I
N THE CROWD OF
close to seventy-five people milling about in the lobby of Salem University’s Fine Arts building, viewing the newest exhibit of paintings, sketches, sculptures, jewelry, and other works of art, only Rachel Seaver thought she saw a figure drowning in one of the paintings.

Her friends scoffed when Rachel tried to point this out to them.

“I don’t see anything but a seascape,” her roommate, Bibi Jensen, said flatly. “Not a very good one, either, if you ask me. It looks kind of like something my six-year-old sister Tessie would bring home from first grade.”

“I concur,” Joseph Milano, who had two of his own paintings on display, said with mild disgust. “The artist probably hung the canvas on a wall, stood back, and took aim, tossing handfuls of blue and green paint until the tubes were empty.”

Ignoring him, Rachel continued to study the seascape. It was untitled, with no identifying card tacked beneath it. And there was no signature on the painting.

Aidan McKay, another Fine Arts major and the real reason Rachel was at the exhibit, smiled and said, “I didn’t believe you when you said you didn’t know much about art, Rachel. Now, I think maybe you were telling the truth.”

As the three moved away to study other artworks, Rachel stayed where she was. Her eyes never left the large, unframed canvas. Alive with vivid blues and brilliant greens, it hung on an end wall of the spacious lobby, and it seemed to Rachel that most of the spectators were passing it by, spending far more time on the surrounding paintings.

She didn’t see why. The seascape was beautiful, so rich with color, alive with the tumult of storm-tossed waters. The sky in the painting was an ominous slate-gray, contrasting sharply with the vivid colors.

“That’s all wrong,” a short, stocky boy with dark, curly hair, wearing a white shirt and a white apron said as he passed Rachel. He lingered for a moment, a large, round tray full of glasses in his hands. “The sea is never that color during a storm. It’s always the same color as the sky, a heavy, dark gray, topped off by whitecaps. The artist doesn’t know what he’s doing.”

“I thought,” Rachel said tartly, “that painters were supposed to interpret things as they see them, not as everyone else sees them.”

The waiter laughed rudely. The expression on his face as he shrugged and moved away into the crowd said yeah, right.

“Who is that guy?” Rachel asked, annoyed, as Bibi returned, clear plastic cup in hand.

“Rudy Samms,” Bibi answered with a wide grin. “Isn’t he gorgeous?”

“Yeah, if you like the Neanderthal type. Interesting that his name should be Rudy, as in Rude-y. Atrocious manners.”

“Well, keep your hands off him,” Bibi warned. “You’re here because of Aidan, remember? You leave Rudy the Rude to me.” She left again, calling over her shoulder, “And don’t wait up, okay?”

Rachel sighed. Bibi had no more interest in art than she did in astronomy. Rachel had talked her into attending this exhibit by reminding Bibi that there would be males present. Bibi had recently broken up with her boyfriend, Paul, nicknamed Apollo because he looked like a Greek god. In Rachel’s opinion, he also had the brains of a thimble. She had hoped that this time Bibi would find a guy who knew what an intelligent thought was and could articulate it, but here she was setting her sights on Rudy.

Not, Rachel thought, someone I would want to double-date with if Aidan McKay ever asks me out.

Bibi was tall, blonde, and gorgeous, and probably could have dated any guy on campus. Leave it to her to zero in on the most unpleasant person in the entire lobby. Bibi was a great roommate, but she had far better taste in clothes than she did in men.

Rachel studied the painting again. She was absolutely convinced that amid the turquoise and kelly green and azure blue she saw a figure struggling in the storm-tossed waves. She could understand why no one else saw it. The arms were no more than blobs, flailing wildly above the water, the head an elongated dab of pinkish-colored paint, the eyes dark daubs, the mouth a slash of red.

But the eyes were wild with fear, the mouth, if that was what it was, open in a scream of terror.

The image chilled her spine, as if someone had slipped ice cubes down her back.

Why was she seeing something no one else could see?

Aidan and Joseph were both art majors. If there was a figure valiantly struggling against the waves in the painting, wouldn’t they see it?

They hadn’t. Nor had Bibi.

Rachel moved forward and peered more intently at the painting. Viewed that closely, all of the colors blended together in a green and blue haze. She stepped back again, frowning and running a hand through her short, dark, curly hair, something she did constantly when she was frustrated or confused. “I may not know anything about art,” she muttered, “but I know what I see, and what I see is someone drowning.”

“No, you don’t,” Aidan said, coming up behind her, putting his hands on her shoulders. Leaning forward, he spoke into her ear. “That is a seascape, Rachel Seaver, and not a very good one, frankly. That’s all it is. The question is,” he added, moving around to stand beside her, “why would you
want
to think you see someone drowning in that painting? Are you always that morbid?”

Looking up at him, ready to respond as heatedly as she had to the waiter, Rachel thought again how nice-looking Aidan McKay was. Not gorgeous like Apollo-the-dimwit or Rudy-the-rude, but
nice
looking, with a lean, angled face and sharp blue eyes. Her eyes were blue, too, but hers were a quiet blue, like the sky in midwinter, while his were the brilliant blue of a blazing July sky. His hair was brown with a hint of red. It was as wavy as hers, and he wore it long. She had to clench her fists to keep from reaching out and touching it.

Chill, Rachel, she warned herself. You just met him the day before yesterday, and you hardly know him.

“It’s not that I
want
to see someone drowning,” she said, less defiantly than she’d spoken to Rudy Samms, “it’s just that I
see
it. I can’t help that, can I?”

Aidan looked at the painting again. “No, I guess not,” he said. He shrugged broad shoulders in a white T-shirt. “To each his own. But you have some imagination, kiddo.”

She wasn’t terribly happy with the “kiddo,” and she felt a pang of resentment at being told that her imagination was leading her astray. But the fact was, she really
didn’t
know anything about art, and he did, so until she could find out who the seascape artist was and maybe confirm what she was seeing, it seemed silly to keep arguing about it.

Still, she couldn’t help it if her heart went out to the agonized figure drowning in the stormy sea.

She glanced at the painting one more time, looking for a signature.

There wasn’t any. Not even initials.

“You don’t know who painted this, do you?” she asked Aidan as they moved together toward the corner where Joseph and Bibi were standing.

“Nope. The truth is, we were all so busy getting ready for this exhibit that we didn’t pay much attention to what anyone else was working on. I don’t remember seeing any seascapes, though.”

“Maybe Joseph will know.”

Joseph didn’t. He and Bibi were talking to a tall, thin girl with frizzy dark hair that fell to her waist. She had on a huge, floppy straw hat with fat red roses wound around the brim. More roses were clustered at the neckline of her long, black chiffon dress, which Rachel suspected had come from an antique shop. The girl had a strong, square face and huge, dark eyes, heavily made-up with jet-black eyeliner.

Why doesn’t she just hang a sign around her neck that reads
Aspiring Artist,
Rachel thought, amused. Talk about dressing the part.

“This is Paloma Lang,” Joseph said, nodding toward the tall girl. “Designs jewelry. Her real name is Jane, but she says no one would buy jewelry from someone named Jane, so she changed it.”

“I think,” Rachel said gently, “that there is a jewelry designer named Paloma, isn’t there? Paloma Picasso?”

“Exactly,” the tall girl said with a shrug. “I mean, it worked for her, right? Of course, I intend to be twice as successful as she is.”

“Then maybe you should have changed your name to Paloma Paloma,” Joseph joked.

The subject of his joke gave him a barely tolerant smile. “Very amusing.” Then to Rachel, she said, “Want to see my jewelry? It’s getting a lot of attention. No surprise there. People never expect to see anything but paintings at these exhibits. They’re always thrilled to see something different. Especially when it’s good.”

Rachel found Paloma’s lack of humility startling, but refreshing. It was more than self-confidence, and yet didn’t seem arrogant. Paloma simply knew that she was good at what she did. Rachel wondered if the artist who had painted the seascape had the same easy pride in his or her work.

As Paloma led her away, Rachel glanced over her shoulder toward the seascape, thinking the artist might be lingering near it somewhere, anxious to see what kind of reception it got. But there was no one at all near the painting. People were passing it by without much more than a casual glance.

So maybe it was a good thing the artist wasn’t there, she thought. Weren’t most artists terribly sensitive about their work being ignored?

Except, of course, someone like Paloma. Ignoring Paloma Lang, who talked loudly and gestured theatrically with her jeweled fingers, would be almost impossible. And that probably went for her work, too.

Which was, Rachel realized when she saw the pieces neatly displayed in a glass case, very good. The surprisingly delicate and amazingly intricate necklaces, bracelets, and earrings were truly beautiful.

“You
are
good,” Rachel said in awe, studying the jewelry carefully.

“Of course I am,” Paloma agreed, nodding. “I’ve been doing this since I was eight. I made a necklace out of a vine and some acorns at summer camp. When the other girls saw me wearing it, they all wanted one. So I made more and sold them. I went home from camp with twenty dollars more than when I got there. My parents were thrilled.” She flicked a long, slender finger toward one piece in particular, that of a three-strand gold chain adorned with tiny gold acorns. “That first necklace looked something like this. Don’t you love it?” She smiled confidently as they turned away from the display case. “I expect to be very, very rich one day.” And then added bluntly, “Do you?”

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