Read Music for Chameleons Online

Authors: Truman Capote

Tags: #Fiction, #Short Stories (Single Author), #Literary Collections, #Essays

Music for Chameleons (19 page)

BOOK: Music for Chameleons
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20 July 1976: A telegram from Jake.
Have Head One Hand Two Feet Stop Gone Fishing Jake
. I wonder why he sent a telegram instead of calling? Can he imagine that I resent this success? I’m pleased, for I know his pride has been at least partially restored. I only hope that wherever he has “gone fishing,” it is somewhere in the neighborhood of Blue River.
22 July 1976: Wrote Jake a congratulatory letter, and told him I was going abroad for three months.
20 December 1976: A Christmas card from Sarasota. “If you ever come this way, please stop by. God bless you. Marylee Connor.”
22 February 1977: A note from Marylee: “I still subscribe to the hometown paper, and thought the enclosed clipping might interest you. I’ve written her husband. He sent me such a lovely letter at the time of Addie’s accident.” The clipping was Juanita Quinn’s obituary; she had died in her sleep. Surprisingly, there was to be no service or burial, for the deceased had requested that she be cremated and her ashes scattered over Blue River.
23 February 1977: Called Jake. He said, rather sheepishly:
“Hiya, pardner! You’ve been quite the stranger.” In fact, I’d mailed him a letter from Switzerland, to which he had not replied; and though I’d failed to reach him, had twice phoned during the Christmas holidays. “Oh yeah, I was in Oregon.” Then I came to the point: Juanita Quinn’s obituary. Predictably, he said: “I’m suspicious”; and when I asked why, answered: “Cremations always make me suspicious.” We talked another quarter-hour, but it was a self-conscious conversation, an effort on his part. Perhaps I remind him of matters that, for all his moral strength, he is beginning to want to forget.
10 July 1977: Jake called, elated. Without preamble, he announced: “Like I told you, cremations always make me suspicious. Bob Quinn’s a bridegroom! Well, everybody knew he had another family, a woman with four children fathered by Squire Quinn. He kept them hidden over in Appleton, a place about a hundred miles southwest. Last week he married the lady. Brought his bride and brood back to the ranch, proud as a rooster. Juanita would spin in her grave. If she
had
a grave.” Stupidly, dazed by the speed of Jake’s narrative, I asked: “How old are the children?” He said: “The youngest is ten and the oldest seventeen. All girls. I tell you, the town is in an uproar. Sure, they can handle murder, a couple of homicides don’t faze them; but to have their shining knight, their big War Hero, show up with this brazen trollop and her four little bastards is too much for their Presbyterian eyebrows.” I said: “I feel sorry for the children. The woman, too.” Jake said: “I’ll save my sorrow for Juanita. If there was a body to exhume, I’ll bet the coroner would find a nice dose of nicotine inside it.” I said: “I doubt that. He wouldn’t hurt Juanita. She was an alcoholic. He was her savior. He loved her.” Quietly,
Jake said: “And I gather you don’t think he had anything to do with Addie’s ‘accident’?” I said: “He meant to kill her. He would have, eventually. But then she drowned.” Jake said: “Saving him the trouble! Okay. Explain Clem Anderson, the Baxters.” I said: “Yes, that was all Quinn’s work. He had to do it. He’s a messiah with a task.” Jake said: “Then why did he let the postmaster glide through his fingers?” I said: “Has he? My guess is that old Mr. Jaeger has an appointment in Samarra. Quinn will cross his path one day. Quinn can’t rest until that happens. He’s not sane, you know.” Jake hung up, but not before acrimoniously asking: “Are you?”
15 December 1977: Saw a black alligator wallet in a pawnshop window. It was in fine condition, and initialed J.P. I bought it, and because our last conversation had ended angrily (he was angry, I wasn’t), I sent it to Jake as both a Christmas present and a peace offering.
22 December 1977: A Christmas card from the faithful Mrs. Connor: “I’m working for the circus! No, I’m not an acrobat. I’m a receptionist. It beats shuffleboard! All wishes for the New Year.”
17 January 1978: A four-line scrawl from Jake thanking me for the wallet—curtly, inadequately. I’m receptive to hints. I won’t write or call again.
20 December 1978: A Christmas card from Marylee Connor, just her signature; nothing from Jake.
12 September 1979: Fred Wilson and his wife were in New York last week, en route to Europe (their first trip), happy as honeymooners. I took them to dinner; all talk was limited to the excitements of their impending tour until, while selecting dessert, Fred said: “I notice you haven’t mentioned Jake.” I pretended surprise, and casually remarked that I hadn’t heard from Jake in well over
a year. Shrewdly, Fred asked: “You fellows have a falling out?” I shrugged: “Nothing quite so clean-cut. But we haven’t always seen eye to eye.” Then Fred said: “Jake’s had bad health problems lately. Emphysema. He’s retiring the end of this month. Now, it’s none of my business, but I think it would be a nice gesture if you called him. Just now he needs a pat on the back.”
14 September 1979: I shall always be grateful to Fred Wilson; he had made it easy for me to swallow my pride and call Jake. We spoke this morning; it was as if we had talked yesterday, and the day before. One wouldn’t believe that there had ever been an interruption in our friendship. He confirmed the news of his retirement: “Just sixteen days to go!”—and said that he planned to live with his son in Oregon. “But before that, I’m going to spend a day or two at the Prairie Motel. I’ve some unfinished chores in that town. There’s some records in the courthouse I want to steal for my files. Hey, listen! Why don’t we go together? Have a real reunion. I could meet you at Denver and drive you down.” Jake did not have to pressure me; if he hadn’t offered the invitation, I would have suggested it myself: I had often dreamed, while awake or asleep, of returning to that melancholy village, for I wanted to see Quinn again—meet and talk with him, just the two of us alone.

IT WAS THE SECOND DAY
of October.

Jake, declining an offer to accompany me, had lent me his car, and after lunch I left the Prairie Motel to keep an appointment at the B.Q. Ranch. I remembered the last time I had traveled this territory: the full moon, the fields of snow, the cutting cold, the cattle banded together, gathered in groups, their warm
breath smoking the arctic air. Now, in October, the landscape was gloriously different: the macadam highway was like a skinny black sea dividing a golden continent; on either side, the sun-bleached stubble of threshed wheat flamed, rippled with yellow colors, sable shadows under a cloudless sky. Bulls pranced about these pastures; and cows, among them mothers with new calves, grazed, dozed.

At the entrance to the ranch, a young girl was leaning against a sign, the one with the crossed tomahawks. She smiled, and waved for me to stop.

YOUNG GIRL:
Afternoon! I’m Nancy Quinn. My dad sent me to meet you.

TC:
Well, thanks.

NANCY QUINN
(opening the car door, climbing in): He’s fishing. I’ll have to show you where he is.

(She was a cheerful twelve-year-old snaggle-toothed tomboy. Her tawny hair was chopped short, and she was splashed with freckles from top to bottom. She was wearing only an old bathing suit. One of her knees was wrapped in a dirty bandage.)

TC
(referring to the bandage): Hurt yourself?

NANCY QUINN:
Naw. Well, I got throwed.

TC:
Throwed?

NANCY QUINN:
Bad Boy throwed me. He’s one mean horse. That’s how come they call him Bad Boy. He’s throwed every kid on the ranch. Most of the guys, too. I said well, I bet I can ride him. And I did. For ’bout two seconds flat.

You been here before?

TC:
Once; years ago. But it was at night. I remember a wooden bridge—

NANCY QUINN:
That’s it yonder!

(We crossed the bridge: finally I saw Blue River; but it
was a glimpse as swift and flurried as a hummingbird’s flight, for overhanging trees, leafless when last seen, blazed with obscuring autumn-trimmed foliage.)

You ever been to Appleton?

TC:
No.

NANCY QUINN:
Never?
That’s funny. I never met nobody that’s never been to Appleton.

TC:
Have I missed something?

NANCY QUINN:
Oh, it’s okay. We used to live there. But I like it here better. It’s easier to get off by yourself and do the kinda stuff I like. Fish. Shoot coyotes. My dad said he’d give me a dollar for every coyote I shot down; but after he’d give me more’n two hundred dollars, he cut me down to a dime. Well, I don’t need money. I’m not like my sisters. Always got their face stuck in a mirror.

I got three sisters, and I’ll tell you they’re not too happy here. They don’t like horses; they hate most everything. Boys. That’s all they’ve got on their mind. When we lived in Appleton, we didn’t see so much of my dad. Maybe like once a week. So they put on perfume and lipstick and had plenty of boyfriends. That was okay with my mom. She’s a lot like them, someways. She likes to fuss with herself and look pretty. But my dad is real strict. He won’t let my sisters have any boyfriends. Or wear lipstick. One time some of their old boyfriends drove over from Appleton, and my dad met them at the door with a shotgun; he told them, said the next time he saw them on his property he’d blow their heads off. Wow, did those guys scoot! The girls cried themselves sick. But the whole thing gives me the biggest laugh.

See that fork in the road? Stop there.

(I stopped the car; we both got out. She pointed to an opening in the trees: a dark, leafy, downward-sloping path.)

Just follow that.

TC
(suddenly afraid to be alone): You’re not coming with me?

NANCY QUINN:
My dad don’t like anybody around when he talks business.

TC:
Well, thanks again.

NANCY QUINN:
My pleasure!

SHE WALKED AWAY WHISTLING
.

Parts of the path were so overgrown that I had to bend branches, shield my face against brushing leaves. Briars, strange thorns caught at my trousers; high in the trees, crows cawed, screamed. I saw an owl; it’s odd to see an owl in daylight; he blinked, but did not stir. Once, I almost stumbled into a beehive—an old hollow tree-stump swarming with wild black bees. Always I could hear the river, a slow soft churning roar; then, at a curve in the path, I saw it; and saw Quinn, too.

He was wearing a rubber suit, and holding aloft, as though it were a conductor’s baton, a supple fishing rod. He stood waist-deep, his hatless head in profile; his hair was no longer flecked with grey—it was white as the water-foam circling his hips. I wanted to turn and run, for the scene was so strongly reminiscent of that other day, that long-ago time when Quinn’s look-alike, the Reverend Billy Joe Snow, had waited for me in waist-high water. Suddenly I heard my name; Quinn was calling it, and beckoning to me as he waded toward shore.

I thought of the young bulls I had seen parading in the golden pastures; Quinn, glistening in his rubber suit, reminded me of them—vital, powerful, dangerous; except for his whiter hair, he hadn’t aged an iota; indeed, he seemed years younger, a man of fifty in perfect health.

Smiling, he squatted on a rock, and motioned for me to join him. He displayed some trout he’d caught. “Kinda puny. But they’ll eat good.”

I mentioned Nancy. He grinned and said: “Nancy. Oh, yeah. She’s a good kid.” He left it at that. He didn’t refer to his wife’s death, or the fact that he had remarried: he assumed I was aware of his recent history.

He said: “I was surprised when you called me.”

“Oh?”

“I don’t know. Just surprised. Where you staying?”

“At the Prairie Motel. Where else?”

After a silence, and almost shyly, he asked: “Jake Pepper with you?”

I nodded.

“Somebody told me he was leaving the Bureau.”

“Yes. He’s going to live in Oregon.”

“Well, I don’t guess I’ll ever see the old bastard again. Too bad. We could’ve been real friends. If he hadn’t had all those suspicions. Damn his soul, he even thought I drowned poor Addie Mason!” He laughed; then scowled. “The way I look at it is: it was the hand of God.” He raised his own hand, and the river, viewed between his spread fingers, seemed to weave between them like a dark ribbon. “God’s work. His will.”

PART THREE
Conversational Portraits

I

A Day’s Work

SCENE:
A RAINY APRIL MORNING
, 1979. I am walking along Second Avenue in New York City, carrying an oilcloth shopping satchel bulging with house-cleaning materials that belong to Mary Sanchez, who is beside me trying to keep an umbrella above the pair of us, which is not difficult as she is much taller than I am, a six-footer.

BOOK: Music for Chameleons
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