Monsters in America: Our Historical Obsession with the Hideous and the Haunting (54 page)

BOOK: Monsters in America: Our Historical Obsession with the Hideous and the Haunting
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4
  Examples of trends in technology that could be described as “post-human” are too numerous to detail. Miniaturization of parts has made possible the union of technology and the human body, while the interactivity and connectivity of human beings and their computers raises philosophical questions about the nature of mind and consciousness. Biotechnological developments have raised questions about the nature of species and the malleability of human nature. For a full discussion of these examples, see Elaine L. Graham,
Representations of the Post/Human: Monsters, Aliens and Others in Popular Culture
(New Brunswick, N.J.: Rutgers University Press, 2002), 2–6; John Harris,
Enhancing Evolution: The Ethical Case for Making Better People
(Princeton: Princeton University Press, 2007), 3–4.

5
  An interesting counterpoint to this view of progress as monster can be found in Jon Turney’s
Frankenstein’s Footsteps: Science, Genetics and Popular Culture
(New Haven: Yale University Press, 1998).

6
  Graham,
Representations,
11–17; Francis Fukuyama,
Our Post-Human Future: Consequences of the Biotechnology Revolution
(London: Profile Books, 2003), 112, 135, 156. See also John Seltin’s discussion of “liberal” and “apocalyptic” posthumanisms in “Production of the Post-Human: Political Economies of Bodies and Technology,”
Parrhesia
8 (2009): 43–59.

7
  Michael J. Hyde,
Perfection: Coming to Terms with Being Human
(Waco, Tex.: Baylor University Press, 2010), 222–28.

8
  Myra Seaman, “Becoming More (than) Human: Affective Posthumanisms, Past and Future,”
Journal of Narrative Theory
37, no. 2 (2007): 246–75.

9
  James Cascio, Post Humanity,
http://io9.com/5533833/your-posthumanism-is-boring-me?skyline=true&s=I
(accessed May 1, 2010).

10
Graham suggests that the idea of the encased and mechanized body has long been not only a human fear but also a kind of mythic hope. See Graham,
Representations
,
181–84.

11
Joe Seltin, “Production of the Post-Human: Political Economies of Bodies and Technology,”
Parrhesia
8 (2009): 43–59.

12
“Portraits in Posthumanity: Aimee Mullins,” Post Humanity,
http://io9.com/5535730/portraits-in-posthumanity-aimee-mullins
(accessed May 1, 2010).

13
TED: Ideas worth spreading,
http://www.ted.com/talks/lang/eng/aimee_mullins_prosthetic_aesthetics.html
(accessed May 1, 2010).

14
Ben McGrath, “Muscle Memory: The New Generation of Bionic Prostheses,”
New Yorker
,
July 30, 2007.

15
See Eric Eckholm, “In Turnabout, Infant Deaths Climb in the South,”
The New York Times
,
April 22, 2007. Notably, so-called cyberpunk literature has, since the 1980s, critiqued the possibility of limited access to techno-biological enhancement based on class and status. Cyberpunk dystopias feature a technocratic society stratified into a wealthy minority with full access to mechanical and genetic modifications and a proletariat denied these advantages due to their lack of wealth and status. A discussion of this genre is in Graham,
Representations
, 194–96. The narrative of the award-winning video game
Bioshock
(2007) also creates a utopia destroyed, in part, by a struggle for genetic enhancements. Augmentation of the body becomes a kind of chemical addiction desperately desired by addicts known as “splicers.”

16
The best discussion of the debate over the fate of humanity in a post-human technological environment can be found in Hyde,
Perfection
, 211–41.

17
My reading of the
Terminator
series is somewhat similar to Elaine Graham’s in
Representations
, 208–10, though I disagree with her suggestion that the series necessarily “glorifies” technology. Her reading seems heavily based on the 1984 film with its hyper-masculine, action-driven story that relies heavily on big guns and big explosions. These B-movie conventions are transgressed in interesting ways in essentially every other iteration of the myth.

18
Greil Marcus,
The Dustbin of History
(Cambridge, Mass.: Harvard University Press, 1995), 28.

INDEX
 

abolitionists, and monster rhetoric,
67–70

Abominable Snowman,
133

abortion,
78
,
116–17
,
148–49
,
152
,
174
,
183–84
; as horror theme,
170
,
185–86
see also
birth control

Ackerman, Forrest J.,
187

Adams, Rachel,
90

Adamski, George,
130

Addams, Charles,
137–38
,
144

Addams, Morticia,
136

Addams Family
,
137

adolescents, popularity of horror films,
17
,
107
,
136
,
160
,
186
Twilight
popularity,
210–13

adventurism, and monster hunting,
132–35

Agassiz, Louis,
61
,
93

AIDS,
206–7
,
217
,
220

Air Force,
111
UFO investigations,
125

Al Qaeda,
162

Albany, New York,
11

Alien
franchise,
173–74
,
186

aliens,
97
,
123–25
abductions by,
125–26
in film,
111

Allyon, Lucas,
30

Alvarez, Everett,
157

American exceptionalism,
22–23

American expansion,
65
,
74
see also
frontier

American Monster
,
12

American Mutoscope and Biograph Co.,
84

American Psycho
,
161

American Revolution,
9
,
23
confiscation of Loyalist lands in,
50

American Werewolf in London
,
33

American West,
35

anatomy,
82–83
,
145

Angel,
211

Angelluci, Orfeo,
130

apocalypse,
209–10
,
216–17
fear of in late twentieth century,
200–204
,
225–26

Arbus, Diane,
138

Asma, Stephen,
6
,
11

Aynesworth, Hugh,
151

baby boom,
116
,
178

babysitter in danger theme,
158–59
,
177–79

Bacon, Francis,
10

Bailey, Beth L.,
126

Baker, Howard,
203

Bakker, Jim,
183

Balcerzak, John,
154

Ball, Alan,
215

Baltimore,
187

Banner, Bruce,
118

Bara, Theda,
89

Barker, Clive,
53
,
107
,
186

Barlow,
202

Barnum, P. T.,
88

Barnum and Bailey Circus,
88
,
94

Barry, Jonathan,
37

Barry, Marion,
183

Bateman, Patrick,
161
,
163

Bates, Norman,
139
,
142
,
145
,
161
,
163
,
165

Bauby, Dominique,
223

Bauhaus,
219

Beal, Timothy,
6

Beat movement,
123

beauty,
224

Beecher, Henry Ward,
78

Behemoth,
6

Bella,
212

Bellin, Joshua,
172

Benga, Ota,
94–95
,
97–98

Bennell, Miles,
119

Bennett, William,
155

Benz, Julie,
163

Berkowitz, David,
141

Bethurum, Truman,
125–26

Bierce, Ambrose,
73

“Big Bone Lick,”
44–45

Big Foot,
12
,
132–35

birth control,
128
,
148–49
,
170
,
175

birth defects,
2

Bivins, Jason,
186

Bizarre
,
136

Bizarro
,
199

Black Frankenstein,
49

black magic,
41

Blair, Linda,
167–68
,
186

“Bleeding Kansas,”
67

Bluff Creek,
134

Boone, Carol Anne,
161

Boone, Daniel,
20
,
36
,
45

Boston Daily Observer
,
18

Boston Linnean Society,
61

Boxoffice
,
114

Boy Scouts of America,
179

Boyer, Paul,
115

Boyle, Danny,
217

Boyle, Robert,
10

Bradford, William,
24

Brady, Matthew,
71–72

brain size, as indication of inferiority,
93
,
95

Bramford building,
175

Brattle, Thomas,
40

Brienes, Weini,
138

Brooklyn,
97

Brooks, Max

Brown v. Board of Education
,
133

Brown, Goodman,
75

Browning, Tod,
91–92
,
76
,
102
,
138

Bryant, Anita,
206

Buddhism,
130

“Buffalo Bill,”
154–55

Buffalo Bill’s Wild West Show,
89

Buffon,
43

Buffy the Vampire Slayer
,
193
,
208–10

Bundchen, Gisele,
98–99

Bundy, Ted,
150–52

Bunyan, John,
39

Bunyan, Paul,
36

burial sites, desecrated for medical research,
106

Burke, Peter,
29

Burkner, H. Taylor,
130

Burstyn, Ellen,
167

Bush, George H. W.,
190–91

Bush, George W.,
217
,
221–22

“Call of Cthluhu,”
60
,
97

Cameron, James,
225

Camp Clifton,
180

Camp Crystal Lake,
165
,
181

camp fire stories,
180–82

Camp Ranger,
180

Camp Robert Meecher,
180

Canaan,
39

cannibalism,
31–32
,
88
,
94
,
100
,
154
,
156
,
184–85
,
194
,
217
African fear of whites and,
47–48

Captain America,
117

captivity narratives,
31–32
,
36

Caputo, Phillip,
197

Carlson, Allan,
172

carnival exhibits,
64
,
80
,
94
see also
freak shows

Carpenter, John,
158–60
,
180

Carrie
,
170

Carrington, Dr.,
122–23

Carroll, Charles,
85

cartoons,
137–38

Cascio, Jamais,
222–23

Chang and Eng,
88

Civil Rights era,
132
,
148
,
156
,
159
,
184

Clark, Jerome,
123

Claverack, New York,
44

Clemens, Valdine,
56

BOOK: Monsters in America: Our Historical Obsession with the Hideous and the Haunting
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