Homing

Advance praise for
Homing

“Stephanie Domet must have the recipe for a great story taped to her fridge. This book demands consumption in one sitting. It will leave you talking to pigeons and phoning your loved ones with a smile on your face and a knot in your throat.”

Steven Bowers, Songwriter

HOMING

the whole story (from the inside out)

Stephanie Domet

Text copyright © Stephanie Domet, 2007

All rights reserved. No part of this publication may be reproduced or transmitted in any form, by any method, without the prior written consent of the publisher.

Library and Archives Canada Cataloguing in Publication

Domet, Stephanie, 1970-
       Homing : the whole story (from the inside out) / Stephanie Domet.

ISBN 978-0-9782185-8-4

       I. Title.
PS8607.O49H64 2007           C813'.6           C2007-901138-1

Cover Design and Typesetting by Megan Fildes

Printed and bound in Canada

Invisible Publishing
Halifax & Montréal
www.invisiblepublishing.com

For a few good men. For Chris Domet, who inspired it. For Ray Domet, who would have loved reading it. For Kev Corbett, who put up with me while I wrote it. And for Jeff Domet, who's always wanted to be in a book I wrote.

Ah, the acknowledgements, cherished friend to novelists during times of writers' block and wavering faith. Speaking of such things, Suzanne Matczuk gave me a stern talking to, endless support and encouragement, and the notion of homing pigeons over an excellent supper at an Ethiopian place in Winnipeg, and for that, I thank her. Thanks also to the writers' group in Winnipeg, my first readers, who were kind and gentle people, especially when it came to my super rough first draft. Meagan Perry and Iris Yudai smilingly put up with much obsessive word counting and plot-discussion. Huge thanks to Chris Boyce and all my former colleagues at DNTO for letting me experiment with this book on their radio show. And thanks to the fierce women of HEN, whose love of books and chatter kept me warm for two long winters.

Thanks to Andrew Kaufman — my fifth business — Tom Barkhouse and Andy Pedersen (who dreamed I wrote novels).

Thanks to Jane Buss and everyone at the Writers' Federation of Nova Scotia for always making me feel like a writer, even when I was having trouble putting my fingers on the keyboard. Thanks especially to Sue Goyette, who showed me that how I take a bath is how I take a bath, and that it's alright either way. And that it's completely normal to hate rewriting. My fellows in the Fiction Marathon 06-07, helped me figure out what the holy hell I was doing, anyhow. The Halifax writers' group of Sue Carter Flinn, Sean Flinn, Anthony Black, Carsten Knox, Robin Lathrop, Camille Fouillard, Ryan Turner and Sarah Mian reeled me in and kept me from flopping all over the boat.

Shayla Howell took my cranky mood in stride for more months than you can imagine, and when things were really falling apart, she helped put them back together. Her relentless relentlessness helped me fix my book's shaky logic to the best of my abilities. Where it falls down is my problem, not hers. But her help cannot be understated.

By this time you may well be wondering if I did any of this myself, and hey, that's a great question.

Carmen Klassen, Janet Irwin, Susan Mitton and all my colleagues at CBC Halifax are just the right blend of curious and supportive.

Robbie MacGregor is a fine person to eat strawberries with in the backyard in summer, especially if you're a writer, because he's given to saying lovely things like, I think I'd like to publish your book. Sacha Jackson and I have never met, but she edited this sucker as if she'd been there from the start.

Carmie Domet taught me to love reading, and how to hold a pencil to form letters. And then later, she gave me my first piece of critical advice. Plus, there was that whole thing where she gave birth to me and all. Ray Domet gave me part of his poet's soul, and the good sense to buy canned food when it's on sale with the happy result that when you're writing, there's always something to have for supper. Chris, Jeff and Donna Domet gave me a lifetime of unstinting friendship. Em, Sofia and Veronica, Michelle and Emily: a finer gaggle of girls it is hard to imagine. And thanks must also go to Piccolos, Domets, Zahers, Sheriff s, Stephens and Longos all of whom have shaped me, and especially Aunt Laura.

Johnny Parker, here's your legacy. Thanks for making me laugh my ass off, and thanks for not suing me.

And then there's Kev. Whom I love and adore, whom I'd do anything for. Whose Cheshire Cat grin is all I need. And who shows me every day what it is to love someone.

The room was dark, though slices of light crept in at the sides of the curtains. Red silk covered the cages, which were perched atop the bookcase. From beneath the fabric, she heard the ruffling of feathers and the soft, guttural cries of the mourning doves. Get up, she imagined them saying, let us try again.

She rolled over in the bed, her long black braids a lump at the back of her head. She'd slept curled around her pillows again, and her limbs unfolded slowly in the early morning dark. She thought about ignoring the birdsong, she thought about crumpling herself up again, pulling up the duvet around her shoulders, closing her eyes and falling back into oblivion. But that was dangerous, she knew. Better to get up, to get on with it, to try again than to give in before she'd even started.

It was good to have the birds depending on her. It meant she had to get up. It wasn't so much that she cared about them one way or the other, though she supposed somewhere inside herself she did. It was more that they would cry and call and cry and call till she got up, drew the silk from their cages, looked to their seed and their water, and finally gave them a task. They were canny creatures. They knew what they were about. They wanted a job.

Leah opened her eyes fully and looked again at the cages. She could see the outline of one plump bird. Sandy, she thought. She's pressed right up against the bars of her cage again. Leah let her hands slide down her body in their regular morning inventory, gliding over plump breasts, belly, hips and thighs. Still there, she told herself. Still all there. At least on the outside. She peeled back the duvet and swung herself up to sitting, feet planted square on the floor. She felt she had to move with authority, since it seemed to be the only thing that could get her moving and keep her moving at all these days. She sat for a moment, hands resting on bare knees. She wanted nothing more than to freefall back into the pillows, but she knew this torpor wasn't helping. It fed itself, this inactivity.

“Just get up and write the note,” she said out loud. “Do that much, then see about the rest. Do that much, and see where you are.”

She shivered in the cold room and pulled her bathrobe on over her skin. She didn't like the birds to see her naked. They made her skin crawl. All birds did, with their buggy feathers and beady eyes, and the way they seemed to have ideas about things. These two were no different, and were, in fact, perhaps a bit worse. They were intelligent, that was part of it, intelligent enough, anyhow, to find their way out every day and their way back again every night. And though she needed them for that, valued them for that, it still unnerved her to have such sentient beings living in cages on her bookcase. She thought naming them would help. Sandy and Harold they were. But it only made things worse. Once they were named, they seemed to develop personalities. Sandy was a go-getter; Harold more even-tempered, more laidback, but still, he got the job done. He was a plodder; Sandy liked to shake things up. And once they had names and personalities, things seemed to go downhill for Leah. She was reconsidering the ethics of keeping them in a cage, but the alternative — letting them have the run of the house — was too horrifying to contemplate. She
worked hard to hide her revulsion from them, but she lived in fear that her careful facade would slip and that someday soon, Sandy and Harold would divine the truth. Leah hated the birds, but she needed them, desperately.

Sandy began to scold as Leah moved toward the cages. She pulled the red silk covers off and fixed the birds with what she hoped was a cool gaze. She wondered if she was fooling them. The look on Sandy's face indicated otherwise. But Harold was just as placid as ever. She began to think she preferred the male bird, but of course, that was nothing new, and she had to admit such preferences were the root of a number of her troubles. And also, he was a pigeon, and she would do well to keep things in perspective. His brain was the size of a piece of gravel, if that, and whatever personality he seemed to have was certainly her own projection. She shook some seed into the feeding dishes in the cages, disengaged the water bottles and took them to the bathroom sink, where she rinsed and refilled them.

She popped them back in their brackets and said, “It won't be long, now, guys. Let me just make the coffee and think about it some, and I'll get you set up before too long. Just hang in there.”

She didn't know when she'd started talking like a folksy camp councillor, but she had, and there it was. Not much she could do about it now, and besides, she really didn't talk to very many people these days, so what did it matter how she sounded? She was pretty sure the birds didn't care, and if they did — oh well. They were birds. They would simply have to cope.

She padded down the stairs to the kitchen and in her head she began to compose that day's note. She wondered about striking the right tone. She wanted to be forceful but not too aggressive. It was important, she felt, to proceed with caution. And though she had not yet received a reply or really a sign of any kind, the birds, at least, returned to her with their note sheaths empty, so she had to assume the letters were hitting their mark. She
decided
to assume they were, rather. It was better that way.

In the kitchen, she scooped coffee beans into the grinder, pushed the lid down and flipped the switch. The sudden noise made the cat jump, and she said, “It's okay buddy, it's just the coffee grinder. Same thing every morning, right?“

Jesus, I'm turning into Saint Francis of Assisi, she thought but didn't say. She was already doing a fair bit of talking out loud when she was alone, and sure, she could pass it off as talking to the birds or the cat, but she was only marginally comfortable with that. She dumped the ground coffee into the basket filter, filled the pot with water, poured that into the machine, flipped the switch and waited for the familiar burbling and the soothing aroma. She didn't even care anymore if she actually drank a cup of coffee, but making it had become very important. It was a thing people did in the morning, and so she would do it and it would help keep her on track. At least, that was the plan. So far it had worked, but she had to admit she didn't hold out a lot of hope for it long-term. Still, she tried not to be pessimistic too far into the future. She tried to keep her crabbing to a situational basis. Not always easy, but a worthy goal to strive for, she thought.

As the coffeemaker cranked and groaned, she leaned against the counter and drew a pencil from the pocket of her robe. She twirled it between her fingers and thought. The cat leapt lightly from his perch on the rocking chair in the corner and stretch-walked across the kitchen toward her, purring intently. He got up close and wound around her ankles a bit, purring the entire time.

“You want crunchies?” she asked him, in a completely superfluous way. It was obvious what he wanted, and inevitable that she would put out. She scooped out a cup of dry food and slid it into his bowl. He immediately abandoned her ankles and applied himself to his breakfast, eating noisily. This left her free to think. She tapped the pencil's eraser end against her teeth, tasting a hint of the rubber. It made her think of September, the real new year, the true time of renewal. How she longed for the feeling she got from a fresh package of lined looseleaf paper. Or the ever-expanding realm of the possible represented by a new box of pencil crayons, their points all uniform and perfect. But what she felt instead was the grubbiness of mid-winter, all brown snow and chapped lips, and scarf that smelled like four months worth of expelled breath trapped forever in synthetic fibres. She sighed and closed her eyes. Maybe she should go back to bed after all. Turn off the coffeemaker, put the silk back over the cages, slip back into bed and back into dark unconsciousness. But no, she'd done that already, for too many days. She had to work on the project. She had to at least write the note.