Authors: Julia Spencer-Fleming
Tags: #Police Procedural, #New York (State), #Women clergy, #Episcopalians, #Mystery & Detective, #Van Alstyne; Russ (Fictitious character), #Adirondack Mountains (N.Y.), #Crime, #Fiction, #Serial murderers, #Mystery Fiction, #Fergusson; Clare (Fictitious character), #General, #Police chiefs
“Do you think it could have been a hunting accident?”
“Do people hunt with twenty-twos?”
Scheeler snorted.
“Yes,” the chief said, his voice patient.
“Uh… no. A hunting accident would mean someone mistook him for an animal from a distance, or discharged their weapon up close by mistake. A shot in the back of the skull doesn’t jibe with either of those.”
“Good.”
She was surprised to find she felt better.
“I very much doubt that the guy was a farmworker, not with two-hundred dollar sneakers and that trendy jacket. So what was he doing out here?”
“Flynn told me Mexicans sell most of the pot up here. Maybe he was a dealer?”
“The gangs dominate wholesale distribution. They have networks of locals who do the retailing.”
“Maybe a carnie from Lake George?” the pathologist suggested.
“Maybe. I’m going to put in a call to the state CSI, see if we can get Morin or Haynes over here with the van. I want you to get up to the top of that rise in the woods—” the chief pointed to where the mountain first flanked up from the creek bed—“and start working downward. You’re looking for anything: fiber, hair, impressions, cartridges.”
She nodded.
“Do you think he was rolled from above?” Scheeler asked.
“Can you assure me he didn’t drop where Janet found him?”
The pathologist shook his head. “It’s been at least a month. His blood patterns are gone.”
“It’s a funny spot to be hanging around, waiting to get shot. But if he got tapped up there, he might easily roll until he lodged against that bush.” He turned toward his sister, who was hanging back at the edge of the stream. “Janet, is that still your property?”
“Yeah. It goes back into the hills a ways, until you see some blaze markers. It’s useless land.”
The chief’s mouth thinned. “Not entirely. It’s a pretty good place to hide a murder.”
So far, Hadley hadn’t found much in common between her old job guarding cons and her new job policing them, but working the crime scene was just like watching the cell block during open hour: a combination of detailed observation and mind-numbing boredom. Under Van Alstyne’s direction, she squatted in the grass and scrub brush, parting saplings and peering under dock leaves for some bit of evidence. She worked her way up to where the chief stood, surmounting a heavily wooded rise. He did a 360, taking in the thick forest behind them and the fields spreading out below.
“Who the hell was this guy?” She didn’t think he was speaking to her. “Damn, I want a look at the lost-and-missing file.”
Across the stream, at the top of the bluff, the state CSI van had pulled in. A figure emerged from the driver’s side. The chief pointed. “Knox, get over there and help Morin with his gear.”
She thudded down the hill, picked her way across the stream, and climbed up to the van. Sergeant Morin of the NYSPD shook her hand, looked at her chest, stuttered a hello, and had her take one end of a footlocker-sized box. They staggered down to the stream, heels digging into the crumbling earth, the flesh at the back of Hadley’s neck creeping and itching the closer they got to the body.
“Do you know if anybody moved him?” Morin asked.
Her eyes involuntarily went to the John Doe. “The chief thinks he might have rolled.…” Her voice trailed off.
Dr. Scheeler glanced up at her. “Uh-oh,” he said.
“No.” She shook her head. “It’s not that. His hand.” She could only see one. The other was rubber-banded inside a brown paper bag. “The tattoos. The symbols on his fingers. I saw two guys with the same tattoo. Last night.”
The barn was on the edge of a pasture ringed with woods, the last things left, he guessed, from a long-ago homestead that hadn’t worked out. From his side, a half-hidden trail led down the mountain, over the stream, and onto the McGeochs’ land. On her side, a rutted sheep-churned path broad enough to admit a hay cart. Leading, he guessed, to her home.
The barn stood beside an oval fire pond levied up around a creek some long-ago summer. From inside the open doorway, Amado watched the sluggish trickle, water in through one bank, out through the other.
The first time Isobel had brought him here had been a few hours before dawn, the night they met. She had left him there, to sleep away the morning, and when she’d returned that afternoon, they had found a fox skeleton against the cut-stone foundation. The skull, smooth and yellow-white, was their signal. Right now, it hung on a nail on the pasture-side door, letting her know, if she saw it, that he was here. Waiting for her.
It was a pole barn, straight up and down, designed for one thing: to store hay against the hard, long winter. The doorways, front and back, were set hay-wagon high, and he had to haul himself up to the edge and then climb a stack of square bales before getting to his feet. Then he could either climb again, to sit on one of the massive beams transversing the barn, or spread out the quilt she had left on the mound of loose hay in the corner. He usually chose the beam or sat cross-legged on the hard bales. The soft mow and the quilt were too casual, too… sexual. No need to chase temptation.
This had been her special place before she had ever shown it to him. She had a crate filled with books, CDs, a CD player, and water bottles. He knew she smoked here, too, though she never did so in front of him; there was a lingering smell of marijuana above the green and dusty scent of the new and old hay.
He balanced on the beam and peeked through the small off-center window that looked out over the pasture. His rib cage lifted, expanded, when he spotted her making her way across the field, stepping over sheep droppings and swishing at early daisies. It was stupid, he knew. Stupid and dangerous. At home, if she had been one of them, he could have courted her, met her brothers, taken her to his parents’ home. Here, they couldn’t even be seen together.
No, it was more than that. Here, he couldn’t let himself think about her in that way. She was anglo, a North American, part of a family that owned, as near as he could tell from their halting conversations, an entire mountain and the rolling farmlands around it. And she was tangled in darkness and violence. If he hadn’t gotten that message on the night they met, he would have figured it out today, when Raul had stumbled across a murdered man halfway between her property and the McGeochs‘. No. She was out of bounds, for more reasons than he could count.
It wasn’t as if she were a great beauty. She was too pale, the bones in her face too square. It was, he guessed, because she reminded him of girls he had admired at home. She was rounded, womanly, but tough. A hard worker. Quick to smile, but not cheap and available, like so many of the women up north. And she needed him, needed his strength, in some way he hadn’t yet identified.
She vanished from his line of sight, to reappear in a moment at the back door, swinging a paper sack up onto the hay before lifting herself over the edge of the doorway. “Amado?” She blinked in the dimmed light. “I have lunch. Um,
la comida
.”
He dropped down from the beam. “Oh!” She clapped her hand to her chest and said something in English too rapid for him to follow. He held his hand to his ear. “Eh?” he said.
“Eh?” She laughed.
“Lunch,” he said. “I am hungry.”
“
¿Yo hambre
?”
“
Tengo hambre
,” he corrected. He grabbed the quilt and snapped it open, letting it float down on the hay bales to make a picnic cloth. She opened the sack and removed paper napkins and sandwiches and corn chips and apples. They sat on opposite sides. Not touching. The sandwich was delicious, real bread stuffed thick with meat and cheese. He wondered if she had made it for him or taken one that was meant for another of her family. He wondered if she felt the high, hard bars that kept them apart. He wondered what she thought of him when she was alone.
“
Por qué
… you… here now?” she said, around a handful of corn chips. “No work
por la día
?”
“Hide,” he said. He swallowed the last of his sandwich. He didn’t know if he was bringing trouble to her door, or if he was helping her avoid it, but he had to tell her about the dead man. It was too near to her land and too soon after her flight through the woods to be coincidental.
He spoke in Spanish, wanting to tell the whole story before trying to pick out the words and concepts he could convey to her in English. He told her about the smell, and the way it seemed to linger inside his nostrils all the way back to the barnyard. He told her about the surprise of seeing his brother Octavio’s lady priest, and Mrs. McGeoch’s near collapse, and about rounding up the men—again—and having to deal with their whining about the heat and boredom of the ancient farmhouse they bunked in. He told her about hiding in the woods until the last possible moment, watching the black truck roll up and disgorge two
policía
.
All the while, she listened intently, though he doubted she understood one word in ten. And when he finished, she tilted her head to one side, looked at him as if she knew exactly what he’d been going through, and said, “I’m sorry.
Lo siento
.”
He took a deep breath. “I find a dead man,” he said in English. “By the water.”
Isobel went very still. No surprise. No horror. Instead, her eyes, usually as brown and deep as rich coffee, went flat. As if she was looking in, rather than out. “By the water,” she said. “Where?
¿Dónde es
?”
He didn’t know the English word, so he made rippling, winding motions. “
El arroyo
.” He arched his hand up and over, representing the mountain, then traced the water’s course along the imaginary edge of the property.
She drew her knees up and bent her head forward. Her face disappeared behind a curtain of hair. “
¿La policía
?” she asked, after a while.
“Yes.” He felt sick at the thought she had something to do with the bloated thing he had seen that morning, but he had to curl his hands into fists to keep from taking her by the shoulders and drawing her near. She looked up at him. Her eyes shone with tears. She said something low and rapid he couldn’t make out, and he realized, at bottom, it didn’t matter what she had done, he would still help her in any way he could.
“I help you,” he said.
She shook her head.
“Please,” he said.
She smiled, just a little, and the change in her expression broke the water in her eyes so that tears rolled down her cheeks. She said something else—he caught the word “man” and the word “good”—and then reached out and took one of his hands in hers.
He squeezed it. “I help you,” he insisted.
She looked at him for a long moment. Finally, she nodded. “Okay.” She rose, tugging him up with her. She released his hand, scooped up the empty paper sack, and walked across the bales to the open doorway. She jumped to the ground with an easy grace, and he followed her as she slipped around the corner. She stopped, dropped the sack on the grass, and traced the edges of the clapboards where they butted against the stone foundation.
Isobel tugged one of the peeling boards. “Help me,” she said. He stood beside her, wedged his fingers into the narrow gap between one board and the next, and pulled. Once, twice, and a four-foot section of board came off, reeling him backward. She plunged her hands into the narrow slice of darkness. There was something odd about it, a space where there shouldn’t have been any more than a few inches to the interior lathing, but before he could get close enough to study it, she hauled out the biggest, ugliest pistol he had ever seen and thrust its butt end toward him.
He dropped it. “
De qué joder
!”
She was still digging around inside the gap. He stared at the gun, horrified. She dragged something else from the interior and turned toward him. She had a hard-covered writing tablet in one hand and a cell phone in the other. She followed his gaze to the gun. Her eyes widened. Whatever she said was unintelligible to him, but he got the gist of it. He grabbed the thing awkwardly, trying not to touch the trigger, the barrel, or the grip. He wound up pinching it between two white-jointed, sweat-slick fingers, as if he were holding a dead rat that weighed eight pounds. He eased the gun into the sack. He had no idea if it was ready to fire or not. He didn’t even know how to check to see if it was loaded.
She dropped the notebook on the grass. Considered the sleek, flat cell phone in the other. Finally, she shoved it into her jeans pocket. Reaching back inside the space, she emerged with a large padded envelope, the kind of thing used to post books or small presents. She pressed against the sides, popping the top open and tipped it upside down over the paper bag. With a mixture of fascination and repulsion, he watched as brick after brick of American cash thudded into the sack.
She bent down, retrieved the writing tablet, and stuffed it into the mailer. She put it back into her hiding space. Picked up the board and fitted it over the gap. Wedged it back into place.
The sack was still dangling, open, from his nerveless fingers. Isobel took it and rolled its edges down until it resembled an oversized lunch bag. She held it out to him. “Hide,” she said.
God almighty above. He looked at the unremarkable brown paper sack in his hand. Looked at her face, full of desperation and fear and hope. “Isobel,” he said. He cradled her cheek in one hand. How could he ask her what he wanted to know?
Did you kill that man? Is this your gun
?
“Amado.” Only a whisper between them. Then she stepped toward him and not even that remained. Slowly, shyly, she wrapped her arms around him. He dropped the sack. Cupped her face in both hands.
He didn’t know what made him tear his eyes away from her, toward the woods at the other end of the pasture. An instinct for self-preservation forged during two illegal crossings, maybe. Whatever it was, he looked—and saw a burly, blond Anglo framed in the footpath’s opening. Even from that distance, he could tell the man was related to Isobel.