Complete Works of Robert Louis Stevenson (Illustrated) (866 page)

 

 I had nearly finished the transcription of the following pages, when I saw on a friend’s table the number containing the piece from which this sentence is extracted, and, struck with a similarity of title, took it home with me and read it with indescribable satisfaction. I do not know whether I more envy M. Theuriet the pleasure of having written this delightful article, or the reader the pleasure, which I hope he has still before him, of reading it once and again, and lingering over the passages that please him most.

 

VII

 

A WINTER’S WALK IN CARRICK AND GALLOWAY

 

(
A Fragment
: 1876)

At the famous bridge of Doon, Kyle, the central district of the shire of Ayr, marches with Carrick, the most southerly. On the Carrick side of the river rises a hill of somewhat gentle conformation, cleft with shallow dells, and sown here and there with farms and tufts of wood. Inland, it loses itself, joining, I suppose, the great herd of similar hills that occupies the centre of the Lowlands. Towards the sea, it swells out the coast-line into a protuberance, like a bay window in a plan, and is fortified against the surf behind bold crags. This hill is known as the Brown Hill of Carrick, or, more shortly, Brown Carrick.

It had snowed overnight. The fields were all sheeted up; they were tucked in among the snow, and their shape was modelled through the pliant counterpane, like children tucked in by a fond mother. The wind had made ripples and folds upon the surface, like what the sea, in quiet weather, leaves upon the sand. There was a frosty stifle in the air. An effusion of coppery light on the summit of Brown Carrick showed where the sun was trying to look through; but along the horizon clouds of cold fog had settled down, so that there was no distinction of sky and sea. Over the white shoulders of the headlands, or in the opening of bays, there was nothing but a great vacancy and blackness; and the road as it drew near the edge of the cliff seemed to skirt the shores of creation and void space.

The snow crunched underfoot, and at farms all the dogs broke out barking as they smelt a passer-by upon the road. I met a fine old fellow, who might have sat as 133 the father in “The Cottar’s Saturday Night,” and who swore most heathenishly at a cow he was driving. And a little after I scraped acquaintance with a poor body tramping out to gather cockles. His face was wrinkled by exposure; it was broken up into flakes and channels, like mud beginning to dry, and weathered in two colours, an incongruous pink and grey. He had a faint air of being surprised — which, God knows, he might well be — that life had gone so ill with him. The shape of his trousers was in itself a jest, so strangely were they bagged and ravelled about his knees; and his coat was all bedaubed with clay as though he had lain in a rain-dub during the New Year’s festivity. I will own I was not sorry to think he had had a merry New Year, and been young again for an evening; but I was sorry to see the mark still there. One could not expect such an old gentleman to be much of a dandy, or a great student of respectability in dress; but there might have been a wife at home, who had brushed out similar stains after fifty New Years, now become old, or a round-armed daughter, who would wish to have him neat, were it only out of self-respect and for the ploughman sweetheart when he looks round at night. Plainly, there was nothing of this in his life, and years and loneliness hung heavily on his old arms. He was seventy-six, he told me; and nobody would give a day’s work to a man that age: they would think he couldn’t do it. “And, ‘deed,” he went on, with a sad little chuckle, “‘deed, I doubt if I could.” He said good-bye to me at a foot-path, and crippled wearily off to his work. It will make your heart ache if you think of his old fingers groping in the snow.

He told me I was to turn down beside the school-house for Dunure. And so, when I found a lone house among the snow, and heard a babble of childish voices from within, I struck off into a steep road leading downwards to the sea. Dunure lies close under the steep hill: a haven among the rocks, a breakwater in consummate disrepair, much apparatus for drying nets, and a score or so of 134 fishers’ houses. Hard by, a few shards of ruined castle overhang the sea, a few vaults, and one tall gable honeycombed with windows. The snow lay on the beach to the tide-mark. It was daubed on to the sills of the ruin; it roosted in the crannies of the rock like white sea-birds; even on outlying reefs there would be a little cock of snow, like a toy lighthouse. Everything was grey and white in a cold and dolorous sort of shepherd’s plaid. In the profound silence, broken only by the noise of oars at sea, a horn was sounded twice; and I saw the postman, girt with two bags, pause a moment at the end of the clachan for letters. It is, perhaps, characteristic of Dunure that none were brought him.

The people at the public-house did not seem well pleased to see me, and though I would fain have stayed by the kitchen fire, sent me “ben the hoose” into the guest-room. This guest-room at Dunure was painted in quite æsthetic fashion. There are rooms in the same taste not a hundred miles from London, where persons of an extreme sensibility meet together without embarrassment. It was all in a fine dull bottle-green and black; a grave harmonious piece of colouring, with nothing, so far as coarser folk can judge, to hurt the better feelings of the most exquisite purist. A cherry-red half window-blind kept up an imaginary warmth in the cold room, and threw quite a glow on the floor. Twelve cockle-shells and a halfpenny china figure were ranged solemnly along the mantel-shelf. Even the spittoon was an original note, and instead of sawdust contained sea-shells. And as for the hearthrug, it would merit an article to itself, and a coloured diagram to help the text. It was patchwork, but the patchwork of the poor; no glowing shreds of old brocade and Chinese silk, shaken together in the kaleidoscope of some tasteful housewife’s fancy; but a work of art in its own way, and plainly a labour of love. The patches came exclusively from people’s raiment. There was no colour more brilliant than a heather mixture; “My Johnnie’s grey breeks,” 135 well polished over the oar on the boat’s thwart, entered largely into its composition. And the spoils of an old black cloth coat, that had been many a Sunday to church, added something (save the mark!) of preciousness to the material.

While I was at luncheon four carters came in — long-limbed, muscular Ayrshire Scots, with lean, intelligent faces. Four quarts of stout were ordered; they kept filling the tumbler with the other hand as they drank; and in less time than it takes me to write these words the four quarts were finished — another round was proposed, discussed, and negatived — and they were creaking out of the village with their carts.

The ruins drew you towards them. You never saw any place more desolate from a distance, nor one that less belied its promise near at hand. Some crows and gulls flew away croaking as I scrambled in. The snow had drifted into the vaults. The clachan dabbled with snow, the white hills, the black sky, the sea marked in the coves with faint circular wrinkles, the whole world, as it looked from a loop-hole in Dunure, was cold, wretched, and out-at-elbows. If you had been a wicked baron and compelled to stay there all the afternoon, you would have had a rare fit of remorse. How you would have heaped up the fire and gnawed your fingers! I think it would have come to homicide before the evening — if it were only for the pleasure of seeing something red! And the masters of Dunure, it is to be noticed, were remarkable of old for inhumanity. One of these vaults where the snow had drifted was that “black voute” where “Mr. Alane Stewart, Commendatour of Crossraguel,” endured his fiery trials. On the 1st and 7th of September 1570 (ill dates for Mr. Alan!), Gilbert, Earl of Cassilis, his chaplain, his baker, his cook, his pantryman, and another servant, bound the poor Commendator “betwix an iron chimlay and a fire,” and there cruelly roasted him until he signed away his abbacy. It is one of the ugliest stories of an ugly period, but not, 136 somehow, without such a flavour of the ridiculous as makes it hard to sympathise quite seriously with the victim. And it is consoling to remember that he got away at last, and kept his abbacy, and, over and above, had a pension from the Earl until he died.

Some way beyond Dunure a wide bay, of somewhat less unkindly aspect, opened out. Colzean plantations lay all along the steep shore, and there was a wooded hill towards the centre, where the trees made a sort of shadowy etching over the snow. The road went down and up, and past a blacksmith’s cottage that made fine music in the valley. Three compatriots of Burns drove up to me in a cart. They were all drunk, and asked me jeeringly if this was the way to Dunure. I told them it was; and my answer was received with unfeigned merriment. One gentleman was so much tickled he nearly fell out of the cart; indeed, he was only saved by a companion, who either had not so fine a sense of humour or had drunken less.

“The toune of Mayboll,” says the inimitable Abercrummie, “stands upon an ascending ground from east to west, and lyes open to the south. It hath one principall street, with houses upon both sides, built of freestone, and it is beautifyed with the situation of two castles, one at each end of this street. That on the east belongs to the Erle of Cassilis. On the west end is a castle, which belonged sometime to the laird of Blairquan, which is now the tolbuith, and is adorned with a pyremide [conical roof], and a row of ballesters round it raised from the top of the staircase, into which they have mounted a fyne clock. There be four lanes which pass from the principall street; one is called the Back Vennel, which is steep, declining to the south-west, and leads to a lower street, which is far larger than the high chiefe street, and it runs from the Kirkland to the Well Trees, in which there have been many pretty buildings, belonging to the severall 137 gentry of the countrey, who were wont to resort thither in winter, and divert themselves in converse together at their owne houses. It was once the principall street of the town; but many of these houses of the gentry having been decayed and ruined, it has lost much of its ancient beautie. Just opposite to this vennel, there is another that leads north-west, from the chiefe street to the green, which is a pleasant plott of ground, enclosed round with an earthen wall, wherein they were wont to play football, but now at the Gowff and byasse-bowls. The houses of this towne, on both sides of the street, have their several gardens belonging to them; and in the lower street there be some pretty orchards, that yield store of good fruit.” As Patterson says, this description is near enough even to-day, and is mighty nicely written to boot. I am bound to add, of my own experience, that Maybole is tumble-down and dreary. Prosperous enough in reality, it has an air of decay; and though the population has increased, a roofless house every here and there seems to protest the contrary. The women are more than well-favoured, and the men fine tall fellows; but they look slipshod and dissipated. As they slouched at street corners, or stood about gossiping in the snow, it seemed they would have been more at home in the slums of a large city than here in a country place betwixt a village and a town. I heard a great deal about drinking, and a great deal about religious revivals: two things in which the Scottish character is emphatic and most unlovely. In particular, I heard of clergymen who were employing their time in explaining to a delighted audience the physics of the Second Coming. It is not very likely any of us will be asked to help. If we were, it is likely we should receive instructions for the occasion, and that on more reliable authority. And so I can only figure to myself a congregation truly curious in such flights of theological fancy, as one of veteran and accomplished saints, who have fought the good fight to an end and outlived all worldly passion, and are to be regarded rather as 138 a part of the Church Triumphant than the poor, imperfect company on earth. And yet I saw some young fellows about the smoking-room who seemed, in the eyes of one who cannot count himself strait-laced, in need of some more practical sort of teaching. They seemed only eager to get drunk, and to do so speedily. It was not much more than a week after the New Year; and to hear them return on their past bouts with a gusto unspeakable was not altogether pleasing. Here is one snatch of talk, for the accuracy of which I can vouch —

“Ye had a spree here last Tuesday?”

“We had that!”

“I wasna able to be oot o’ my bed. Man, I was awful bad on Wednesday.”

“Ay, ye were gey bad.”

And you should have seen the bright eyes, and heard the sensual accents! They recalled their doings with devout gusto and a sort of rational pride. Schoolboys, after their first drunkenness, are not more boastful; a cock does not plume himself with a more unmingled satisfaction as he paces forth among his harem; and yet these were grown men, and by no means short of wit. It was hard to suppose they were very eager about the Second Coming: it seemed as if some elementary notions of temperance for the men and seemliness for the women would have gone nearer the mark. And yet, as it seemed to me typical of much that is evil in Scotland, Maybole is also typical of much that is best. Some of the factories, which have taken the place of weaving in the town’s economy, were originally founded and are still possessed by self-made men of the sterling, stout old breed — fellows who made some little bit of an invention, borrowed some little pocketful of capital, and then, step by step, in courage, thrift, and industry, fought their way upward to an assured position.

Abercrummie has told you enough of the Tolbooth; but, as a bit of spelling, this inscription on the Tolbooth 139 bell seems too delicious to withhold: “This bell is founded at Maiboll Bi Danel Geli, a Frenchman, the 6th November 1696, Bi appointment of the heritors of the parish of Maiyboll.” The Castle deserves more notice. It is a large and shapely tower, plain from the ground upward, but with a zone of ornamentation running about the top. In a general way this adornment is perched on the very summit of the chimney-stacks; but there is one corner more elaborate than the rest. A very heavy string-course runs round the upper story, and just above this, facing up the street, the tower carries a small oriel window, fluted and corbelled and carved about with stone heads. It is so ornate it has somewhat the air of a shrine. And it was, indeed, the casket of a very precious jewel, for in the room to which it gives light lay, for long years, the heroine of the sweet old ballad of “Johnnie Faa” — she who, at the call of the gipsies’ songs, “came tripping down the stair, and all her maids before her.” Some people say the ballad has no basis in fact, and have written, I believe, unanswerable papers to the proof. But in the face of all that, the very look of that high oriel window convinces the imagination, and we enter into all the sorrows of the imprisoned dame. We conceive the burthen of the long, lack-lustre days, when she leaned her sick head against the mullions, and saw the burghers loafing in Maybole High Street, and the children at play, and ruffling gallants riding by from hunt or foray. We conceive the passion of odd moments, when the wind threw up to her some snatch of song, and her heart grew hot within her, and her eyes overflowed at the memory of the past. And even if the tale be not true of this or that lady, or this or that old tower, it is true in the essence of all men and women: for all of us, some time or other, hear the gipsies singing; over all of us is the glamour cast. Some resist and sit resolutely by the fire. Most go and are brought back again, like Lady Cassilis. A few, of the tribe of Waring, go and are seen no more; only now and again, at springtime, 140 when the gipsies’ song is afloat in the amethyst evening, we can catch their voices in the glee.

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