Read Gideon - 02 - Probable Cause Online

Authors: Grif Stockley

Tags: #Fiction, #Mystery & Detective, #General, #Legal, #Arkansas, #Page; Gideon (Fictitious Character)

Gideon - 02 - Probable Cause

Probable Cause
Gideon [2]
Grif Stockley
(1993)
Rating:
***
Tags:
Mystery & Detective, Legal, General, Arkansas, Fiction, Page; Gideon (Fictitious Character)
From Publishers Weekly

This lucid and moving sequel to Expert Testimony explores racial tension and litigation in an Arkansas town.
Copyright 1993 Reed Business Information, Inc.

From Library Journal

Arkansas lawyer Gideon Page returns ( Expert Testimony , Summit Bks., dist. by S. & S., 1991) as defender of a likable and sophisticated black psychologist accused of murdering his white lover's retarded child during electroshock therapy. Interracial love, child abuse, and family secrets add volatility to the case and send Page scurrying for mitigating evidence; meanwhile, he worries about solo practice, true love, and middle age. Courtroom tactics, case details, and legal explanations flesh out this steadily involving drama for legal eagles.
Copyright 1992 Reed Business Information, Inc.

PROBABLE CAUSE by Grif Stockley

Chapman had a long-standing affair with Pam’s snow-queen mother Olivia; Olivia herself had already lost custody of an earlier child she may have abused—this is less a mystery than a down-home Burden of Proof, a novel about what it’s like to be a small-town southern lawyer with a dicey case headlining a dozen other subplots. Gideon’s homespun warmth and wry charm are the real stars of this understated courtroom drama.

 

IVY BOOKS NEW YORK

 

Sale of this book without a front cover may be unauthorized. If this book is coverless, it may have been reported to the publisher as “unsold or destroyed” and neither the author nor the publisher may have received payment for it.

Ivy Books Published by Ballantine Books Copyright 1992 by Grif Stockley

All rights reserved under International and Pan-American Copyright Conventions, including the right of reproduction in whole or in part in any form. Published in the United States by Ballantine Books, a division of Random House, Inc.” New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.

This book is a work of fiction. Names, characters, places and incidents are either products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Library of Congress Catalog Card Number: 92-20184

ISBN 0-8041-1133-2

This edition published by arrangement with Summit Books, a division of Simon & Schuster Inc.

Manufactured in the United States of America First Ballantine Books Edition: December 1993 Cover photo of red marble by M. Angelo/Westlight.

 

To my wife, Susan Gill “you have a call from Dr. Andrew Chapman at the city jail. He says it’s urgent that he speak to you right now.”

 

***********************

 

Chapman? Wearily, I rub my forehead as if I’m hoping his name will come off in my hand. Not even a glimmer. I put down my pen, wishing the brief in the Davis case would go away. How do appellate judges stay awake? I flip through the Rolodex on my desk, on the off chance his name will show up. Why would a jail doctor be calling me? I haven’t had a criminal case since I left the Blackwell County Public Defender’s Office over a year ago. Personal injury law pays more, but it isn’t as much fun. Especially if you’re an associate cranking out research and the crap cases the senior partners throw like dog scraps to us once they realize the cases aren’t turning into pots of gold as they had hoped. What the hell—maybe this doc’ll be in a car wreck someday.

“This is Gideon Page,” I say, glad for any excuse to take a break.

Brief writing isn’t my long suit anyway. A decision was handed down by the Arkansas Supreme Court two weeks ago with my name on it (I did most of the work, though a senior partner’s name went first) in which the court reversed a million-plus judgment for our client on the jury instructions.

The second big case this month down the tubes for Mays & Burton. We’re on a roll—unfortunately it seems straight downhill.

“Mr. Page,” a deep, rich voice reverberates in my ear, “my name is Dr. Andrew Chapman. I’ve just been charged with manslaughter. Can you come talk to me?”

As if I’d gulped pure caffeine, I feel instantly alert. Mays & Burton stays away from criminal cases, but this guy could be loaded. I look at my watch. In seven minutes, at precisely two o’clock (Oscar Mays likes his associates to walk in right on the dot—he’s usually on the phone, but that’s okay), I have a command performance with Oscar, presumably to go over my research on the Davis case. As fast as we’re losing cases, we could stand some cash flow. Maybe Oscar’ll go for it.

“I’ll be down to see you in less than an hour.” If Oscar passes on it, I’ll refer the guy after I break my boss’s neck.

“Thank you,” Dr. Chapman says politely and hangs up.

Elated, I put down the phone and write his name down on a yellow pad. Who is he? God, lawyers are horrible. Bad news makes me feel almost as good as sex. I grab up the Davis file, but instead of heading for Oscar’s office, I swing by the John. Sometimes, I think the best thing about being an attorney is being able to go to the bathroom whenever I want. If I worked in a factory, I’d need a catheter attached to my thigh.

In the head, I join Daryl Worley, who is at the next urinal.

He doesn’t look so hot. Charcoal-colored pouches under his already dark eyes make him look as if he has survived a physical beating instead of an emotional and financial one.

He was the lawyer on the Stoddard case a week ago in which the judge snatched from us on a judgment notwithstanding the verdict after a jury had awarded our client two million dollars.

“How’s it going, Darryl?” I say, unzipping my pants. Daryl, ten years younger, made partner last year. He has become a friend in the last few months, and we’ve started playing some tennis this summer.

He smiles sadly as he shakes off, but instead of a mournful acknowledgment, he recites, “You can beat it on the wall;

you can throw it on the rocks; but it’s always in your pants you get that last little drop.”

Damn! If people knew what some of us were really like.

The guy is smooth as mercury in front of a jury, but as soon as he steps outside the courtroom he regresses into an adolescent. I laugh dutifully while he washes his hands, not having heard that ditty since high school.

“Women have it worse,” I say, keeping the conversation off law. If given a chance to talk about the case, Darryl will start in on Curtis Hadley, the trial judge in the Stoddard case, and I haven’t got the time. I’m a little surprised he hasn’t been to my office to talk to me today about it.

Darryl begins to hum the Marine Hymn as he pushes the hot-air machine button. He rubs his hands together briskly, pretending to read the instructions. ‘“Him on. Rub hands together. Then wipe hands on pants.”

Junior associate that I am, I grin. I’ve seen that cartoon, too. What the hell? There’s nothing new under the sun. And, according to my tenth-grade Sunday school teacher, that saying comes from the book of Ecclesiastes. Perhaps Darryl is whistling in the graveyard: truly, with his raccoon eyes, he has a sickly look about him.

“Catch you later,” I tell him.

“Yeah,” he says, not looking me in the eye. Losing is a serious business. The firm spent over thirty thousand of its own money in experts and exhibits.

Martha Birford, who shares with me here an employment anniversary date, arrives outside Oscar Mays’s office at the same time, and we go in together. She has a piece of the Davis case, too. We both like Oscar better than Chip Burton.

It is no secret that Oscar was responsible for hiring us, for one thing, but also he is genuinely a nice man. He is in his sixties and seems ready to retire, but for some reason he won’t or can’t. If his office is any indication, he can afford it. He has a fireplace, an antique walnut desk I’d like to steal if I could figure out a way to get it through the door, and works of unknown (to me) Southern artists, who, according to Martha (incongruously, an art history major in college), for the moment are quite popular.

“Have a seat,” he says affably, standing until Martha is seated, always the old Southern gentleman. It hits me that Martha and I are getting a raise. I want to tell him that I have brought the firm a decent client but have learned that Oscar likes to speak first, whatever the situation. Age before beauty, I suppose.

Age has its compensations. Oscar’s suit, a dapper, baby blue summer Brooks Brothers, in the $750 range, looks tailored and nicely hides his sizable paunch. After all these months, I’ve only seen the man not wearing his suit coat in the bathroom.

“Martha and Gideon,” he begins kindly, “I’ve got some bad news. Our profits, as you know, are way down, and we are letting you both go. Your work is fine. It’s merely a question of finances. I’m really very sorry.”

I remain perfectly still, trying to maintain my composure.

My spine is so straight and rigid a bone in my lower back pops in protest. Surely this can’t be happening. I’ve worked my butt off for this place. This time next year I had hoped to have paid off enough of my debts to be able to incur some more in order to send my daughter to college. I am gripping the sides of the leather chair and trying to relax.

Martha, who could have paid off a sizable chunk of the savings and loan bailout with what she spent for her recent wedding, begins to cry just as she did two weeks ago this past Sunday at the front of the Pine Bluff First Baptist Church.

Pleasant, but with a headful of gray hair (the firm apparently likes the mature look), Martha was thrilled when her recently unemployed boyfriend of five years caved in and accepted her last ultimatum.

As if he is consoling a newly rich widow, Oscar stands and pushes a box of tissues from his desk at Martha. She snuffs loudly. I feel like joining her. Oscar, his voice registering disapproval, as if this won’t do, says ruefully, “In retrospect, we should have waited to take on some new people, and of course, you’re aware of the setbacks we’ve had recently.”

The man has a nice gift for understatement. Since the place has been like a tomb the last couple of weeks and a copy of the most recent court reversal is sitting on my desk, I feel like saying that we’ve had an inkling that year-end bonuses might be down this time around. Yet, there is no point in leaving on a bad note: we’ll still be here for a while, and I’ll need a reference.

“So when is our last day?” I ask, keeping my voice light and if not managing a smile, at least a nice grimace.

Oscar sits back down. Tears, he decides, he can handle.

“We’re going to give you two weeks’ pay, but the majority of the partners voted that we don’t want either of you even going back to your office. A couple of years ago we had an associate who was discharged take some clients with him. It caused us a major problem. I’ll need your keys right now.”

The bastards! Martha gasps. My heart begins to race, and I feel my mouth go so dry I can hardly swallow. We are being treated like employees caught stealing. I am furious. After paying bills last night, I have maybe a hundred dollars in my bank account. My hands shake as I pull apart my key ring and hand it to him. God, I hope Andrew Chapman isn’t a figment of my imagination. Solo practice, here I come.

“I’m obligated to remind you,” Oscar says, placing my key in a plain white envelope and then looking at me, “that taking any clients you have dealt with here is a violation of your employment contracts.”

Automatically, I shake my head up and down, wondering what kind of specialty Chapman has. If I’m going to be treated as if I’m incapable of loyalty, I feel few qualms about displaying any. Am I a thief? It depends on the definition.

However, I doubt that this is a story I’ll brag about to my grandchildren some day.

“Personally I think this is ridiculous,” Oscar says, more to Martha than to me, his wild white eyebrows wagging up and down in a show of concern. He says, “I’m sure everyone here will give y’all a good reference.”

I glance over at Martha, who is finally getting herself under control. She is inspecting the damage in her compact mirror (now I know why she carries her purse everywhere).

If Oscar has to say he is certain, that means she had better be careful whom she asks. I won’t be needing any references.

I slide the Davis file over to him. Too late I realize it has my yellow pad with Chapman’s name on it. Perhaps he won’t notice it.

Oscar talks about the secretaries being available to update our resumes, but I tune him out. All I want is my check and out of here. My mind goes back to the document that Martha and I signed when we started: any client that we saw is a client of the firm’s. Well, I haven’t seen Chapman yet. Some body must have clipped them pretty good. I can’t wait to get to the jail.

Finally, Oscar takes two checks from his desk and slips them to us like he’s ashamed of them. I look at mine. He should be. It’ll cover the mortgage and utility bills. I wonder if I qualify for food stamps. I was beginning to have my doubts about the firm even before the cases were reversed.

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