Complete Works of Wilkie Collins (143 page)

“Go on, Mrs. Blyth — you never make mistakes in talking on your fingers, and I always do — go on, please, and tell her how much I thank her,” continued Zack, holding out the drawing at arm’s length, and looking at it with his head on one side, by way of imitating Valentine’s manner of studying his own pictures. “Tell her I’ll take such care of it as I never took of anything before in my life. Tell her I’ll hang it up in my bed-room, where I can see it every morning as soon as I wake. Have you told her that? — or shall I write it on her slate? Hullo! here comes the tea. And, by heavens, a whole bagful of muffins! What!!! the kitchen fire’s too black to toast them.
I’ll
undertake the whole lot in the drawing academy. Here, Patty, give us the toasting-fork: I’m going to begin. I never saw such a splendid fire for toasting muffins before in my life! Rum-dum-diddy-iddy-dum-dee, dum-diddy-iddy-dum!” And Zack fell on his knees at the fireplace, humming “Rule Britannia,” and toasting his first muffin in triumph; utterly forgetting that he had left Madonna’s drawing lying neglected, with its face downwards, on the end of Mrs. Blyth’s couch.

Valentine, who in the innocence of his heart suspected nothing, burst out laughing at this new specimen of Zack’s inveterate flightiness. His kind instincts, however, guided his hand at the same moment to the drawing. He took it up carefully, and placed it on a low bookcase at the opposite side of the room. If any increase had been possible in his wife’s affection for him, she would have loved him better than ever at the moment when he performed that one little action.

As her husband removed the drawing, Mrs. Blyth looked at Madonna. The poor girl stood shrinking close to the couch, with her hands clasped tightly together in front of her, and with no trace of their natural lovely colour left on her cheeks. Her eyes followed Valentine listlessly to the bookcase, then turned towards Zack, not reproachfully nor angrily — not even tearfully — but again with that same look of patient sadness, of gentle resignation to sorrow, which used to mark their expression so tenderly in the days of her bondage among the mountebanks of the traveling circus. So she stood, looking towards the fireplace and the figure kneeling at it, bearing her new disappointment just as she had borne many a former mortification that had tried her sorely while she was yet a little child. How carefully she had laboured at that neglected drawing in the secrecy of her own room! How happy she had been in anticipating the moment when it would be given to young Thorpe; in imagining what he would say on receiving it, and how he would communicate his thanks to her; in wondering what he would do with it when he got it: where he would hang it, and whether he would often look at his present after he had got used to seeing it on the wall! Thoughts such as these had made the moment of presenting that drawing the moment of a great event in her life — and there it was now, placed on one side by other hands than the hands into which it had been given; laid down carelessly at the mere entrance of a servant with a tea-tray; neglected for the childish pleasure of kneeling on the hearth-rug, and toasting a muffin at a clear coal-fire!

Mrs. Blyth’s generous, impulsive nature, and sensitively tempered affection for her adopted child, impelled her to take instant and not very merciful notice of Zack’s unpardonable thoughtlessness. Her face flushed, her dark eyes sparkled, as he turned quickly on her couch towards the fire-place. But, before she could utter a word, Madonna’s hand was on her lips, and Madonna’s eyes were fixed with a terrified, imploring expression on her face. The next instant, the girl’s trembling fingers rapidly signed these words:

“Pray — pray don’t say anything! I would not have you speak to him just now for the world!”

Mrs. Blyth hesitated, and looked towards her husband; but he was away at the other end of the room, amusing himself professionally by casting the drapery of the window-curtains hither and thither into all sorts of picturesque folds. She looked next at Zack. Just at that moment he was turning his muffin and singing louder than ever. The temptation to startle him out of his provoking gaiety by a good sharp reproof was almost too strong to be resisted; but Mrs. Blyth forced herself to resist it, nevertheless, for Madonna’s sake. She did not, however, communicate with the girl, either by signs or writing, until she had settled herself again in her former position; then her fingers expressed these sentences of reply:

“If you promise not to let his thoughtlessness distress you, my love, I promise not to speak to him about it. Do you agree to that bargain? If you do, give me a kiss.”

Madonna only paused to repress a sigh that was just stealing from her, before she gave the required pledge. Her cheeks did not recover their colour, nor her lips the smile that had been playing on them earlier in the evening; but she arranged Mrs. Blyth’s pillow even more carefully than usual, before she left the couch, and went away to perform as neatly and prettily as ever, her own little household duty of making the tea.

Zack, entirely unconscious of having given pain to one lady and cause of anger to another, had got on to his second muffin, and had changed his accompanying song from “Rule Britannia” to the “Lass o’ Gowrie,” when the hollow, ringing sound of rapidly-running wheels penetrated into the room from the frosty road outside; advancing nearer and nearer, and then suddenly ceasing opposite Mr. Blyth’s own door.

“Dear me! — surely that’s at our gate,” exclaimed Valentine; “who can be coming to see us so late, on such a cold night as this? And in a carriage, too!”

“It’s a cab, by the rattling of the wheels, and it brings us the ‘Lass o’ Gowrie,’“ sang Zack, combining the original text of his song, and the suggestion of a possible visitor, in his concluding words.

“Do leave off singing nonsense out of tune, and let us listen when the door opens,” said Mrs. Blyth, glad to seize the slightest opportunity of administering the smallest reproof to Zack.

“Suppose it should be Mr. Gimble, come to deal at last for that picture of mine that he has talked of buying so long,” exclaimed Valentine.

“Suppose it should be my father!” cried Zack, suddenly turning round on his knees with a very blank face. “Or that infernal old Yollop, with his gooseberry eyes and his hands full of tracts. They’re both of them quite equal to coming after me and spoiling my pleasure here, just as they spoil it everywhere else.”

“Hush!” said Mrs. Blyth. “The visitor has come in, whoever it is. It can’t be Mr. Gimble, Valentine; he always runs up two stairs at a time.”

“And this is one of the heavy-weights. Not an ounce less than sixteen stone, I should say, by the step,” remarked Zack, letting his muffin burn while he listened.

“It can’t be that tiresome old Lady Brambledown come to worry you again about altering her picture,” said Mrs. Blyth.

“Stop! surely it isn’t — ” began Valentine. But before he could say another word, the door opened; and, to the utter amazement of everybody but the poor girl whose ear no voice could reach, the servant announced:

“MRS. PECKOVER.”

CHAPTER XI. THE BREWING OF THE STORM.

Time had lavishly added to Mrs. Peckover’s size, but had generously taken little or nothing from her in exchange. Her hair had certainly turned grey since the period when Valentine first met her at the circus; but the good-humored face beneath was just as hearty to look at now, as ever it had been in former days. Her cheeks had ruddily expanded; her chin had passed from the double to the triple stage of jovial development — any faint traces of a waist which she might formerly have possessed were utterly obliterated — but it was pleasantly evident, to judge only from the manner of her bustling entry into Mrs. Blyth’s room, that her active disposition had lost nothing of its early energy, and could still gaily defy all corporeal obstructions to the very last.

Nodding and smiling at Mr. and Mrs. Blyth, and Zack, till her vast country bonnet trembled aguishly on her head, the good woman advanced, shaking every moveable object in the room, straight to the tea-table, and enfolded Madonna in her capacious arms. The girl’s light figure seemed to disappear in a smothering circumambient mass of bonnet ribbons and unintelligible drapery, as Mrs. Peckover saluted her with a rattling fire of kisses, the report of which was audible above the voluble talking of Mr. Blyth and the boisterous laughter of Zack.

“I’ll tell you all about how I came here directly, sir; only I couldn’t help saying how-d’ye-do in the old way to little Mary to begin with,” said Mrs. Peckover apologetically. It had been found impossible to prevail on her to change the familiar name of “little Mary,” which she had pronounced so often and so fondly in past years, for the name which had superseded it in Valentine’s house. The truth was, that this worthy creature knew nothing whatever about Raphael; and, considering “Madonna” to be an outlandish foreign word intimately connected with Guy Fawkes and the Gunpowder Plot, firmly believed that no respectable Englishwoman ought to compromise her character by attempting to pronounce it.

“I’ll tell you, sir — I’ll tell you directly why I’ve come to London,” repeated Mrs. Peckover, backing majestically from the tea-table, and rolling round easily on her own axis in the direction of the couch, to ask for the fullest particulars of the state of Mrs. Blyth’s health.

“Much better, my good friend — much better,” was the cheerful answer; “but do tell us (we are so glad to see you!) how you came to surprise us all in this way?”

“Well, ma’am,” began Mrs. Peckover, “it’s almost as great a surprise to me to be in London, as it is — Be quiet, young Good-for-Nothing; I won’t even shake hands with you if you don’t behave yourself!” These last words she addressed to Zack, whose favorite joke it had always been, from the day of their first acquaintance at Valentine’s house, to pretend to be violently in love with her. He was now standing with his arms wide open, the toasting-fork in one hand and the muffin he had burnt in the other, trying to look languishing, and entreating Mrs. Peckover to give him a kiss.

“When you know how to toast a muffin properly, p’raps I may give you one,” said she, chuckling as triumphantly over her own small retort as if she had been a professed wit. “Do, Mr. Blyth, sir, please to keep him quiet, or I shan’t be able to get on with a single word of what I’ve got to say. Well, you see, ma’am, Doctor Joyce — ”

“How is he?” interrupted Valentine, handing Mrs. Peckover a cup of tea.

“He’s the best gentleman in the world, sir, but he will have his glass of port after dinner; and the end of it is, he’s laid up again with the gout.”

“And Mrs. Joyce?”

“Laid up too, sir — it’s a dreadful sick house at the Rectory — laid up with the inferlenzer.”

“Have any of the children caught the influenza too?” asked Mrs. Blyth. “I hope not.”

“No, ma’am, they’re all nicely, except the youngest; and it’s on account of her — don’t you remember her, sir, growing so fast, when you was last at the Rectory? — that I’m up in London.

“Is the child ill?” asked Valentine anxiously. “She’s such a picturesque little creature, Lavvie! I long to paint her.”

“I’m afraid, sir, she’s not fit to be put into a picter now,” said Mrs. Peckover. “Mrs. Joyce is in sad trouble about her, because of one of her shoulders which has growed out somehow. The doctor at Rubbleford don’t doubt but what it may be got right again; but he said she ought to be shown to some great London doctor as soon as possible. So, neither her papa nor her mamma being able to take her up to her aunt’s house, they trusted her to me. As you know, sir, ever since Doctor Joyce got my husband that situation at Rubbleford, I’ve been about the Rectory, helping with the children and the housekeeping, and all that: — and Miss Lucy being used to me, we come along together in the railroad quite pleasant and comfortable. I was glad enough, you may be sure, of the chance of getting here, after not having seen little Mary for so long. So I just left Miss Lucy at her aunt’s, where they were very kind, and wanted me to stop all night. But I told them that, thanks to your goodness, I always had a bed here when I was in London; and I took the cab on, after seeing the little girl safe and comfortable up-stairs. That’s the whole story of how I come to surprise you in this way, ma’am, — and now I’ll finish my tea.”

Having got to the bottom of her cup, and to the end of a muffin amorously presented to her by the incorrigible Zack, Mrs. Peckover had leisure to turn again to Madonna; who, having relieved her of her bonnet and shawl, was now sitting close at her side.

“I didn’t think she was looking quite so well as usual, when I first come in,” said Mrs. Peckover, patting the girl’s cheek with her chubby fingers; “but she seems to have brightened up again now.” (This was true: the sad stillness had left Madonna’s face, at sight of the friend and mother of her early days.) “Perhaps she’s been sticking a little too close to her drawing lately — ”