Complete Works of Wilkie Collins (782 page)

“He is plotting something against me,” she said to herself. “What?”

A sickening, physical sense of dread — entirely new in her experience of herself — made her shrink from pursuing the question. The sinking at her heart turned her faint. She went to get the air at the open window.

At the same moment there was a ring at the gate bell. Suspicious of any thing and every thing, she felt a sudden distrust of letting herself be seen. She drew back behind the curtain and looked out.

A man-servant, in livery, was let in. He had a letter in his hand. He said to the girl as he passed Anne’s window, “I come from Lady Holchester; I must see Mr. Delamayn instantly.”

They went in. There was an interval. The footman reappeared, leaving the place. There was another interval. Then there came a knock at the door. Anne hesitated. The knock was repeated, and the dumb murmuring of Hester Dethridge was heard outside. Anne opened the door.

Hester came in with the breakfast. She pointed to a letter among other things on the tray. It was addressed to Anne, in Geoffrey’s handwriting, and it contained these words:

“My father died yesterday. Write your orders for your mourning. The boy will take them. You are not to trouble yourself to go to London. Somebody is to come here to you from the shop.”

Anne dropped the paper on her lap without looking up. At the same moment Hester Dethridge’s slate was passed stealthily between her eyes and the note — with these words traced on it. “His mother is coming to-day. His brother has been telegraphed from Scotland. He was drunk last night. He’s drinking again. I know what that means. Look out, missus — look out.”

Anne signed to her to leave the room. She went out, pulling the door to, but not closing it behind her.

There was another ring at the gate bell. Once more Anne went to the window. Only the lad, this time; arriving to take his orders for the day. He had barely entered the garden when he was followed by the postman with letters. In a minute more Geoffrey’s voice was heard in the passage, and Geoffrey’s heavy step ascended the wooden stairs. Anne hurried across the room to draw the bolts. Geoffrey met her before she could close the door.

“A letter for you,” he said, keeping scrupulously out of the room. “I don’t wish to force your inclinations — I only request you to tell me who it’s from.”

His manner was as carefully subdued as ever. But the unacknowledged distrust in him (when he looked at her) betrayed itself in his eye.

She glanced at the handwriting on the address.

“From Blanche,” she answered.

He softly put his foot between the door and the post — and waited until she had opened and read Blanche’s letter.

“May I see it?” he asked — and put in his hand for it through the door.

The spirit in Anne which would once have resisted him was dead in her now. She handed him the open letter.

It was very short. Excepting some brief expressions of fondness, it was studiously confined to stating the purpose for which it had been written. Blanche proposed to visit Anne that afternoon, accompanied by her uncle, she sent word beforehand, to make sure of finding Anne at home. That was all. The letter had evidently been written under Sir Patrick’s advice.

Geoffrey handed it back, after first waiting a moment to think.

“My father died yesterday,” he said. “My wife can’t receive visitors before he is buried. I don’t wish to force your inclinations. I only say I can’t let visitors in here before the funeral — except my own family. Send a note down stairs. The lad will take it to your friend when he goes to London.” With those words he left.

An appeal to the proprieties of life, in the mouth of Geoffrey Delamayn, could only mean one of two things. Either he had spoken in brutal mockery — or he had spoken with some ulterior object in view. Had he seized on the event of his father’s death as a pretext for isolating his wife from all communication with the outer world? Were there reasons, which had not yet asserted themselves, for his dreading the result, if he allowed Anne to communicate with her friends?

The hour wore on, and Hester Dethridge appeared again. The lad was waiting for Anne’s orders for her mourning, and for her note to Mrs. Arnold Brinkworth.

Anne wrote the orders and the note. Once more the horrible slate appeared when she had done, between the writing paper and her eyes, with the hard lines of warning pitilessly traced on it. “He has locked the gate. When there’s a ring we are to come to him for the key. He has written to a woman. Name outside the letter, Mrs. Glenarm. He has had more brandy. Like my husband. Mind yourself.”

The one way out of the high walls all round the cottage locked. Friends forbidden to see her. Solitary imprisonment, with her husband for a jailer. Before she had been four-and-twenty hours in the cottage it had come to that. And what was to follow?

She went back mechanically to the window. The sight of the outer world, the occasional view of a passing vehicle, helped to sustain her.

The lad appeared in the front garden departing to perform his errand to London. Geoffrey went with him to open the gate, and called after him, as he passed through it, “Don’t forget the books!”

The “books?” What “books?” Who wanted them? The slightest thing now roused Anne’s suspicion. For hours afterward the books haunted her mind.

He secured the gate and came back again. He stopped under Anne’s window and called to her. She showed herself. “When you want air and exercise,” he said, “the back garden is at your own disposal.” He put the key of the gate in his pocket and returned to the house.

After some hesitation Anne decided on taking him at his word. In her state of suspense, to remain within the four walls of the bedroom was unendurable. If some lurking snare lay hid under the fair-sounding proposal which Geoffrey had made, it was less repellent to her boldly to prove what it might be than to wait pondering over it with her mind in the dark. She put on her hat and went down into the garden. Nothing happened out of the common. Wherever he was he never showed himself. She wandered up and down, keeping on the side of the garden which was farthest from the dining-room window. To a woman, escape from the place was simply impossible. Setting out of the question the height of the walls, they were armed at the top with a thick setting of jagged broken glass. A small back-door in the end wall (intended probably for the gardener’s use) was bolted and locked — the key having been taken out. There was not a house near. The lands of the local growers of vegetables surrounded the garden on all sides. In the nineteenth century, and in the immediate neighbourhood of a great metropolis, Anne was as absolutely isolated from all contact with the humanity around her as if she lay in her grave.

After the lapse of half an hour the silence was broken by a noise of carriage wheels on the public road in front, and a ring at the bell. Anne kept close to the cottage, at the back; determined, if a chance offered, on speaking to the visitor, whoever the visitor might be.

She heard voices in the dining-room through the open window — Geoffrey’s voice and the voice of a woman. Who was the woman? Not Mrs. Glenarm, surely? After a while the visitor’s voice was suddenly raised. “Where is she?” it said. “I wish to see her.” Anne instantly advanced to the back-door of the house — and found herself face to face with a lady who was a total stranger to her.

“Are you my son’s wife?” asked the lady.

“I am your son’s prisoner,” Anne answered.

Lady Holchester’s pale face turned paler still. It was plain that Anne’s reply had confirmed some doubt in the mother s mind which had been already suggested to it by the son.

“What do you mean?” she asked, in a whisper.

Geoffrey’s heavy footsteps crossed the dining-room. There was no time to explain. Anne whispered back,

“Tell my friends what I have told you.”

Geoffrey appeared at the dining-room door.

“Name one of your friends,” said Lady Holchester.

“Sir Patrick Lundie.”

Geoffrey heard the answer. “What about Sir Patrick Lundie?” he asked.

“I wish to see Sir Patrick Lundie,” said his mother. “And your wife can tell me where to find him.”

Anne instantly understood that Lady Holchester would communicate with Sir Patrick. She mentioned his London address. Lady Holchester turned to leave the cottage. Her son stopped her.

“Let’s set things straight,” he said, “before you go. My mother,” he went on, addressing himself to Anne, “don’t think there’s much chance for us two of living comfortably together. Bear witness to the truth — will you? What did I tell you at breakfast-time? Didn’t I say it should be my endeavor to make you a good husband? Didn’t I say — in Mrs. Dethridge’s presence — I wanted to make it up?” He waited until Anne had answered in the affirmative, and then appealed to his mother. “Well? what do you think now?”

Lady Holchester declined to reveal what she thought. “You shall see me, or hear from me, this evening,” she said to Anne. Geoffrey attempted to repeat his unanswered question. His mother looked at him. His eyes instantly dropped before hers. She gravely bent her head to Anne, and drew her veil. Her son followed her out in silence to the gate.

Anne returned to her room, sustained by the first sense of relief which she had felt since the morning. “His mother is alarmed,” she said to herself. “A change will come.”

A change
was
to come — with the coming night.

CHAPTER THE FIFTY-FIRST.

THE PROPOSAL.

TOWARD sunset, Lady Holchester’s carriage drew up before the gate of the cottage.

Three persons occupied the carriage: Lady Holchester, her eldest son (now Lord Holchester), and Sir Patrick Lundie.

“Will you wait in the carriage, Sir Patrick?” said Julius. “Or will you come in?”

“I will wait. If I can be of the least use to
her,
, send for me instantly. In the mean time don’t forget to make the stipulation which I have suggested. It is the one certain way of putting your brother’s real feeling in this matter to the test.”

The servant had rung the bell without producing any result. He rang again. Lady Holchester put a question to Sir Patrick.

“If I have an opportunity of speaking to my son’s wife alone,” she said, “have you any message to give?”

Sir Patrick produced a little note.

“May I appeal to your ladyship’s kindness to give her this?” The gate was opened by the servant-girl, as Lady Holchester took the note. “Remember,” reiterated Sir Patrick, earnestly “if I can be of the smallest service to her — don’t think of my position with Mr. Delamayn. Send for me at once.”

Julius and his mother were conducted into the drawing-room. The girl informed them that her master had gone up stairs to lie down, and that he would be with them immediately.

Both mother and son were too anxious to speak. Julius wandered uneasily about the room. Some books attracted his notice on a table in the corner — four dirty, greasy volumes, with a slip of paper projecting from the leaves of one of them, and containing this inscription, “With Mr. Perry’s respects.” Julius opened the volume. It was the ghastly popular record of Criminal Trials in England, called the Newgate Calendar. Julius showed it to his mother.

“Geoffrey’s taste in literature!” he said, with a faint smile.

Lady Holchester signed to him to put the book back.

“You have seen Geoffrey’s wife already — have you not?” she asked.

There was no contempt now in her tone when she referred to Anne. The impression produced on her by her visit to the cottage, earlier in the day, associated Geoffrey’s wife with family anxieties of no trivial kind. She might still (for Mrs. Glenarm’s sake) be a woman to be disliked — but she was no longer a woman to be despised.

“I saw her when she came to Swanhaven,” said Julius. “I agree with Sir Patrick in thinking her a very interesting person.”