Coronation
Coronation
Paul Gallico
For my God-Daughter
Laura Legh
Contents
The wheels of the Coronation Special from Sheffield, due at St Pancras Station at six o’clock in the morning of Coronation Day, 2 June 1953, sang the steady, lulling dickety-clax, dickety-clax of the British Railways. Approaching a crossing, the engine shrieked hysterically into the drizzly night as it pulled its heavy load through the countryside, London-bound. In the third-class compartment occupied by the five members of the Clagg family and three other passengers, no one slept, though Granny kept nagging at the two children to try to do so because of the long exciting day ahead.
True, the crotchety gentleman in the bowler hat in the corner was trying to doze against odds. He had taken the window seat craved by eleven-year-old Johnny Clagg, the elder of the two children. Johnny had wished to sit there so that trying to see through the grimy, rain-streaked window-pane he might, with his active and ambitious imagination, project himself adventuring through the darkness. The occasional stab of a car headlight from nearby roads led him to transform himself into the daring dispatch rider carrying the message through enemy lines that would save the regiment. He kept pushing over almost on to the lap of the man, the better to visualise himself in the pitch blackness, hurtling through a hail of enemy bullets. Every so often his mother pulled him back with, ‘Now, Johnny, don’t push the gentleman who’s trying to sleep.’
Johnny sighed and obeyed. Always the grown-ups, either Mum or Granny, were shattering the pictures of his imaginings when they were at their most exciting.
His sister Gwendoline, who was seven, was turning the pages of a souvenir Coronation booklet containing photographs of the queen who was to be crowned that day.
The child was wearing her best dress, now slightly too small, even though let down. Mrs Clagg had braided red, white and blue ribbons into her two ash-blonde pigtails and the added touch of colour lent an astonishing felicity to her appearance. She was elfin rather than pretty, with her mother’s large pale eyes and eyebrows and her father’s firm chin.
Gwendoline was obsessed with Queen Elizabeth the Second. For weeks, as the day of the Coronation approached, she had filled her waking thoughts and sometimes her dreams at night as well, and in one of these she had been held in her arms and cuddled. When she woke up she had lain there remembering the wonderful dream, the soft white robe worn by the Queen, the butterfly crown upon her head; in one hand she had carried a wand with a star on the end of it and had smelled of some heavenly scent.
Despite the sickly yellow light of the dimmed compartment lamps Gwenny continued to stare, fascinated as ever by the frontispiece photograph in the booklet. Every so often she would lean down and press her cheek to that of the image of the smiling, tiara-crowned Queen on the smooth surface of the glossy paper, and whisper to it, ‘I love you.’
It was not that the child was starved for affection, for Violet Clagg was a loving and warm-hearted, if perpetually weary and over-worked mother. It was rather that in Gwendoline’s mind a picture had been formed of a bright, exquisitely beautiful and glamorous super-mother.
Illustrators of children’s stories and fairy tales sometimes succeed in appealing directly to the heart of a child and providing it with an image that in one form or another lasts throughout a lifetime. Such a figure for Gwendoline had been the Butterfly Princess, a pale gossamer girl who in one of her books reigned over the butterflies. And at night in her bed in the before-going-to-sleep fantasies Gwendoline would go to her.
Lately Gwenny had found a new love, the Queen. Something in all the hundreds of photographs of her that she saw – the tiny figure, the smile, the calm, grave eyes – touched her heart. The Queen was a real, living person. The Butterfly Princess was a coloured drawing in a picture-book. In the process that only children know of, fairy princess and Queen blended into one and Gwenny’s secret being turned towards her as a flower twists upon its stem and lifts its face to the sun. Now she was on her way to keep a rendezvous with her.
The child raised her face from the booklet and asked for reassurance again that it could actually be so. She seized her mother’s arm. ‘Am I really going to see her? Will she be able to see me too?’
With the practised disinterest and the automatic reaction of mothers who have learned to cope with more than one child, Violet Clagg replied, ‘That’s right, dearie,’ without at all interrupting her own train of thought, which at that moment was centred upon the vision of a bottle of champagne wrapped in a white napkin being served by a liveried butler. She was seeing herself holding a thin-stemmed glass in her hand, her little finger elegantly crooked. The yellow wine was about to bubble forth.
‘But how close, Mummy? How really close?’
Violet Clagg struggled against her daughter’s insistence as she did against all insistences, those of her mother, Granny Bonner, and her husband, as well as the even more strident demands of modern life with none of which she seemed to be able to cope. She was a plain, friendly-looking, put-upon person, worn with work.
Moving pictures and blatantly coloured advertisements in the women’s magazines brought her to the doorstep of glamour and luxury, yet never once had it been permitted her to cross the threshold, at least never until this adventure upon which they were now embarked. Very little in her life had ever come up to expectations, so that she had become confirmed in the apathy of disappointment. She hardly could believe that the pattern was about to be broken. And yet she was indeed seated in a train bound for London, to see crowds and people and flags and bands and beautiful dresses, jewels and tiaras and the crowned Queen of England, and drink bubbly out of a special glass.
‘
How
close, Mummy?’
She succumbed. ‘Well, now, as close almost maybe as your daddy. You can wave to her like this—’ She picked up her daughter’s hand and dipped it across the carriage at Will Clagg, her husband. He was explaining to an elderly draper from Salford and his wife how they had managed to acquire five seats in a window on Wellington Crescent near Hyde Park Corner, the best place of all to see the procession, for here it turned into Wellington Place after marching down Piccadilly and swerved again to enter the East Carriage Drive in the Park, so you really saw it twice.
‘My cousin Bert in London got them for me,’ he was saying. ‘We had seats in a stand in mind, but he’s got connections. Works for a big car-hire firm.’
Granny Bonner, Mrs Clagg’s mother, prototype of all grannies – iron-grey hair collected in a bun, alert, shifting critical eyes behind steel-rimmed spectacles, thin, dried-up, disapproving mouth – had to put in her twopenn’orth as she always did when Bert was mentioned. He was, of course, Will’s cousin and thus from the wrong side of the family: ‘I wouldn’t know much about Bert’s connections. He only washes the cars.’
Will Clagg glared. He was a stocky but bulkily muscular man, a figure appropriate to the foreman in charge of the No. 2 furnace at the Pudney Steel Works, Great Pudney, on the outskirts of Sheffield. His dark Sunday suit and mackintosh made him look even lumpier, but for all of his powerful frame, dark hair and his bristle of moustache, there was something engaging about him and a kind of permanent innocence seated in his blue eyes. ‘He got ’em for us, didn’t he?’ he said, and reached a hand to the inside pocket of his coat to feel their presence. ‘Like to have a look at them?’ he asked.
As always when he produced the tickets the entire family, even Granny Bonner, became electrified and crowded closer to view their blue and gold majesty. Johnny returned from the black night without. He had exchanged his motor-cycle for a tank and had been standing in the turret directing its move-up for a dawn attack. Granny hitched around in her seat and looked over her spectacles. Violet Clagg endured the almost insupportable sweetness of pride and happiness mingling in her bosom. Even Gwenny emerged for a moment from her preoccupation with the pictures of the Queen.
‘Here they are,’ Will Clagg said, proudly extracting them from his wallet and handing one to his neighbour.
It was of stiff, azure blue cardboard. The printing thereon was gold-embossed over a large ‘E II R’ worked into the centre. It read: ‘Coronation Procession 2 June 1953. Admit one to No. 4 Wellington Crescent, Hyde Park Corner, S.W.1. Window One. Row A. Seat 1.’ Further advice to be found upon it was that it was non-transferable; that the price was twenty-five guineas, breakfast at eight and midday buffet lunch with champagne included; and finally, it stated that the premises had been leased by the Victoria Coronation Co. Ltd., 18 Victoria Road, S.W.1.
The draper was impressed, not only by the elegance of the ticket but the price. He said, ‘Twenty-five guineas! Dear me, that’s a lot of money.’ Some quick mental arithmetic was even more impressive. One hundred and twenty-five guineas – perhaps two whole months’ wages for the foreman of a mill.
The sound of ‘twenty-five guineas’ caused the bowler hat type in the corner seat to open his eyes and sit blinking at the pasteboards in Clagg’s hands. Clagg, however, was suddenly looking as horrified as though he had been suspected of robbing the Bank of England. ‘We didn’t
pay
all that for ’em,’ he protested. ‘Good Lor’, no. Bert got ’em for ten quid apiece through one of his connections.’
In spite of the fact that she was dazzled by the tickets, Granny couldn’t help putting in, ‘I’d like to see some of Bert’s connections some time,’ causing Clagg again to hustle to his defence: ‘Maybe you will when we’re in London. There’ll probably be some of the bigwigs right where we’ll be sitting.’
The man in the corner, who had the hook nose and pop eyes of a parrot, pulled himself together and suddenly held out his hand for a ticket. It appeared at first that somebody at some time or another had tried to sell him a gold brick or he was just naturally suspicious, for he gave the thing as thorough an examination as he could without splitting it. He scrutinised both sides, held it up to the carriage light, and even for an instant with a somewhat grimy fingernail scratched at the gold of the lettering, causing Clagg to cry out with alarm, ‘Here, don’t do that!’
The man, not at all put out, looked at the minute fleck of gold attached now to the finger-nail and, having completed this investigation, he handed it back remarking, ‘First-class stuff. That’s a pretty good job. I’m in the printing trade myself.’
Everyone sighed with relief. Clagg found himself holding the tickets and running his own stubby fingers over the comforting embossing. ‘Would you like to look?’ he asked the draper and his wife.
They each took one and marvelled, not only at all that the tickets implied but also the bargain involved. Violet Clagg said, ‘Imagine seeing the Queen
that
close as she goes by in her golden carriage! The kiddies will have something to tell
their
kiddies, won’t they? And a drink of real champagne to go with it!’
The draper’s wife said, ‘I envy you. It will be something to remember. I think it’s wonderful that you’ve managed it so that all of you could go.’
‘Ah now,’ said Will Clagg proudly, ‘that’s when you’ve got the kind of family like mine. We put it to a vote. “Annual hols. at Morecambe or go to London for the Coronation,” I said. “One or the other. Can’t do both. All those in favour!” It was four to one for the Coronation.’