âThat was Dawson. We had some pretty athletic sex.'
âOkaaay.' His eyes narrow. âWas it consensual?'
âTotally. I left some marks on him as well.' This is stretching it but the fireman doesn't flinch, just jots it down, no doubt convinced Herr Freud was right.
âHad you planned your suicide attempt or was it spontaneous?'
âSpontaneous.'
Sniff, sniff. âDid you really wish to die or were you hoping to be discovered?'
âI didn't really think about it.' Noncommittal is probably the way to go. âMy moon was in Mercury but now it's in Jupiter.'
âOkaaay. How do you feel
now
about being alive?'
âGreat. It was a mistake. He's not worth it.'
âWill you be seeing him again?'
âNo way, he took off, that's what started it. He didn't tell me he was leaving. He just up and left with that skank.'
âOkaaay. How do you feel about Dawson and Wendy now?'
âGood riddance. They deserve each other. He was no good from the start, I was just fooling myself because the sex was so hot.'
Sniff, sniff. âWhat made you realize he was no good?'
âI guess just lying here thinking about it. I mean, no guy is worth dying over.'
âSo you no longer wish to die?'
âNo way. My stepmother's really made me realize how lucky I am.'
âHow so?'
âI'm young. I have a whole future ahead of me. Plus my moon's in Jupiter so I'm feeling a whole lot better. I saw a want ad for baristas at Starbucks and I'm think I'm going to go for it. I really want to be part of a team.'
âVery good.' Sniff, sniff, more scribbling. âOkaaay. Limone, I have a proposal for you. Would you consider signing a treatment contract which states that if you go home you vow not to try this again? And that if you do feel the urge to try again you will contact the psychiatric crisis team immediately?'
âAbsolutely.'
âWe would still want to see you for follow-up. In a couple of days then weekly.'
âNo problem, Doc. Today is the first day of the rest of my life.'
âVery good.'
Behind the curtain the woman moans.
âOkaaay,' Fireman says. âHow would you feel about going home with your stepmother?'
âCould I have a word with her in private first? I don't want to impose.'
âOf course.' He ushers her in and disappears behind the curtain.
âI told him it was over a guy,' I whisper. âDawson Frost. So don't blow my cover. I told him he left town.'
âDid you tell them anything about me? The agoraphobia?'
âNo. So act normal. We both have to
act normal
.'
She nods solemnly, my conspirator in the asylum. She has always despised the medical establishment,
drug pushers
, she calls them. âFireman told me to remove any dangerous materials from the environment,' she says. âHide the car keys, pills, toxic chemicals, sharp instruments. Do I really have to do that?'
âNah, I'm over it. Cry for help and all that. Are you going to be able to get in a cab with me?'
âYes. I think I'm getting better. I've been going to the corner store by myself.' She says this with pride, the kid who's pulled off her first solo spin on the bicycle. She seems courageous to me suddenly. More courageous than I have ever been.
âCall the fireman.'
The bloodless city thrums. Looks the same, although I'm not. Grim types rushing, clutching purses, briefcases, techno-gadgets, united in their determination to find purpose in the pointless. Drew grips my arm, trying to hold me or herself together. Traffic clogs, drivers honk like it matters.
She's going to want to talk to me later. I don't want this.
âAre you okay in there?'
She thinks I'm slitting my wrists. âI'm fine. No worries.' The faucet
drips, resonating off the tiles.
Treeboy made us some slop. He's rearranged the kitchen, added weird-looking utensils and a wok. Still doesn't say much. Maybe he comes alive in the sack.
Knock knock. Pretend to be asleep. Comes in anyway crackling a paper bag.
âSomeone left this for you,' she says.
I open my eyes. âWho?'
âI don't know, they just left it, didn't ring the bell. And I found these in the car.' She pulls out the bunny slippers and holds them inches from my face. Something corrosive spills inside me. I can't look at the slippers.
âDid you think you were pregnant?' she asks.
âThey're for a baby at the hospital.'
âOh. Okay, well, they called, and they don't want you back for a while. Maybe I can mail them for you. Do you have the baby's full name?'
âThey don't want me back ever?'
âThey're concerned about your effect on the kids. Brenda, is it Brenda? She said you get too involved. She told me about your friend dying.'
âJust leave the slippers. I'd like to be alone now, thank you.'
She lingers, waiting for hidden truths. âWhatever I can do for you, Lemon, I will.'
âI just need to be alone now, thank you.'
She gently closes the door of the sick room. I shove the slippers in the trash.
Can't believe I'm back here. All that effort wasted. Don't even remember the me who lived in this room. I stare at the paper bag, my name printed in block letters. A booby trap frommy adoring fans? My ripped underwear plus an assortment of used condoms? A hate package from Rossi or the Witch? I crawl over to it, sniff and shake it to see if it explodes. It's a book and something soft. I look inside and see Sweetheart the penguin. The book is
Tilly
. I fling it against the wall. No note. Some of Kadylak's drawings. Brightly coloured birds with stick legs always under a smiling sun. Drawings I watched her pen intently with felt marker, wondering why the sun was always smiling. She who could not go outside for fear of burning her chemo-blasted skin always drew smiling suns. I believed she would survive because of those suns. Those smiling suns would protect her. I start shredding them before I realize they're all I have of her. My lungs stiffen again as I search for the tape, can't find it in the wreckage that wasmy life. I stomp around pulling out drawers, shoving crap aside on what was my desk, unable to piece together the birds.
âAre you alright in there?'
Why won't she leave me alone?
My tears are blotting the felt marker. The stick legs bleed.
âFine. No worries.'
He left without ringing the bell because he didn't want to see me. He is ashamed. And thinks I'm a slut, just another easy North American girl.
I hold Sweetheart against my face, try to smell Kadylak but she's gone. Hug Sweetheart to my chest, hear myself moaning like the woman on the other side of the curtain.
Cold. Should have brought a jacket, didn't want to look for it and risk waking my captors.
I listen for toot-tooting, or a distant rumble. There's probably less action at night. I might have to wait. They're behind a housing development. The streets are all crescents and dead ends. Keep walking north, follow the drinking gourd. Dogs bark behind fences. All the houses look the same. Pay attention to the street signs: Cedar, Pine, Poplar, Beech. Not a tree in sight, just houses that look the same. I'm tired,
so
tired, clutching Sweetheart, trespassing, trampling flowers. If I rest my head on her penguin belly, I won't feel so scared. Enter a laneway of two-car garages. Walk down it till I get to the wire-mesh fence. It's tall, barbed wire strung across the top. Try to climb up but my boots are too big. Shake them off, stuff Sweetheart in my belt, push my toes through the mesh, haul myself up, but Damian's ass keeps dragging me down. And the wire scorches the Witch's fingers. Fall back on the Slug's ass. Can't even
do this
. Smash my head against the fence. The Witch's mousy hair catches in the mesh, rips out. Bash the Slug's nose.
âYou're going to hurt yourself.' Treeboy has me in a shoulder lock.
âGet your own fucking life, will you?' I shout. âGet your own
fucking life
!'
âYou're part of my life.'
âSince when?'
âSince we share a mother.'
âShe's not our mother.'
âBest mother I've ever had.'
âIs that why you're fucking her?'
âWho said I was fucking her?'
âOh please.' Dogs bark again. âJust go, would you please
go
?' I jab at his shoes with the Witch's feet. âJust because your friend fell out of a tree doesn't mean you have to save me. I'm not your friend. Fuck off, go go go!'
âYou keep this up, Mr. and Mrs. Jones will call the cops.'
I slump against him, tired,
so
tired. He lifts me in his arms like Rhett lifted Scarlett.
O
ne of them is always on watch, always listening, always tense. I don't want to do this to them but they won't let me go. They don't ask questions. Days are formless, endless. I wake up and remember she's dead.
They've started forcing me to go for walks. I know it's hard for her, that she's only going out to get me out. Although she seems to be getting better daily. He walks on my right, she on my left. I consider making a break for it to see if they'll chase me, but where would I go? They like to sit and sip designer coffees on patios while June buzzes around us. I'd forgotten what it's like to sit with people. Nobody bothers you, lubbers don't stare.
When I asked if she knew about Damian, she said she'd had her suspicions but he'd denied it. âYou don't look like him,' she said, which opened a breathing hole. Sometimes I can look in the mirror and not see the Slug.
We burned the letter but I called Detective Sergeant Weech to tell him I would testify. He said the charges had been dropped. Rossi was right, Doyle's dentist dad struck a deal. I phoned to tell her but she wouldn't talk to me. Mrs. Barnfield sounded haunted.
Weech wanted to know if I'd considered laying sexual assault charges. âLimone, if you don't take them to court they'll just do it to some other girl.' They'll just do it to some other girl anyway.
We sleep like Bedouins in the living room because I don't want to be in that room that was mine and they don't want me to be alone. They aren't rutting. Vaughn told her what I said and she laughed. Hadn't seen her laugh since before the knifing. âHe's too earthy for me, Lemon, you know I go for those seemingly confident plastic jerks.'
I'm not alone in the dark because she's been having insomnia. Sometimes we talk about Extraordinary Women. Sometimes we read to each other. She's rediscovered William Blake:
Man was made for Joy and Woe;
And when this we rightly know
Through the world we safely go.
Sometimes we plot cat murders knowing we'll never do it, that in the end they are just animals crapping and digging as we will once the water runs out. I have nightmares about the world ending, taps running dry, crops shrivelling, the earth cracking. I wake up knowing it's only a matter of time.
âDo you have any summer shoes?' she asks the sales clerk. âCanvas sneakers, do they make those anymore?'
âFor you?'
âAll of us.'
His name tag says Bosko. His accent is like Mr. Paluska's. His hair is like Mr. Paluska's. Grief shifts its bulk again, throwing me off balance. I squat on a stool. People dying all over the world, fighting for life, and here am I.
âWe all need
summer
shoes,' Drew emphasizes, âlight on the feet.' She has been obsessing over this, remembering when she was a child, how freeing the canvas shoes felt after the confinement of winter boots.
Bosko speeds off in search of sneakers. Tweedledee and Twee-dledum hover, groping the shoes on display. âThey're all so built up,' Drew says. âHow are you supposed to feel the world under your feet?'
âYou're not,' Vaughn says.
âI have Keds for the ladies,' Bosko says, âand high-tops for the gentleman.'
âOh, I
love
those,' she says, shedding years as she grabs the polka-dotted pink pair. âLemon, do you want stripes or dots? We shouldn't get the same, should we? We'll just get them confused.'
Vaughn slowly, deliberately laces the yellow high-tops. He never rushes, never panics. I wish I could do this.
Drew is up, bouncing on the balls of her feet, she who sleeps three hours a night. âThese feel
amazing
. Come on, Lemon, try them.'
Bosko is at my feet, helping to remove my army boots, retrieved from the tracks by Vaughn. I worry that my feet stink. I want to touch Bosko's hair and ask him if he knows the Paluskas, ask him what they did with her body.
He slips the turquoise-striped sneakers on my feet. Twee-dledee and Tweedledum wait for my rebirth. Vaughn rocks slowly back and forth on his high-tops while Drew pirouettes. I try to stand, to join in the celebration because they mean well, these two. Vaughn puts out his hand as he often does to steady me or remind me he's there. His palms never sweat but are never cold.
I waver, unanchored, shorter without my boots. How will I kick in faces with canvas shoes?
âAren't they fantastic?' asks eight-year-old Drew. âWiggle your toes. Can you wiggle your toes?'
I wiggle my toes. The shoes feel spongy, light. I bounce on the soles of my feet. âI can fly in these.'
âYes,' she says. âAnd that's what you will do, fly.'
They want ice cream, of course. I still can't look at the stuff, drink water while they slurp and dribble. âDon't drip on your shoes,' I warn. His feet look enormous in the yellow boats. I suggested the green but he said yellow reminded him of bees. We sit on a bench, me in the middle as always. She turns her face toward the sun; she who spent months indoors is rediscovering Mother Earth. She crosses one leg over the other and swings her foot. âIt's hard to be miserable in June,' she says, licking her Cherry Garcia.