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Authors: Robert Silverberg
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“There is no curse,” Valentine said calmly. “This is a city that has seen much tragedy, but there is no curse, only misunderstanding piled on misunderstanding.”
“The Defilement—”
“There was no Defilement either, only a sacrifice. The destruction of the city by the people of the provinces was a vast mistake.”
“So you understand our history better than we do, Pontifex?”
“Yes,” said Valentine. “Yes. I do.” He turned away from the shaman and said, glancing toward the village foreman, “Vathiimeraak, there are murderers living in your settlement. I know who they are. Go to the village now and announce to everyone that if the guilty ones will come forward and confess their crime, they’ll be pardoned after they undergo a full cleansing of their souls.”
Turning next to Lisamon Hultin, he said, “As for the khivanivod, I want him handed over to the Danipiur’s officials to be tried in her own courts. This falls within her area of responsibility. And then—”
“Majesty!” someone called. “Beware!”
V
alentine swung around. The Skandar guards had stepped back from the khivanivod and were staring at their own trembling hands as though they had been burned in a fiery furnace. Torkkinuuminaad, freed of their grasp, thrust his face up into Valentine’s. His expression was one of diabolical intensity.
alentine swung around. The Skandar guards had stepped back from the khivanivod and were staring at their own trembling hands as though they had been burned in a fiery furnace. Torkkinuuminaad, freed of their grasp, thrust his face up into Valentine’s. His expression was one of diabolical intensity.
“Pontifex!” he whispered. “Look at me, Pontifex! Look at me!”
Taken by surprise, Valentine had no way of defending himself. Already a strange numbness had come over him. The dragon teeth went tumbling from his helpless hands. Torkkinuuminaad was shifting shape, now, running through a series of grotesque changes at a frenzied rate, so that he appeared to have a dozen arms and legs at once, and half a dozen
bodies; and he was casting some sort of spell. Valentine was caught in it like a moth in a spider’s cunningly woven strands. The air seemed thick and blurred before him, and a wind had come up out of nowhere. Valentine stood perplexed, trying to force his gaze away from the khivanivod’s fiery eyes, but he could not. Nor could he find the strength to reach down and seize hold of the two dragon teeth that lay at his feet. He stood as though frozen, muddled, dazed, tottering. There was a burning sensation in his breast and it was a struggle simply to draw breath.
bodies; and he was casting some sort of spell. Valentine was caught in it like a moth in a spider’s cunningly woven strands. The air seemed thick and blurred before him, and a wind had come up out of nowhere. Valentine stood perplexed, trying to force his gaze away from the khivanivod’s fiery eyes, but he could not. Nor could he find the strength to reach down and seize hold of the two dragon teeth that lay at his feet. He stood as though frozen, muddled, dazed, tottering. There was a burning sensation in his breast and it was a struggle simply to draw breath.
There seemed to be phantoms all around him.
A dozen Shapeshifters—a hundred, a thousand—
Grimacing faces. Glowering eyes. Teeth; claws; knives. A horde of wildly cavorting assassins surrounded him, dancing, bobbing, gyrating, hissing, mocking him, calling his name derisively—
He was lost in a whirlwind of ancient sorceries.
“Lisamon?” Valentine cried, baffled. “Deliamber? Help me—help—” But he was not sure that the words had actually escaped his lips.
Then he saw that his guardians had indeed perceived his danger. Deliamber, the first to react, came rushing forward, flinging his own many tentacles up hastily in a counterspell, a set of gesticulations and thrusts of mental force intended to neutralize whatever was emanating from Torkkinuuminaad. And then, as the little Vroon began to wrap the Piurivar shaman in his web of Vroonish wizardry, Vathiimeraak advanced on Torkkinuuminaad from the opposite side, boldly seizing the shaman in complete indifference to his spells, forcing him down to the ground, bending him until his forehead was pressing against the soil at Valentine’s feet.
Valentine felt the grip of the shaman’s wizardry beginning to ebb, then easing further, finally losing its last remaining hold on his soul. The contact between Torkkinuuminaad’s mind and his gave way with an almost audible snap.
Vathiimeraak released the khivanivod and stepped back. Lisamon Hultin now came to the shaman’s side and stood menacingly over him. But the episode was over. The shaman remained where he was, absolutely still now, staring at the ground, scowling bitterly in defeat.
“Thank you,” Valentine said simply to Deliamber and Vathiimeraak. And, with a dismissive gesture: “Take him away.”
Lisamon Hultin threw Torkkinuuminaad over her shoulder like a sack of calimbots and went striding off down the road.
A
long stunned silence followed. Magadone Sambisa broke it, finally. In a hushed voice she said, “Your majesty, are you all right?”
long stunned silence followed. Magadone Sambisa broke it, finally. In a hushed voice she said, “Your majesty, are you all right?”
He answered only with a nod.
“And the excavations,” she said anxiously, after another moment. “What will happen to them? Will they continue?”
“Why not?” Valentine replied. “There’s still much work to be done.” He took a step or two away from her. He touched his hands to his chest, to his throat. He could still almost feel the pressure of those relentless invisible hands.
Magadone Sambisa was not finished with him, though.
“And these?” she asked, indicating the sea-dragon teeth. She spoke more aggressively now, taking charge of things once again, beginning to recover her vigor and poise. “If I may have them now, majesty—”
Angrily Valentine said, “Take them, yes. But put them back in the shrine. And then seal up the hole you made today.”
The archaeologist stared at him as though he had turned into a Piurivar himself. With a note of undisguised asperity in her voice she said, “What, your majesty? What? Dr. Huukaminaan died for those teeth! Finding that shrine was the pinnacle of his work. If we seal it up now—”
“Dr. Huukaminaan was the perfect scientist,” Valentine said, not troubling to conceal his great weariness now. “His love of the truth cost him his life. Your own love of truth, I think, is less than perfect, and therefore you will obey me in this.”
“I beg you, majesty—”
“No. Enough begging. I don’t pretend to be a scientist at all, but I understand my own responsibilities. Some things should remain buried. These teeth are not things for us to handle and study and put on display at a museum. The shrine is a holy place to the Piurivars, even if they don’t understand its own holiness. It’s a sad business for us all that it ever was uncovered. The dig itself can continue, in other parts of the city. But put these back. Seal that shrine and stay away from it. Understood?”
She looked at him numbly, and nodded.
“Good. Good.”
The full descent of darkness was settling upon the desert now. Valentine could feel the myriad ghosts of Velalisier hovering around him. It seemed that bony fingers were plucking at his tunic, that eerie whispering voices were murmuring perilous magics in his ears.
Most heartily he yearned to be quit of these ruins. He had had all he cared to have of them for one lifetime.
To Tunigorn he said, “Come, old friend, give the orders, make things ready for our immediate departure.”
“Now, Valentine? At this late hour?”
“Now, Tunigorn. Now.” He smiled. “Do you know, this place has made the Labyrinth seem almost appealing to me! I feel a great desire to return to its familiar comforts. Come: get everything organized for leaving. We’ve been here quite long enough.”
URSULA K. LE GUIN
A WIZARD OF EARTHSEA (1968)
THE TOMBS OF ATUAN (1971)
THE FARTHEST SHORE (1972)
TEHANU THE LAST BOOK OF EARTHSEA (1990)
THE TOMBS OF ATUAN (1971)
THE FARTHEST SHORE (1972)
TEHANU THE LAST BOOK OF EARTHSEA (1990)
The island world of Earthsea is inhabited by human beings and by dragons. The dragons are aloof and dangerous creatures, whose native tongue is the Language of the Making. Some events and stories (in
Tehanu
) suggest that there was a time when dragons and human beings were all one kind, but they have long been divided and unfriendly. Among the human beings, magic is a gift with which some people are born, but which must also be learned as an art or science. Essential to the practice of magic is learning at least some words of the Language of the Making, in which things are given their true names. By learning the true name, the witch or wizard gains power over the thing or the person. Power, of course, may be used for good or for ill.
Tehanu
) suggest that there was a time when dragons and human beings were all one kind, but they have long been divided and unfriendly. Among the human beings, magic is a gift with which some people are born, but which must also be learned as an art or science. Essential to the practice of magic is learning at least some words of the Language of the Making, in which things are given their true names. By learning the true name, the witch or wizard gains power over the thing or the person. Power, of course, may be used for good or for ill.
A Wizard of Earthsea
opens on Gont Island. Ged, a young peasant boy with a great gift of magic, goes to the School for Wizards on Roke Island. There, attempting to prove his superiority to another boy, he brings a shadow-being from the realm of the dead into the world of the living. This shadow hunts him through the islands, driving him always toward danger and evil. At last, guided by his old teacher Ogion, he turns on it, and pursues it on a desperate course that leads him out of the world across the barrier of death. There Ged and his shadow, confronting each other, find that they are one; and thus Ged’s being is healed and made whole.
opens on Gont Island. Ged, a young peasant boy with a great gift of magic, goes to the School for Wizards on Roke Island. There, attempting to prove his superiority to another boy, he brings a shadow-being from the realm of the dead into the world of the living. This shadow hunts him through the islands, driving him always toward danger and evil. At last, guided by his old teacher Ogion, he turns on it, and pursues it on a desperate course that leads him out of the world across the barrier of death. There Ged and his shadow, confronting each other, find that they are one; and thus Ged’s being is healed and made whole.
The Tombs of Atuan
is set on one of the four islands of the Kargish people, whose language and customs are different from those of the Archipelagans. A child named Tenar is taken from her parents, renamed
Arha, “the Eaten One,” and trained as the High Priestess of the Tombs, an ancient desert sanctuary in Atuan, where only women and eunuchs may come. When she is near the end of her training, she comes upon a stranger, a man, in the underground Labyrinth, the heart of the sacred place. This is Ged, now a powerful wizard, seeking the missing half of the Ring of Erreth-Akbe, on which is engraved the broken Rune of Peace. The young priestess’s duty is to kill him. Talking with her prisoner, she begins to see that she herself is a prisoner in the Tombs, bound by a meaningless and cruel ritual. Ged gives her back her true name, Tenar. As he has freed her, she frees him: she leads him out of the Labyrinth, and the two escape with the reunited Ring of Peace. Tenar is honored in Havnor, the City of the Kings of Earthsea, but Ged will take her to live and study with his old master Ogion, on Gont.
is set on one of the four islands of the Kargish people, whose language and customs are different from those of the Archipelagans. A child named Tenar is taken from her parents, renamed
Arha, “the Eaten One,” and trained as the High Priestess of the Tombs, an ancient desert sanctuary in Atuan, where only women and eunuchs may come. When she is near the end of her training, she comes upon a stranger, a man, in the underground Labyrinth, the heart of the sacred place. This is Ged, now a powerful wizard, seeking the missing half of the Ring of Erreth-Akbe, on which is engraved the broken Rune of Peace. The young priestess’s duty is to kill him. Talking with her prisoner, she begins to see that she herself is a prisoner in the Tombs, bound by a meaningless and cruel ritual. Ged gives her back her true name, Tenar. As he has freed her, she frees him: she leads him out of the Labyrinth, and the two escape with the reunited Ring of Peace. Tenar is honored in Havnor, the City of the Kings of Earthsea, but Ged will take her to live and study with his old master Ogion, on Gont.
In
The Farthest Shore,
Ged, now Archmage of Roke and the most powerful man in the Archipelago, goes with young Arren, Prince of Enlad, on a quest to find why magic seems to be losing its power. After strange adventures far in the south, they are led to the dragons’ islands; and on Selidor, the westernmost of them all, their quest takes them into the realm of death, the dry land of darkness. There they find the wizard Cob, who, desiring immortality for himself, has breached the wall between life and death. Ged takes Cob’s power from him and closes the wound in the world, but it takes all his own power to do so. Arren, who will inherit the throne of Earthsea, empty for five centuries, leads him back into life. The dragon Kalessin carries them both to Roke, where Ged salutes Arren as king; then Kalessin bears him home to Gont Island.
The Farthest Shore,
Ged, now Archmage of Roke and the most powerful man in the Archipelago, goes with young Arren, Prince of Enlad, on a quest to find why magic seems to be losing its power. After strange adventures far in the south, they are led to the dragons’ islands; and on Selidor, the westernmost of them all, their quest takes them into the realm of death, the dry land of darkness. There they find the wizard Cob, who, desiring immortality for himself, has breached the wall between life and death. Ged takes Cob’s power from him and closes the wound in the world, but it takes all his own power to do so. Arren, who will inherit the throne of Earthsea, empty for five centuries, leads him back into life. The dragon Kalessin carries them both to Roke, where Ged salutes Arren as king; then Kalessin bears him home to Gont Island.
Tehanu,
though written seventeen years after
The Farthest Shore,
takes up the story where it ended. Tenar of the Tombs did not stay with Ogion but married a farmer, Flint, had two children, and has lived these thirty years as a farm woman. Dying, Ogion sends for her. She stays on at the old mage’s house after his death. With her is her adopted daughter. This girl, Therru, who was raped and burned and left for dead by the men who traveled with her mother, is a silent child full of fear and uncomprehended power. The dragon brings Ged to Gont. Worn out and ill, having lost all his powers of magic, Ged is full of shame, and hides even from Arren, who comes seeking him. Aspen, a disciple of Cob, brews evil magic on Gont; Handy, one of the men
who abused the child Therru, keeps hanging around. The young king takes Tenar back to her husband’s farm. There Handy and the others try to get at Tenar and the child; Ged comes in time to help her fight them off. That winter Ged stays with Tenar at the farm, and though he has lost his power as a mage, he finds at last his power as a sexual human being. In the spring, Aspen lures Ged and Tenar back to Ogion’s house, and since they cannot work magic they have no defense against him. He humiliates and is about to kill them. Now the disfigured, powerless child Therru finds her true name, Tehanu, and her own power. She summons the dragon Kalessin in the dragons’ speech, the Language of the Making. The dragon destroys Aspen, and greets Therru as a daughter. She will live with Ged and Tenar now, but will live with the dragons later: “I give you my child,” Kalessin says to Ged, “as you will give me yours.”
though written seventeen years after
The Farthest Shore,
takes up the story where it ended. Tenar of the Tombs did not stay with Ogion but married a farmer, Flint, had two children, and has lived these thirty years as a farm woman. Dying, Ogion sends for her. She stays on at the old mage’s house after his death. With her is her adopted daughter. This girl, Therru, who was raped and burned and left for dead by the men who traveled with her mother, is a silent child full of fear and uncomprehended power. The dragon brings Ged to Gont. Worn out and ill, having lost all his powers of magic, Ged is full of shame, and hides even from Arren, who comes seeking him. Aspen, a disciple of Cob, brews evil magic on Gont; Handy, one of the men
who abused the child Therru, keeps hanging around. The young king takes Tenar back to her husband’s farm. There Handy and the others try to get at Tenar and the child; Ged comes in time to help her fight them off. That winter Ged stays with Tenar at the farm, and though he has lost his power as a mage, he finds at last his power as a sexual human being. In the spring, Aspen lures Ged and Tenar back to Ogion’s house, and since they cannot work magic they have no defense against him. He humiliates and is about to kill them. Now the disfigured, powerless child Therru finds her true name, Tehanu, and her own power. She summons the dragon Kalessin in the dragons’ speech, the Language of the Making. The dragon destroys Aspen, and greets Therru as a daughter. She will live with Ged and Tenar now, but will live with the dragons later: “I give you my child,” Kalessin says to Ged, “as you will give me yours.”
URSULA K. LE GUIN
Her father’s ancestors had owned a wide, rich domain on the wide, rich island of Way. Claiming no title or court privilege in the days of the kings, through all the dark years after Maharion fell they held their land and people with firm hands, putting their gains back into the land, upholding some sort of justice, and fighting off petty tyrants. As order and peace returned to the Archipelago under the sway of the wise men of Roke, for a while yet the family and their farms and villages prospered. That prosperity and the beauty of the meadows and upland pastures and oak-crowned hills made the domain a byword, so that people said, “as fat as a cow of Iria,” or, “as lucky as an Irian.” The masters and many tenants of the domain added its name to their own, calling themselves Irian. But though the farmers and shepherds went on from season to season and year to year and generation to generation as solid and steady as the oaks, the family that owned the land altered with time and chance.
A quarrel between brothers over their inheritance divided them. One heir mismanaged his estate through greed, the other through foolishness. One had a daughter who married a merchant and tried to run her estate from the city, the other had a son whose sons quarreled again, redividing the divided land. By the time the girl called Dragonfly
was born, the domain of Iria, though still one of the loveliest regions of hill and field and meadow in all Earthsea, was a battleground of feuds and litigations. Farmlands went to weeds, farmsteads went unroofed, milking sheds stood unused, and shepherds followed their flocks over the mountain to better pastures. The old house that had been the center of the domain was half in ruins on its hill among the oaks.
was born, the domain of Iria, though still one of the loveliest regions of hill and field and meadow in all Earthsea, was a battleground of feuds and litigations. Farmlands went to weeds, farmsteads went unroofed, milking sheds stood unused, and shepherds followed their flocks over the mountain to better pastures. The old house that had been the center of the domain was half in ruins on its hill among the oaks.
Its owner was one of four men who called themselves Master of Iria. The other three called him Master of Old Iria. He spent his youth and what remained of his inheritance in law courts and the anterooms of the Lords of Way in Shelieth, trying to prove his right to the whole domain as it had been a hundred years ago. He came back unsuccessful and embittered and spent his age drinking the hard red wine from his last vineyard and walking his boundaries with a troop of ill-treated, underfed dogs to keep interlopers off his land.
He had married while he was in Shelieth, a woman no one at Iria knew anything about, for she came from some other island, it was said, somewhere in the west, and she never came to Iria, for she died in childbirth there in the city. When he came home he had a three-year-old daughter with him. He turned her over to the housekeeper and forgot about her. When he was drunk sometimes he remembered her. If he could find her, he made her stand by his chair or sit on his knees and listen to all the wrongs that had been done to him and to the house of Iria. He cursed and cried and drank and made her drink, too, pledging to honor her inheritance and be true to Iria. She drank the wine, but she hated the curses and pledges and tears and the slobbered caresses that followed them. She escaped, if she could, and went down to the dogs and the horses and the cattle, and swore to them that she would be loyal to her mother, whom nobody knew or honored or was true to, except herself.
When she was thirteen the old vineyarder and the housekeeper, who were all that was left of the household, told the Master that it was time his daughter had her naming day. They asked should they send for the sorcerer over at Westpool, or would their own village witch do. The Master of Iria fell into a screaming rage. “A village witch? A hex-hag to give Irian’s daughter her true name? Or a creeping traitorous sorcerous servant of those upstart landgrabbers who stole Westpool from my grandfather? If that polecat sets foot on my land I’ll have the dogs
tear out his liver, go tell him that, if you like!” And so on. Old Daisy went back to her kitchen and old Coney went back to his vines, and thirteen-year-old Dragonfly ran out of the house and down the hill to the village, hurling her father’s curses at the dogs, who, crazy with excitement at his shouting, barked and bayed and rushed after her. “Get back, you black-hearted bitch!” she yelled. “Home, you crawling traitor!” And the dogs fell silent and went sidling back to the house with their tails down.
tear out his liver, go tell him that, if you like!” And so on. Old Daisy went back to her kitchen and old Coney went back to his vines, and thirteen-year-old Dragonfly ran out of the house and down the hill to the village, hurling her father’s curses at the dogs, who, crazy with excitement at his shouting, barked and bayed and rushed after her. “Get back, you black-hearted bitch!” she yelled. “Home, you crawling traitor!” And the dogs fell silent and went sidling back to the house with their tails down.
Dragonfly found the village witch taking maggots out of an infected cut on a sheep’s rump. The witch’s use-name was Rose, like a great many women of Way and other islands of the Hardic Archipelago. People who have a secret name that holds their power the way a diamond holds light may well like their public name to be ordinary, common, like other people’s names.
Rose was muttering a rote spell, but it was her hands and her little short sharp knife that did most of the work. The ewe bore the digging knife patiently, her opaque, amber, slotted eyes gazing into silence; only she stamped her small left front foot now and then, and sighed. Dragonfly peered close at Rose’s work. Rose brought out a maggot, dropped it, spat on it, and probed again. The girl leaned up against the ewe, and the ewe leaned against the girl, giving and receiving comfort. Rose extracted, dropped, and spat on the last maggot, and said, “Just hand me that bucket now.” She bathed the sore with salt water. The ewe sighed deeply and suddenly walked out of the yard, heading for home. She had had enough of medicine. “Bucky!” Rose shouted. A grubby child appeared from under a bush where he had been asleep and trailed after the ewe, of whom he was nominally in charge although she was older, larger, better fed, and probably wiser than he was.
“They said you should give me my name,” said Dragonfly. “Father fell to raging. So that’s that.”
The witch said nothing. She knew the girl was right. Once the Master of Iria said he would or would not allow a thing he never changed his mind, priding himself on his intransigeance, since only weak men said a thing and then unsaid it.
“Why can’t I give myself my own true name?” Dragonfly asked, while Rose washed the knife and her hands in the salt water.
“Can’t be done.”
“Why not? Why does it have to be a witch or a sorcerer? What do you do?”
“Well,” Rose said, and dumped out the salt water on the bare dirt of the small front yard of her house, which, like most witches’ houses, stood somewhat apart from the village. “Well,” she said, straightening up and looking about vaguely as if for an answer, or a ewe, or a towel. “You have to know something about the power, see,” she said at last, and looked at Dragonfly with one eye. Her other eye looked a little off to the side. Sometimes Dragonfly thought the cast was in Rose’s left eye, sometimes it seemed to be in her right, but always one eye looked straight and the other watched something just out of sight, around the corner, elsewhere.
“Which power?”
“The one,” Rose said. As suddenly as the ewe had walked off, she went into her house. Dragonfly followed her, but only to the door. Nobody entered a witch’s house uninvited.
“You said I had it,” the girl said into the reeking gloom of the oneroomed hut.
“I said you have a strength in you, a great one,” the witch said from the darkness. “And you know it too. What you are to do I don’t know, nor do you. That’s to find. But there’s no such power as to name yourself.”
“Why not? What’s more yourself than your own true name?”
A long silence.
The witch emerged with a soapstone drop-spindle and a ball of greasy wool. She sat down on the bench beside her door and set the spindle turning. She had spun a yard of greybrown yarn before she answered.
“My name’s myself. True. But what’s a name, then? It’s what another calls me. If there was no other, only me, what would I want a name for?”
“But,” said Dragonfly and stopped, caught by the argument. After a while she said, “So a name has to be a gift?”
Rose nodded.
“Give me my name, Rose,” the girl said.
“Your dad says not.”
“I say to.”
“He’s the Master here.”
“He can keep me poor and stupid and worthless, but he can’t keep me nameless!”
The witch sighed, like the ewe, uneasy and constrained.
“Tonight,” Dragonfly said. “At our spring, under Iria Hill. What he doesn’t know won’t hurt him.” Her voice was half coaxing, half savage.
“You ought to have your proper name day, your feast and dancing, like any young ’un,” the witch said. “It’s at daybreak a name should be given. And then there ought to be music and feasting and all. Not sneaking about at night and no one knowing … .”
“I’ll know. How do you know what name to say, Rose? Does the water tell you?”
The witch shook her iron-grey head once. “I can’t tell you.” Her “can’t” did not mean “won’t.” Dragonfly waited. “It’s the power, like I said. It comes just so.” Rose stopped her spinning and looked up with one eye at a cloud in the west; the other looked a little northward of the sky. “You’re there in the water, together, you and the child. You take away the child-name. People may go on using that name for a use-name, but it’s not her name, nor ever was. So now she’s not a child, and she has no name. So then you wait. You open your mind up, like. Like opening the doors of a house to the wind. So it comes. Your tongue speaks it, the name. Your breath makes it. You give it to that child, the breath, the name. You can’t think of it. You let it come to you. It must come through you to her it belongs to. That’s the power, the way it works. It’s all like that. It’s not a thing you do. You have to know how to let it do. That’s all the mastery.”
“Mages can do more than that,” the girl said.
“Nobody can do more than that,” said Rose.
Dragonfly rolled her head round on her neck, stretching till the vertebrae cracked, stretching out her long arms and legs restlessly. “Will you?” she said.
Rose nodded once.
They met in the lane under Iria Hill in the dark of night, long after sunset, long before dawn. Rose made a dim glow of werelight so that they could find their way through the marshy ground around the spring without falling in a sinkhole among the reeds. In the cold darkness under a few stars and the black curve of the hill, they stripped and
waded into the shallow water, their feet sinking deep in velvet mud. The witch touched the girl’s hand, saying, “I take your name, child. You are no child. You have no name.”
waded into the shallow water, their feet sinking deep in velvet mud. The witch touched the girl’s hand, saying, “I take your name, child. You are no child. You have no name.”
It was utterly still.
In a whisper the witch said, “Woman, be named. You are Irian.”
For a moment longer they held still; then the night wind blew across their naked shoulders, and shivering, they waded out, dried themselves as well as they could, struggled barefoot and wretched through the sharp-edged reeds and tangling roots, and found their way back to the lane. And there Dragonfly spoke in a ragged, raging whisper: “How could you name me that!”
The witch said nothing.
“It isn’t right. It isn’t my true name! I thought my name would make me be me. But this makes it worse. You got it wrong. You’re only a witch. You did it wrong. It’s
his
name. He can have it. He’s so proud of it, his stupid domain, his stupid grandfather. I don’t want it. I won’t have it. It isn’t me. I still don’t know who I am. I’m not Irian!” She fell silent abruptly, having spoken the name.
his
name. He can have it. He’s so proud of it, his stupid domain, his stupid grandfather. I don’t want it. I won’t have it. It isn’t me. I still don’t know who I am. I’m not Irian!” She fell silent abruptly, having spoken the name.
The witch still said nothing. They walked along in the darkness side by side. At last, in a placating, frightened voice, Rose said, “It came so …”
“If you ever tell it to anyone I’ll kill you,” Dragonfly said.
At that, the witch stopped walking. She hissed like a cat. “
Tell
anyone?”
Tell
anyone?”
Dragonfly stopped too. She said after a moment, “I’m sorry. But I feel like—I feel like you betrayed me.”
“I spoke your true name. It’s not what I thought it would be. And I don’t feel easy about it. As if I’d left something unfinished. But it is your name. If it betrays you, then that’s the truth of it.” Rose hesitated and then spoke less angrily, more coldly: “If you want the power to betray me, Irian, I’ll give you that. My name is Etaudis.”
The wind had come up again. They were both shivering, their teeth chattering. They stood face-to-face in the black lane, hardly able to see where the other was. Dragonfly put out her groping hand and met the witch’s hand. They put their arms round each other in a fierce, long embrace. Then they hurried on, the witch to her hut near the village, the heiress of Iria up the hill to her ruinous house, where all the dogs, who had let her go without much fuss, received her back with a clamor
and racket of barking that woke everybody for a halfmile round except the Master, sodden drunk by his cold hearth.
and racket of barking that woke everybody for a halfmile round except the Master, sodden drunk by his cold hearth.
The Master of Iria of Westpool, Birch, didn’t own the old house, but he did own the central and richest lands of the old domain. His father, more interested in vines and orchards than in quarrels with his relatives, had left Birch a thriving property. Birch hired men to manage the farms and wineries and cooperage and cartage and all, while he enjoyed his wealth. He married the timid daughter of the younger brother of the Lord of Wayfirth, and took infinite pleasure in thinking that his daughters were of noble blood. The fashion of the time among the nobility was to have a wizard in their service, a genuine wizard with a staff and a grey cloak, trained on the Isle of the Wise, and so the Master of Iria of Westpool got himself a wizard from Roke. He was surprised how easy it was to get one, if you paid the price.
The young man, called Ivory, did not actually have his staff and cloak yet; he explained that he was to be made wizard when he went back to Roke. The Masters had sent him out in the world to gain experience, for all the classes in the School cannot give a man the experience he needs to be a wizard. Birch looked a little dubious at this, and Ivory reassured him that his training on Roke had equipped him with every kind of magic that could be needed in Iria of Westpool on Way. To prove it, he made it seem that a herd of deer ran through the dining hall, followed by a flight of swans, who marvellously soared through the south wall and out through the north wall; and lastly a fountain in a silver basin sprang up in the center of the table, and when the Master and his family cautiously imitated their wizard and filled their cups from it and tasted it, it was a sweet golden wine. “Wine of the Andrades,” said the young man with a modest, complacent smile. By then the wife and daughters were entirely won over. And Birch thought the young man was worth his fee, although his own silent preference was for the dry red Fanian of his own vineyards, which got you drunk if you drank enough, while this yellow stuff was just honeywater.
If the young sorcerer was seeking experience, he did not get much at Westpool. Whenever Birch had guests from Kembermouth or from
neighboring domains, the herd of deer, the swans, and the fountain of golden wine made their appearance. He also worked up some very pretty fireworks for warm spring evenings. But if the managers of the orchards and vineyards came to the Master to ask if his wizard might put a spell of increase on the pears this year or maybe charm the black rot off the Fanian vines on the south hill, Birch said, “A wizard of Roke doesn’t lower himself to such stuff. Go tell the village sorcerer to earn his keep!” And when the youngest daughter came down with a wasting cough, Birch’s wife dared not trouble the wise young man about it, but sent humbly to Rose of Old Iria, asking her to come in by the back door and maybe make a poultice or sing a chant to bring the girl back to health. Ivory never noticed that the girl was ailing, nor the pear trees, nor the vines. He kept himself to himself, as a man of craft and learning should. He spent his days riding about the countryside on the pretty black mare that his employer had given him for his use when he made it clear that he had not come from Roke to trudge about on foot in the mud and dust of country byways.
neighboring domains, the herd of deer, the swans, and the fountain of golden wine made their appearance. He also worked up some very pretty fireworks for warm spring evenings. But if the managers of the orchards and vineyards came to the Master to ask if his wizard might put a spell of increase on the pears this year or maybe charm the black rot off the Fanian vines on the south hill, Birch said, “A wizard of Roke doesn’t lower himself to such stuff. Go tell the village sorcerer to earn his keep!” And when the youngest daughter came down with a wasting cough, Birch’s wife dared not trouble the wise young man about it, but sent humbly to Rose of Old Iria, asking her to come in by the back door and maybe make a poultice or sing a chant to bring the girl back to health. Ivory never noticed that the girl was ailing, nor the pear trees, nor the vines. He kept himself to himself, as a man of craft and learning should. He spent his days riding about the countryside on the pretty black mare that his employer had given him for his use when he made it clear that he had not come from Roke to trudge about on foot in the mud and dust of country byways.
On his rides, he sometimes passed an old house on a hill among great oaks. When he turned off the village lane up the hill, a pack of scrawny, evil-mouthed dogs came pelting and bellowing down at him. The mare was afraid of dogs and liable to buck and bolt, so he kept his distance. But he had an eye for beauty, and liked to look at the old house dreaming away in the dappled light of the early summer afternoons.
He asked Birch about the place. “That’s Iria,” Birch said—“Old Iria, I mean to say. I own the house by rights. But after a century of feuds and fights over it, my granddad let the place go to settle the quarrel. Though the Master there would still be quarreling with me if he didn’t keep too drunk to talk. Haven’t seen the old man for years. He had a daughter, I think.”
“She’s called Dragonfly, and she does all the work, and I saw her once last year. She’s tall, and as beautiful as a flowering tree,” said the youngest daughter, Rose, who was busy crowding a lifetime of keen observation into the fourteen years that were all she was going to have for it. She broke off, coughing. Her mother shot an anguished, yearning glance at the wizard. Surely he would hear that cough, this time? He smiled at young Rose, and the mother’s heart lifted. Surely he wouldn’t smile so if Rose’s cough was anything serious?
“Nothing to do with us, that lot at the old place,” Birch said, displeased. The tactful Ivory asked no more. But he wanted to see the girl as beautiful as a flowering tree. He rode past Old Iria regularly. He tried stopping in the village at the foot of the hill to ask questions, but there was nowhere to stop and nobody would answer questions. A wall-eyed witch took one look at him and scuttled into her hut. If he went up to the house he would have to face the pack of hellhounds and probably a drunk old man. But it was worth the chance, he thought; he was bored out of his wits with the dull life at Westpool, and was never slow to take a risk. He rode up the hill till the dogs were yelling around him in a frenzy, snapping at the mare’s legs. She plunged and lashed out her hoofs at them, and he kept her from bolting only by a staying-spell and all the strength in his arms. The dogs were leaping and snapping at his own legs now, and he was about to let the mare have her head when somebody came among the dogs shouting curses and beating them back with a strap. When he got the lathered, gasping mare to stand still, he saw the girl as beautiful as a flowering tree. She was very tall, very sweaty, with big hands and feet and mouth and nose and eyes, and a head of wild dusty hair. She was yelling, “Down! Back to the house, you carrion, you vile sons of bitches!” to the whining, cowering dogs.
Ivory clapped his hand to his right leg. A dog’s tooth had ripped his breeches at the calf, and a trickle of blood came through.
“Is she hurt?” the woman said. “Oh, the traitorous vermin!” She was stroking down the mare’s right foreleg. Her hands came away covered with blood-streaked horse sweat. “There, there,” she said. “The brave girl, the brave heart.” The mare put her head down and shivered all over with relief. “What did you keep her standing there in the middle of the dogs for?” the woman demanded furiously. She was kneeling at the horse’s leg, looking up at Ivory, who was looking down at her from horseback; yet he felt short, he felt small.
She did not wait for an answer. “I’ll walk her up,” she said, standing up, and put out her hand for the reins. Ivory saw that he was supposed to dismount. He did so, asking, “Is it very bad?” and peering at the horse’s leg, seeing only bright, bloody foam.
“Come on then, my love,” the young woman said, not to him. The mare followed her trustfully. They set off up the rough path round the hillside to an old stone and brick stableyard, empty of horses, inhabited
only by nesting swallows that swooped about over the roofs calling their quick gossip.
only by nesting swallows that swooped about over the roofs calling their quick gossip.
“Keep her quiet,” said the young woman, and left him holding the mare’s reins in this deserted place. She returned after some time lugging a heavy bucket, and set to sponging off the mare’s leg. “Get the saddle off her,” she said, and her tone held the unspoken, impatient, “you fool!” Ivory obeyed, half annoyed by this crude giantess and half intrigued. She did not put him in mind of a flowering tree at all, but she was in fact beautiful, in a large, fierce way. The mare submitted to her absolutely. When she said, “Move your foot!” the mare moved her foot. The woman wiped her down all over, put the saddle blanket back on her, and made sure she was standing in the sun. “She’ll be all right,” she said. “There’s a gash, but if you’ll wash it with warm salt water four or five times a day, it’ll heal clean. I’m sorry.” She said the last honestly, though grudgingly, as if she still wondered how he could have let his mare stand there to be assaulted, and she looked straight at him for the first time. Her eyes were clear orange-brown, like dark topaz or amber. They were strange eyes, right on a level with his own.
“I’m sorry too,” he said, trying to speak carelessly, lightly.
“She’s Irian of Westpool’s mare. You’re the wizard, then?”
He bowed. “Ivory, of Havnor Great Port, at your service. May I—”
She interrupted. “I thought you were from Roke.”
“I am,” he said, his composure regained. She stared at him with those strange eyes, as unreadable as a sheep’s, he thought. Then she burst out: “You lived there? You studied there? Do you know the Archmage?”
“Yes,” he said with a smile. Then he winced and stooped to press his hand against his shin for a moment.
“Are you hurt too?”
“It’s nothing,” he said. In fact, rather to his annoyance, the cut had stopped bleeding. The woman’s gaze returned to his face.
“What is it—what is it like—on Roke?”
Ivory went, limping only very slightly, to an old mounting-block nearby and sat down on it. He stretched his leg, nursing the torn place, and looked up at the woman. “It would take a long time to tell you what Roke is like,” he said. “But it would be my pleasure.”
T
he man’s a wizard, or nearly,” said Rose the witch,”a Roke wizard! You must not ask him questions!” She was more than scandalized, she was frightened.
he man’s a wizard, or nearly,” said Rose the witch,”a Roke wizard! You must not ask him questions!” She was more than scandalized, she was frightened.
“He doesn’t mind,” Dragonfly reassured her. “Only he hardly ever really answers.”
“Of course not!”
“Why of course not?”
“Because he’s a wizard! Because you’re a woman, with no art, no knowledge, no learning!”
“You could have taught me! You never would!”
Rose dismissed all she had taught or could teach with a flick of the fingers.
“Well, so I have to learn from him,” said Dragonfly.
“Wizards don’t teach women. You’re besotted.”
“You and Broom trade spells.”
“Broom’s a village sorcerer. This man is a wise man. He learned the High Arts at the Great House on Roke!”
“He told me what it’s like,” Dragonfly said. “You walk up through the town, Thwil Town. There’s a door opening on the street, but it’s shut. It looks like an ordinary door.” The witch listened, unable to resist the lure of secrets revealed and the contagion of passionate desire. “And a man comes when you knock, an ordinary-looking man. And he gives you a test. You have to say a certain word, a password, before he’ll let you in. If you don’t know it, you can never go in. But if he lets you in, then from inside you see that the door is entirely different—it’s made out of horn, with a tree carved on it, and the frame is made out of a tooth, one tooth of a dragon that lived long, long before Erreth-Akbe, before Morred, before there were people in Earthsea. There were only dragons, to begin with. They found the tooth on Mount Onn, in Havnor, at the center of the world. And the leaves of the tree are carved so thin that the light shines through them, but the door’s so strong that if the Doorkeeper shuts it no spell could ever open it. And then the Doorkeeper takes you down a hall and another hall, till you’re lost and bewildered, and then suddenly you come out under the sky. In the Court of the Fountain, in the very deepest inside of the Great House. And that’s where the Archmage would be, if he was there … .”
“Go on,” the witch murmured.
“That’s all he really told me, yet,” said Dragonfly, coming back to the mild, overcast spring day and the infinite familiarity of the village lane, Rose’s front yard, her own seven milch-ewes grazing on Iria Hill, the bronze crowns of the oaks. “He’s very careful how he talks about the Masters.”
Rose nodded.
“But he told me about some of the students.”
“No harm in that, I suppose.”
“I don’t know,” Dragonfly said. “To hear about the Great House is wonderful, but I thought the people there would be—I don’t know. Of course, they’re mostly just boys when they go there. But I thought they’d be …” She gazed off at the sheep on the hill, her face troubled. “Some of them are really bad and stupid,” she said in a low voice. “They get into the School because they’re rich. And they study there just to get richer. Or to get power.”
“Well, of course they do,” said Rose, “that’s what they’re there for!”
“But power—like you told me about—that isn’t the same as making people do what you want, or pay you—”
“Isn’t it?”
“No!”
“If a word can heal, a word can wound,” the witch said. “If a hand can kill, a hand can cure. It’s a poor cart that goes only one direction.”
“But on Roke, they learn to use power well, not for harm, not for gain.”
“Everything’s for gain some way, I’d say. People have to live. But what do I know? I make my living doing what I know how to do. But I don’t meddle with the great arts, the perilous crafts, like summoning the dead,” and Rose made the hand-sign to avert the danger spoken of.
“Everything’s perilous,” Dragonfly said, gazing now through the sheep, the hill, the trees, into still depths, a colorless, vast emptiness like the clear sky before sunrise.
Rose watched her. She knew she did not know who Irian was or what she might be. A big, strong, awkward, ignorant, innocent, angry woman, yes. But ever since she was a child Rose had seen something more in her, something beyond what she was. And when Irian looked away from the world like that, she seemed to enter that place or time
or being beyond herself, utterly beyond Rose’s knowledge. Then Rose feared her, and feared for her.
or being beyond herself, utterly beyond Rose’s knowledge. Then Rose feared her, and feared for her.
BOOK: Legends: Stories By The Masters of Modern Fantasy
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