Death Comes for the Archbishop (24 page)

Once when he was riding out to visit the Tesuque mission, he had followed a stream and come upon this spot, where he found a little Mexican house and a garden shaded by an apricot tree of such great size as he had never seen before. It had two trunks, each of them thicker than a man’s body, and though evidently very old, it was full of fruit. The apricots were large, beautifully coloured, and of superb flavour. Since this tree grew against the hillside, the Archbishop concluded that the exposure there must be excellent for fruit. He surmised that the heat of the sun, reflected from the rocky hill-slope up into the tree, gave the fruit an even temperature, warmth from two sides, such as brings the wall peaches to perfection in France.

The old Mexican who lived there said the tree must be two hundred years old; it had been just like this when his grandfather was a boy, and had always borne luscious apricots like these. The old man would be glad to sell the place and move into Santa Fé, the Bishop found, and he bought it a few weeks later. In the spring he set out his orchard and a few rows of acacia trees. Some years afterward he built a little adobe house, with a chapel, high up on the hillside overlooking the orchard. Thither he used to go for rest and at seasons of special devotion. After his retirement, he went there to live, though he always kept his study unchanged in the house of the new Archbishop.

In his retirement Father Latour’s principal work was the training of the new missionary priests who arrived from France. His successor, the second Archbishop, was also an Auvergnat, from Father Latour’s own college, and the clergy of northern New Mexico remained predominantly French. When a company of new priests arrived (they never came singly) Archbishop S–- sent them out to stay with Father Latour for a few months, to receive instruction in Spanish, in the topography of the diocese, in the character and traditions of the different pueblos.

Father Latour’s recreation was his garden. He grew such fruit as was hardly to be found even in the old orchards of California; cherries and apricots, apples and quinces, and the peerless pears of France—even the most delicate varieties. He urged the new priests to plant fruit trees wherever they went, and to encourage the Mexicans to add fruit to their starchy diet. Wherever there was a French priest, there should be a garden of fruit trees and vegetables and flowers. He often quoted to his students that passage from their fellow Auvergnat, Pascal: that Man was lost and saved in a garden.

He domesticated and developed the native wild flowers. He had one hillside solidly clad with that low-growing purple verbena which mats over the hills of New Mexico. It was like a great violet velvet mantle thrown down in the sun; all the shades that the dyers and weavers of Italy and France strove for through centuries, the violet that is full of rose colour and is yet not lavender; the blue that becomes almost pink and then retreats again into sea-dark purple—the true Episcopal colour and countless variations of it.

In the year 1885 there came to New Mexico a young Seminarian, Bernard Ducrot, who became like a son to Father Latour. The story of the old Archbishop’s life, often told in the cloisters and class-rooms at Montferrand, had taken hold of this boy’s imagination, and he had long waited an opportunity to come. Bernard was handsome in person and of unusual mentality, had in himself the fineness to reverence all that was fine in his venerable Superior. He anticipated Father Latour’s every wish, shared his reflections, cherished his reminiscences.

“Surely,” the Bishop used to say to the priests, “God himself has sent me this young man to help me through the last years.”

2

Throughout the autumn of the year ‘88 the Bishop was in good health. He had five French priests in his house, and he still rode abroad with them to visit the nearer missions. On Christmas eve, he performed the midnight Mass in the Cathedral at Santa Fé. In January he drove with Bernard to Santa Cruz to see the resident priest, who was ill. While they were on their way home the weather suddenly changed, and a violent rain-storm overtook them. They were in an open buggy and were drenched to the skin before they could reach any Mexican house for shelter.

After arriving home, Father Latour went at once to bed. During the night he slept badly and felt feverish. He called none of his household, but arose at the usual hour before dawn and went into the chapel for his devotions. While he was at prayer, he was seized with a chill. He made his way to the kitchen, and his old cook, Fructosa, alarmed at once, put him to bed and gave him brandy. This chill left him feverish, and he developed a distressing cough.

After keeping quietly to his bed for a few days, the Bishop called young Bernard to him one morning and said:

“Bernard, will you ride into Santa Fé to-day and see the Archbishop for me. Ask him whether it will be quite convenient if I return to occupy my study in his house for a short time. Je voudrais mourir ŕ Santa Fé”

“I will go at once, Father. But you should not be discouraged; one does not die of a cold.”

The old man smiled. “I shall not die of a cold, my son. I shall die of having lived.”

From that moment on, he spoke only French to those about him, and this sudden relaxing of his rule alarmed his household more than anything else about his condition. When a priest had received bad news from home, or was ill, Father Latour would converse with him in his own language; but at other times he required that all conversation in his house should be in Spanish or English.

Bernard returned that afternoon to say that the Archbishop would be delighted if Father Latour would remain the rest of the winter with him. Magdalena had already begun to air his study and put it in order, and she would be in special attendance upon him during his visit. The Archbishop would send his new carriage to fetch him, as Father Latour had only an open buggy.

“Not to-day, mon fils,” said the Bishop. “We will choose a day when I am feeling stronger; a fair day, when we can go in my own buggy, and you can drive me. I wish to go late in the afternoon, toward sunset.”

Bernard understood. He knew that once, long ago, at that hour of the day, a young Bishop had ridden along the Albuquerque road and seen Santa Fé for the first time… . And often, when they were driving into town together, the Bishop had paused with Bernard on that hill-top from which Father Vaillant had looked back on Santa Fé, when he went away to Colorado to begin the work that had taken the rest of his life and made him, too, a Bishop in the end.

The old town was better to look at in those days, Father Latour used to tell Bernard with a sigh. In the old days it had an individuality, a style of its own; a tawny adobe town with a few green trees, set in a half-circle of carnelian-coloured hills; that and no more. But the year 1880 had begun a period of incongruous American building. Now, half the plaza square was still adobe, and half was flimsy wooden buildings with double porches, scrollwork and jack-straw posts and banisters painted white. Father Latour said the wooden houses which had so distressed him in Ohio, had followed him. All this was quite wrong for the Cathedral he had been so many years in building,—the Cathedral that had taken Father Vaillant’s place in his life after that remarkable man went away.

Father Latour made his last entry into Santa Fé at the end of a brilliant February afternoon; Bernard stopped the horses at the foot of the long street to await the sunset.

Wrapped in his Indian blankets, the old Archbishop sat for a long while, looking at the open, golden face of his Cathedral. How exactly young Molny, his French architect, had done what he wanted! Nothing sensational, simply honest building and good stone-cutting,—good Midi Romanesque of the plainest. And even now, in winter, when the acacia trees before the door were bare, how it was of the South, that church, how it sounded the note of the South!

No one but Molny and the Bishop had ever seemed to enjoy the beautiful site of that building,—perhaps no one ever would. But these two had spent many an hour admiring it. The steep carnelian hills drew up so close behind the church that the individual pine trees thinly wooding their slopes were clearly visible. From the end of the street where the Bishop’s buggy stood, the tawny church seemed to start directly out of those rose-coloured hills—with a purpose so strong that it was like action. Seen from this distance, the Cathedral lay against the pine-splashed slopes as against a curtain. When Bernard drove slowly nearer, the backbone of the hills sank gradually, and the towers rose clear into the blue air, while the body of the church still lay against the mountain.

The young architect used to tell the Bishop that only in Italy, or in the opera, did churches leap out of mountains and black pines like that. More than once Molny had called the Bishop from his study to look at the unfinished building when a storm was coming up; then the sky above the mountain grew black, and the carnelian rocks became an intense lavender, all their pine trees strokes of dark purple; the hills drew nearer, the whole background approached like a dark threat.

“Setting,” Molny used to tell Father Latour, “is accident. Either a building is a part of a place, or it is not. Once that kinship is there, time will only make it stronger.”

The Bishop was recalling this saying of Molny’s when a voice out of the present sounded in his ear. It was Bernard.

“A fine sunset, Father. See how red the mountains are growing; Sangre de Cristo.”

Yes, Sangre de Cristo; but no matter how scarlet the sunset, those red hills never became vermilion, but a more and more intense rose-carnelian; not the colour of living blood, the Bishop had often reflected, but the colour of the dried blood of saints and martyrs preserved in old churches in Rome, which liquefies upon occasion.

3

The next morning Father Latour wakened with a grateful sense of nearness to his Cathedral—which would also be his tomb. He felt safe under its shadow; like a boat come back to harbour, lying under its own sea-wall. He was in his old study; the Sisters had sent a little iron bed from the school for him, and their finest linen and blankets. He felt a great content at being here, where he had come as a young man and where he had done his work. The room was little changed; the same rugs and skins on the earth floor, the same desk with his candlesticks, the same thick, wavy white walls that muted sound, that shut out the world and gave repose to the spirit.

As the darkness faded into the grey of a winter morning, he listened for the church bells,—and for another sound, that always amused him here; the whistle of a locomotive. Yes, he had come with the buffalo, and he had lived to see railway trains running into Santa Fé. He had accomplished an historic period.

All his relatives at home, and his friends in New Mexico, had expected that the old Archbishop would spend his closing years in France, probably in Clermont, where he could occupy a chair in his old college. That seemed the natural thing to do, and he had given it grave consideration. He had half expected to make some such arrangement the last time he was in Auvergne, just before his retirement from his duties as Archbishop. But in the Old World he found himself homesick for the New. It was a feeling he could not explain; a feeling that old age did not weigh so heavily upon a man in New Mexico as in the Puy-de-Dôme.

He loved the towering peaks of his native mountains, the comeliness of the villages, the cleanness of the countryside, the beautiful lines and cloisters of his own college. Clermont was beautiful,— but he found himself sad there; his heart lay like a stone in his breast. There was too much past, perhaps… . When the summer wind stirred the lilacs in the old gardens and shook down the blooms of the horse-chestnuts, he sometimes closed his eyes and thought of the high song the wind was singing in the straight, striped pine trees up in the Navajo forests.

During the day his nostalgia wore off, and by dinner-time it was quite gone. He enjoyed his dinner and his wine, and the company of cultivated men, and usually retired in good spirits. It was in the early morning that he felt the ache in his breast; it had something to do with waking in the early morning. It seemed to him that the grey dawn lasted so long here, the country was a long while in coming to life. The gardens and the fields were damp, heavy mists hung in the valley and obscured the mountains; hours went by before the sun could disperse those vapours and warm and purify the villages.

In New Mexico he always awoke a young man; not until he rose and began to shave did he realize that he was growing older. His first consciousness was a sense of the light dry wind blowing in through the windows, with the fragrance of hot sun and sage-brush and sweet clover; a wind that made one’s body feel light and one’s heart cry “To-day, to-day,” like a child’s.

Beautiful surroundings, the society of learned men, the charm of noble women, the graces of art, could not make up to him for the loss of those light-hearted mornings of the desert, for that wind that made one a boy again. He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests. Parts of Texas and Kansas that he had first known as open range had since been made into rich farming districts, and the air had quite lost that lightness, that dry aromatic odour. The moisture of plowed land, the heaviness of labour and growth and grain-bearing, utterly destroyed it; one could breathe that only on the bright edges of the world, on the great grass plains or the sage-brush desert.

That air would disappear from the whole earth in time, perhaps; but long after his day. He did not know just when it had become so necessary to him, but he had come back to die in exile for the sake of it. Something soft and wild and free, something that whispered to the ear on the pillow, lightened the heart, softly, softly picked the lock, slid the bolts, and released the prisoned spirit of man into the wind, into the blue and gold, into the morning, into the morning!

4

Father Latour arranged an order for his last days; if routine was necessary to him in health, it was even more so in sickness. Early in the morning Bernard came with hot water, shaved him, and helped him to bathe. They had brought nothing in from the country with them but clothing and linen, and the silver toilet articles the Olivares had given the Bishop so long ago; these thirty years he had washed his hands in that hammered basin. Morning prayers over, Magdalena came with his breakfast, and he sat in his easy-chair while she made his bed and arranged his room. Then he was ready to see visitors. The Archbishop came in for a few moments, when he was at home; the Mother Superior, the American doctor. Bernard read aloud to him the rest of the morning; St. Augustine, or the letters of Madame de Sevigné, or his favourite Pascal.