7
Everything’s blurry. Dark around the edges, with an uncomfortable light in the middle. Closing his eyes again, that seems easier. It’s taking a few seconds, fuzzy moments of discomfort, but now he’s remembering where he is. He’s keeping his eyes shut anyway. The sooner he opens them, the sooner he has to confront the situation. Better to be silent. Better to listen.
‘I think he moved, Tommy, I think I saw him move. Definitely.’
A nasal exclamation. So much for lying still and listening. Stay still. You’re not dead yet. You can still retrieve this. As long as you’re breathing, things can turn around. He can hear them both walking up and down the corridor. They’re not doing anything. Pacing the floor, trying to work out what to do with their prize. They have Frank MacLeod where they want him. They just don’t know what to do next.
He’s opening his eyes now, looking at them. Look for the detail that matters. Tommy Scott’s holding the gun. He has it down at his side. He looks pained. Looks like he’s trying to work something out. The expression of a kid who’s in over his head. The corridor’s dimly lit. Lamplight, it looks like. Scott’s little mate, Andy ‘Clueless’ McClure, is standing beside him. He looks excited, lost in the thrill of the moment. Adrenalin controlling intelligence. Not that there was much of that to begin with. Scott was always the brains of this little operation. Frank’s in no place to judge, though. He’s the one lying on the floor, just inside the front door. Everyone’s more intelligent than him right now. The dingy corridor he’s lying in opens into the kitchen at the bottom. There are two closed doors on his right and one on his left. The front door’s behind him. The only way out.
He can’t even remember it happening. He remembers knocking on the front door. Just after one o’clock in the morning. Feeling the reassuring gun in his right hand, out of view of the door. Ready to step inside, and shoot. Quick job, in and out, leave the body. So simple. Now he’s waking up inside the flat. The front door didn’t open first, he’s sure of that. Someone got him from behind. Must have come out of the flat opposite – two steps and they were right behind him. Knocked him out, dragged him into the flat. He didn’t hear them, didn’t expect them. Now Tommy Scott’s walking up and down the corridor with Frank’s gun in his hand. What a disaster! Humiliation. Forty-four years in the business, since the day John ‘Reader’ Benson paid him buttons to beat the snot out of a scrawny racecourse bookie. Been in some tight spots since then. But nothing like this. This is too tight to move.
Tommy’s just noticed that Frank’s awake. Might as well try to sit up. Tommy’s marching back along the corridor towards him. Twenty-six years of age, skinny, dark-haired and always tired-looking. Used to be a peddler. A street dealer. Used to go round the estates on a bicycle selling wraps to kids. A bicycle, for Christ’s sake! Of course nobody took him seriously. How Shug Francis saw anything in him is a mystery. Nevertheless, he did. Desperation maybe. Anyone willing and able was welcome, regardless of ability. Jamieson’s stamped on all of Shug’s other efforts. Shug brought Tommy on board. Gave him a strong supply. Scott took it and set up his own little network. Frank’s underestimated him. He’s seeing that now. Judging him on what he’s done before. Not judging him on what he’s doing now. Still thinking of Scott as that greasy kid on the bike. Now Scott’s standing over Frank, pointing Frank’s own gun at him.
‘You’re gonna keep your mouth shut, okay. You’re gonna keep it shut.’ He sounds nervous. He should do. He’s moving away, trying to think. He doesn’t know what to do with Frank. If it was up to his dippy mate, Frank knows he’d be dead already. Scott’s just smart enough to realize this requires more thought. He needs to make the best of this. A chance has fallen into his lap. A chance to impress Shug, to move one step further up the ladder. Take your opportunities when they come, kid, they won’t come often. Scott might not realize it now, but he might never get another chance like this. Frank’s shaking his head. Don’t think of this like a pro, think of it like a victim. That’s what you are now. He’s become the kind of person he’s always destroyed. How do you get out of here? There isn’t an answer. Forty-four years in the business. Probably the best gunman in the city for thirty. Yet there’s no answer.
Tommy’s under pressure like never before. Clueless is watching him, standing in the corridor. He’s not going to say or do anything if he can help it. He knows his place. Stand guard. If the old man gets up, knock him down. If Tommy asks you to go do something, then you go do it. That’s his level. They’ve been best mates since they were kids. Tommy’s always been smarter, the stronger personality. Tommy always looked out for Clueless, protected him. Made sure he shared Tommy’s successes. Now Tommy’s dragging Clueless to the top with him, and it’s fun. This is exciting. Lying in wait for the old guy. Holding the door of the flat opposite shut from the inside, but off the latch. Pulling it open slowly as the old crock’s knocking on Tommy’s door. One long step and a swipe. Hammering him on the back of the head with a metal pipe. It’s the sort of thrilling thing this life is all about.
Doesn’t look like much, old Frank MacLeod. Short, grey-haired, lined old face. Some geriatric that Tommy reckons is after them. Peter Jamieson’s gunman. Would have been cool to have a gun for it. Tommy was smart, though. He knew exactly what the old man would do. Read him like a book. The flat opposite’s been empty for months. They use it all the time, hide stuff there, dump stuff there. Nobody’s going to move in – the place is dripping with damp, the walls are black with it. The old guy made it easy for them. Clueless went out the front and walked away from the building so that Frank would see him go. Then he snuck round the back and returned to the flat. All exciting stuff. Outwitting a hitman. Tommy doesn’t know what to do now, though. That’s a worry, but Clueless has confidence in him.
Tommy’s been thinking about this moment all day. This is an opportunity. He’s looking back down the hall at Frank, watching the old man watching him. Got Frank’s own gun in his hand. Seems obvious. Kill him, get rid of the body. Common sense, surely. But what if there’s more? What if the best thing is to let Shug know that Frank’s here? Maybe Shug could learn things, important things. But maybe he would want Tommy to handle all that himself. You ask the questions, you get the information. Do it without letting anyone know. Get info, and then kill Frank. Then go to Shug with the info. Taking the initiative. That’s the thing they love. He’d be impressed with that. And pleased that he was kept out of the thing until the danger had passed.
Frank’s watching. The kid has no idea what to do now. This pair set him up nicely, fair play to them for that. They just didn’t plan this far ahead. Failing to plot your moves is inexcusable. Unprofessional. The boy can do all the mental gymnastics he likes; Frank knows what the problem is. The next thing they have to do is kill him, and Tommy Scott’s never killed a man. Big step from being a peddler to a killer. Big step from cracking his skull to putting a bullet in it. They’re the scariest steps you can take in this business. You do it once, and people want you to do it again. There’s no going back. Scott knows there has to be a killing, but he doesn’t have the guts for it. Not yet, anyway.
‘Why don’t you just hurry up and do it, boy,’ Frank’s saying to him. Surprising himself; he didn’t mean to provoke. ‘You’re embarrassing yourself.’
Scott’s turning and glaring at him. Frank could have gone one of two ways. Could have tried to be nice, in the hope of keeping himself alive, but that seems pointless. Nice might buy time, but not life. Or he could try to goad the younger man into a mistake. That’s what he’s doing.
‘He’s right, we should shoot the prick,’ Clueless is saying suddenly. Voicing an unwelcome opinion.
‘Shut up,’ Tommy’s snapping back. ‘We do this in my time, not his. You shut your fucking mouth, old man. Won’t tell you again.’ Make the decision. You have to make the decision. Make the phone call.