Read My Mistress's Sparrow Is Dead Online

Authors: Jeffrey Eugenides

Tags: #Romance, #Anthologies, #Adult, #Contemporary

My Mistress's Sparrow Is Dead (10 page)

“It’s now three degrees above freezing, and yet it’s snowing,” Gurov said to his daughter. “But it’s warm only near the surface of the earth, while in the upper layers of the atmosphere the temperature is quite different.”
“And why is there no thunder in winter, papa?”
He explained that, too. He spoke and thought that here he was going to a rendezvous, and not a single soul knew of it or probably would ever know. He had two lives: an apparent one, seen and known by all who needed it, filled with conventional truth and conventional deceit, which perfectly resembled the lives of his acquaintances and friends, and another that went on in secret. And by some strange coincidence, perhaps an accidental one, everything that he found important, interesting, necessary, in which he was sincere and did not deceive himself, which constituted the core of his life, occurred in secret from others, while everything that made up his lie, his shell, in which he hid in order to conceal the truth—for instance, his work at the bank, his arguments at the club, his “inferior race,” his attending official celebrations with his wife—all this was in full view. And he judged others by himself, did not believe what he saw, and always supposed that every man led his own real and very interesting life under the cover of secrecy, as under the cover of night. Every personal existence was upheld by a secret, and it was perhaps partly for that reason that every cultivated man took such anxious care that his personal secret should be respected.
After taking his daughter to school, Gurov went to the Slavyansky Bazaar. He took his fur coat off downstairs, went up, and knocked softly at the door. Anna Sergeevna, wearing his favorite gray dress, tired from the trip and the expectation, had been waiting for him since the previous evening; she was pale, looked at him and did not smile, and he had barely come in when she was already leaning on his chest. Their kiss was long, lingering, as if they had not seen each other for two years.
“Well, how is your life there?” he asked. “What’s new?”
“Wait, I’ll tell you . . . I can’t.”
She could not speak because she was crying. She turned away from him and pressed a handkerchief to her eyes.
“Well, let her cry a little, and meanwhile I’ll sit down,” he thought, and sat down in an armchair.
Then he rang and ordered tea; and then, while he drank tea, she went on standing with her face turned to the window . . . She was crying from anxiety, from a sorrowful awareness that their life had turned out so sadly; they only saw each other in secret, they hid from people like thieves! Was their life not broken?
“Well, stop now,” he said.
For him it was obvious that this love of theirs would not end soon, that there was no knowing when. Anna Sergeevna’s attachment to himgrew ever stronger, she adored him, and it would have been unthinkable to tell her that it all really had to end at some point; and she would not have believed it.
He went up to her and took her by the shoulders to caress her, to make a joke, and at that moment he saw himself in the mirror.
His head was beginning to turn gray. And it seemed strange to him that he had aged so much in those last years, had lost so much of his good looks. The shoulders on which his hands lay were warm and trembled. He felt compassion for this life, still so warm and beautiful, but probably already near the point where it would begin to fade and wither, like his own life. Why did she love him so? Women had always taken him to be other than he was, and they had loved in him, not himself, but a man their imagination had created, whom they had greedily sought all their lives; and then, when they had noticed their mistake, they had still loved him. And not one of them had been happy with him. Time passed, he met women, became intimate, parted, but not once did he love; there was anything else, but not love.
And only now, when his head was gray, had he really fallen in love as one ought to—for the first time in his life.
He and Anna Sergeevna loved each other like very close, dear people, like husband and wife, like tender friends; it seemed to them that fate itself had destined them for each other, and they could not understand why he had a wife and she a husband; and it was as if they were two birds of passage, a male and a female, who had been caught and forced to live in separate cages. They had forgiven each other the things they were ashamed of in the past, they forgave everything in the present, and they felt that this love of theirs had changed them both.
Formerly, in sad moments, he had calmed himself with all sorts of arguments, whatever had come into his head, but now he did not care about any arguments, he felt deep compassion, he wanted to be sincere, tender . . .
“Stop, my good one,” he said, “you’ve had your cry—and enough . . . Let’s talk now, we’ll think up something.”
Then they had a long discussion, talked about how to rid themselves of the need for hiding, for deception, for living in different towns and not seeing each other for long periods. How could they free themselves from these unbearable bonds?
“How? How?” he asked, clutching his head. “How?”
And it seemed that, just a little more—and the solution would be found, and then a new, beautiful life would begin; and it was clear to both of them that the end was still far, far off, and that the most complicated and difficult part was just beginning.

 

LOVE
GRACE PALEY
 
FIRST I WROTE this poem:
 
Walking up the slate path of the college park
under the nearly full moon the brown oak leaves are red as maples
and I have been looking at the young people
they speak and embrace one another
because of them I thought I would descend
into remembering love so I let myself down hand over hand
until my feet touched the earth of the gardens of Vesey Street
 
I told my husband, I’ve just written a poem about love.
What a good idea, he said.
Then he told me about Sally Johnson on Lake Winnipesaukee, who was twelve and a half when he was fourteen. Then he told me about Rosemarie Johanson on Lake Sunapee. Then he told me about Jane Marston in Concord High, and then he told me about Mary Smythe of Radcliffe when he was a poet at Harvard. Then he told me about two famous poets, one fair and one dark, both now dead, when he was a secret poet working at an acceptable trade in an office without windows. When at last he came to my time—that is, the past fifteen years or so—he told me about Dotty Wasserman.
Hold on, I said. What do you mean, Dotty Wasserman? She’s a character in a book. She’s not even a person.
O.K., he said. Then why Vesey Street? What’s that?
Well, it’s nothing special. I used to be in love with a guy who was a shrub buyer. Vesey Street was the downtown garden center of the city when the city still had wonderful centers of commerce. I used to walk the kids there when they were little carriage babies half asleep, maybe take the ferry to Hoboken. Years later I’d bike down there Sundays, ride round and round. I even saw him about three times.
No kidding, said my husband. How come I don’t know the guy?
Ugh, the stupidity of the beloved. It’s you, I said. Anyway, what’s this baloney about you and Dotty Wasserman?
Nothing much. She was this crazy kid who hung around the bars. But she didn’t drink. Really it was for the men, you know. Neither did I—drink too much, I mean. I was just hoping to get laid once in a while or maybe meet someone and fall madly in love.
He is that romantic. Sometimes I wonder if loving me in this homey life in middle age with two sets of bedroom slippers, one a skin of sandal for summer and the other pair lined with cozy sheepskin—it must be a disappointing experience for him.
He made a polite bridge over my conjectures. He said, She was also this funny mother in the park, years later, when we were all doing that municipal politics and I was married to Josephine. Dotty and I were both delegates to that famous Kansas City National Meeting of Town Meetings. NMTM. Remember? Some woman.
No, I said, that’s not true. She was made up, just plain invented in the late fifties.
Oh, he said, then it was after that. I must have met her afterward.
He is stubborn, so I dropped the subject and went to get the groceries. Our shrinking family requires more coffee, more eggs, more cheese, less butter, less meat, less orange juice, more grapefruit.
Walking along the street, encountering no neighbor, I hummed a little up-and-down tune and continued jostling time with the help of my nice reconnoitering brain. Here I was, experiencing the old earth of Vesey Street, breathing in and out with more attention to the process than is usual in the late morning—all because of love, probably. How interesting the way it glides to solid invented figures from true remembered wraiths. By God, I thought, the lover is real. The heart of the lover continues; it has been propagandized from birth.
I passed our local bookstore, which was doing well, with
The Joy of All Sex
underpinning its prosperity. The owner gave me, a dependable customer of poorly advertised books, an affectionate smile. He was a great success. (He didn’t know that three years later his rent would be tripled, he would become a sad failure, and the landlord, feeling himself brilliant, an outwitting entrepreneur, a star in the microeconomic heavens, would be the famous success.)
From half a block away I could see the kale in the grocer’s bin, crumbles of ice shining the dark leaves. In interior counterview I imagined my husband’s north-country fields, the late-autumn frost in the curly green. I began to mumble a new poem:
 
In the grocer’s bin, the green kale shines
in the north country it stands
/ sweet with frost
dark and curly in a garden of tan hay
and light white snow . . .
 
Light white . . . I said that a couple of questioning times. Suddenly my outside eyes saw a fine-looking woman named Margaret, who hadn’t spoken to me in two years. We’d had many years of political agreement before some matters relating to the Soviet Union separated us. In the angry months during which we were both right in many ways, she took away with her to her political position and daily friendship my own best friend, Louise—my lifelong park, P.T.A., and antiwar-movement sister, Louise.
In a hazy litter of love and leafy green vegetables I saw Margaret’s good face, and before I remembered our serious difference, I smiled. At the same moment, she knew me and smiled. So foolish is the true lover when responded to that I took her hand as we passed, bent to it, pressed it to my cheek, and touched it with my lips.
I described all this to my husband at suppertime. Well of course, he said. Don’t you know? The smile was for Margaret but really you do miss Louise a lot and the kiss was for Louise. We both said, Ah! Then we talked over the way the SALT treaty looked more like a floor than a ceiling, read a poem written by one of his daughters, looked at a TV show telling the destruction of the European textile industry, and then made love.
In the morning he said, You’re some lover, you know. He said, You really are. You remind me a lot of Dotty Wasserman.

 

A ROSE FOR EMILY
WILLIAM FAULKNER
 
I
WHEN MISS EMILY Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old manservant—a combined gardener and cook—had seen in at least ten years.
It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Miss Emily’s house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps—an eyesore among eyesores. And now Miss Emily had gone to join the representatives of those august names where they lay in the cedar-bemused cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson.

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