Complete Works of Wilkie Collins (823 page)

“Jicks again!” I exclaimed.

“No — not Jicks. Oscar’s own man-servant, this time.”

“How did it happen?”

“It happened through one of the boys in the village. Oscar and Lucilla found the little imp howling outside the house. They asked what was the matter. The imp told them that the servant at Browndown had beaten him. Lucilla was indignant. She insisted on having the thing inquired into. Oscar left her in the drawing-room (unluckily, as it turned out, without shutting the door); called the man up into the passage, and asked what he meant by ill-using the boy. The man answered, ‘I boxed his ears, sir, as an example to the rest of them.’ ‘What did he do?’ ‘Rapped at the door, sir, with a stick (he is not the first who has done it when you are out); and asked if Blue Face was at home.’ Lucilla heard every word of it, through the open door. Need I tell you what happened next?”

It was quite needless to relate that part of the story. I remembered too well what had happened on the former occasion, in the garden. I saw too plainly that Lucilla must have connected the two occurrences in her mind, and must have had her ready suspicion roused to serious action, as the necessary result.

“I understand,” I said. “Of course, she insisted on an explanation. Of course, Oscar compromised himself by a clumsy excuse, and wanted you to help him. What did you do?”

“What I told you I should do this morning. He had counted confidently on my taking his side — it was pitiable to see him, poor fellow! Still, for his own sake, I refused to yield. I left him the choice of giving her the true explanation himself, or of leaving me to do it. There wasn’t a moment to lose; she was in no humour to be trifled with, I can tell you! Oscar behaved very well about it — he always behaves well when I drive him into a corner! In one word, he was man enough to feel that he was the right person to make a clean breast of it — not I. I gave the poor old boy a hug to encourage him, pushed him into the room, shut the door on him, and came out here. He ought to have done it by this time. He
has
done it! Here he comes!”

Oscar ran out, bareheaded, from the house. There were signs of disturbance in him, as he approached us, which warned me that something had gone wrong, before he opened his lips.

Nugent spoke first.

“What’s amiss now?” he asked. “Have you told her the truth?”

“I have tried to tell her the truth.”

“Tried? What do you mean?”

Oscar put his arm round his brother’s neck, and laid his head on his brother’s shoulder, without answering one word.

I put a question to him on my side.

“Did Lucilla refuse to listen to you?” I asked.

“No.”

“Has she said anything or done anything —
 
— ?”

He lifted his head from his brother’s shoulder, and stopped me before I could finish the sentence.

“You need feel no anxiety about Lucilla. Lucilla’s curiosity is satisfied.”

Nugent and I gazed at one another, in complete bewilderment. Lucilla had heard it all; Lucilla’s curiosity was satisfied. He had that incredibly happy result to communicate to us — and he announced it with a look of humiliation, in a tone of despair! Nugent’s patience gave way.

“Let us have an end of this mystification,” he said, putting Oscar back from him, sharply, at arm’s length. “I want a plain answer to a plain question. She knows that the boy knocked at the door, and asked if Blue Face was at home. Does she know what the boy’s impudence meant? Yes? or No?”

“Yes.”

“Does she know that it is you who are Blue Face?”

“No.”

“No!!! Who else does she think it is?”

As he asked the question, Lucilla appeared at the door of the house. She moved her blind face inquiringly first one way, then the other. “Oscar!” she called out, “why have you left me alone? where are you?”

Oscar turned, trembling, to his brother.

“For God’s sake forgive me, Nugent!” he said. “She thinks it’s YOU.”

CHAPTER THE TWENTY-SIXTH

 

He proves Equal to the Occasion

AT that astounding confession, abruptly revealed in those plain words, even resolute Nugent lost all power of self-control. He burst out with a cry which reached Lucilla’s ears. She instantly turned towards us, and instantly assumed that the cry had come from Oscar’s lips.

“Ah! there you are!” she exclaimed. “Oscar! Oscar! what is the matter with you to-day?”

Oscar was incapable of answering her. He had cast one glance of entreaty at his brother as Lucilla came nearer to us. The mute reproach which had answered him, in Nugent’s eyes, had broken down his last reserves of endurance. He was crying silently on Nugent’s breast.

It was necessary that one of us should make his, or her, voice heard. I spoke first.

“Nothing is the matter, my dear,” I said, advancing to meet Lucilla. “We were passing the house, and Oscar ran out to stop us and bring us in.”

My excuses roused a new alarm in her.

“Us?” she repeated. “Who is with you?”

“Nugent is with me.”

The result of the deplorable misunderstanding which had taken place, instantly declared itself. She turned deadly pale under the horror of feeling that she was in the presence of the man with the blue face.

“Take me near enough to speak to him, but not to touch him,” she whispered. “I have heard what he is like. (Oh, if you saw him, as I see him,
in the dark!
) I must control myself. I must speak to Oscar’s brother, for Oscar’s sake.”

She seized my arm and held me close to her. What ought I to have said? What ought I to have done? I neither knew what to say or what to do. I looked from Lucilla to the twin brothers. There was Oscar the Weak, overwhelmed by the humiliating position in which he had placed himself towards the woman whom he was to marry, towards the brother whom he loved! And there was Nugent the Strong, master of himself; with his arm round his brother, with his head erect, with his hand signing to me to keep silence. He was right. I had only to look back at Lucilla’s face to see that the delicate and perilous work of undeceiving her, was not work to be done at a moment’s notice, on the spot.

“You are not yourself to-day,” I said to her. “Let us go home.”

“No!” she answered. “I must accustom myself to speak to him. I will begin to-day. Take me to him — but don’t let him touch me!”

Nugent disengaged himself from Oscar — whose unfitness to help us through our difficulties was too manifest to be mistaken — as he saw us approaching. He pointed to the low wall in front of the house, and motioned to his brother to wait there out of the way before Lucilla could speak to him again. The wisdom of this proceeding was not long in asserting itself. Lucilla asked for Oscar the moment after he had left us. Nugent answered that Oscar had gone back to the house to get his hat.

The sound of Nugent’s voice helped her to calculate her distance from him without assistance from me. Still holding my arm, she stopped and spoke to him.

“Nugent,” she said, “I have made Oscar tell me — what he ought to have told me long since.” (She paused between each sentence; painfully controlling herself, painfully catching her breath.) “He has discovered a foolish antipathy of mine. I don’t know how; I tried to keep it a secret from him. I need not tell you what it is.”

She made a longer pause at those words, holding me closer and closer to her; struggling more and more painfully against the irresistible nervous loathing that had got possession of her.

He listened, on his side, with the constraint which always fell upon him in her presence more marked than ever. His eyes were on the ground. He seemed reluctant even to look at her.

“I think I understand,” she went on, “why Oscar was unwilling to tell me —
 
— ” she stopped, at a loss how to express herself without running the risk of hurting his feelings — ”to tell me,” she resumed, “what it is in you which is not like other people. He was afraid my stupid weakness might prejudice me against you. I wish to say that I won’t let it do that. I never was more ashamed of it than now. I, too, have my misfortune. I ought to sympathize with you, instead of —
 
— ”

Her voice had been growing fainter and fainter as she proceeded. She leaned against me heavily. One glance at her told me that if I let it go on any longer she would fall into a swoon. “Tell your brother that we have gone back to the rectory,” I said to Nugent. He looked up at Lucilla for the first time.

“You are right,” he answered. “Take her home.” He repeated the sign by which he had already hinted to me to be silent — and joined Oscar at the wall in front of the house.

“Has he gone?” she asked.

“He has gone.”

The moisture stood thick on her forehead. I passed my handkerchief over her face, and turned her towards the wind.

“Are you better now?”

“Yes.”

“Can you walk home?”

“Easily.”

I put her arm in mine. After advancing with me a few steps, she suddenly stopped — with a blind apprehension, as it seemed, of something in front of her. She lifted her little walking-cane, and moved it slowly backwards and forwards in the empty air, with the action of some one who is clearing away an encumbrance to a free advance — say the action of a person walking in a thick wood, and pushing aside the lower twigs and branches that intercept the way.

“What are you about?” I asked.

“Clearing the air,” she answered. “The air is full of him. I am in a forest of hovering figures, with faces of black-blue. Give me your arm. Come through!”

“Lucilla!”

“Don’t be angry with me. I am coming to my senses again. Nobody knows what folly, what madness it is, better than I do. I have a will of my own: suffer as I may, I promise to break myself of it this time. I can’t, and won’t let Oscar’s brother see that he is an object of horror to me.” She stopped once more, and gave me a little propitiatory kiss. “Blame my blindness, dear, don’t blame
me.
If I could only see — ! Ah, how can I make you understand me, you who don’t live in the dark?” She went on a few paces, silent and thoughtful — and then spoke again. “You won’t laugh at me, if I say something?”

“You know I won’t.”

“Suppose yourself to be in bed at night.”

“Yes?”

“I have heard people say that they have sometimes woke in the middle of the night, on a sudden, without any noise to disturb them. And they have fancied (without anything particular to justify it) that there was something, or somebody, in the dark room. Has that ever happened to you?”

“Certainly, my love. — It has happened to most people to fancy what you say, when their nerves are a little out of order.”

“Very well. There is
my
fancy, and there are
my
nerves. When it happened to you, what did you do?”

“I struck a light, and satisfied myself that I was wrong.”

“Suppose yourself without candle or matches, in a night without end, left alone with your fancy in the dark. There you have Me! It would not be easy, would it, to satisfy yourself; if you were in that helpless condition? You might suffer under it — very unreasonably — and yet very keenly for all that.” She lifted her little cane, with a sad smile. “You might be almost as great a fool as poor Lucilla, and clear the air before you with this!”

The charm of her voice and her manner, added to the touching simplicity, the pathetic truth of those words. She made me realize, as I had never realized before, what it is to have, at one and the same time, the blessing of imagination, and the curse of blindness. For a moment, I was absorbed in my admiration and my love for her. For a moment, I forgot the terrible position in which we were all placed. She unconsciously recalled it to me when she spoke next.

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