Authors: Len Deighton
âDon't go,' said Inez.
âAll our morphine is in that pannier,' said Lucas and was gone. As he ran, a machine gun tore pieces of twig and bark from the trees and single rounds whined across the clearing.
He ran faster than he would have believed possible. What was that joke that primitive man's locomotion had been fear? Bullets came close enough to make his ears ring. He slid in the mud of the stream, lost his balance and toppled over, to end up sprawling alongside Rómulo and his stores.
âLet's look at you,' said Lucas, bedside manner intact. There was blood everywhere. A couple of rounds had taken Rómulo's lower jaw off. He was twisting about in the mud trying to scream but the blood spurting up his throat was
drowning him. Lucas bent over him and put a knee on his chest to hold him still. He brought out his sharp knife. While clamping his left hand on Rómulo's forehead he slashed his throat. He turned the knife point in the windpipe to enlarge the hole. The blood frothed like spilled beer. Into the foamy mess Lucas pushed the piece of tubing that he'd taken from his satchel. He forced it down the throat towards the lungs. Rómulo wasn't struggling so much now. Lucas wiped the bloody knife and the boy moved gratefully as his lungs found air and the convulsive panic subsided.
âYou are all right,' Lucas told him firmly. âYou are all right.' The words came out like an order.
Rómulo groaned and some single shots cracked and whined above their heads. Lucas didn't give morphia. There would be others worse than this.
Two other men â René and one of the Indian mule drivers â skidded and fell to the ground beside them. âCarry him forward,' Lucas ordered. He rummaged through the mule pannier to find some medical supplies and then closed it again.
Lucas would have to remain unburdened if he was to aid the casualties. The first-aid satchel was burden enough. Between them, René and the Indian would have to carry the supplies and their own burdens and the semiconscious Rómulo too.
Now Paz jumped up and ran forward so that they all saw him. He was jumping about like a man demented. He wanted to set them an example, and he certainly did that. âGo! Go! Go!' he shouted once more. As if in response more firing broke out. A grenade exploded in dense vegetation near him and he disappeared into a green snowstorm.
THE JUNGLE
.
âYou may be running a fever.'
It was not an ambush. The two parties had blundered into each other as drunks might meet on a dark street corner. Disoriented by the meandering river and its swamps, deprived of fixed-point bearings by the jungle overhead, both groups of men had been trying to correct an enforced easterly detour. Paz and his men â deeper into the swamp than those coming towards them â had brushed right flanks with the men searching for them. And like suspicious drunks, neither doubted the hostile intentions of the other.
Mike O'Brien, graduate of Harvard and CIA station head in Tepilo, was in charge of this hastily assembled combat team that had been airlifted to get Singer out of the jungle. He was with Alpha Section, his scouts, when Santos and Rómulo encountered them. Santos fired, and those first shots pinned Bravo Section down behind a big clump of jungle fern. They had just finished chopping their way through a bamboo thicket to make way for Charlie Section â fire and assault â which was bogged down in a deep and extensive mud basin.
O'Brien used his radio: âCharlie Section. Shanghai Leader to Charlie.' There was no reply. They were still worrying about how deep the mud was. One man was in it almost up to the waist. It was beginning to look as though they might never be able to get him out.
âBravo here, Mike â¦' âPablo' Cohen's transmission ended as a burst of gunfire echoed through the bamboo. They took cover. They were crouched low when two explosions shook the whole jungle and rang in their ears. Mud slopped over O'Brien and it rained pieces of wood and a confetti of green vegetation.
âJesus, Mike. They're all around us,' said Pablo.
âTake it easy, kid. Just take it easy and tell me what you see.'
âFiring off to my right ⦠Smoke! Holy Moses, pink smoke. They are calling in air, Mike!'
Like Singer and Lucas, Mike O'Brien was calling upon all of his combat experience to interpret the sounds of battle and assign them priorities. But newly graduated warriors, like newly graduated physicians, over-prescribe. And over-diagnose too. Novillo's slowfiring Hotchkiss â obsolete before O'Brien was born â sounded to him like the big half-inch guns he'd seen chop trees and demolish walls. To O'Brien it was an awesome sound. He was almost prepared to see the outline of an armoured personnel carrier emerge from its direction. The grenades exploding in soft mud he mistook for a five-centimetre mortar. He wondered if they'd been lured on to a skilfully prepositioned enemy force. The pink smoke grenade confirmed these fears. He interpreted it, as did Bravo Section, as a targetmarker for some sort of heavy fire.
O'Brien rolled over and over on the ground to seek shelter. He dragged the Sterling ammunition with him, cursing the night-action telegram from Washington that had deprived them of good modern guns. No US Army weapons: it was like fighting with one hand tied. Cautiously O'Brien got to his feet, using the tree as cover. Ants swarmed over his boot and started up his leg. He kicked at the tree to dislodge them. He shuddered and looked up to the branches above him, in case there were snakes there. From the corner of his eye he saw a movement in the trees to his right. He took a snap burst at it. The vegetation made
a loud noise as the movement of air rocked it. He'd fired too high. Some shots came back in his direction but he could not see the enemy. He couldn't see anything except mud and vegetation.
O'Brien switched on his radio: âBravo Section: watch the treetops.' He saw a movement in the greenery and fired into the bushes. Someone tossed a grenade in the same direction. As it exploded he heard a loud scream that stopped suddenly. He reflected how feminine were the voices of some of the Indian tribesmen. Back home, a yell like that could have come only from a woman.
âJesus! Here they come!'
They seemed to be moving forward while firing. Cohen remembered his Marine Corps days and a demonstration of âmarching fire'. It was a devastating method of attack that left little in its wake. How many were there?
âBravo to Shanghai Leader.' Cohen's voice was very calm.
âShanghai Leader: do you read me, Bravo?'
âCompany strength, I'd say. Coming in real fast.'
âCharlie Section. Charlie Section.'
âTake off, Bravo Section. Move out!'
O'Brien called again. There was no reply. He heard Bravo Section firing and guessed they had heard him. O'Brien's number two â Billy Ovcik, a âjungle expert' sent from Florida â also heard the order. He was close behind Mike O'Brien. Now they saw Novillo lugging the enormous Hotchkiss through the brambles. Behind him there seemed to be many more: bearded, dirty men with torn jackets. Their faces were covered in sores, their eyes bulged and there was the blood of dysentery on their legs. They were coming and they were shooting.
âMike! Mike!' Ovcik called loudly, but he didn't look towards O'Brien; he couldn't take his eyes off these devils. Novillo's burst of gunfire, discharged from the hip, slashed through the jungle, and more screams rang out. Ovcik didn't wait to see Novillo thrown on to his back by the gun's
recoil. He scrambled through the bushes, ran, slipped and went deep into the swampy mud.
O'Brien saw what happened. He saw Novillo thrown backwards, and saw him get back on to his feet and pick up the gun. O'Brien, using his Sterling gun, fired first. The burst removed the top of Novillo's skull. In a red mist of atomized blood Novillo slid down out of sight. Santos ran across to him. He wrenched the Hotchkiss from Novillo's jealous clasp and pulled the trigger at about the same time that O'Brien aimed again. O'Brien's Sterling jammed. He swore and was still struggling with its bolt as one of Santos' rounds hit the body of the gun. The impact sent a pain up O'Brien's forearm, and broke off enough of the cocking lever to sever two of his fingers at the middle joint. He flung the gun aside and ducked into a bush of bright yellow flowers. He bound a handkerchief tight around his hand. He half expected a spurt of arterial bleeding, but only the finger veins had gone.
âWhat's the use?' O'Brien asked himself aloud. Two more grenades exploded nearby. He switched on the radio but it didn't work. As he was juggling the switch he saw a thickset black man staggering through the blinding rain. Over his shoulder he carried a slim figure. Covered in mud, its eyes closed, his burden's face was smooth and attractive, like a woman's. They passed almost close enough for O'Brien to reach out and touch them, but without his gun he could do nothing but stare.
O'Brien shook the radio viciously and it suddenly buzzed back into action. âMove left,' he called into it. âEveryone move left.'
âWe have casualties,' the voice of Cohen said with studied calm. O'Brien sighed. âMove left,' he called out. âMove! Move! Move!'
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Singer had been moving forward carrying a box of rations. He went slowly and cautiously. Then he heard a scream of
pain and recognized Inez's voice. He stopped and wondered whether he should go back for her. Lucas did not hear her cry of pain. Lucas was busy cutting Rómulo's throat. Paz was fifty yards away trying to get his men moving again. Singer heard more shots and then a grenade exploded too near for comfort. He flopped to the ground and took a deep breath to help him collect his thoughts. Then he heard Inez call again.
Inez was not Singer's responsibility. She was one of these Marxists Singer despised. She had killed the sentries and God knew who else ⦠Oh well, perhaps he must ⦠Singer abandoned his box of rations. He turned and, bent low, crawled back towards the fighting. He moved carefully from tree to tree. He saw Novillo come into sight lugging his Hotchkiss and grinning fit to burst.
Singer saw some guy in fatigues come round a tree and fire the burst that took Novillo's skull away. Had it not been for Novillo taking all the stranger's attention Singer would never have got to Inez alive. The little clearing through which Paz had led his charge was now buzzing with gunfire. Singer saw her and ran. He literally threw himself into the gully beside Inez, ending his leap in a roll that knocked the breath out of him.
Singer bent over her to see what was wrong. There was no blood on her but she was only half-conscious. He pulled the Lee Enfield from her grasp and tossed it aside. Then he grabbed her and threw her body on to his shoulder like a sack of flour.
It was Santos â brandishing the Hotchkiss â who saved Singer and his load from being shot to pieces. Singer loped forward, looked into the eyes of a stranger in khaki fatigues, and staggered on past him. Then Santos opened fire with the big gun and there was a whinny of pain and a curse that was truly American. The last thing Singer heard as he gained the cover of the jungle was a gabble of noise over a radio. American voices.
Over on the right another grenade exploded, and from behind the drifting smoke came more screams. Lucas went groping into the smoke and found another casualty. âMamá mamá mamá mamá,' shouted Nameo. Even in cries of pain his slurred accent was evident. Lucas tried to grab him but Nameo struggled violently and rolled away. âMamá, mamá,' he shouted again, more softly this time, for his leg had been blown off. Half-severed at the hip the joint was visible and his guts were spilling out in spite of his hands trying to press them back into the bloody mess.
Lucas had the morphine ready. He tried to get hold of the big muscular arm to press the needle into it. It was a waste of morphine but Nameo couldn't be left to scream and suffer. More gunfire sounded and Nameo scrambled about as if trying to get back on to his feet.
âSteady,' said Lucas. He felt Nameo's body go limp as the big Cuban slumped face-down in the mud. The exertion had cost him every calorie he possessed. Again Lucas felt for the vein. It was difficult to see it in black skin but Lucas had to hit a vein; an intramuscular injection would waste at least ten minutes before taking effect.
There was a pounding of feet and then Angel Paz arrived, brandishing the big Luger. He crouched down alongside Lucas and said, âWhat's happening here?'
âWhere is Inez?'
âShe was hit, but Singer has her.'
âHit. My God!'
âSinger has her,' said Paz again, and by this time he took in what Lucas was doing. âWhat are you trying to do here, you old fool?' He brought up his pistol and at point-blank range shot Nameo through the base of the skull. The man's body was wrenched from Lucas' grip by the force of the shot and they were both sprayed with blood.
For a moment Lucas could not find words. âYou young bastard,' he spluttered.
âDon't waste morphine on goners. Keep your morphine
for the others. It's not that kind of war. Get moving forward. We'll need you badly tonight.' Paz pushed Lucas viciously. âGet going, I said.'
Suddenly Lucas caught sight of Singer with Inez thrown over his back and everything else was forgotten. He chased after Singer worried that he might lose sight of him.
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O'Brien also looked again at Singer carrying his human burden, but he did not follow. He was not interested in blacks and Indians. His instructions told him to look for a CIA agent: O'Brien had a clear preconception of what a CIA man looked like. He pushed his way through some greenery in which thorn was concealed. He came out cursing and lacerated. He decided that the enemy intended to pinch out his machine-gun team while trapping his advance party in what he now guessed to be an ox-bow of swampland. O'Brien needed another go at it. âRe-form,' he called over the radio. âRe-form all sections.'
Of the fifty-three men that both parties comprised, only nineteen had fired their weapons during that first clash. Of these, only twelve had seen a target and only seven had scored hits. The two groups had moved apart without any of them truly understanding where they were in relation to the rest of the action. A few more scattered shots were fired at, and by, stragglers; a burst from a Bren sent everyone to ground for a few minutes. But within twenty minutes of the first shots being fired, the parties had totally lost contact. Few of them could have found their way back to the battleground.
The site of the skirmish was marked by the casualties. Under the shrubs where Novillo had first fired his gun, Tito, his number two, crouched alongside Novillo's body watching the indentation of the tripod feet fill with blood. He dipped his fingers into it and smelled them. He'd never seen blood in such abundance before, he was thinking as he died.
Just a few paces away knelt René the bullfighter. He remained close to his box of stores, its strap over his shoulder, as if ready to go when the order was given. When he realized that no one was coming back for him, he opened the heavy and cumbersome box that had made his journey an agony and his death inevitable. He hoped to find food inside but, except for a packet of tobacco leaves, the box held only medical supplies. He sorted through them, delighting in the spotlessly clean instruments and packets of dressings. He suspected that some of these items could save him from death but, for all the use he could make of them, they could have been pieces of a jigsaw puzzle. Even the tobacco could not be smoked, for he had no means of making fire. He opened a bottle of tablets and swallowed some, but they did nothing to alleviate the compound fracture that was causing him to cough blood.
After René the bullfighter died, one of O'Brien's men, Billy Ovcik, dragged himself ten pain-filled yards to get that packet of tobacco leaves. His matches were too wet to strike. He tore off bits of tobacco and chewed them. He persuaded himself that it dulled his pain, but the leaves were all used up in forty-eight hours, and it would take him nearly four days to die.
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It rained heavily as Singer waited for the stragglers to catch up and tried to reassemble the party. Angel Paz had taken one of the mule drivers and had gone back to find the panniers. The boxes of medical supplies and the food were the most important but Paz wanted ammunition too. He didn't trust any of the others to get the ammunition: only the really motivated understood the revolution.