Katherine Anne Porter (3 page)

There was no particular scandal in the village. People shrugged, grinned. It was far better that they were gone. The neighbors went around saying that María Rosa was safer in the army than she would be in the same village with María Concepción.

María Concepción did not weep when Juan left her; and when the baby was born, and died within four days, she did not weep. “She is mere stone,” said old Lupe, who went over and offered charms to preserve the baby.

“May you rot in hell with your charms,” said María Con-cepción.

If she had not gone so regularly to church, lighting candles before the saints, kneeling with her arms spread in the form of
a cross for hours at a time, and receiving holy communion every month, there might have been talk of her being devil-possessed, her face was so changed and blind-looking. But this was impossible when, after all, she had been married by the priest. It must be, they reasoned, that she was being punished for her pride. They decided that this was the true cause for everything: she was altogether too proud. So they pitied her.

During the year that Juan and María Rosa were gone María Concepción sold her fowls and looked after her garden and her sack of hard coins grew. Lupe had no talent for bees, and the hives did not prosper. She began to blame María Rosa for running away, and to praise María Concepción for her behavior. She used to see María Concepción at the market or at church, and she always said that no one could tell by looking at her now that she was a woman who had such a heavy grief.

“I pray God everything goes well with María Concepción from this out,” she would say, “for she has had her share of trouble.”

When some idle person repeated this to the deserted woman, she went down to Lupe’s house and stood within the clearing and called to the medicine woman, who sat in her doorway stirring a mess of her infallible cure for sores: “Keep your prayers to yourself, Lupe, or offer them for others who need them. I will ask God for what I want in this world.”

“And will you get it, you think, María Concepción?” asked Lupe, tittering cruelly and smelling the wooden mixing spoon. “Did you pray for what you have now?”

Afterward everyone noticed that María Concepción went oftener to church, and even seldomer to the village to talk with the other women as they sat along the curb, nursing their babies and eating fruit, at the end of the market-day.

“She is wrong to take us for enemies,” said old Soledad, who was a thinker and a peace-maker. “All women have these troubles. Well, we should suffer together.”

But María Concepción lived alone. She was gaunt, as if something were gnawing her away inside, her eyes were sunken, and she would not speak a word if she could help it. She worked harder than ever, and her butchering knife was scarcely ever out of her hand.

*

Juan and María Rosa, disgusted with military life, came home one day without asking permission of anyone. The field of war had unrolled itself, a long scroll of vexations, until the end had frayed out within twenty miles of Juan’s village. So he and María Rosa, now lean as a wolf, burdened with a child daily expected, set out with no farewells to the regiment and walked home.

They arrived one morning about daybreak. Juan was picked up on sight by a group of military police from the small barracks on the edge of town, and taken to prison, where the officer in charge told him with impersonal cheerfulness that he would add one to a catch of ten waiting to be shot as deserters the next morning.

María Rosa, screaming and falling on her face in the road, was taken under the armpits by two guards and helped briskly to her jacal, now sadly run down. She was received with professional importance by Lupe, who helped the baby to be born at once.

Limping with foot soreness, a layer of dust concealing his fine new clothes got mysteriously from somewhere, Juan appeared before the captain at the barracks. The captain recognized him as head digger for his good friend Givens, and dispatched a note to Givens saying: “I am holding the person of Juan Villegas awaiting your further disposition.”

When Givens showed up Juan was delivered to him with the urgent request that nothing be made public about so humane and sensible an operation on the part of military authority.

Juan walked out of the rather stifling atmosphere of the drumhead court, a definite air of swagger about him. His hat, of unreasonable dimensions and embroidered with silver thread, hung over one eyebrow, secured at the back by a cord of silver dripping with bright blue tassels. His shirt was of a checkerboard pattern in green and black, his white cotton trousers were bound by a belt of yellow leather tooled in red. His feet were bare, full of stone bruises, and sadly ragged as to toenails. He removed his cigarette from the corner of his full-lipped wide mouth. He removed the splendid hat. His black dusty hair, pressed moistly to his forehead, sprang up suddenly in a cloudy thatch on his crown. He bowed to the officer, who appeared to be gazing at a vacuum. He swung his arm wide in
a free circle upsoaring towards the prison window, where forlorn heads poked over the window sill, hot eyes following after the lucky departing one. Two or three of the heads nodded, and a half dozen hands were flipped at him in an effort to imitate his own casual and heady manner.

Juan kept up this insufferable pantomime until they rounded the first clump of fig-cactus. Then he seized Givens’ hand and burst into oratory. “Blessed be the day your servant Juan Villegas first came under your eyes. From this day my life is yours without condition, ten thousand thanks with all my heart!” “For God’s sake stop playing the fool,” said Givens irritably. “Some day I’m going to be five minutes too late.”

“Well, it is nothing much to be shot, my chief—certainly you know I was not afraid—but to be shot in a drove of deserters, against a cold wall, just in the moment of my homecoming, by order of that. . .”

Glittering epithets tumbled over one another like explosions of a rocket. All the scandalous analogies from the animal and vegetable worlds were applied in a vivid, unique and personal way to the life, loves, and family history of the officer who had just set him free. When he had quite cursed himself dry, and his nerves were soothed, he added: “With your permission, my chief!”

“What will María Concepción say to all this?” asked Givens. “You are very informal, Juan, for a man who was married in the church.”

Juan put on his hat.

“Oh, María Concepción! That’s nothing. Look, my chief, to be married in the church is a great misfortune for a man. After that he is not himself any more. How can that woman complain when I do not drink even at fiestas enough to be really drunk? I do not beat her; never, never. We were always at peace. I say to her, Come here, and she comes straight. I say, Go there, and she goes quickly. Yet sometimes I looked at her and thought, Now I am married to that woman in the church, and I felt a sinking inside, as if something were lying heavy on my stomach. With María Rosa it is all different. She is not silent; she talks. When she talks too much, I slap her and say, Silence, thou simpleton! and she weeps. She is just a girl with whom I do as I please. You know how she used to keep those
clean little bees in their hives? She is like their honey to me. I swear it. I would not harm María Concepción because I am married to her in the church; but also, my chief, I will not leave María Rosa, because she pleases me more than any other woman.”

“Let me tell you, Juan, things haven’t been going as well as you think. You be careful. Some day María Concepción will just take your head off with that carving knife of hers. You keep that in mind.”

Juan’s expression was the proper blend of masculine triumph and sentimental melancholy. It was pleasant to see himself in the rôle of hero to two such desirable women. He had just escaped from the threat of a disagreeable end. His clothes were new and handsome, and they had cost him just nothing. María Rosa had collected them for him here and there after battles. He was walking in the early sunshine, smelling the good smells of ripening cactus-figs, peaches, and melons, of pungent berries dangling from the pepper-trees, and the smoke of his cigarette under his nose. He was on his way to civilian life with his patient chief. His situation was ineffably perfect, and he swallowed it whole.

“My chief,” he addressed Givens handsomely, as one man of the world to another, “women are good things, but not at this moment. With your permission, I will now go to the village and eat. My God,
how
I shall eat! Tomorrow morning very early I will come to the buried city and work like seven men. Let us forget María Concepción and María Rosa. Each one in her place. I will manage them when the time comes.”

News of Juan’s adventure soon got abroad, and Juan found many friends about him during the morning. They frankly commended his way of leaving the army. It was in itself the act of a hero. The new hero ate a great deal and drank somewhat, the occasion being better than a feast-day. It was almost noon before he returned to visit María Rosa.

He found her sitting on a clean straw mat, rubbing fat on her three-hour-old son. Before this felicitous vision Juan’s emotions so twisted him that he returned to the village and invited every man in the “Death and Resurrection” pulque shop to drink with him.

Having thus taken leave of his balance, he started back to
María Rosa, and found himself unaccountably in his own house, attempting to beat María Concepción by way of reëstablishing himself in his legal household.

María Concepción, knowing all the events of that unhappy day, was not in a yielding mood, and refused to be beaten. She did not scream nor implore; she stood her ground and resisted; she even struck at him. Juan, amazed, hardly knowing what he did, stepped back and gazed at her inquiringly through a leisurely whirling film which seemed to have lodged behind his eyes. Certainly he had not even thought of touching her. Oh, well, no harm done. He gave up, turned away, half-asleep on his feet. He dropped amiably in a shadowed corner and began to snore.

María Concepción, seeing that he was quiet, began to bind the legs of her fowls. It was market-day and she was late. She fumbled and tangled the bits of cord in her haste, and set off across the plowed fields instead of taking the accustomed road. She ran with a crazy panic in her head, her stumbling legs. Now and then she would stop and look about her, trying to place herself, then go on a few steps, until she realized that she was not going towards the market.

At once she came to her senses completely, recognized the thing that troubled her so terribly, was certain of what she wanted. She sat down quietly under a sheltering thorny bush and gave herself over to her long devouring sorrow. The thing which had for so long squeezed her whole body into a tight dumb knot of suffering suddenly broke with shocking violence. She jerked with the involuntary recoil of one who receives a blow, and the sweat poured from her skin as if the wounds of her whole life were shedding their salt ichor. Drawing her rebozo over her head, she bowed her forehead on her updrawn knees, and sat there in deadly silence and immobility. From time to time she lifted her head where the sweat formed steadily and poured down her face, drenching the front of her chemise, and her mouth had the shape of crying, but there were no tears and no sound. All her being was a dark confused memory of grief burning in her at night, of deadly baffled anger eating at her by day, until her very tongue tasted bitter, and her feet were as heavy as if she were mired in the muddy roads during the time of rains.

After a great while she stood up and threw the rebozo off her face, and set out walking again.

Juan awakened slowly, with long yawns and grumblings, alternated with short relapses into sleep full of visions and clamors. A blur of orange light seared his eyeballs when he tried to unseal his lids. There came from somewhere a low voice weeping without tears, saying meaningless phrases over and over. He began to listen. He tugged at the leash of his stupor, he strained to grasp those words which terrified him even though he could not quite hear them. Then he came awake with frightening suddenness, sitting up and staring at the long sharpened streak of light piercing the corn-husk walls from the level disappearing sun.

María Concepción stood in the doorway, looming colossally tall to his betrayed eyes. She was talking quickly, and calling his name. Then he saw her clearly.

“God’s name!” said Juan, frozen to the marrow, “here I am facing my death!” for the long knife she wore habitually at her belt was in her hand. But instead, she threw it away, clear from her, and got down on her knees, crawling toward him as he had seen her crawl many times toward the shrine at Guadalupe Villa. He watched her approach with such horror that the hair of his head seemed to be lifting itself away from him. Falling forward upon her face, she huddled over him, lips moving in a ghostly whisper. Her words became clear, and Juan understood them all.

For a second he could not move nor speak. Then he took her head between both his hands, and supported her in this way, saying swiftly, anxiously reassuring, almost in a babble:

“Oh, thou poor creature! Oh, madwoman! Oh, my María Concepción, unfortunate! Listen. . . . Don’t be afraid. Listen to me! I will hide thee away, I thy own man will protect thee! Quiet! Not a sound!”

Trying to collect himself, he held her and cursed under his breath for a few moments in the gathering darkness. María Concepción bent over, face almost on the ground, her feet folded under her, as if she would hide behind him. For the first time in his life Juan was aware of danger. This was danger. María Concepción would be dragged away between two gendarmes,
with him following helpless and unarmed, to spend the rest of her days in Belén Prison, maybe. Danger! The night swarmed with threats. He stood up and dragged her up with him. She was silent and perfectly rigid, holding to him with resistless strength, her hands stiffened on his arms.

“Get me the knife,” he told her in a whisper. She obeyed, her feet slipping along the hard earth floor, her shoulders straight, her arms close to her side. He lighted a candle. María Concepción held the knife out to him. It was stained and dark even to the handle with drying blood.