Authors: Gita Nazareth
L
uas led me from the train station to a house not far away. We followed a dirt path through a wood, across pasture, a garden, an apron of lawn. The city I’d imagined beyond the walls of Shemaya Station didn’t exist. We were in the country now.
The sky as we walked was moonless, dark violet and iridescent like a pane of stained glass. Luas led me on in silence, supporting me when I stumbled. I was still stunned from seeing myself bleed to death. Every few yards the weather raged between the extremes of hot and cold, wet and dry, as if even the heavens were stunned too and couldn’t decide what to be and so were all things at once. I felt no physical pain. In an obscure corner of memory my torso throbbed and my nerves shrieked—but these were distant sensations, recollections more than feelings. More immediate was the dampness of the ground against my feet, the changing temperature of the air on my skin, the opalescence of the earth and trees. These were present sensations and the sum my consciousness could bear.
The house to which Luas led me had a broad porch with a white balustrade and wide green steps. An octagonal lamp hung from the ceiling projecting blocks of light onto the lawn, some of it green and leafy and the rest frozen over with ice and snow. The house reminded me of my great-grandparents’ house along the Brandywine River in northern Delaware with the same threatening Victorian turret and gables and pretty scrollwork along the eaves and trim, like so many large homes built in the nineteen twenties. Everything about it was permanent and massive, a bulwark against fate and time: the heavy red brick and fieldstone, the slate roof, the tall windows and ceilings, the thick porch columns and solid brass doorknobs. Even the trees on the lawn and the hills beyond the trees were eternal and massive. It was too dark to see all these things, but I knew they were there in the same way I knew I was there.
On the porch stood an old woman waving excitedly in our direction. Luas squeezed my hand and stiffened to help me up the steps.
“Our guest has finally arrived, Sophia,” he announced.
They exchanged polite hugs the way older couples tend to do, and I braced myself for the old woman’s shrieks when she realized her husband had brought home a nude woman half his age and covered in blood; but for all the scandal and gore of my appearance, you’d have thought this was the condition in which all her guests arrived. She rushed forward and wrapped herself around me, carelessly staining her blue chamois dress with my blood before peeling herself just far enough away to see my face and caress my cheeks, laughing and sobbing, stroking my hair, her hands shaking with emotion.
“Thank you, thank you, Luas,” she said, breathlessly, almost crying.
Luas winked at me and walked back down the steps into the darkness from which we’d come, leaving a trail of bloody shoeprints on the green planks.
They’re obviously mad
, I thought.
Sophia had an ethnic face, Mediterranean and expressive and proud, with an angular forehead and thin lips that curled like a faded purple ribbon around a box of secrets. Her tarnished silver hair coiled into a bun, and she spoke with an Italian accent that added syllables to the English words.
“Oh, Brek,” she whispered. “My precious, precious child.”
“Nana?”
The word exhaled from my lungs with a whimper, accompanied by the recollection of an old photograph, the face of my great-grandmother, Sophia Bellini, my Nana. She’d died from a stroke when I was three years old.
“Yes, child, oh yes,” she said.
My only memory of her was from our final time together at the funeral home. I’d thrown a tantrum when my mother made me kiss Nana Bellini goodbye in the open coffin. Above my screaming, I remembered a sound, plastic and horrible, produced when my shiny black shoe fell from my foot and landed squarely on Nana’s pallid forehead. The shoe bounced once and lodged in her hair like a tiara. I remembered the slap of my mother’s hand across my face, and that Nana’s eyes did not open, and that her smile, serene and insane, did not change.
“Nana?”
“Yes, child, ” she said again, squeezing me close. “Welcome home.”
I grinned and pushed myself away.
There comes a moment in every nightmare when disbelief can no longer be suspended and one must choose between waking or allowing the drama to play on, comforted by the thought that it is, after all, only a dream. A nightmare explained everything that had happened to me: the mysterious train station, the baby formula turned to blood, the holes in my chest, the appearance of my dead great-grandmother.
I stepped around Nana, the illusion, and ran my fingers along the white column at the top of the steps. Sure enough, there were my initials—B.A.C.—carved with an eight penny nail one August afternoon when I sat on the porch drinking iced tea and wondering whether summer would ever end and middle school would finally begin. The scent of mothballs and garlic wafting from the kitchen was as distinct to my grandparents’ home as the scent of lilacs to late spring. The screen door chirped twice as it had always done, and our family pictures were arranged on the dry sink in the hall: Nana and my great-grandpa Frank, my grandparents and my great-uncle Gus and his wife, my mother as a little girl and her brothers and cousins—me as an infant and a teen, with and without a right arm.
“I’m dreaming,” I said to Nana. “What an odd dream.”
A smile crossed her face, the same knowing smile that had crossed Luas’ in the train shed, as if to say:
Yes, my great-granddaughter, I understand. You’re not ready to accept your own death yet, so we must pretend.
“Is it a lovely dream?” she asked.
“No. It’s a scary one, Nana,” I said. “I’m dead in it and you...you’re here, but you’re dead too.”
“But isn’t that a lovely dream, dear?” she asked. “To know that death isn’t the end of everything?”
“Yes, that is lovely,” I said. “I’ll try to remember it when I wake up, and I’ll try to remember you too. I can never seem to remember your face, Nana; I was too young when you died.”
Nana smiled at me, amused.
“My, this is such a long dream,” I said, stretching and yawning. “I feel like I’ve been dreaming all night. But that’s a good thing. It means I’m sleeping well. I’m so tired, Nana. I want to sleep some more, but I don’t want to be scared. I want this to be a nice dream now. Can we make it a nice dream so I won’t have to wake up and chase you away?”
“Yes, dear,” Nana said, hugging me again. “We can make this a nice dream. We can make this the nicest dream you’ve ever had.”
She led me upstairs without another word, drew me a bath in the claw-footed iron tub off the main hall, and hung a thick terry cloth robe from the door. The dream was improving already. Before leaving me to soak, she paused to look at the stump of my right arm. Even though the accident happened after her death, she seemed neither shocked nor saddened by it, just curious, as though she were studying a cubist painting for the meaning of a missing limb. I smiled, as I always did when someone noticed the amputation, to put her ease. She kissed my forehead and closed the door.
Although the bleeding had stopped, I flushed red water from the tub and refilled it several times. There were three holes in my chest: one in my sternum and two through my left breast. I fingered each hole indifferently, as though I were merely touching a blemish. I could feel the soft tissue inside—torn, fatty, and swollen—and jagged edges of broken bone. My lungs expanded and contracted, sucking on my finger like a straw. I took none of this seriously. Doubting Thomas had probed the holes in Jesus’ hands and come away convinced, but the effect on me was just the opposite. I knew now I had to be dreaming.
I wrapped myself in the robe Nana left for me behind the door and crept through the second floor of the old house, resurrecting memories both pleasant and sad. There was the happy photograph in the master bedroom of Nana and great-grandpa Frank posing before the Teatro Alla Scala on their thirtieth wedding anniversary. One month later, great-grandpa Frank confessed to having escorted his mistress to the very same opera house while on a business trip to Milan. Nana somehow overcame her humiliation and anger and offered him the forgiveness he sought; in return, on the papered wall between the windows, great-grandpa Frank hung a large crucifix with a large Christ whose mournful eyes watched over his side of the bed as a reminder. A heart attack took him the following year.
My grandparents moved into the house after Nana’s death and their belongings now filled the room, but the crucifix remained: alert, watchful, reminding. It was really their house I remembered, not Nana’s. Beneath the cross stood a small bookcase filled with hard bound volumes by Locke, Jefferson, and Oliver Wendell Holmes, and lesser treatises on contracts and procedure. They were my grandfather’s law books, and after the accident with my arm and the lawsuit that followed, I began to look upon their impressive leather bindings and heft with a sort of reverence and awe. The pursuit of justice seemed to me a more noble and honest religion than the one I heard preached each Sunday in church; my grandfather’s law books contained the sacred texts and liturgies of that religion, making the words of the Bible seem puny and childish by comparison. I was proud my grandfather owned them, and I read them over and over, understanding a little more each time. I ignored the things in the room that would have attracted most girls: my grandmother’s collection of Limoges boxes and silver hair brushes, her treasure of costume jewelry, perfumes, and shoes. She would shake her head when she found me paging through the books and tell me to run along because young ladies shouldn’t waste their time studying law.
Next door, my Uncle Anthony’s room was a time capsule sealed in nineteen sixty-eight, the year after Nana died. In some of the black and white photographs on the walls he’s slumped against a howitzer, the strain of fear and fatigue twisting his face into a haunted smile. In other photographs his eyes are glassy and unfocussed, the muscles of his face sagging in a narcotic stupor that everyone in the family insisted was some rare form of jungle fever but that I knew was either marijuana or heroin. Dog tags and a crucifix with the right arm broken off hung from a chain around his neck in these photos. The only color photograph in the room was taken two years prior to these. In this photograph, First Lieutenant Anthony Bellini stands gallant and brave in full dress uniform next to an American flag. My grandparents kept this picture on the dresser beside the dog tags, the broken crucifix, and the sad blue triangle of cloth presented to them at Uncle Anthony’s funeral. I loved that broken crucifix: Jesus was missing the same arm as me and, when I touched it, I believed he somehow understood. Uncle Anthony died before I was born; when I asked about him I was told only that he was a hero and the subject was quickly changed.
The bedroom across the hall belonged first to my grandfather’s brother, Gus, and, next, to Uncle Alex before he shipped out to Vietnam two years after Uncle Anthony. Uncle Alex returned in one piece from the war, so my grandparents had no need to create a second shrine. Instead, they used the room to store broken chairs, boxes, and clutter that couldn’t find a home in the rest of the house.
My mother was the oldest of the three Bellini children. After she married, her room became the guest room, but they kept her things. The bed was white, with a dingy canopy I detested; a pair of ragged old dolls sat glumly against the pillows, yearning for affection and needing a bath. The lacy curtains she had sewn from an old tablecloth decorated the windows, and at the foot of the bed sat a pine hope chest filled with silly letters and pleated skirts and photographs of horses and kittens. It was a little girl’s room, and, in many ways, my mother remained a little girl all her life. Her room was way up high in the turret where a princess would sleep—an oval-shaped refuge protected from robbers and dragons with small windows facing the front and side of the house. Mom and I lived here for an entire year after she divorced my father; I slept next to her every night in the same bed. We ate popcorn and read books, and sometimes she cried herself to sleep. I was the grownup in that bed, and this made me feel safe. Grownups were always safe.
After my bath, I had intended to dress and go back downstairs to talk to Nana, but I suddenly felt drowsy and weak, as though I were descending within my dream into a deeper level of sleep. I succumbed to the urge, sliding with the dolls beneath the crisp cotton ticking of my mother’s bed and turning out the white unicorn lamp. I fell fast asleep. During this sleep, I began dreaming of my last day on earth.
I
t’s early morning and I’m nursing Sarah in bed with the television on. We’re watching her daddy in his first month as the new anchorman of the Channel 10 Morning News, trying to make cunning chit-chat with Piper Jackson, Channel 10’s incredibly dull but incredibly beautiful new weather girl. Regardless of atmospheric conditions, Piper’s tight skirts and blouses guarantee fair skies and high pressure. Bo and Piper make a picture-perfect couple on the set and smiling down together from the slick, new billboards along the highways that have helped increase ratings for the show ten-fold. I seethe with jealousy every morning—until Piper opens her mouth. Today, while talking with Bo about a tsunami that has just devastated the northern coast of Japan, she mispronounces it “samurai” and speculates that this must be how Japanese warriors got their name. Bo cringes.
“It’s pronounced sue-na-me, Piper,” he says, wincingly.
Piper looks bewildered, like a puppy hit with a newspaper for peeing on a rug.
“What is?” she asks.
“The Japanese word for tidal wave.”
“Oops,” she replies airily, her strawberry red lips ripening from scolded-girl pout into naughty-girl smile. “Well, I guess that explains why they call Japanese warriors tsunamis.”
The cameraman knows exactly what to do. The shot widens to take in her low-cut top and admittedly impressive cleavage. You can almost hear the spontaneous applause of men all over central Pennsylvania and the spontaneous groans of their wives, girlfriends, and mothers. I pleaded with Bo to stick to reporting the news, but Piper and her breasts were bigger and better than the news; advertising revenue at the station increased in direct proportion to the number of minutes she was on screen and the amount of chest she exposed.
Sarah finishes nursing, oblivious to TV ratings, tsunamis, and samurais, perfectly content to see a miniature of her father talking from a box on the dresser no matter what he says. Sometimes she tries to talk back, as though they’re having a conversation.
I shower quickly, planning as I scrub where to pick up with the summary judgment motion I’d been working on and sticking my head out to be sure Sarah’s still on the bed. When the network news replaces her daddy at seven, we switch to Big Bird and I finish applying my makeup and put on my cream silk blouse and black silk suit. I carry Sarah into the nursery and change her diaper, dressing her in a light cotton jumper before switching to pants and a sweatshirt after remembering Piper’s warning that a cold front will be moving through late in the day. Sarah’s hands swing over her head and she stares at them in astonishment, as though she’s seeing them for the first time, a pair of birds from nowhere, soaring and swooning to the music whispering through her tiny mind. With all my might I try to store this moment away—the wide fascination of her eyes and the delicate contractions of her fingers, the sunlight that celebrates her revelation, the polished perfection of skin on her belly—all locked up in my memory like a jewel in a safe deposit box to be taken out later and adored.
I drive Sarah to a daycare operated by Juniata College as a teaching practicum; it’s an excellent facility, bright, cheery, and clean, with bright professors and students eager to try the latest methods and techniques for developing infant minds. The classes are small and Sarah never lacks for stimulation or attention; she’s always laughing and playing and her pediatrician says her verbal and cognitive skills are advanced for her age (although I think he says this to every parent to keep them coming back). When I visit during the day, I’m convinced she’s better off here than if I cared for her at home; but when I kiss her goodbye in the morning and she waves her little hands and looks after me with those sad brown eyes, I wonder whether I’m fooling myself—or whether I’m worse off even if she isn’t. It’s a debate I have with myself in the parking lot every morning but that I always resolve in favor of her exposure to other children and adults instead of being trapped all alone with one crazy woman in the same house day after day the way I was raised. While unbuckling her from her car seat, she flips her bottle upside down and deliberately squirts formula on the shoulder and lapel of my jacket.
“Hey, stop that!” I say, pretending to be angry. “Nobody messes on mommy’s favorite suit, not even a cutie like you.”
I reach the office by eight-thirty and wave to frog-faced Bill Gwynne, who’s already on the phone with a client and whose desk, restored to order by his secretary last evening, is already a mess. Our offices occupy a historic red brick row house next to the county courthouse in Huntingdon, Pennsylvania, used first as a blacksmith’s shop at the time the town was founded in the late 1700s and decorated with period antiques. I toss my briefcase and purse into my office on the second floor, pour a cup of coffee, and head up to our small law library on the third floor where I continue the legal research I’ve been working on for the past four weeks, trying to come up with a defense that will allow our very wealthy—and very lucrative—client, Alan Fleming, to avoid repaying the $500,000 he borrowed from a bank. This might seem like a fool’s errand, if not a little unscrupulous, but it’s actually my favorite part of legal practice: the intellectual challenge of winning a case that most lawyers would, and should, lose, by uncovering an overlooked fact, finding a forgotten law, or creating a novel legal argument from the thousands of statutes, regulations, and cases that constitute American jurisprudence—all to arrive at what we think of as
justice
—which, like it or not, has been defined for centuries not as the divine balancing of equities but as what the rule of law requires when applied, without bias, to the facts—and explains why the robed lady holding scales in front of the courthouse wears a blindfold. Otherwise, the theory holds, we would have favoritism and chaos rather than law and order.
This particular morning, the blind lady of justice bestows upon me a generous gift in the form of a little-known federal banking regulation from the Great Depression called Regulation U that forbids banks from making loans used to purchase securities if the securities pledged as collateral are worth less than fifty percent of the debt. The regulation was intended to prevent stock market crashes from taking the banking system down with them, but it catches my eye because Alan purchased stocks with the loan he’d defaulted on and, as I recall, pledged stocks worth only thirty-five percent of the debt—which is why the bank is now suing him for the balance. If the loan officer knew at the time he made the loan that Alan was using the proceeds to buy stocks, the bank violated the regulation by not demanding more collateral. I research further. The blind lady of justice bestows a second gift upon me in the form of a companion statute stating that if the bank violates Regulation U, it’s prohibited from suing the borrower to collect the debt. In other words, a bank error excuses Alan Fleming from repaying the half million dollars he borrowed, and the bank’s case against him must be dismissed. I slap the table with my hand in triumph and clench my fist. “Yes!” I shout. I feel like a football player stopped cold at the one yard line but who scores a touchdown anyway because he extends the tip of the ball across the front edge of the goal line. It’s a technical argument and arguably unfair—just as extending the tip of the ball across the goal line is only a technical touchdown and arguably unfair—but the rules of the game are the rules of the game and a touchdown is a touchdown. I race back down to my office for the transcript of the deposition I took of the bank’s loan officer, Jorge Mijares, to see whether he knew about Alan’s intention to buy stocks with the loan.
The transcript comprises several hundred pages of testimony given under oath before a court reporter with each line of testimony numbered for easy reference. Scanning through it, I recall how, like most of the male witnesses I had confronted during my short legal career, Jorge Mijares had refused to take me seriously from the moment he was sworn in by the court reporter. That I could be a young woman, handicapped, and an attorney at the same time was inconceivable to him; that I could have delivered a baby six months earlier, and would need to adjourn the deposition to pump breast milk, was a shock from which he never fully recovered. With all the dignity and splendor his perfumed Latin masculinity could summon, Jorge wished for me to know that things are not done so in his native Chile, where women are spared the vulgarities of law and business. Jorge had emigrated to Huntingdon at the age of ten when his father accepted a professorship in anthropology at the college. He and his family returned often to their native land and maintained their Chilean accent and customs. Their dark, handsome conquistador faces and exotic voices made them a delicious curiosity in the very white, very rural, very conservative Borough of Huntingdon, population: 15,000.
On page one hundred and fifty-five of the transcript, I locate the testimony I’ve been hoping for—the testimony that destroys the bank’s case:
Q. Do you know why my client wanted the loan, Mr. Mijares?
A. Well, you see Ms. Cuttler—you know, such formality makes me so uncomfortable. May I call you Brek, dear?
Q Oh, yes, please do, Mr. Mijares. You are so very kind to ask.
A. There it is again, Stephen, that look. Did you see it?
Stephen was the bank’s lawyer, Stephen Russ, and Mr. Mijares was commenting to him about the way I had allowed my eyes to linger over his face and my lips to spread into a capricious smile before covering my mouth with my hand as though I were a school girl swooning in the presence of a teen idol. It was the third time I had done it that afternoon. This was not a sign of a weakening of my marital fidelity: I was not in the least bit attracted to Jorge Mijares, and I certainly wasn’t thinking of cheating on my husband. This was, instead, my strategy for coaxing Mr. Mijares to answer my questions. I had discovered that rather than resent and resist the arrogance of men like this, I could more easily defeat them by flirting with them and using their prejudices against them; their unbounded conceit inevitably led them to become distracted and careless—and to say more on the record than they intended. This may have made me no better than Piper Jackson, but at least I knew the difference between a tsunami and a samurai. In any event, Stephen Russ, the bank’s lawyer, saw what was coming and knew that his client—a well-known womanizer—was in deep trouble; he rubbed his sunken gray temples as though he were hoping a genie would pop out of his head and make it all go away.
Q. I’m sorry, Mr. Mijares. Please continue.
A. Thank you, dear. And, please, call me Jorge. You know, I simply must say this. You remind me, Miss Brek, of a statue at one of our most famous museums in Santiago. It is of a young princess beseeching the moon. She is, how do you say it...? Ravished? No, no...ravishing. And do you know, forgive me, the arm is missing and this makes her all the more alluring.
Q. Oh, my, how you flatter me, Mr. Mijares. I see now why you’re such a powerful and well respected man in this community. Alan warned me that if I wasn’t careful, you would end up deposing me. But we should continue or we will be together all night. [Jorge’s eyes widened when I said this, like a child tempted with a piece of candy.] These business dealings are so confusing for a woman. I hope you can help explain them to me. Alan wanted to buy stocks with the loan, is that right?
A. Now who is flattering whom, Miss Brek? Yes, of course, I will help you with these things. It is very simple, really. You see, Alan told me he had a tip from his broker and wanted to buy some stocks, but he was a little overextended at the time and needed to finance the purchase...excuse me, do you know what I mean by “finance”? You know, to pay over time, just as you would use your husband’s credit card to buy yourself a nice dress or something? You see? It’s all the same thing, it’s not so difficult. He wanted to buy the stocks on credit and we gave him the loan. Alan and I have done business together many years. Until this unfortunate incident, he had been a very good customer.
In truth, neither Jorge Mijares nor I understood the significance of his testimony at the time; but Stephen Russ, who had represented the bank for many years and knew all the banking regulations, understood all too well; he jolted forward in his chair as though the building across the street had just exploded and immediately asked for a recess. I thought maybe his lunch didn’t agree with him and he needed to use the bathroom, but I was happy for the break because damp spots were beginning to form on my blouse and I needed to pump. And so, while Stephen Russ squeezed the bad news from his client in one room, a small battery-operated milking machine squeezed the milk from my breasts in another. I kept up this torture and humiliation for a couple of months after returning to work from giving birth to Sarah before switching, mercifully, to baby formula most of the time; I read all the studies saying breast milk is best—and I believed those studies and did my best for as long as I could—but I was a lawyer, not a milk cow; I had survived on formula and so could she.
Back in my own office now a few months later, I finally realize that Jorge’s testimony is fatal to the bank’s case and cinches our defense. I take the transcript and the regulation over to Bill’s office and lay them on the last open patch of mahogany on his desk. He’s buried in a file and doesn’t look up as he speaks.
“Yes?” he grumbles.
Bill’s always irritable in the morning, and this morning even more so because he’s preparing for hearings in two cases at once; his large frog’s eyes dart from file to file as if hunting insects, fingers snapping at the papers like a sticky tongue. He’s wearing a conservative gray suit and matching vest, white shirt, and maroon tie. He’s old school and never takes off his jacket in the office, even in the middle of the summer.
“Read it,” I say proudly.
“Why?”
“Because it’s how we’re going to win a case we’re supposed to lose.”