Don’t Know Much About® Mythology (60 page)

 

Yurugu
(Dogon of Mali) The child of the Dogon Creator, Amma, and the earth is Yurugu, a rebellious god and trickster. While in the cosmic egg, Yurugu steals the yolk, because he thinks his sister—or mother, in some versions—is inside, and he wants to mate with her. His incestuous behavior brings mischief and disorder into the world and makes some of the world’s land arid. Amma turns Yurugu into a jackal, and he sires the many evil spirits of the bush.

How did a suicidal king become a god and end up in the Supreme Court?

 

Along with the trickster tales of Hare and Anansi the Spider, a great many other gods made the terrible transatlantic crossing known as the Middle Passage from Africa to the New World. Once settled in the fertile grounds of the Caribbean and the Americas, these African gods didn’t just disappear. Myth—and belief—are hard things to break. Many of the gods and traditions of the Yoruba and Fon, in particular, crossed the Atlantic with the people taken from West Africa, and found a home in the New World. Among the many gods who were given new lives and new meaning was Shango, the powerful storm god of Yoruba.

Possibly based on an actual mortal king, Shango was famed for his abilities as both a warrior and a powerful magician. While dabbling in magic, Shango causes lightning to strike his palace, killing some of his many wives and children. Overcome by grief, he hangs himself. When his enemies scorn the dead king, they are destroyed by storms, and Shango is declared to be a god who controls the thunder and lightning. That’s one version. In another telling of his legend, Shango is an oppressive ruler, and when his people rebel, he is exiled to the forest, where he hangs himself from a tree. Those who remain loyal to Shango refuse to believe that he committed suicide, and say he has gone to heaven to become god of rain and thunder, symbolized by a twin-headed ax. No matter which version of his life and death his believers accept, Shango is always revered as a great source of magic and a sexual dynamo.

When Shango’s devoted followers were taken as slaves to the Americas, they continued to worship him, along with most of the other gods of the Yoruban and West African pantheon. Many of these gods emerged in new religions that fused African traditions with the Christianity that the slaves were forced to accept along with their chains. Few aspects of African-American or Afro-Caribbean culture have been more mythologized or grossly stereotyped—especially by Hollywood—than the traditions that emerged as voodoo and Santeria.

 


“Voodoo”

Although commonly called voodoo, this New World religion traces its roots to the African traditional religion Vodun (also Vodoun, Voudou), a word meaning “spirit.” Vodun was recognized as the official religion of Benin in 1996, is practiced by many in Haiti, and can be found in many large cities. One estimate is that 60 million people worldwide worship Vodun. Its followers, called Voduns, are concentrated in Benin, Ghana, Haiti, and in the United States, largely in the American South and wherever Haitian refugees have settled. Also practiced by the West African Yorubans, Vodun may have roots that stretch back thousands of years.
During the colonial slave-trading era, slaves brought Vodun with them to Haiti and other islands in the West Indies, where, upon arriving, they were baptized as Catholics, and slave masters and priests tried to suppress the African Vodun belief. Its priests were killed or imprisoned, which forced the slaves to create underground societies to secretly worship their gods and venerate their ancestors. While attending Mass, as required by their masters, slaves simply continued to follow their original faith. An influential 1884 book called
Haiti, or the Black Republic,
by S. St. John, described Vodun as an “evil religion,” falsely alleging that it included human sacrifice and cannibalism. Unfortunately, the image has stuck.
Vodun has many traditions based on Yoruban religion, including the belief that Olorun, the chief god, is remote and unknowable. Olorun authorizes a lesser god, named Obtala, to create earth and its life forms. The pantheon of Vodun spirits called “Loa” includes Aida-Wedo (the rainbow spirit based on the creation serpent Aido-Hwedo), and Shango (also known as Sango).

 


Santeria

Also called Le Regia Lucumi or the Rule of Osha, Santeria originated in Cuba as a combination of West African Yoruba religion and Catholicism. There, as in Haiti and elsewhere, slaves were forced to follow Roman Catholic practices, which contradicted their native beliefs. But finding parallels between their own religion and Catholicism, and in order to please their slave masters while disguising the worship of their own gods, they, too, created a secret religion. Santeria uses Catholic saints and personalities as “fronts” for the traditional African god and his spiritual emissaries, the orishas of the original Yoruba religion. Santeria spread quickly among these West African slaves, and even when the slave trade was abolished, Santeria flourished, its African-based religious traditions continuing to evolve and fuse with Christian ideas, native Cuban traditions, and, later, Enlightenment ideas brought from France.
Santeria has no sacred texts, and has been passed on orally to initiates for hundreds of years. Today it continues in small numbers in many countries, including the United States, where it is still practiced—in New York and Florida, in particular.
Like voodoo, much of Santeria corresponds to Yoruban religious traditions and mythical stories. The supreme god is Olodumare (or Olorun), who is the source of all energy in the universe, and is equated with Christianity’s Jesus Christ. Olorun’s emissaries, the orishas, are equated with specific Roman Catholic saints. Just as Legba is the messenger god in Africa, Legba (or Elegba) of Santeria acts as the intermediary between humans and the orishas. He is equated with the Catholic St. Anthony; nothing can be done without his intercession. Shango, who rules thunder and lightning, is called Chango in Santeria and is linked with Catholicism’s St. Barbara. Demoted from the litany of saints in a 1969 reform of Roman Catholic liturgy that downgraded her along with many other notable martyrs, Barbara was said to have been beheaded by her own father for her Christian faith. When her father was killed by lightning, Barbara became associated with the force of lightning and with death that falls from the sky. That provides the connection to Chango, who is also a god of thunder, lightning, and martial power.
For five hundred years, the traditions of Santeria—including a set of Eleven Commandments, roughly equivalent to the biblical Ten Commandments, with the addition of a prohibition against cannibalism—have been maintained by its followers. These traditions include a belief in magical spells and trance possessions, which both play an integral part in Santeria. The trance possession occurs at shamanistic drumming parties, during which dancers try to attain a sacred state of consciousness and ecstasy.

 

While Santeria and voodoo share West African mythical and religious roots, there are differences between them as they now exist. Principally, the Santerians believe that Catholic saints and orishas are the same spirits, while voodoo believes that the two groups are distinct, and reveres both.

Finally, both religions have attracted attention because of animal sacrifice, which is probably the most controversial and publicized aspect of Santeria. The sacrificial animal, according to Santeria tradition, must be killed quickly and painlessly, and the meat eaten by participants in the service. In the early 1990s, the city of Hialeah, Florida, attempted to halt such practices, but a local branch of the Santeria church sued and—with the support of mainstream churches and Jewish organizations—won their case in the U.S. Supreme Court. In deciding the case of
Church of the Lukumi Babalu Aye v. City of Hialeah
in June 1993, Justice Anthony Kennedy wrote, “Though the practice of animal sacrifice may seem abhorrent to some, religious belief need not be acceptable, logical, consistent, or comprehensible to others in order to merit First Amendment protection.”

CHAPTER NINE
 
SACRED HOOPS
 

The Myths of the Americas and Pacific Islands

 

For the forming of the earth they said “Earth.” It arose suddenly, just like a cloud, like a mist, now forming, unfolding…

—Popol Vuh

 

Screaming the night away

With his great wing feathers

Swooping the darkness up;

I hear the Eagle bird

Pulling the blanket back

Off from the eastern sky.

—invitation song of the Hodenosaunees

 

From the beginning of creation,

We were placed here…we are

This holy land…

—from a Navajo prayer

 

While I stood there I saw more than I can tell and I understood more than I saw; for I was seeing in a sacred manner the shapes of all things in the spirit, and the shape of all shapes as they must live together like one being. And I saw that the sacred hoop of my people was one of many hoops that made one circle, wide as daylight and as starlight, and in the center grew one mighty flowering tree to shelter all the children of one mother and one father. And I saw that it was holy.


Black Elk Speaks
(1932), as told through John G. Neihardt

 

In the 1990s, Indian religions are a hot item. It is the outward symbolic form that is most popular. Many people, Indian and non-Indian, have taken a few principles to heart, mostly those beliefs that require little in the way of changing one’s lifestyle. Tribal religions have been trivialized beyond redemption by people sincerely wishing to learn about them. In isolated places on the reservations, however, a gathering of people is taking place and much of the substance of the old way of life is starting to emerge.

—Vine Deloria Jr.,
God Is Red
(2003)

 
 

 

How did Native American myth go up in smoke?

Is there an “American” mythology?

 

What is the Popol Vuh?

 

Who were the Mayans who produced the Popol Vuh?

 

Which gods like a good ball game?

 

Who’s Who of Mayan Gods

 

What sets Mesoamerican myth apart?

 

Did the Aztecs really think the Spanish were gods?

 

What is the “Day of the Dead”?

 

Who’s Who of Aztec Gods

 

Was the “lost city” of Machu Picchu really a “sacred place”?

 

 

Did the Incas have a foundation myth?

Who’s Who of Incan Gods

 

Is there a “North American” mythology?

 

Who’s Who of North American Native Gods

 

Which goddess gets her own “planet”?

 

What famous poem contributed to the “myth” of the Native Americans?

 

Do Native American myths still matter?

 

Which mythic character created the Pacific Islands?

 

What is Dreamtime?

 

 

MYTHICAL MILESTONES

 

The Americas

 

c. 12,500 years ago
Monte Verde sites in Chile include dwellings and stone tools; earliest evidence so far for people in the New World.

c. 11,500 years ago
“Clovis culture”: the earliest evidence of human habitation in North America, based on spear points found in Clovis, New Mexico, first discovered in 1932. Earlier dates have been suggested for the Meadowcroft Rock Shelter near Pittsburgh, Pennsylvania, and other sites in Virginia and the Carolinas, but they remain controversial.

C. 9,200 years ago
“Kennewick man”: the evidence of oldest known skeletal remains in North America.

 

Before the Common Era (BCE)

c. 5000
Corn cultivation begins in Central America.

c. 4750
First evidence of animal domestication in Central America.

c. 4500
Corn cultivated in eastern North America.

c. 3500
Cotton cultivation in Central America; used to make fishing nets and textiles.

c. 2600
Large temple complexes built along the Andean coast of South America.

c. 2500
Large permanent villages appear in South America.

c. 2200
Earliest known pottery in South America.

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