scarred and
fierce; by boys with unscarred faces, carrying the pointed
sticks used often for goading the wagon bask; by leather-clad
women hurrying from the cooking pots; by wild, half-clothed
children; even by enslaved Kajir-clad beauties of Turia; even
the girl was there who wore but bells and collar, struggling
under her burden, long dried strips of bask meat, as wide as
beams, she too hurrying to see what might be the meaning
of the drum and horn, of the shouting Tuchuks.
We suddenly emerged into the center of what seemed to
be a wide, grassy street among the wagons, a wide lane, open
and level, an avenue in that city of Harigga, or Bask Wagons.
The street was lined by throngs of Tuchuks and slaves.
Among them, too, were soothsayers and haruspexes, and
singers and musicians, and, here and there, small peddlers
and merchants, of various cities, for such are occasionally
permitted by the Tuchuks, who crave their wares, to ap-
proach the wagons. Each of these, I was later to learn, wore
on his forearm a tiny brand, in the form of spreading bask
horns, which guaranteed his passage, at certain seasons,
across the plains of the Wagon Peoples. The difficulty, of
course is in first obtaining the brand. If, in the case of a
singer, the song is rejected, or in the case of a merchant, his
merchandise is rejected, he is slain out of hand. This accept-
ance brand, of course, carries with it a certain stain of
ignominy, suggesting that those who approach the wagons do as slaves.
Now I could see down the wide, grassy lane, loping
towards us, two kaiila and riders. A lance was fastened
between them, fixed to the stirrups of their saddles. The lance
cleared the ground, given the height of the kaiila, by about
five feet. Between the two animate, stumbling desperately, her
throat bound by leather thongs to the lance behind her neck,
ran a girl, her wrists tied behind her back.
I was astonished, for this girl was dressed not as a Gorean,
not as a girl of any of the cities of the Counter-Earth, not as
a peasant of the Sa-Tarna Belds or the vineyards where the
Ta grapes are raised, not even as a girl of the fierce Wagon
Peoples.
Kamchak stepped to the center of the grassy lane, lifting
his hand, and the two riders, with their prize, reined in their
mounts.
I was dumbfounded.
The girl stood gasping for breath, her body shaking and
quivering, her knees slightly bent. She would have fallen
except for the lance that kept her in place. She pulled weakly
at the thongs that bound her wrists. Her eyes seemed glazed.
She scarcely could look about her. Her clothing was stained
with dust and her hair hung loose and tangled. Her body was
covered with a sparkling sheen of sweat. Her shoes had been
removed and had been fastened about her neck. Her feet
were bleeding. The shreds of yellow nylon stockings hung
about her angles. Her brief dress was torn by being dragged
through brush.
Kamchak, too, seemed surprised at the sight of the girl,
for never had he seen one 80 peculiarly attired. He assumed,
of course, from the brevity of her skirt, that she was slave. He
was perhaps puzzled by the absence of a metal collar about
her throat. There was, however, literally sewn about her
neck, a thick, high leather collar.
Kamchak went to her and took her head in his hands. She
lifted her head and seeing the wild, fearsome scarred face
that stared into hers, she suddenly screamed hysterically, and
tried to jerk and tear herself away, but the lance held her in
place. She kept shaking her head and whimpering. It was
clear she could not believe her eyes, that she understood
nothing, that she did not comprehend her surroundings, that
she thought herself mad.
I noted that she had dark hair and dark eyes, brown.
The thought crossed my mind that this might lower her
price somewhat.
She wore a simple yellow shift, with narrow orange stripes,
of what must once have been crisp oxford cloth. It had long
sleeves, with cuffs, and a button down collar, not unlike a
man's shirt.