Noctuary (5 page)

Not even November yet and look at it, he thought as he stared through the glass of his front door. Very few were out tonight, and the ones who were found fewer houses open to them, closed doors and extinguished porchlights turning them away to roam blindly through the streets. He had lost much of the spirit himself, had not even set out a jack-o-lantern to signal his harbor in the night.

Then again, how would he have carried around such a weighty object with his leg the way it was now? One good fall down the stairs and he started collecting disability pay from the government, laid up for months in the solitude of his home.

He had prayed for punishment and his prayers had been answered. Not the leg itself, which only offered physical pain and inconvenience, but the other punishment, the solitude. This was the way he remembered being corrected as a child: sent into the basement, exiled to the cold stone cellar without the relief of light, save for that which hazed in through a dusty window-well in the corner. In that corner he stood, near as he could to the light. It was there that he once saw a fly twitching in a spider web. He watched and watched and eventually the spider came out to begin feasting on its prey. He watched it all, dazed with horror and sickness. When it was over he wanted to do something. He did. With a predatory stealth he managed to pinch up the little spider and pull it off its web. It tasted like nothing at all really, except a momentary tickle on his dry tongue.

"Trick or treat," he heard. And he almost got up to arduously cane his way to the door. But the Halloween slogan had been spoken somewhere in the distance. Why did it sound so close for a moment? Crescendoing echoes of the imagination, where far is near, up is down, pain pleasure. Maybe he should close up for the night. There seemed to be only a few kids playing the game this year. Only the most desultory stragglers remained at this point. Well, there was one now.

"Trick or treat," said a mild, failing little voice. Standing on the other side of the door was an elaborately garbed witch, complete with a warm black shawl and black gloves in addition to her black gown. An old broom was held in one hand, a bag in the other.

"You'll have to wait just a moment," he called through the door as he struggled to get up from the sofa with the aid of his cane. Pain. Good, good. He picked up a full bag of candy from the coffee table and was quite prepared to bestow its entire contents on the little lady in black. But then he recognized who it was behind the cadaver-.yellow make-up. Watch it. Wouldn't want to do anything unusual. Play you don't know who it is. And do not say anything concerning red houses with black shutters. Nothing about Ash Street.

To make matters worse, there was the outline of a parent standing on the sidewalk. Insure the safety of the last living child, he thought. But maybe there were others, though he'd only seen the brother and sister. Careful. Pretend she's unfamiliar; after all, she's wearing a different get-up from the one she wore the past two years. Above all don't say a word about you know who.

And what if he should innocently ask where was her little brother this year? Would she say: "He was killed," or maybe, "He's dead," or perhaps just, "He's gone," depending on how the parents handled the whole affair. With any luck, he would not have to find out.

He opened the door just far enough to hand out the candy and in a bland voice said: "Here you go, my little witch." That last part just slipped out somehow.

"Thank you," she said under her breath, under a thousand breaths of fear and experience. So did it seem.

She turned away, and as she descended the porch steps her broom clunked along one step behind her. An old, frayed, throwaway broom. Perfect for witches. And the kind perfect for keeping a child in line. An ugly old thing kept in a corner, an instrument of discipline always within easy reach, always within a child's sight until the thing became a dream-haunting image. Mother's broom.

After the girl and her mother were out of sight, he closed the door on the world and, having survived a tense episode, was actually grateful for the solitude that only minutes ago was the object of his dread.

Darkness. Bed.

But he could not sleep, not to say he did not dream. Hypnagogic horrors settled into his mind, a grotesque succession of images resembling lurid frames from old comic strips. Impossibly distorted faces painted in garish colors frolicked before his mental eye, all entirely beyond his control. These were accompanied by a series of funhouse noises which seemed to emanate from some zone located between his brain and the moonlit bedroom around him. A drone of half-thrilled, half-horrified voices filled the background of his imagination, punctuated by super-distinct shouts which used his name as an excuse for sound. It was an abstract version of his mother's voice, now robbed of any sensual quality to identify it as such, remaining.only a pure idea. The voice called out his name from a distant room in his memory.
Sam-u-el,
it shouted with a terrible urgency of obscure origin. Then suddenly -
trick or treat.
The words echoed, changing in sense as they faded into silence:
trick or treat
-
down the street - we will meet - ashes, ashes.
No, not ashes but other trees. The boy walked behind some big maples, was eclipsed by them. Did he know a car was following him that night? Panic. Don't lose him now. Don't lose him. Ah, there he was on the other side. Nice trees. Good old trees. The boy turned around, and in his hand was a tangled web of strings whose ends extended up to the stars which he began working like kites or toy airplanes or flying puppets, staring up at the night and screaming for the help that never came. Mother's voice started shouting again; then the other voices mixed in, becoming a foul babbling unity of dead voices chattering away. Night of the Dead. All the dead conversed with him in a single voicey-woicey.

Trick or treat,
it said.

But this didn't sound as if it were part of his delirium. The words seemed to originate from outside him, for their utterance served to disturb his half-sleep and free him of its terrible weight. Instinctively cautious of his lame leg, he managed to wrest himself from sweaty bedcovers and place both feet on the solid floor. This felt reassuring. But then:

Trick or treat.

It was outside. Someone on the front porch. "I'm coming," he called into the darkness, the sound of his own voice awakening him to the absurdity of what it had said. Had the months of solitude finally exacted their strange price from his sanity? Listen closely. Maybe it won't happen again.

Trick or treat. Trick or treat.

Trick, he thought. But he'd have to go downstairs to be sure. He imagined seeing a playfully laughing shape or shapes scurrying off into the darkness the moment he opened the door. He'd have to hurry, though, if he was to catch them at it. Damn leg, where's that cane. He next found his bathrobe in the darkness and draped it over his underclothed body. Now to negotiate those wicked stairs. Turn on the hallway light. No, that would alert them to his coming. Smart.

He was making it down the stairs in good time, considering the gloomy conditions he was working under. Neither this nor that nor gloom of night. Gloom of night. Dead of night. Night of the Dead.

With that odd sprightliness of cripples he ambled his way down the stairs, his cane always remaining a step ahead for support. Concentrate, he told his mind, which was starting to wander into strange places in the darkness. Watch out! Almost took a tumble that time. Finally he made it to the very bottom. A sound came through the wall from out on the front porch, a soft explosion it seemed. Good, they were still there. He could catch them and reassure his mind regarding the source of its fancies. The labor of walking down the stairs had left him rather hyperventilated and unsure about everything.

Trying to effect the shortest possible interval between the two operations, he turned the lock above the handle and pulled back the door as suddenly as he was able. A cold wind seeped in around the edges of the outer door, prowling its way past him and into the house. Out on the porch, there was no sign of a boyish trickster. Wait, yes there was.

He had to turn on the porchlight to see it. Directly in front of the door a jack-o-lantern had been heaved forcefully down onto the cement, caving in its pulpy shell which had exploded into fragments lying here and there on the porch. He opened the outer door for a closer look, and a swift wind invaded the house, flying past his head on frigid wings. What a blast, close the door. Close the door!

"Little buggers," he said very clearly, an attempt to relieve his sense of disorder and delirium.

"Who, meezy-weezy?" said the voice behind him.

At the top of the stairs. A dwarfish silhouette, seemingly with something in its hand. A weapon. Well, he had his cane at least.

"How did you get in here, child?" he asked without being sure it really was a child, considering its strangely hybrid voice.

"Child yourself, sonny. No such things where I come from. No Sammy-Wammies either. I'm just in disguise."

"How did you get in?" he repeated, still hoping to establish a rational manner of entry.

"In? I was already in."

"Here?" he asked.

"No, not here. There-dee-dare." The figure was pointing out the window at the top of the stairs, out at the kaleidoscopic sky. "Isn't it a beauty? No children, no anything."

"What do you mean?" he inquired with oneiric inspiration, the normalcy of dream being the only thing that kept his mind together at this stage.

"Mean? I don't mean nothing, you meany."

Double negative, he thought, relieved to have retained contact with a real world of grammatical propriety. Double negative: two empty mirrors reflecting each other's emptiness to infinite powers, nothing cancelling out nothing.

"Nothing?" he echoed with an interrogative inflection.

"Yup, that's where you're going."

"How am I supposed to do that?" he asked, gripping his cane tightly, sensing a climax to this confrontation.

"How? Don't worry. You already made sure of how-wow-wow... TRICK OR TREAT!"

And suddenly the thing came gliding down through the darkness.

IV

He was found the next day by Father Mickiewicz, who had telephoned earlier after failing to see this clockwork parishioner appear as usual for early mass on All Souls 
Day. The door was wide open, and the priest discovered his body at the bottom of the stairs, its bathrobe and underclothes grotesquely disarranged. The poor man seemed to have taken another fall, a fatal one this time. Aimless life, aimless death:
Thus was his death in keying with his life,
as Ovid wrote. So ran the priest's ad hoc eulogy, though not the one he would deliver at the deceased's funeral.

But why was the door open if he fell down the stairs? Father M. came to ask himself. The police answered this question with theories about an intruder or intruders unknown. Given the nature of the crime, they speculated on a revenge motive, which the priest's informal testimony was quick to contradict. The idea of revenge against such a man was far-fetched, if not totally meaningless. Yes, meaningless. Nevertheless, the motive was not robbery and the man seemed to have been beaten to death, possibly with his own cane. Later evidence showed that the corpse had been violated, but with an object much longer and more coarse than the cane originally supposed. They were now looking for something with the dimensions of a broomstick, probably a very old thing, splintered and decayed. But they would never find it in the places they were searching.

It seemed to Arthur Emerson that the swans, those perennial guests of the estate, had somehow become 
strange. Yet his knowledge of their natural behavior was vague, providing him with little idea of precisely how they had departed from habit or instinct. But he strongly sensed that there had indeed been such a departure, an imperceptible drifting into the peculiar. Suddenly these creatures, which had become as tedious to him as everything else, filled him with an astonishment he had not known in many years.

That morning they were gathered at the center of the lake, barely visible within a milky haze which hovered above still waters. For as long as he observed them, they did not allow themselves the slightest motion- toward the grassy shores circling the lake. Each of them - there were four - faced a separate direction, as though some antagonism existed within their order. Then their sleek, ghostly forms revolved with a mechanical ease and came to huddle around an imaginary point of focus. For a moment their heads nodded slightly toward one another, bowing in wordless prayer; but soon they stretched their snaking necks in unison, elevated their orange and black bills toward the thick mist above, and gazed into its depths. There followed a series of haunting cries unlike anything ever heard on the vast grounds of that isolated estate.

Arthur Emerson now wondered if something he could not see was disturbing the swans. As he stood at the tall windows which faced the lake, he made a mental note to have Graff go down there and find out what he could. Possibly some unwelcome animal was now living in the dense woods nearby. And as he further considered the matter, it appeared that the numerous wild ducks, those brownish goblins that were always either visible or audible somewhere in the vicinity of the lake, had already vacated the area. Or perhaps they were only obscured by the unusually heavy mist of that singular morning.

Arthur Emerson spent the rest of the day in the library. At intervals he was visited by a very black cat, an aloof and somewhat phantasmal member of the small Emerson household. Eventually it fell asleep on a sunny window ledge, while its master wandered among the countless uncatalogued volumes he had accumulated over the past fifty years or so.

During his childhood, the collection which filled the library's dark shelves was a common one, and much of it he had given away or destroyed in order to provide room for other works. He was the only scholar in a lengthy succession of businessmen of one kind or another, the last living member of the old family; at his death, the estate would probably pass into the hands of a distant relative whose name and face he did not know. But this was not of any great concern to Arthur Emerson: resignation to his own inconsequence, along with that of all things of the earth, was a philosophy he had nurtured for some time, and with considerable success.

In his younger years he had travelled a great deal, these excursions often relating to his studies, which could be approximately described as ethnological bordering on the esoteric. Throughout various quarters of what now seemed to him a shrunken, almost claustrophobic world, he had attempted to satisfy an inborn craving to comprehend what
then
seemed to him an astonishing, even shocking existence. Arthur Emerson recalled that while still a child the world around him suggested strange expanses not subject to common view. This sense of the invisible often exerted itself in moments when he witnessed nothing more than a patch of pink sky above leafless trees in twilight or an abandoned room where dust settled on portraits and old furniture. To him, however, these appearances disguised realms of an entirely different nature. For within these imagined or divined spheres there existed a certain... confusion, a swirling, fluttering motion that was belied by the relative order of the seen.

Only on rare occasions could he enter these unseen spaces, and always unexpectedly. A striking experience of this kind took place in his childhood years and involved a previous generation of swans which he had paused one summer afternoon to contemplate from a knoll by the lake. Perhaps their smooth drifting and gliding upon the water had induced in him something like a hypnotic state. The ultimate effect, however, was not the serene catatonia of hypnosis, but a whirling flight through a glittering threshold which opened within the air itself, propelling him into a kaleidoscopic universe where space consisted only of multi-colored and ever-changing currents, as of wind or water, and where time did not exist.

Later he became a student of the imaginary lands hypothesized by legends and theologies, and he had sojourned in places which concealed or suggested unknown orders of existence. Among the volumes in his library were several of his own authorship, bibliographical shadows of his lifetime obsessions. His body of works included such titles as:
In the Margins of Paradise, The Forgotten Universe of the Vicoli,
and
The Secret Gods and Other Studies.
For many feverish years he was burdened with the sensation, an ancient one to be sure, that the incredible sprawl of human history was no more than a pathetically partial record of an infinitely vast and shadowed chronicle of universal metamorphoses. How much greater, then, was the feeling that his own pathetic history formed a practically invisible fragment of what itself was merely an obscure splinter of the infinite. Somehow he needed to excarcerate himself from the claustral dungeon cell of his life. In the end, however, he broke beneath the weight of his aspiration. And as the years passed, the only mystery which seemed worthy of his interest, and his amazement, was that unknown day which would inaugurate his personal eternity, that incredible day on which the sun simply would not rise, and forever would begin.

Arthur Emerson pulled a rather large book down from its high shelf and ambled toward a cluttered desk to make some notes for a work which would very likely be his last. Its tentative title:
Dynasties of Dust.

Toward nightfall he suspended his labors. With much stiffness, he walked to the window ledge where the cat lay sleeping in the fading light of dusk. But its body seemed to rise and fall a little too vigorously for sleep, and it made a strange whistling sound rather than the usual murmuring purr. The cat opened its eyes and rolled sideways, as it often did when inviting a hand to stroke its glossy black fur. But as soon as Arthur Emerson laid his palm upon that smooth coat, his fingers were rapidly gnawed. The animal then leaped to the floor and ran out of the room, while Arthur Emerson watched his own blood trickling over his hand in a shapeless stain.

All that evening he felt restless, profoundly at odds with the atmosphere of each room he entered and then soon abandoned. He wandered the house, telling himself that he was in search of his ebony pet, in order to establish the terms of their misunderstanding. But this pretext would every so often dissolve, and it then became clear to Arthur Emerson that he searched for something less tangible than a runaway cat.

These rooms, however high their ceilings, suffocated him with shadowy questions; his footsteps, echoing sharply down long gleaming corridors, sounded like clacking bones. The house had become a museum of mystery.

He finally gave up the search and allowed fatigue to guide him to his bedroom, where immediately he opened a window in the hope that something without a name would fly from the house. But he now discovered that it was not only the house which was swollen with mysteries; it was the very night itself. A nocturnal breeze began lifting the curtains, mingling with the air inside the room. Shapeless clumps of clouds floated with mechanical complacency across a stone gray sky, a sky which itself seemed shapeless rather than evenly infinite. To his left he saw that the inner surface of the open window reflected a strange face, his face, and he pushed the fear-stricken thing out into the darkness.

Arthur Emerson eventually slept that night, but he also dreamed. His dreams were without definite form, a realm of mist where twisted shadows glided, their dark mass shifting fluently. Then, through the queerly gathered and drifting clouds of mist, he saw a shadow whose dark monstrosity made the others seem shapely and radiant. It was a deformed colossus, a disfigured monument carved from the absolute density of the blackest abyss. And now the lesser shadows, the pale and meager shadows, seemed to join in a squealing chorus of praise to the greater one. He gazed at the cyclopean thing in a trance of horror, until its mountainous mass began to move, slowly stretching out some part of itself, flexing what might have been a misshapen arm. And when he awoke, scattering the bedcovers, he felt a warm breeze wafting in through a window which he could not remember having left open.

The next morning it became apparent that there would be no relief from the uncanny influences which still seemed to be lingering from the day before. All about the Emerson estate a terrific fog had formed, blinding the inhabitants of the house to most of the world beyond it. What few shapes remained visible - the closest and darkest trees, some rose bushes pressing against the windows - seemed drained of all earthly substance, creating a landscape both infinite and imprisoning, an estate of dream. Unseen in the fog, the swans were calling out like banshees down by the lake. And even Graff, when he appeared in the library attired in a bulky groundskeeper's jacket and soiled trousers, looked less like a man than like a specter of ill prophecy.

"Are you certain," said Arthur Emerson, who was seated at his, desk, "that you have nothing to report about those creatures?"

"No sir," replied Graff. "Nothing."

There was, however, something else Graff had discovered, something which he thought the master of the house should see for himself. Together they travelled down several stairways leading to the various cellars and storage chambers beneath the house. On the way Graff explained that, as also ordered, he had searched for the cat, which had not been seen since last evening. Arthur Emerson only gazed at his man and nodded in silence, while inwardly muttering to himself about some strangeness he perceived in the old retainer. Between every few phrases the man would begin humming, or rather singing at the back of his throat in an entirely peculiar manner.

After making their way far into the dark catacombs of the Emerson house, they arrived at a remote room which seemed to have been left unfinished when the house had been erected so long ago. There were no lighting fixtures (except the one recently improvised by Graff), the stone walls were unplastered and unpainted, and the floor was of hard, bare earth. Graff pointed downward, and his crooked finger wandered in an arc through the sepulchral dimness of the room. Arthur Emerson now saw that the place had been turned into a charnel house for the remains of small animals: mice, rats, birds, squirrels, even a few young possums and raccoons. He already knew the cat to be an obsessive hunter, but it seemed strange that these carcasses had all been brought to this room, as if it were a kind of sanctum of mutilation and death.

While contemplating this macabre chamber, Arthur Emerson noticed peripherally that Graff was fidgeting with some object concealed in his pocket. How strange indeed the old servant had become.

"What have you got there?" Arthur Emerson asked.

"Sir?" Graff replied, as though his manual gyrations had proceeded without his awareness. "Oh, this," he said, revealing a metal gardening implement with four clawlike prongs. "I was doing some work outdoors; that is, I was intending to do so, if there was time."

"Time? On a day like this?"

Obviously embarrassed and at a loss to explain himself, Graff pointed the taloned tool at the decomposing carcasses. "None of the animals actually seem to have been eaten," he quietly observed, and that curious piping in his throat sounded almost louder than his words.

"No," Arthur Emerson agreed with some bewilderment. He then reached up to grasp a thick black extension cord which Graff had slung over the rafters; at the end of the cord was a light bulb which he tried to maneuver to more fully illuminate the room. Incautiously, perhaps, Arthur Emerson was thinking that there existed some method to the way the bodies of the slaughtered creatures were positioned across the entire floor. Graff's next remark approximated the unformed perception of his employer: "Like a trail of dominos winding round and round. But no true sense to it."

Arthur Emerson readily granted the apt analogy to a maze of dominos, but concerning the second of Graff's statements there suddenly appeared to be some doubt. For at that moment Arthur Emerson looked up and saw a queerly shaped stain, as if made by mold or moisture, upon the far wall.

"Shall I clean the place out?" asked Graff, raising the metal claw.

"What? No," decided Arthur Emerson as he gazed at the shapeless, groping horror that appeared to have crawled from his own dream and stained itself into the stone before him.

"Leave everything exactly as it is," he ordered the old whistling servant.

Arthur Emerson returned to the library, and there he began to explore a certain shelf of books. This shelf comprised his private archives of handsomely bound travel diaries he had kept over the years. He withdrew one after another, paged through each volume, and then replaced it. Finally he found the one he wanted, which was the record of a visit to central and southern Italy made when he was a young man. Settling down,at his desk, he leaned into the words before him. After reading only a few sentences he began to wonder who this strange lyrical creature, this ghost, might be. No doubt himself, but in some previous incarnation, some bizarre anterior life.