Read Mockingbird Wish Me Luck Online
Authors: Charles Bukowski
was all set to write an immortal poem,
it was 9:30 p.m.,
had taken me all day to get the juices
properly aligned,
I sat down to the typewriter
reached for the keys and then
all the lights in the neighborhood went out.
she was working on her novel.
well, she said, we might as well go to
bed.
we went to bed.
since we had fucked 5 times in 2 nights
we decided it might be a better time to
tell eerie stories.
she told me one about the 2 sisters lost in the woods
who came upon the madman’s house, but it was
cold and dark and he was nowhere about
so they decided to go in, and one sister slept in
one bed and the other slept in the other,
and later in the night one sister was awakened by
this squeeking sound
and she looked up and here was the madman
rocking back and forth in this rocker
with her sister’s head in his lap,
and I told one
about how these two bums were in a skidrow room
and one bum sat on the floor and stuck his hand in his
mouth and ate his hand and then his arm and then ate the
other hand and soon ate himself up while the other bum
watched, and then the other bum sat on the floor and did
the same thing, and the story ends with this neon sign
blinking color off and on across the vacant floor…
well, we went to sleep
and then we were awakened when all the lights came on
plus the radio and the t.v.,
and I said, oh god, life is back again,
and she said, well, we might as well sleep now,
and so I got up and turned everything off
and we closed our eyes
and she thought, there goes my immortal novel,
and I thought, there goes my immortal poem,
everything depends upon some type of electricity,
the street lights kept me awake for 30 minutes,
then I dreamed that I ate matchsticks and lightbulbs
for a living and I was the best in my trade.
we french kissed in the bathtub
then got up and rode the merrygoround
I fell over backwards in the chair
then we ate 2 cheese sandwiches
watered the plants and
read the
New York Times
.the essence is in the action
the action is the essence,
between the moon and the sea and the ring
in the bathtub
the tame rats become more beautiful
than long red hair,
my father’s hands cut steak again
I roller skate before pygmies with green eyes,
the snake in the watermelon shakes the shopping cart,
we entered between the sheets which were as
delicious as miracles and walks in the park,
the hawk smiled daylight and nighttime,
we rode past frogs and elephants
past mines in mountains
past cripples working ouija boards,
she had toes on her feet
I had toes on my feet
we rode up and down and away
around,
it was sensible and pliable and holy
and felt very good
very very good,
the red lights blinked
the zepplin flew away
the war ended,
we stretched out then
and looked at the ceiling
a calm sea of a ceiling,
it was all right,
then we got back in the bathtub together
and french kissed
some more.
style is the answer to everything—
a fresh way to approach a dull or a
dangerous thing.
to do a dull thing with style
is preferable to doing a dangerous thing
without it.
Joan of Arc had style
John the Baptist
Christ
Socrates
Caesar,
Garcia Lorca.
style is the difference,
a way of doing,
a way of being done.
6 herons standing quietly in a pool of water
or you walking out of the bathroom naked
without seeing
me.
we like to shower afterwards
(I like the water hotter than she)
and her face is always soft and peaceful
and she’ll wash me first
spread the soap over my balls
lift the balls
squeeze them,
then wash the cock:
“hey, this thing is still hard!”
then get all the hair down there,—
the belly, the back, the neck, the legs,
I grin grin grin,
and then I wash her…
first the cunt, I
stand behind her, my cock in the cheeks of her ass
I gently soap up the cunt hairs,
wash there with a soothing motion,
I linger perhaps longer than necessary,
then I get the backs of the legs, the ass,
the back, the neck, I turn her, kiss her,
soap up the breasts, get them and the belly, the neck,
the fronts of the legs, the ankles, the feet,
and then the cunt, once more, for luck…
another kiss, and she gets out first,
toweling, sometimes singing while I stay in
turn the water on hotter
feeling the good times of love’s miracle
I then get out…
it is usually mid-afternoon and quiet,
and getting dressed we talk about what else
there might be to do,
but being together solves most of it,
in fact, solves all of it
for as long as those things stay solved
in the history of woman and
man, it’s different for each
better and worse for each—
for me, it’s splendid enough to remember
past the marching of armies
and the horses that walk the streets outside
past the memories of pain and defeat and unhappiness:
Linda, you brought it to me,
when you take it away
do it slowly and easily
make it as if I were dying in my sleep instead of in
my life, amen.
if we take what we can see—
the engines driving us mad,
lovers finally hating;
this fish in the market
staring upward into our minds;
flowers rotting, flies web-caught;
riots, roars of caged lions,
clowns in love with dollar bills,
nations moving people like pawns;
daylight thieves with beautiful
nighttime wives and wines;
the crowded jails,
the commonplace unemployed,
dying grass, 2-bit fires;
men old enough to love the grave.
These things, and others, in content
show life swinging on a rotten axis.
But they’ve left us a bit of music
and a spiked show in the corner,
a jigger of scotch, a blue necktie,
a small volume of poems by Rimbaud,
a horse running as if the devil were
twisting his tail
over bluegrass and screaming, and then,
love again
like a streetcar turning the corner
on time,
the city waiting,
the wine and the flowers,
the water walking across the lake
and summer and winter and summer and summer
and winter again.
CHARLES BUKOWSKI is one of America’s best-known contemporary writers of poetry and prose, and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, to an American soldier father and a German mother in 1920, and brought to the United States at the age of three. He was raised in Los Angeles and lived there for fifty years. He published his first story in 1944 when he was twenty-four and began writing poetry at the age of thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel,
Pulp
(1994).
During his lifetime he published more than forty-five books of poetry and prose, including the novels
Post Office
(1971),
Factotum
(1975),
Women
(1978),
Ham on Rye
(1982), and
Hollywood
(1989). Among his most recent books are the posthumous editions of
What Matters Most Is How Well You Walk Through the Fire
(1999),
Open All Night: New Poems
(2000),
Beerspit Night and Cursing: The Correspondence of Charles Bukowski and Sheri Martinelli 1960—1967
(2001), and
The Night Torn Mad with Footsteps: New Poems
(2001).
All of his books have now been published in translation in over a dozen languages and his worldwide popularity remains undiminished. In the years to come, Ecco will publish additional volumes of previously uncollected poetry and letters.
Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.
The Days Run Away Like Wild Horses Over the Hills
(1969)
Post Office
(1971)
Mockingbird Wish Me Luck
(1972)
South of No North
(1973)
Burning in Water, Drowning in Flame: Selected Poems 1955—1973
(1974)
Factotum
(1975)
Love Is a Dog from Hell: Poems 1974—1977
(1977)
Women
(1978)
Play the Piano Drunk /Like a Percussion Instrument/ Until the Fingers Begin to Bleed a Bit
(1979)
Shakespeare Never Did This
(1979)
Dangling in the Tournefortia
(1981)
Ham on Rye
(1982)
Bring Me Your Love
(1983)
Hot Water Music
(1983)
There’s No Business
(1984)
War All the Time: Poems 1981—1984
(1984)
You Get So Alone at Times That It Just Makes Sense
(1986)
The Movie: “Barfly”
(1987)
The Roominghouse Madrigals: Early Selected Poems 1946—1966
(1988)
Hollywood
(1989)
Septuagenarian Stew: Stories & Poems
(1990)
The Last Night of the Earth Poems
(1992)
Screams from the Balcony: Selected Letters 1960—1970
(1993)
Pulp
(1994)
Living on Luck: Selected Letters 1960s—1970s (Volume 2)
(1995)
Betting on the Muse: Poems & Stories
(1996)
Bone Palace Ballet: New Poems
(1997)
The Captain Is Out to Lunch and the Sailors Have Taken Over the Ship
(1998)
Reach for the Sun: Selected Letters 1978—1994 (Volume 3)
(1999)
What Matters Most Is How Well You Walk Through the Fire: New Poems
(1999)
Open All Night: New Poems
(2000)
The Night Torn Mad with Footsteps: New Poems
(2001)
Beerspit Night and Cursing: The Correspondence of Charles Bukowski & Sheri Martinelli 1960—1967
(2001)
MOCKINGBIRD WISH ME LUCK
. Copyright © 1972 by Charles Bukowski. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.