Authors: Michael Munn
He also performed in his first full length play at Sandhurst,
The Creaking Chair
, playing a crime reporter which the college magazine described as âan irresistible hero'.
Early in 1929 he appeared in the Sandhurst variety show in a sketch he wrote himself,
Why Every Married G. C. Should Have a Wife
, and a few weeks later he did another play,
It Pays to Advertise
, playing a charming layabout. He was developing a good light comedic touch.
âI was fortunate to get the chance to do a few plays at Sandhurst while I was struggling to make a soldier of myself,' he told me, âand, I suppose, my screen persona sprung from all that. I didn't invent myself for the screen. What you got was what you saw, a man with a military background speaking ever so nicely and trying not to stretch himself beyond his abilities as an actor. If the audience laughed, I felt I'd done well.'
But behind the wit and the charm, the twinkle in the eye and mischievous manner, and the often impeccable manners was a very different man â someone even his closest friends rarely got to see.
He told me in 1982,
I was often petrified that I would disappoint everyone. I don't think there was a great deal of substance to me. I was far more insecure than anyone would have realised. That's why I worked so hard to be liked. If I hadn't done that I think I would have been a basket case. There were times in my life when terrible depression overcame me, and when it did I had to give in to it. But most of the time I fought off depressing thoughts.
There were two versions of the younger me. There was the poisonous little me who got into trouble and even crime -1 could have easily gone on to become a criminal and would no doubt have been a dismal failure and ended up in prison â and there was the âlife can't get me down' young me charming everyone he could with banter and wit, which is the preferable me. I think because that was the more successful me, it was the one that took over, and thank God for that. Thank God for the people in my life who had the tolerance and patience to put up with me and also to inspire me to want to better myself. Perhaps coming from my background, I could only go in two directions; either become an officer and a gentleman, or become a crook. Maybe even a gentleman crook.
I told him that was an interesting analogy because James Cagney had told me something similar; he came from a deprived background from which you became a gangster, a priest or an actor. That almost made David laugh but because of the Motor Neurone Disease he stifled it and said, âThank God I didn't have to decide between those three options. I would never have cut the mustard as a priest. I mean, how do they get by without
girls?'
By his own admission, in 1970, he was, as a young man, before, during and after Sandhurst, âa randy fellow with an unfortunate tendency to get an erection on all forms of transportation, and the best way to work it off was with the local prostitutes. There was little time to find girlfriends, although Nessie came down to Sandhurst for the Ball we had that summer of 1929. She made it very clear to me. “David, we're only together for the larfs and the fuckin', so don't go gettin' all serious on me.” I think by then I knew the score, and my crush on her had waned.'
By then he was seeing Ann Todd regularly. He had first seen her in a play in London and was so taken with her that he went to see her perform whenever he could.
She told me,
He would hang around the stage doors. He wanted to meet all the actors, or mostly the actresses. He seemed to have a liking for me especially. I was always bothered by what we called stage-door Johnnies.
I went on tour in a play by Ian Hay, and David started turning up to see this play in Portsmouth â every night â and he drew love hearts against my name in the programme and sent them to my dressing room. That got very irritating because it was so childish and I didn't believe he was really in love with me. We hadn't even met. I was desperate that he shouldn't come near me and on the last night I was waiting for Ian Hay to come and see me and I was going to tell him to make sure that a chap called David Niven didn't come to my dressing room, and as soon as Ian walked in he said, âI'd like you to meet David Niven. I knew his father.' And there he was, right behind Ian Hay, smiling and full of charm and very handsome. But I was still annoyed. I got to realise that David directly or indirectly knew
everybody
.
He was so charming and funny that it was impossible not to accept his invitation to dinner one night. So when the tour was over, I met him for dinner. He wasn't earning much but he insisted that he pay for everything. He was very old fashioned about that sort of thing. He must have borrowed the money to pay for the meal. He was always very keen to impress me, probably because I was an actress and he was very keen on the theatre. I don't think he was thinking too much about becoming an actor at first.
I went to see some of the Army concerts he was in, and he was very funny. David was funny all the time. If he wasn't on stage being funny he was telling stories that were funny.
One evening when we were out to dinner, I said, âDavid, don't you take anything seriously?'
He said, âI take
you
very seriously.'
I thought,
Uh-oh, here it comes, the declaration of love
. And then he said, âHave you got a shilling? I don't think I have enough to leave a tip.'
I was relieved and annoyed. I had feelings for him but I didn't want to be tied down to a soldier who could end up anywhere in the world. So I wanted to hear him say something sweet but also I didn't want to hear it.
One day I couldn't bear it any longer and I said, very earnestly, âDavid, where are we going?'
He said, âTo a party, darling.' He
knew
what I meant but he dodged the question.
He continued to spend his summer holidays at Bembridge with his mother who was suffering considerable pain from a mysterious illness. David spent his hours sailing and working off his frustrations on the local girls. He would later regret not spending more time with his mother.
He returned to Sandhurst in September 1929 for his final term and was promoted to junior under-officer. In October he performed in another variety show and later played the juvenile lead in
The Speckled Band
, a Sherlock Holmes mystery. He continued to excel in rugby, but he did poorly in his final exams.
He had long wanted to get into the Argyll and Sutherland Highlanders and had even learned to play the bagpipes in readiness. He got his chance formally to request his admission into the regiment of his choice when he filled in a War Office form. He had to list three regiments in order of preference. His first was the Argyll and Sutherland Highlanders. His second choice was the Black Watch. For his third choice he wrote, âAnything but the Highland Light Infantry.' He thought that a funny joke. Somebody didn't laugh at his joke and that's possibly why he was sent to the Highland Light Infantry.
He left Sandhurst a few days before Christmas, 1929, depressed about his fortunes, and at the end of February joined the Highland Light Infantry. He spent nine months learning how to command a platoon and, at the beginning of October 1930, was posted to Malta where he was put in charge of No. 3 platoon which was made up of around 30 tough Glaswegians.
Ann Todd was the girl he left behind. She told me, âI knew the Army would send him away. I didn't want to fall madly in love with him because it would hurt. But it hurt all the same when he went to Malta.' She recalled,
We had a quiet dinner on our last night together. He said, âDarling, will you wait for me?' I would have laughed if I hadn't felt like crying.
I said, âAnd while I'm waiting for you, will you be confining yourself to barracks?'
âWhat do you mean?'
I said, âI'm sure there are plenty of pretty girls on Malta.'
He said, âI'll be far too busy for that sort of thing. I doubt I'll have a minute to myself.' He looked sincere but it was almost melodramatic. Over the top. Like in a silent movie.
When we were saying goodbye, he kissed me and said âYou do know that I love you,' and he said it very lightly but that meant he really meant it.
Leaving Ann and just about everything else he loved in life behind, he was shipped off to Malta.
â
âI
hated Malta from the moment I arrived,' David told me in 1970.
I was still a young man, only 21, but my fellow officers were almost all middle aged and they didn't want anything to do with me. Even my commanding officer wouldn't talk to me. The first thing he ever said to me, at a regimental dinner, was, âI have fucked women of every nationality and most animals, but the one thing I cannot abide is a girl with a Glaswegian accent. Pass the port.' He never spoke to me again.
I had hoped to join the 2nd Battalion in India which would have been far more exciting than policing a huge rock in the Mediterranean. The only excitement we had was when stones were thrown at a Customs shed in the harbour one night during an anti-demonstration. It was terribly depressing.
The only good thing was that I met a big fellow, standing six feet and six inches [1.98m] with a bushy handlebar moustache and the most wonderful and often bizarre taste in humour, and that was Michael Trubshawe.
I interviewed Michael Trubshawe in 1984 and he was more than happy to talk about his friendship with David as long as I also asked him plenty of questions about his career because he became an actor and appeared in small roles in many films, mainly World War II pictures.
Trubshawe, a big bear of a man with a bushy moustache he'd sported
since his Army days, told me, âWe were almost made for each other on Malta. He was a second lieutenant and I was another second lieutenant, and we both loved sex and alcohol, and a combination of those two things meant trouble. We loved trouble too.
âThe men I commanded in B Company seemed to like my peculiar ways but my fellow officers thought I was pretty disgraceful. Nivvy wasn't much liked by his fellow officers either, but he and I took to each other straight away. We met at a cricket match. Our battalion versus the Royal Artillery.'
Trubshawe had strode over to David, shook him by the hand and offered him a generous helping of whiskey and soda. Said Trubshawe,
Niv was an immediately likeable person. He was very outgoing with his friends but could be quite anxious when surrounded by people he didn't like or with whom he had nothing in common.
I saw him one night at a regimental dinner stuck between two officers, one of whom was his commanding officer. Niv had put back several glasses of wine and from the look on his face I figured that his bladder was close to bursting. But he couldn't leave his seat because no one was allowed to leave the table until a toast to the king had been made at the end of the meal. So he put away his soup and three courses, and I thought that I could help the poor chap out. So I got our mess steward to push an empty magnum under the table where he sat and let Niv know that it was with my compliments. So Niv relieved himself into the magnum, and the look on his face as he emptied his bladder over the next several minutes was priceless.
He helped me out one time the way only a good friend like that can. We were at an Army function and one of my superior officers asked me to dance with his wife. That wouldn't normally be a problem but this woman always stank of something I can only describe as lavatory cleaner which is why none of the other men would dance with her. I think her husband must have suffered â or been blessed â with absolutely no sense of smell. Suddenly the fire alarm was sounded and the whole place was quickly evacuated. But no one could find a fire. I said to David, âDamn funny that fire alarm and no fire,' and he said, âThat was me, old boy. I saw you dancing with that dreadful woman and could see you were holding your breath and thought if I didn't do something soon you would probably pass out or die, so the only thing I could think of was to sound the alarm.'
Trubshawe said that David would have been a âreally good soldier because he took the whole thing very seriously. I didn't.' He continued,
The Army wrecked any chance of him becoming a good soldier by sending him to Malta where we were just a Home Service station on domestic duties. That depressed him.
He knew how to be a good soldier, and he knew how to gain the respect of the men. He
commanded
their respect. He was just like a regular soldier when he was on parade or in the mess. But something was
missing
. He didn't have the fire for it. By day he was a soldier, but late at night if you went into his room you'd find him leafing through theatre programmes or reading the society pages of the
Tatler
.
I said to him, âWhat are you reading those things for?' and he said, âBecause right now I'd rather be an actor than a soldier, and I'd rather be at a dinner party among high society than stuck here on this bloody rock.' He was so bored and frustrated that he started getting into trouble.
David always tried to fit in, wherever he was. But when he found himself a square peg trying to fit into a round hole, he rebelled. When he met me he was delighted because I rebelled too. I'd been thrown out of Cambridge because I spent all my time on the hunting field instead of at lectures. So we were like two peas in a pod.
At first we were unable to get out of the barracks often because the second-in-command, who had no friends and hated seeing all the young officers going off to cocktail parties, decided we all had to do fencing every evening at six o'clock. The young men, who hadn't learned to fence, were being cut to ribbons. So finally, after a week of this, David said to me, âI think something needs to be done about this waste of good drinking time,' and without giving me a clue what he was up to, he started fencing with the fencing tutor. My God, he looked as good as Douglas Fairbanks in one of his swashbuckling pictures. He made the fencing tutor look like a beginner.