Read Jack the Ripper Victims Series: The Double Event Online
Authors: Alan M. Clark
Jack the Ripper Victims Series: The Double Event
Jack The Ripper Victims Series:
The Double Event
This volume contains two novels from the Jack the Ripper Victims Series:
Say Anything but Your Prayers
Of Thimble and Threat
Novels by
Alan M. Clark
Jack the Ripper Victims Series:
The Double Event
by
Alan M. Clark
IFD Publishing, P.O. Box 40776, Eugene, Oregon 97404 U.S.A. (541)461-3272
www.ifdpublishing.com
This is a work of fiction. Although the novels are inspired by real historical events and actual human lives, the characters have been created for the sake of this story and are either products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Jack the Ripper Victims Series: The Double Event copyright © 2014 by Alan M. Clark
The two novels within this volume,
Of Thimble and Threat
and
Say Anything But Your Prayers
, were originally published by Lazy Fascist Press.
Cover Art and interior art, copyright © Alan M. Clark 2014
eBook Design, Eric M. Witchey
Originally Printed in the United States of America
Author’s Note—The Ripper’s London
Other eBooks from IFD Publishing
Contents: Say Anything But Your Prayers
Chapter 1: The Pursuit of Something Better
Chapter 16: The Guarded Secret
Chapter 18: The Terms of Agreement
Chapter 21: Days, Month, Years of Hard Work
Chapter 23: The London Beast’s Gizzard
Chapter 28: Tomorrow’s Embrace
Contents: Of Thimble and Threat
Chapter 2: Two Skirts, One Green, One Blue with Red Flounce
Chapter 3: A Piece of White Coarse Linen
Chapter 4: A White Handle Table Knife, a Ticking Pocket and a Cork
Chapter 5: A Man’s White Waistcoat
Chapter 6: A Red Gauze Neckerchief
Chapter 7: A White Calico Chemise
Chapter 8: A Ball of Hemp, Tin for Sugar, Tin for Tea, Flannel with Soap, Flannel with Sewing Needs
Chapter 9: A Short Black Clay Pipe and a Tin Match Box
Chapter 10: A Portion of a Pair of Spectacles
Chapter 11: A Pair of Brown Stockings with Mended Feet
Chapter 12: A Pewter Tea Spoon
Chapter 13: Two Unbleached Calico Pockets
Chapter 16: A Silk and Velvet Dress Bodice and a Black Straw Bonnet
Chapter 17: A Handkerchief with Birds Eye Border
Chapter 18: A Pair of Men’s Lace Up Boots
Chapter 19: Three Abalone Buttons
Chapter 20: A Red Leather Cigarette Case
Chapter 21: A Printed Calling Card
Chapter 22: A Tooth Comb and a Large White Handkerchief
Chapter 23: Two Small, Blue Bed Ticking Bags
Chapter 24: A Piece of Blue and White Shirting, Three-cornered
Chapter 25: A Single Red Mitten and Twelve Pieces of White Rag
Chapter 27: A Black Cloth Jacket, a Chintz Skirt with Flounce and a Grey Stuff Petticoat
Chapter 28: An Old White Apron
Novels
Siren Promised
(authored with Jeremy Robert Johnson)
D.D. Murphry, Secret Policeman
(authored with Elizabeth Massie)
A Parliament of Crows
(author)
The Door That Faced West
(author and illustrator)
The Blood of Father Time Duology:
The Blood of Father Time: The New Cut
(authored with Stephen C. Merritt, and Lorelei Shannon)
The Blood of Father Time: The Mystic Clan’s Grand Plot
(authored with Stephen C. Merritt, and Lorelei Shannon)
Jack the Ripper Victims Series:
Of Thimble and Threat
(author)
Say Anything But Your Prayers
(author and illustrator)
Hemogoblin: Stories to Chill the Blood
(authored with numerous collaborating authors)
Escaping Purgatory
(authored with Gary A. Braunbeck)
Pain and Other Petty Plots to Keep You in Stitches
(authored with numerous collaborating authors)
Boneyard Babies
(authored with numerous collaborating authors)
Imagination Fully Dilated
(editor, contributing author and illustrator)
Imagination Fully Dilated, Volume II
(contributing author and illustrator)
Imagination Fully Dilated: Science Fiction
(illustrator)
Bedtime Stories to Darken Your Dreams
, edited by Bruce Holland Rogers. Alan M. Clark contributing author, designer, and illustrator.
The Pain Doctors of Suture Self General
(author, with numerous collaborating authors)
The Paint in My Blood (author, illustrator, and designer)
The Christmas Thingy
(illustrator and designer, with F. Paul Wilson as author)
The Halloween Mouse
(illustrator and designer, with Richard Laymon as author)
Thanks to
Cameron Pierce, Kisten Alene, Melody Kees Clark, Eric M. Witchey, Jill Bauman, Susan Stockell, Mark Edwards, Steven Savile, Mark Roland, Simon Clark, Charles Muir, Laurie Ewing McNichols, and Pigg.
r’
s Not
e—
The Rippe
r’
s London
This is a work of fiction inspired by the life of Elizabeth Stride, a woman believed to be the third victim of Jack the Ripper. For purposes of storytelling, I have not adhered strictly to her history. I have assigned to my main character emotional characteristics and reactions that seem consistent with her life and circumstances. I’ve addressed puzzling events in Elizabeth Stride’s life, and a mysterious confusion that occurred during the coroner’s inquest into her murder concerning her identity.
To be clear, this novel is not about Jack the Ripper. The series itself is not about the killer. Instead, each novel in the series explores the life of a different victim.
I wrote this note in the month of October, a time for scary fun. I truly enjoy the cute horror of Halloween and a good, over-the-top zombie film, yet as one who has always been intrigued by the dark and disturbing, as a practitioner in the horror genre, a professional writer for almost two decades, and an illustrator for almost three, sometimes that sort of fun scare falls flat. My interest has been drawn over time to the real horror of history and the lessons to be learned from it.
Long ago, when I first learned of Jack the Ripper and the murders associated with the killer, I was, as most everyone is, intrigued by the endless speculation about who he might have been (I use male pronouns when referring to him merely because of the name Jack; though we don’t know the gender of the Whitechapel Murderer). The more I read about the murders and the various theories, the less interested I was in the killer and the more intrigued I became with the environment in which the murders took place. As I learned more about Victorian London and how rapidly it changed due to the industrial revolution, the more interesting I found the lives of those who lived there at the time. Although I couldn’t learn much about the killer, I could gain some knowledge of the five female victims. Potentially, there are more than five, but those considered canonical victims are Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes, and Mary Jane Kelly.
Coroner’s inquests were held to determine the cause of death for each of the women. The inquiries are essentially trials, with juries and witnesses to help make a determination about the manner of a victim’s demise. The verdict in each of the five cases was "Wilful murder against some person or persons unknown."
The words, actions, movements, and motivations of each of the women are most clearly known to history closest to the time of their deaths because of the testimony of the witnesses called during the inquests. In some cases, such as that of Elizabeth Stride, the last couple of hours were recounted in detail, and in other cases, such as that of Catherine Eddowes, we have a good idea what she did within several days of her death. The farther we go into the past away from the hour of their deaths, however, the less detailed and the more generalized is the information about them. Within the few years prior to their deaths, all five had suffered real hardship—all had engaged in prostitution to survive, most, if not all, had been active alcoholics, and most had spent time in the dehumanizing workhouse system.
In Victorian England, the Industrial revolution had led to large-scale unemployment, much the way the Tech Revolution has done in America today. Victorian London, much like large American cities today, suffered from overcrowding and large numbers of homeless.
We can see a modern reflection of the victims of Jack the Ripper in the homeless of twenty-first century America. Much of the cause of that homelessness went unseen in Victorian times, as it does now. With the rise in the numbers of the homeless, then as now, people had a tendency to shy away from the problem.
My natural inclination is to avoid knowing why so many people are hungry and without shelter. I want to look away, and I don’t want to look away. My experience is that many people are just as ambivalent. Many of the homeless are intoxicated much of the time or begging for the means to become intoxicated. I can easily become disgusted with the endless need of the addicts among the homeless. I could justify my righteousness by blaming their lack of hygiene, and their crimes of desperation. However, I am a sober alcoholic and expect myself to have compassion for them, even when it doesn’t come naturally. There, but for providence, go I.
Although I avoid those who are clearly intoxicated, on occasion I’ve asked someone begging on the street for their story. Most aren’t good at telling a story, perhaps because they are rarely asked to tell one. Even so, from what they say, I always get the sense that they have had happier times, that they have capabilities, and that they have aspirations involving their own personal interests and those whom they love.
Worse than the surface irritation of having to deal with a person who might be slovenly, dirty, inconvenient, or in-my-face is the emotional stress of considering the plight of an unfortunate person. My immediate response is to want to look away. I speak of my experience to take responsibility for my reactions, yet I’m not alone. We find it easy to scorn the beggars on the streets and then project that disdain on all homeless people, further isolating them. As a result, the down and out are less likely to find help when in danger. If they are seriously harmed or killed, fewer people step forward to try to find out what happened. Those who prey upon the homeless more easily get away with their crimes. The same was true for the down and out of Victorian London.
What events in the lives of the five Jack the Ripper victims led to their demise on the streets of London? How much of the way they lived was a result of the choices they made? What was beyond their control? Were they chosen at random by their killer, or did he choose them because he knew that fewer people would step forward to find out what happened to them? We don’t have good, solid answers to these questions.
My impression is that their choices had something to do with securing their wellbeing, however, much of their existence was beyond their control. The environment of London itself was a danger. Literally hundreds of thousands of Londoners were killed by the pollution in the air, water, and food. New industries popped up everywhere to support the burgeoning population and to exploit the cheap labor market. Small factories occupied converted tenements or houses that once held families in residential neighborhoods. Sometimes, only a part of such a tenement or house was occupied by industry while the rest still functioned as a residence for individuals or families. With an increase in the use of chemistry, and with little knowledge of the damage many chemicals inflicted upon the bodies of those exposed to them, industries, such as match making, destroyed the lives of their workers and those living within close proximity to production. Those who suffered often did so without knowing why until it was too late. Matchmaking is only one example of the industrial poisoning of Londoners. Deadly chemicals were everywhere. They were used in medicines and in prepared foods as preservatives. Madness abounded, if not as a result of the emotional hardships of life, then from chemical damage to the brain.
A life of poverty in London was slowly killing all of the Ripper’s victims. Survival within that environment is the story that intrigues me. Those are lives I can relate to because I see parallels with life in my own time.
Regardless of whether the Ripper’s victims had few opportunities to live better lives or were responsible in large part for their predicaments, their legacy is pitiful and poignant. Not the cute horror of Halloween perhaps or the over-the-top-turned-almost-cartoon horror of slasher and zombie films, the stories of the five women are full of emotional content, conflict, and drama. What happened to the victims of Jack the Ripper is
true
horror, and in the telling of those tales we are reminded that the more things change, the more they stay the same.
When I was growing up, my mother had a strange way of watching scary movies on television with the family; she’d stand in the hallway beside the living-room, peeking around the corner at the TV, ready to run away if the film became too scary. Is that the way we as a society treat true horror? We all love a fun scare, but when the suffering becomes too real, we want to run away because it’s painful to witness. I suppose I’m saying that if fewer of us looked away, if we had the courage to see, there might be less actual horror in the world. So here’s to remaining in the living-room of life with our eyes wide open.
And so to the life of Elizabeth Stride…
—Alan M. Clark; Eugene, Oregon