Complete Works of Wilkie Collins (2283 page)

He kept his promise that I should hear from him while writing, and I had frequent letters when he was fairly in his work. “With my steam very much up, I find it a great trial to be so far off from you, and consequently to have no one (always excepting Kate and Georgy) to whom to expatiate on my day’s work. And I want a crowded street to plunge into at night. And I want to be ‘on the spot’ as it were. But apart from such things, the life I lead is favourable to work.” In his next letter: “I am in regular, ferocious excitement with the
Chimes;
get up at seven; have a cold bath before breakfast; and blaze away, wrathful and red-hot, until three o’clock or so; when I usually knock off (unless it rains) for the day . . . I am fierce to finish in a spirit bearing some affinity to those of truth and mercy, and to shame the cruel and the canting. I have not forgotten my catechism. ‘Yes verily, and with God’s help, so I will!’“

Within a week he had completed his first part, or quarter. “I send you to-day” (18th of October), “by mail, the first and longest of the four divisions. This is great for the first week, which is usually up-hill. I have kept a copy in shorthand in case of accidents. I hope to send you a parcel every Monday until the whole is done. I do not wish to influence you, but it has a great hold upon me, and has affected me, in the doing, in divers strong ways, deeply, forcibly. To give you better means of judgment I will sketch for you the general idea, but pray don’t read it until you have read this first part of the MS.” I print it here. It is a good illustration of his method in all his writing. His idea is in it so thoroughly, that, by comparison with the tale as printed, we see the strength of its mastery over his first design. Thus always, whether his tale was to be written in one or in twenty numbers, his fancies controlled him. He never, in any of his books, accomplished what he had wholly preconceived, often as he attempted it. Few men of genius ever did. Once at the sacred heat that opens regions beyond ordinary vision, imagination has its own laws; and where characters are so real as to be treated as existences, their creator himself cannot help them having their own wills and ways. Fern the farm-labourer is not here, nor yet his niece the little Lilian (at first called Jessie) who is to give to the tale its most tragical scene; and there are intimations of poetic fancy at the close of my sketch which the published story fell short of. Altogether the comparison is worth observing.

“The general notion is this. That what happens to poor Trotty in the first part, and what will happen to him in the second (when he takes the letter to a punctual and a great man of business, who is balancing his books and making up his accounts, and complacently expatiating on the necessity of clearing off every liability and obligation, and turning over a new leaf and starting fresh with the new year), so dispirits him, who can’t do this, that he comes to the conclusion that his class and order have no business with a new year, and really are ‘intruding.’ And though he will pluck up for an hour or so, at the christening (I think) of a neighbour’s child, that evening: still, when he goes home, Mr. Filer’s precepts will come into his mind, and he will say to himself, ‘we are a long way past the proper average of children, and it has no business to be born:’ and will be wretched again. And going home, and sitting there alone, he will take that newspaper out of his pocket, and reading of the crimes and offences of the poor, especially of those whom Alderman Cute is going to put down, will be quite confirmed in his misgiving that they are bad; irredeemably bad. In this state of mind, he will fancy that the Chimes are calling, to him; and saying to himself ‘God help me. Let me go up to ‘em. I feel as if I were going to die in despair — of a broken heart; let me die among the bells that have been a comfort to me!’ — will grope his way up into the tower; and fall down in a kind of swoon among them. Then the third quarter, or in other words the beginning of the second half of the book, will open with the Goblin part of the thing: the bells ringing, and innumerable spirits (the sound or vibration of them) flitting and tearing in and out of the church-steeple, and bearing all sorts of missions and commissions and reminders and reproaches, and comfortable recollections and what not, to all sorts of people and places. Some bearing scourges; and others flowers, and birds, and music; and others pleasant faces in mirrors, and others ugly ones: the bells haunting people in the night (especially the last of the old year) according to their deeds. And the bells themselves, who have a goblin likeness to humanity in the midst of their proper shapes, and who shine in a light of their own, will say (the Great Bell being the chief spokesman) Who is he that being of the poor doubts the right of poor men to the inheritance which Time reserves for them, and echoes an unmeaning cry against his fellows? Toby, all aghast, will tell him it is he, and why it is. Then the spirits of the bells will bear him through the air to various scenes, charged with this trust: That they show him how the poor and wretched, at the worst — yes, even in the crimes that aldermen put down, and he has thought so horrible — have some deformed and hunchbacked goodness clinging to them; and how they have their right and share in Time. Following out the history of Meg the Bells will show her, that marriage broken off and all friends dead, with an infant child; reduced so low, and made so miserable, as to be brought at last to wander out at night. And in Toby’s sight, her father’s, she will resolve to drown herself and the child together. But before she goes down to the water, Toby will see how she covers it with a part of her own wretched dress, and adjusts its rags so as to make it pretty in its sleep, and hangs over it, and smooths its little limbs, and loves it with the dearest love that God ever gave to mortal creatures; and when she runs down to the water, Toby will cry ‘Oh spare her! Chimes, have mercy on her! Stop her!’ — and the bells will say, ‘Why stop her? She is bad at heart — let the bad die.’ And Toby on his knees will beg and pray for mercy: and in the end the bells will stop her, by their voices, just in time. Toby will see, too, what great things the punctual man has left undone on the close of the old year, and what accounts he has left unsettled: punctual as he is. And he will see a great many things about Richard, once so near being his son-in-law, and about a great many people. And the moral of it all will be, that he has his portion in the new year no less than any other man, and that the poor require a deal of beating out of shape before their human shape is gone; that even in their frantic wickedness there may be good in their hearts triumphantly asserting itself, though all the aldermen alive say ‘No,’ as he has learnt from the agony of his own child; and that the truth is Trustfulness in them, not doubt, nor putting down, nor filing them away. And when at last a great sea rises, and this sea of Time comes sweeping down, bearing the alderman and such mudworms of the earth away to nothing, dashing them to fragments in its fury — Toby will climb a rock and hear the bells (now faded from his sight) pealing out upon the waters. And as he hears them, and looks round for help, he will wake up and find himself with the newspaper lying at his foot; and Meg sitting opposite to him at the table, making up the ribbons for her wedding to-morrow; and the window open, that the sound of the bells ringing the old year out and the new year in may enter. They will just have broken out, joyfully; and Richard will dash in to kiss Meg before Toby, and have the first kiss of the new year (he’ll get it too); and the neighbours will crowd round with good wishes; and a band will strike up gaily (Toby knows a Drum in private); and the altered circumstances, and the ringing of the bells, and the jolly musick, will so transport the old fellow that he will lead off a country dance forthwith in an entirely new step, consisting of his old familiar trot. Then quoth the inimitable — Was it a dream of Toby’s after all? Or is Toby but a dream? and Meg a dream? and all a dream! In reference to which, and the realities of which dreams are born, the inimitable will be wiser than he can be now, writing for dear life, with the post just going, and the brave C booted. . . . Ah how I hate myself, my dear fellow, for this lame and halting outline of the Vision I have in my mind. But it must go to you. . . . You will say what is best for the frontispiece”. . . .

With the second part or quarter, after a week’s interval, came announcement of the enlargement of his plan, by which he hoped better to carry out the scheme of the story, and to get, for its following part, an effect for his heroine that would increase the tragic interest. “I am still in stout heart with the tale. I think it well-timed and a good thought; and as you know I wouldn’t say so to anybody else, I don’t mind saying freely thus much. It has great possession of me every moment in the day; and drags me where it will. . . . If you only could have read it all at once! — But you never would have done that, anyway, for I never should have been able to keep it to myself; so that’s nonsense. I hope you’ll like it. I would give a hundred pounds (and think it cheap) to see you read it. . . . Never mind.”

That was the first hint of an intention of which I was soon to hear more; but meanwhile, after eight more days, the third part came, with the scene from which he expected so much, and with a mention of what the writing of it had cost him. “This book (whether in the Hajji Baba sense or not I can’t say, but certainly in the literal one) has made my face white in a foreign land. My cheeks, which were beginning to fill out, have sunk again; my eyes have grown immensely large; my hair is very lank; and the head inside the hair is hot and giddy. Read the scene at the end of the third part, twice. I wouldn’t write it twice, for something. . . . You will see that I have substituted the name of Lilian for Jessie. It is prettier in sound, and suits my music better. I mention this, lest you should wonder who and what I mean by that name. To-morrow I shall begin afresh (starting the next part with a broad grin, and ending it with the very soul of jollity and happiness); and I hope to finish by next Monday at latest. Perhaps on Saturday. I hope you will like the little book. Since I conceived, at the beginning of the second part, what must happen in the third, I have undergone as much sorrow and agitation as if the thing were real; and have wakened up with it at night. I was obliged to lock myself in when I finished it yesterday, for my face was swollen for the time to twice its proper size, and was hugely ridiculous.” . . . His letter ended abruptly. “I am going for a long walk, to clear my head. I feel that I am very shakey from work, and throw down my pen for the day. There! (That’s where it fell.)” A huge blot represented it, and, as Hamlet says, the rest was silence.

Two days later, answering a letter from me that had reached in the interval, he gave sprightlier account of himself, and described a happy change in the weather. Up to this time, he protested, they had not had more than four or five clear days. All the time he had been writing they had been wild and stormy. “Wind, hail, rain, thunder and lightning. To-day,” just before he sent me his last manuscript, “has been November slack-baked, the sirocco having come back; and to-night it blows great guns with a raging storm.” “Weather worse,” he wrote after three Mondays, “than any November English weather I have ever beheld, or any weather I have had experience of anywhere. So horrible to-day that all power has been rained and gloomed out of me. Yesterday, in pure determination to get the better of it, I walked twelve miles in mountain rain. You never saw it rain. Scotland and America are nothing to it.” But now all this was over. “The weather changed on Saturday night, and has been glorious ever since. I am afraid to say more in its favour, lest it should change again.” It did not. I think there were no more complainings. I heard now of autumn days with the mountain wind lovely, enjoyable, exquisite past expression. I heard of mountain walks behind the Peschiere, most beautiful and fresh, among which, and along the beds of dry rivers and torrents, he could “pelt away,” in any dress, without encountering a soul but the contadini. I heard of his starting off one day after finishing work, “fifteen miles to dinner — oh my stars! at such an inn!!!” On another day, of a party to dinner at their pleasant little banker’s at Quinto six miles off, to which, while the ladies drove, he was able “to walk in the sun of the middle of the day and to walk home again at night.” On another, of an expedition up the mountain on mules. And on another of a memorable tavern-dinner with their merchant friend Mr. Curry, in which there were such successions of surprising dishes of genuine native cookery that they took two hours in the serving, but of the component parts of not one of which was he able to form the remotest conception: the site of the tavern being on the city wall, its name in Italian sounding very romantic and meaning “the Whistle,” and its bill of fare kept for an experiment to which, before another month should be over, he dared and challenged my cookery in Lincoln’s-inn.

A visit from him to London was to be expected almost immediately! That all remonstrance would be idle, under the restless excitement his work had awakened, I well knew. It was not merely the wish he had, natural enough, to see the last proofs and the woodcuts before the day of publication, which he could not otherwise do; but it was the stronger and more eager wish, before that final launch, to have a vivider sense than letters could give him of the effect of what he had been doing. “If I come, I shall put up at Cuttris’s” (then the Piazza-hotel in Covent-garden) “that I may be close to you. Don’t say to anybody, except our immediate friends, that I am coming. Then I shall not be bothered. If I should preserve my present fierce writing humour, in any pass I may run to Venice, Bologna, and Florence, before I turn my face towards Lincoln’s-inn-fields; and come to England by Milan and Turin. But this of course depends in a great measure on your reply.” My reply, dwelling on the fatigue and cost, had the reception I foresaw. “Notwithstanding what you say, I am still in the same mind about coming to London. Not because the proofs concern me at all (I should be an ass as well as a thankless vagabond if they did), but because of that unspeakable restless something which would render it almost as impossible for me to remain here and not see the thing complete, as it would be for a full balloon, left to itself, not to go up. I do not intend coming from
here
, but by way of Milan and Turin (previously going to Venice), and so, across the wildest pass of the Alps that may be open, to Strasburg. . . . As you dislike the Young England gentleman I shall knock him out, and replace him by a man (I can dash him in at your rooms in an hour) who recognises no virtue in anything but the good old times, and talks of them, parrot-like, whatever the matter is. A real good old city tory, in a blue coat and bright buttons and a white cravat, and with a tendency of blood to the head. File away at Filer, as you please; but bear in mind that the
Westminster Review
considered Scrooge’s presentation of the turkey to Bob Cratchit as grossly incompatible with political economy. I don’t care at all for the skittle-playing.” These were among things I had objected to.