Authors: Elizabeth Berg
Joy School
| Joy School |
| Elizabeth Berg |
| Random House Publishing Group (2010) |
“A funny, sweet, coming-of-age narrative…. Its heart and wit will remind Berg’s fans why her writing is so eminently likable.”
—Chicago Tribune
“If you remember the heart-slamming intensity of your own first love,
Joy School
will recall the pain and exhilaration that intersect when that love is unrequited. Berg’s peripheral characters are a treat: Vivid and quirky, they do more than fill in the background. These are people who encourage the reader to imagine what their own stories would be.”
—St. Louis Post-Dispatch
“Growing up is hurtful, humorous, petty, and very, very serious. Berg has beautifully wrought this stage of life in her witty, warm way. Like every other Berg novel,
Joy School
is a joy to read.”
—The Orlando Sentinel
“Berg’s style works beautifully—deceptively simple, conversational, and hip.”
—USA Today
“Dreamy and fragile, Berg’s heroine is so convincingly brought to life that we feel her joys and sorrows as though they were our own.”
—The Baltimore Sun
“Berg is a wily writer who has no trouble whipping up something sweet and satisfying….
[Joy School]
will touch the most sophisticated reader’s heart.”
—Houston Chronicle
“One of the best things about this wonderful book is how funny it is. Don’t read it anywhere you’re not willing to risk being caught laughing out loud.”
—Milwaukee Journal Sentinel
“A coming-of-age story that is neither grim nor saccharine, an exploration of how, for one spirited girl, life brings both daily grief and daily joy …
Joy School
possesses many of the strengths of
[Durable Goods]
, most notably the narrator’s voice. Katie is funny, imaginative, irreverent, idiosyncratic, and deeply, unusually charming.”
—The Boston Sunday Globe
“A sweet-sad initiation story told in Berg’s compelling voice.”
—Newark Star-Ledger
“The reader feels tenderness toward the child’s hope and toughness, and recognizes wisdom in her guileless voice.… Berg captures particularly well the feeling of loneliness and the sadness of growth and change.”
—Dallas Morning News
“Wonderful…. Another must for Elizabeth Berg fans…. Once you develop a taste for what she does with language and deeply rooted emotions, you devour [her books]. They are as a woman thinketh and feeleth and liveth in this whirling world where you only rarely stop to smell the rain-wet lilacs.”
—News &Record
(Greensboro, NC)
“Much to the delight of Elizabeth Berg fans, Katie, the adolescent Army brat at the center of Berg’s first novel,
Durable Goods
, returns as the focus of
[Joy School]
. In this latest work the author takes great care in exposing the loneliness that trips up her beloved character while also revealing the people and moments that truly do make this awkward age a ‘Joy School.’… The adolescent internal monologue offered by Berg—with Katie second-guessing herself, fantasizing and exaggerating—is both hilarious and breathtaking. The teacher descriptions alone … deliver a book worth buying.”
—San Francisco Chronicle
“An opalescent … tale … Berg handles Katie’s mystification with sweet aplomb, tracking surges with a meteorologist’s delight.…The lesson of
Joy School
is not that weeping endureth a night, but that ordinary young humans must learn to endure themselves.”
—Boston
magazine
“Berg’s stories have a way of making you remember things you never thought you’d forget. She gives us all a voice and company through the trial we face. Her stories are powerful, true, and speak straight to the heart without ignoring the head.”
—Nomad
“As she has demonstrated in previous books, Berg can conjure character with a minimum of words and a rainbow of nuance. The reader misses Katie the instant the book ends.”
—Publishers Weekly
(starred review)
Also by Elizabeth Berg
THE ART OF MENDING
SAY WHEN
TRUE TO FORM
NEVER CHANGE
ORDINARY LIFE
OPEN HOUSE
ESCAPING INTO THE OPEN: THE ART
OF WRITING TRUE
UNTIL THE REAL THING COMES ALONG
WHAT WE KEEP
THE PULL OF THE MOON
RANGE OF MOTION
TALK BEFORE SLEEP
DURABLE GOODS
FAMILY TRADITIONS
For Marianne Quasha,
Whose stories inspire me
And whose friendship sustains me,
and for Bill Young,
Charming, patient and true.
This time I want first to acknowledge those readers who have taken the trouble to write and tell me how they feel about my books. Your letters live in a beautiful brown box and are cherished.
And thanks again to my writing group; to my agent, Lisa Bankoff, and her assistant, Abigail Rose; and to my editor, Kate Medina, and her assistant, Renana Meyers. Thanks also to Alfred Connell, landlord
extraordinaire
, who rents me my beautiful office in the great town of Natick, and to Buzzy Bartone, an artist whose medium is flowers, and whose work brings everyone joy.
T
he housekeeper is ironing and I am lying on the floor beside her, trying to secretly look up her dress. I can’t see anything but her slip. It is white, a skinny line of lace trim on the bottom, which I already knew because it was hanging out when she first got here, snowing down south. I had a thought to tell her, in a nice way. But what would be the point, it’s only us two here and I’m not offended.
I used to think you had to be rich to have a housekeeper, but it’s not true. Sometimes you are rich, but sometimes you only have a need and that is when you get messy housekeepers like this one. Not that I don’t like her. Ginger is her name, like the dancer, and her hair is blond like that dancer, too. She wears socks that fall down into the backs of her loafers—thin, white, wrong ones, though she is done with school so it isn’t so important. I found out at my new high school, where I am a freshman, about wrong socks and I had to quit wearing them. Of course that is only the tip of the iceberg.
Ginger takes the bus here. She carries a bag made out
of rough striped material with wooden handles, and in the bag are slippers and her lunch and a paperback book with a curled-up cover which she reads every day at noontime. Once she gave me the candy bar from her lunch. Oh no, I said but she said, Oh sure, go ahead, I don’t need it. It was the Hershey’s with almonds kind. Usually she has Heath, so I think it was a case of this was a substitute candy bar anyway, so I did take it. I ate it that night while I read in bed with my knees up. This is how my mother did it, only she also ate fruit. I don’t like fruit unless it is hot and in a pie. I suppose that is un-American and another thing wrong with me, which it seems is all that is happening now is I am finding out everything wrong with me. This place and I do not get along.
Ginger shifts a little on her feet, and the slip moves and now I can see her underpants. They are only white. I get up and go into my room and close the door quietly so as not to hurt her feelings. I mean that she can’t come in, but it’s not anything against her.
I take out the letter from my drawer. It still smells of lilacs. She’d drawn a circle on the envelope, saying, “Sniff here!” but I didn’t have to smell that place, the whole letter smelled.
Dear Katie
,
I have been so unbelievably busy and that’s why it has taken so long to write to you. I like your letters. They’re funny
.
The family that moved into your house is useless. There are only little kids and the parents are all the time asking me to baby-sit, which I do NOT have time for. As if I wanted to even if I did have time. I believe I am done with baby-sitting. Even though last time at McLaughlin’s you would not believe what I found, I looked in their dresser drawer and found a box of rubbers!!!! You remember when Marybeth told us she had seen a weenie because when her parents weren’t home that time Jerry Southerland had come out of her bathroom with it hanging out (DON’T let ANYONE see this letter!!!!!!!) and it was all red at the tip like a dog’s? Well, I saw that box of rubbers and I was thinking how it would look on the red and you can imagine how I wanted to puke
.
But anyway. I am class president this year and there are so many serious responsibilities. I just found out last week, we had elections. I thought I would win, but I didn’t know. We are going to have lots of dances. First the Snow Ball. So I am busy. I have already given two speeches in front of the whole class and you know you have to practice a LOT for that kind of thing because you are setting the whole tone
.
I am right now pulling out an eyelash to send to you because I miss you, too. Keep writing to me and also you can send poetry, but maybe not so many at a time. Have you found a boyfriend yet? I think your life could be much better with one of those. That is something every woman needs full time
.
Well, my mother is calling me to set the table. Like I could care. See you soon. Well, not see you!!!! But, you know what I mean
.
Love,
Cherylanne
I look at the clock on my desk. Seven after three. Nothing to do. Saturday afternoon, the hours stretching out like railroad tracks across the desert. I am tired of reading. It is dangerous to take a walk, since my enemies live across the street and they are all the time watching for me. I wish I could take a nap, like a baby. I lie down, close my eyes.
I’m not tired.
I turn on my side, put my thumb in my mouth. It feels like it’s forty times the size it really is. It used to feel so comfortable, like there was a satiny pocket in my mouth for it to slide into. I take my thumb out, wipe it on my shirt, turn onto my back and stare at the whorls on my ceiling. Here is my white sky. It will become my next poem, which I will call “The Absence of Blue.”
White sky
, I think. And then I think nothing.
The beginning is always so hard. Any beginning is always so hard.
I hear a knock at my door, then Ginger’s voice saying, “Katie? I have some blouses here for you.”
I sit up, straighten the spread beside me. Well, good. A visitor. And when my father comes home, we’re
going to McDonald’s, he already said. I line my feet up beside each other, push my hair neater under my headband. “Come in,” I say, in a high and cultured voice like I am rich and living in England in my own walk-up apartment. I will think of something to ask Ginger so that her answer will be long and interesting.
She comes in, hangs my blouses up. I can see the outline of her bra through the back of her blouse. She is a grown-up woman. “Ginger,” I say. “Can I ask you something?”
She turns around. “You just did.”
“Right,” I say, smiling, and then, “I mean, something else. A personal thing.”
Her face changes, and in it I see a little fear. Like maybe she thinks since I’m the daughter I could fire her. I want to say, “Did you ever have any trouble in school with kids being kind of mean to you? If so, what did you do about it?” Like an essay question. But when I start to ask, all that comes out is, “Did you like high school?”
She sits down beside me, lightly touches my hair. “Oh, honey,” she says, a faraway look in her eyes like the girls in the romance comic books, “I loved school. These are the best years of your life.”
“Oh,” I say. “Uh-huh.” I hope not, I’m thinking. I sure hope not.
“Is that what you wanted to ask?”
“Yes,” I say. Never mind.
“Well,” she says, “that’s not so personal.”
“No.”