It was thus that Cristofano, while busying himself with preparing the
magnolicore
in accordance with the recipe, informed me that it was even thought that the Black Death had been brought about by a conjunction of Saturn, Jupiter and Mars which occurred on 24th March, 1345, while the French pox was thought to have been caused by the conjunction of Mars and Saturn.
"Membrum ferro ne percutito, cum luna signum tenuerit, quod membro illi dominatur"
he declaimed. "That signifies: may every chirurgeon avoid amputating that member which corresponds to the sign of the zodiac in which the moon is situated that day, especially if the moon is in opposition to Saturn and Mars, which planets are malefic for health. For example, if the birth or, in other words, the horoscope of the patient predicts a negative issue to a certain malady of his, the physician my reasonably attempt to save him, applying cures on the days which the stars indicate as most opportune."
"So, to each constellation in the zodiac there corresponds a part of the body?"
"Certainly. When the moon is in Aries, and Mars and Saturn are in opposition, one must postpone any operations to be performed on the head, the face and the eyes; in Taurus, on the neck, the nape or the throat; in Gemini, on the shoulders, the arms and the hands; in Cancer, on the chest, the lungs and the stomach; in Leo, on the heart, the back and the liver; in Virgo, on the belly; in Libra, on the shins, the loins, the navel and the intestines; in Scorpio, on the bladder, the penis, the backbone, the genitals and the anus; in Sagittarius, on the thighs; in Capricorn, on the knees; in Aquarius, on the legs; in Pisces, if I am not mistaken, on the feet and the heels."
He added that the most suitable time for a good purgation was when the moon is in Scorpio or in Pisces. One should, however, avoid administering a medicine when the moon, in the ruminant signs, is in conjunction with a retrograde planet, because there is a risk that the patient might vomit it up and suffer from other harmful impairments.
'"With the moon in signs ruminant, in the sick, symptoms extravagant,' as was taught by the learned Hermes. And," he concluded, "that is especially valid this year, when in spring and in winter, there were four retrograde planets, three of them in ruminant signs."
"But then our lives are no more than a struggle between the planets."
"No, on the contrary, this simply shows that with the stars, as with all else in creation, man may shape his fortune or his ruin. It is up to him to make good use of the intuition, intelligence and wisdom which God has given him."
He explained to me that, in his experience as a physician, planetary influences indicated a tendency, a disposition, an inclination, never a predetermined path.
Cristofano's interpretation did not deny the influence of the stars, but reaffirmed the judgement of men and above all the supremacy of the divine will. Little by little, I felt relieved.
I had in the meanwhile completed my duties. For luncheon, I had cooked a bread-soup with rice flour, pieces of smoked sturgeon, lemon-juice and, lastly, an abundant sprinkling of cinnamon. But as a few hours remained before the mealtime, Cristofano let me go: not, however, before handing me a bottle of his
magnolicore
with the injunction to drink barely a drop thereof and to sprinkle some on my chest before going to bed, so as to inhale its health-giving vapours and enjoy a good sleep.
"Do not forget that it is also excellent for curing wounds and all pains; excepting, however, the lesions caused by the French pox which, if anointed with the
magnolicore,
will occasion the most acute spasms."
I was climbing back up the stairs, when from the first floor, I heard the echo of Devize's plucked notes: he was again performing the
rondeau
which so charmed me and which seemed so wonderfully to pacify the soul of every one of us.
Arriving on the second floor, I heard my name whispered. I turned to the corridor and glimpsed Abbot Melani's red stockings through his barely open doorway.
"I need your syrup. Last time, it did me much good," he called out with a clear voice, fearing that Cristofano might be in the offing, while with frenetic gestures he indicated that I was to enter his chamber where, rather than the administration of a syrup, important news awaited me.
Before closing the door behind me, the abbot inclined a delighted ear to capture the echo of the
rondeau.
"Ah, the power of music," he sighed ecstatically.
He then moved with swift steps to his writing desk: "Let us get down to business, my boy. Do you see all this? In these few papers, there is more work than you could ever imagine."
Spread out on the table was the mass of manuscript notes which I had seen him put away with a certain apprehension on the occasion of my last visit.
He explained to me that he had for some time been writing a guide to Rome for French visitors, since he considered that those which were available in trade were neither suited to travellers' needs, nor did they do justice to the importance of the antiquities and works of art which were to be admired in the papal capital. He showed me the last pages which he had written in Paris, in a close, tiny hand. This was a chapter dedicated to the Church of Saint Athanasius of the Greeks.
"And so?" I asked in surprise, as I took a seat.
"I had hoped to make use of my free time during this sojourn in
Rome to complete my guide-book. This morning, I was just sitting down to work on it when I had a revelation."
And he told me how, four years previously, in this very Church of Saint Athanasius, he had had a bizarre and unexpected encounter. After examining the noble fagade which was the work of Martino Longhi, he had gone inside and was admiring a fine canvas by Trabaldesi in a side chapel. Suddenly, with a shudder, he became aware of the presence of a stranger by his side.
In the penumbra, he saw an aged priest who, from his headdress could be identified as a Jesuit. He was rather bent and a prey to a slight but incessant trembling of the trunk and the arms. He leaned on a cane but was supported on either side by two young servant girls who helped him to walk. His white beard was carefully trimmed and the lines on his forehead and cheeks were mercifully fine and few. His eyes were blue and as piercing as two daggers, suggesting that, a few years earlier, he would have lacked neither sharp wits nor a ready tongue.
The Jesuit fixed Atto in his gaze and, with a weak smile, pronounced the following words: "Your eye... is indeed magnetic."
Abbot Melani, vaguely disquieted, glanced questioningly at the two girls accompanying the old priest. The pair, however, remained silent, as though they dared not speak out without the old man's permission.
"The magnetic art is most important, in this vast world," continued the Jesuit, "and if you also master gnomonic catoptricks or the new specular horologiography, you may be spared every coptic prodromous symptom."
The two servant girls remained silent, but were plainly dismayed, as though this embarrassing situation had arisen before.
"If, then, you have already undertaken the
iter extaticus coelestis,"
the old man resumed with a hoarse voice, "you will need neither Maltese astronomical observatories nor physico-medical Scrutinies, for the great art of light and shade, dissolved in the diatribe of the prodigious cruces and in the poligraphia nova will give you all the arithmology, musurgy and phonurgy that you may need."
Abbot Melani had remained silent and motionless.
"But the magnetic art cannot be learned, because it is part of human nature," the aged prelate then argued. "Magnets are magnetic. Yes, that is indeed so. But the
vis magnetica
also emanates from visages. And from music. And this, you know."
"Do you recognise me, then?" Atto had asked, thinking that the old man might know that he was a singer.
"The magnetic power of music, you may see in the tarantulas," continued the stranger, as though Atto had not spoken. "It can cure tarantism, and can cure much else. Have you understood?"
And, without giving Atto time to respond, the old man succumbed to a bout of almost silent laughter which made him quake from within, in a crescendo of spasms. The trembling shook him vigorously from head to foot, so much so that his youthful escorts had to struggle to prevent him from losing his balance. This mad outburst of hilarity seemed at times to border on suffering and monstrously deformed his features, while tears ran copiously down his cheeks.
"But take care," the Jesuit raved on, struggling to speak. "The magnet also lies concealed in Eros, whence sin may arise, and you have the magnetic eye; but the Lord does not want sin, no, the Lord does not want that," and he raised his stick clumsily, trying to strike Abbot Melani.
At that point, the two servant girls restrained him and one of them calmed him, leading him to the door of the church. Several churchgoers, distracted from prayer, looked curiously at the scene. The abbot stopped one of the two girls: "Why did he come to me?"
The girl, overcoming the natural shyness of simple people, explained that the old man often accosted strangers and importuned them with his lucubrations.
"He is German. He has written many books, and now that he is no longer his own master, he keeps repeating their titles. His colleagues are ashamed of him, he keeps confusing the living and the dead, and they rarely let him out. But he is not always in that state: I and my sister, who usually accompany him on his walks, find that at other times he has all his wits about him. He even writes letters, which he gives us to send."
Abbot Melani, after initially being irritated by the old man's aggression, was in the end softened by this sorry tale.
"What is his name?"
"He is known to many in Rome. His name is Athanasius Kircher."
Such was my surprise that I trembled from head to foot."Kircher? But was that not the Jesuit man of science who you said had found the secret of the plague?" I exclaimed excitedly, recalling how the guests at our inn had discussed Kircher animatedly at the beginning of our imprisonment.
"Exactly," Atto confirmed. "But perhaps the time is ripe for you to know who Kircher really was. Otherwise, you would not understand the rest of the story."
And so it was that Atto Melani helped me to understand how re- splendently Kircher's star and that of his infinite doctrine once shone in the firmament and how for many years every single word of his was treasured as the wisest of oracles.
Father Athanasius Kircher spoke twenty-four languages, many of them learned after lengthy sojourns in the Orient, and he had brought with him to Rome many copies of Arabic and Chaldean manuscripts, as well as a truly vast exposition of hieroglyphs. He also had a profound knowledge of theology, metaphysics, physics, medicine, mathematics, ethics, aesthetics, jurisprudence, politics, scriptural interpretation, moral theology, rhetoric and the combinatory art. Nothing, he was wont to say, is more beautiful than the knowledge of the totality, and he had indeed, in all humility and
ad maiorem Dei gloriam
revealed the gnomonic mysteries and those of polygraphy, magnetism, arithmology, musurgy and phonurgy and, thanks to the secrets of the symbol and of analogy, he had clarified the abstruse enigmas of the kabbala and of hermeticism, reducing them to the universal measure of primal sapience.
He then carried out extraordinary experiments with mechanisms and marvellous machines of his own invention, collected by him in the museum which he founded at the Roman
Collegio,
including: a clock activated by a vegetable root which followed the sun's peregrination; a machine which transformed the light of a candle into marvellous forms of men and animals; and innumerable catoptric machines, spagyric ovens, mechanical organs and sciatherical dials.
The learned Jesuit gloried justly in having invented a universal language whereby one could communicate with anyone throughout the whole world, and which was so clear and perfect that the Bishop of Vigevano had written to him enthusiastically, claiming that he had learned it in just over an hour.
The venerable professor of the Roman College had also revealed the true form of Noah's Ark, and succeeded in establishing the number of animals which it contained, in what manner were ordered within it cages, perches, mangers and water troughs and even where the doors and openings were situated. He had demonstrated
geometrice et mathematice
that if the Tower of Babel had been completed, its weight would have been such as to tilt the terrestrial globe.