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Authors: Robert E. Howard

Tags: #Science Fiction & Fantasy, #Fantasy, #Anthologies, #Epic, #Sword & Sorcery, #Anthologies & Short Stories

Moon of Skulls (16 page)

BOOK: Moon of Skulls
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The ranks never wavered, but Kane caught the sidelong flash of strangely red eyes and the involuntary wetting of thick lips. Nakari had half-risen as the spears flashed, and now she sank back, an expression of cruel satisfaction on her beautiful face and a strange brooding gleam in her scintillant eyes.

An indifferent wave of her hand and the corpse was dragged away by the heels, the dead arms trailing limply in the wide smear of blood left by the passage of the body. Kane could see other wide stains crossing the stone floor, some almost indistinct, others less dim. How many wild scenes of blood and cruel frenzy had the great stone throne-dragons looked upon with their carven eyes?

He did not doubt, now, the tales told him by the river tribes. These people were bred in rapine and horror. Their prowess had burst their brains. They lived, like some terrible beast, only to destroy. There were strange gleams behind their eyes which at times lit those eyes with upleaping flames and shadows of Hell. What had the river tribes said of these mountain people who had ravaged them for countless centuries?
That they were henchmen of death, who stalked among them, and whom they worshipped.

Still the thought hovered in Kane’s mind as he watched — who built this place, and why were Negroes evidently in possession? He knew this was the work of a higher race. No black tribe had ever reached such a stage of culture as evidenced by these carvings. Yet the river tribes had spoken of no other men than those upon which he now looked.

The Englishman tore himself away from the fascination of the barbaric scene with an effort. He had no time to waste; as long as they thought him dead, he had more chance of eluding possible guards and seeking what he had come to find. He turned and set off down the dim corridor. No plan of action offered itself to his mind and one direction was as good as another. The passage did not run straight; it turned and twisted, following the line of the walls, Kane supposed, and found time to wonder at the evident enormous thickness of those walls. He expected at any moment to meet some guard or slave, but as the corridors continued to stretch empty before him, with the dusty floors unmarked by any footprint, he decided that either the passages were unknown to the people of Negari or else for some reason were never used.

He kept a close lookout for secret doors, and at last found one, made fast on the inner side with a rusty bolt set in a groove of the wall. This he manipulated cautiously, and presently with a creaking which seemed terrifically loud in the stillness the door swung inward. Looking out he saw no one, and stepping warily through the opening, he drew the door to behind him, noting that it assumed the part of a fantastic picture painted on the wall. He scraped a mark with his dagger at the point where he believed the hidden spring to be on the outer side, for he knew not when he might need to use the passage again.

He was in a great hall, through which ran a maze of giant pillars much like those of the throne chamber. Among them he felt like a child in some great forest, yet they gave him some slight sense of security since he believed that, gliding among them like a ghost through a jungle, he could elude the black people in spite of their craft.

He set off, choosing his direction at random and going carefully. Once he heard a mutter of voices, and leaping upon the base of a column, clung there while two black women passed directly beneath him, but besides these he encountered no one. It was an uncanny sensation, passing through this vast hall which seemed empty of human life, but in some other part of which Kane knew there might be throngs of people, hidden from sight by the pillars.

At last, after what seemed an eternity of following these monstrous mazes, he came upon a huge wall which seemed to be either a side of the hall, or a partition, and continuing along this, he saw in front of him a doorway before which two spearmen stood like black statues.

Kane, peering about the corner of a column base made out two windows high in the wall, one on each side of the door, and noting the ornate carvings which covered the walls, determined on a desperate plan. He felt it imperative that he should see what lay within that room. The fact that it was guarded suggested that the room beyond the door was either a treasure chamber or a dungeon, and he felt sure that his ultimate goal would prove to be a dungeon.

He retreated to a point out of sight of the blacks and began to scale the wall, using the deep carvings for hand and foot holds. It proved even easier than he had hoped, and having climbed to a point level with the windows, he crawled cautiously along a horizontal line, feeling like an ant on a wall.

The guards far below him never looked up, and finally he reached the nearer window and drew himself up over the sill. He looked down into a large room, empty of life, but equipped in a manner sensuous and barbaric. Silken couches and velvet cushions dotted the floor in profusion and tapestries heavy with gold work hung upon the walls. The ceiling too was worked in gold.

Strangely incongruous, crude trinkets of ivory and ironwood, unmistakably Negroid in workmanship, littered the place, symbolic enough of this strange kingdom where signs of barbarism vied with a strange culture. The outer door was shut and in the wall opposite was another door, also closed.

Kane descended from the window, sliding down the edge of a tapestry as a sailor slides down a sail-rope, and crossed the room, his feet sinking noiselessly into the deep fabric of the rug which covered the floor, and which, like all the other furnishings, seemed ancient to the point of decay.

At the door he hesitated. To step into the next room might be a desperately hazardous thing to do; should it prove to be filled with black men, his escape was cut off by the spearmen outside the other door. Still, he was used to taking all sorts of wild chances, and now, sword in hand, he flung the door open with a suddenness intended to numb with surprize for an instant any foe who might be on the other side.

Kane took a swift step within, ready for anything — then halted suddenly, struck speechless and motionless for a second. He had come thousands of miles in search of something and there before him lay the object of his search.

3. Lilith

 

“Lady of mystery, what is thy history?”

— Viereck.

 

A couch stood in the middle of the room and on its silken surface lay a woman — a woman whose skin was white and whose reddish gold hair fell about her bare shoulders. She now sprang erect, fright flooding her fine gray eyes, lips parted to utter a cry which she as suddenly checked.

“You!” she exclaimed. “How did you —?”

Solomon Kane closed the door behind him and came toward her, a rare smile on his dark face.

“You remember me, do you not, Marylin?”

The fear had already faded from her eyes even before he spoke, to be replaced by a look of incredible wonder and dazed bewilderment.

“Captain Kane! I cannot understand — it seemed no one would ever come —”

She drew a small hand wearily across her white brow, swaying suddenly.

Kane caught her in his arms — she was only a girl, little more than a child — and laid her gently on the couch. There, chafing her wrists gently, he talked in a low hurried monotone, keeping an eye on the door all the time — which door, by the way, seemed to be the only entrance or egress from the room. While he talked he mechanically took in the chamber, noting that it was almost a duplicate of the outer room, as regards hangings and general furnishings.

“First,” said he, “before we go into any other matters, tell me, are you closely guarded?”

“Very closely, sir,” she murmured hopelessly; “I know not how you came here, but we can never escape.”

“Let me tell you swiftly how I came to be here, and mayhap you will be more hopeful when I tell you of the difficulties already overcome. Lie still now, Marylin, and I will tell you how I came to seek an English heiress in the devil city of Negari.

“I killed Sir John Taferal in a duel. As to the reason, ’tis neither here nor there, but slander and a black lie lay behind it. Ere he died he confessed that he had committed a foul crime some years agone. You remember, of course, the affection cherished for you by your cousin, old Lord Hildred Taferal, Sir John’s uncle. Sir John feared that the old lord, dying without issue, might leave the great Taferal estates to you.

“Years ago you disappeared and Sir John spread the rumor that you had drowned. Yet when he lay dying with my rapier through his body, he gasped out that he had kidnapped you and sold you to a Barbary rover, whom he named — a bloody pirate whose name has not been unknown on England’s coasts aforetime. So I came seeking you, and a long weary trail it has been, stretching into long leagues and bitter years.

“First I sailed the seas searching El Gar, the Barbary corsair named by Sir John. I found him in the crash and roar of an ocean battle; he died, but even as he lay dying he told me that he had sold you in turn to a merchant out of Stamboul. So to the Levant I went and there by chance came upon a Greek sailor whom the Moors had crucified on the shore for piracy. I cut him down and asked him the question I asked all men — if he had in his wanderings seen a captive English girl-child with yellow curls. I learned that he had been one of the crew of the Stamboul merchants, and that she had, on her homeward voyage, been set upon by a Portuguese slaver and sunk — this renegade Greek and the child being among the few who were taken aboard the slaver.

“This slaver then, cruising south for black ivory, had been ambushed in a small bay on the African West Coast, and of your further fate the Greek knew nothing, for he had escaped the general massacre, and taking to sea in an open boat, had been taken up by a ship of Genoese freebooters.

“To the West Coast, then, I came, on the slim chance that you still lived, and there heard among the natives that some years ago a white child had been taken from a ship whose crew had been slain, and sent inland as a part of the tribute the shore tribes paid to the upper river chiefs.

“Then all traces ceased. For months I wandered without a clue as to your whereabouts, nay, without a hint that you even lived. Then I chanced to hear among the river tribes of the demon city of Negari and the black queen who kept a white woman for a slave. I came here.”

Kane’s matter-of-fact tone, his unfurbished narration, gave no hint of the full meaning of that tale — of what lay behind those calm and measured words — the sea-fights and the land-fights — the years of privation and heartbreaking toil, the ceaseless danger, the everlasting wandering through hostile and unknown lands, the tedious and deadening labor of ferreting out the information he wished from ignorant, sullen and unfriendly savages, black and white.

“I came here,” said Kane simply, but what a world of courage and effort was symbolized by that phrase! A long red trail, black shadows and crimson shadows weaving a devil’s dance — marked by flashing swords and the smoke of battle — by faltering words falling like drops of blood from the lips of dying men.

Not a consciously dramatic man, certainly, was Solomon Kane. He told his tale in the same manner in which he had overcome terrific obstacles — coldly, briefly and without heroics.

“You see, Marylin,” he concluded gently, “I have not come this far and done this much, to now meet with defeat. Take heart, child. We will find a way out of this fearful place.”

“Sir John took me on his saddlebow,” the girl said dazedly, and speaking slowly as if her native language came strangely to her from years of unuse, as she framed in halting words an English evening of long ago: “He carried me to the seashore where a galley’s boat waited, filled with fierce men, dark and mustached and having scimitars, and great rings to the fingers. The captain, a Moslem with a face like a hawk, took me, I a-weeping with fear, and bore me to his galley. Yet he was kind to me in his way, I being little more than a baby, and at last sold me to a Turkish merchant, as he told you. This merchant he met off the southern coast of France, after many days of sea travel.

“This man did not use me badly, yet I feared him, for he was a man of cruel countenance and made me understand that I was to be sold to a black sultan of the Moors. However, in the Gates of Hercules his ship was set upon by a Cadiz slaver and things came about as you have said.

“The captain of the slaver believed me to be the child of some wealthy English family and intended holding me for ransom, but in a grim darksome bay on the African coast he perished with all his men except the Greek you have mentioned, and I was taken captive by a black chieftain.

“I was terribly afraid and thought he would slay me, but he did me no harm and sent me upcountry with an escort, who also bore much loot taken from the ship. This loot, together with myself, was, as you know, intended for a powerful king of the river peoples. But it never reached him, for a roving band of Negari fell upon the beach warriors and slew them all. Then I was taken to this city, and have since remained, slave to Queen Nakari.

“How I have lived through all those terrible scenes of battle and cruelty and murder, I know not.”

“A providence has watched over you, child,” said Kane. “The power which doth care for weak women and helpless children; which led me to you in spite of all hindrances, and which shall yet lead us forth from this place, God willing.”

“My people!” she exclaimed suddenly like one awaking from a dream. “What of them?”

“All in good health and fortune, child, save that they have sorrowed for you through the long years. Nay, old Sir Hildred hath the gout and doth so swear thereat that I fear for his soul at times. Yet methinks that the sight of you, little Marylin, would mend him.”

“Still, Captain Kane,” said the girl, “I cannot understand why you came alone.”

“Your brothers would have come with me, child, but it was not sure that you lived, and I was loth that any other Taferal should die in a land far from good English soil. I rid the country of an evil Taferal — ’twas but just I should restore in his place a good Taferal, if so be she still lived — I, and I alone.”

This explanation Kane himself believed. He never sought to analyze his motives and he never wavered, once his mind was made up. Though he always acted on impulse, he firmly believed that all his actions were governed by cold and logical reasonings. He was a man born out of his time — a strange blending of Puritan and Cavalier, with a touch of the ancient philosopher, and more than a touch of the pagan, though the last assertion would have shocked him unspeakably. An atavist of the days of blind chivalry he was, a knight errant in the somber clothes of a fanatic. A hunger in his soul drove him on and on, an urge to right all wrongs, protect all weaker things, avenge all crimes against right and justice. Wayward and restless as the wind, he was consistent in only one respect — he was true to his ideals of justice and right. Such was Solomon Kane.

“Marylin,” he now said kindly, taking her small hands in his sword-calloused fingers, “methinks you have changed greatly in the years. You were a rosy and chubby little maid when I used to dandle you on my knee in old England. Now you seem drawn and pale of face, though you are beautiful as the nymphs of the heathen books. There are haunting ghosts in your eyes, child — do they misuse you here?”

BOOK: Moon of Skulls
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