Complete Works of Robert Louis Stevenson (Illustrated) (1116 page)

After their arrival here Samuel Osbourne bought the Mills, Post, and White mine, and in the interval of waiting for results worked, like the resourceful American that he was, at various employments to earn a living for himself and his family. For a time he was clerk of the Justice’s Court in Virginia City.

It was even so early as in these Nevada mining days that the grey cloud which was to darken some of the best years of her life first appeared above the young wife’s horizon, for it was there that the first foreboding came to her that her marriage was to be a failure. The wild, free life of the West had carried her young and impressionable husband off his feet, and the painful suspicion now came to her that she did not reign alone in his heart. As time passed this trouble went from bad to worse, but no more need be said of it at this point except to make it clear that years before her meeting with the true love of her heart, Robert Louis Stevenson, the disagreements which finally resulted in the shattering of her first romance had already begun.

In 1866, lured by reports of rich strikes in Montana, Osbourne set off on a prospecting tour to the Cœur d’Alene Mountains, leaving his wife and child in Virginia City. While in Montana he met another prospector, Samuel Orr (who afterwards became his brother-in-law), and the two joined forces, becoming, in miners’ phrase, “pardners.”

Led on by the ever-fleeing hope of the great “strike” that might lie just ahead, the two men penetrated so far into the depths of this rugged mountain country that they were for some time out of the reach of mails, causing their friends to finally give them up as dead. Running out of funds, they were obliged to take work at what they could get, and Osbourne sold tickets in a theatre at Helena, Montana, and later took a job in a sawmill at Bear Gulch. At one place he and another man bought up all the coffee to be had, and, after grinding it up, sold it in small lots at an advanced price.

Failing in their quest for the elusive treasure, Osbourne and Orr, not being able to cash the cheques with which they were paid for their work, were at last compelled to borrow the money with which to make their way back to civilization and their families.

About this time the silver-mining boom in Nevada began to ebb, and there was an exodus of men and women, mostly discouraged and “broke,” to San Francisco. As Mrs. Osbourne had arranged to meet her husband in that city, she decided to join some of her friends in their removal to the coast, and began to make preparations for the long, hard journey. In those days little girls wore very short dresses, with several white petticoats, like ballet dancers, and long white stockings. This dress seemed peculiarly unsuitable for the dusty stage trip across the desert, and Mrs. Osbourne, meeting the situation with her usual common sense, bought a boy’s suit and dressed her little girl in it. The passengers called her “Billy,” and a sensation was created among them when, after arrival at the Occidental Hotel in the bustling city of San Francisco, the child appeared in her own little ballet costume.

At this date, 1866, San Francisco was no longer a mere resting-place for the birds of passage on their way to the mines, but had become a settled town, with an air of permanency and solidity. It was then compactly built, for it was only the advent years later of the cable-cars that enabled it to spread out over its many hills. The glamour of the days of the first mad rush for gold, with their feverish alternations of mounting hope and black despair, was gone, but in its stead had come safety and comfort, and there were few places in the world where one could live more agreeably, or even more luxuriously, than in San Francisco in the ‘60’s.

Here word was brought that Osbourne had been killed by the Indians, and life began to bear heavily upon the young wife and mother, stranded without means in a strange city. She put on widow’s weeds and looked about for employment with which to eke out her fast diminishing store. When she was a little girl she had learned to do fine sewing on the ruffles for her father’s shirts, and had always made her own and her child’s dresses. This talent, which proved exceedingly useful at various times in her life, now served her in good stead. She secured a situation as fitter in a dressmaking establishment, where, on account of her foreign looks, she was thought to be French.

Friends were not lacking, for many looked with pity upon the supposed widow struggling to keep her head above water in a land so far from her own home and family. During her absence at work she left the child in the care of the kind-hearted landlady of the boarding-house and her young son, Michael, still gratefully remembered as “Mackerel” by Isobel. In the same boarding-house John Lloyd, the young Englishman of the Reese River days, had also established himself. On Sundays, no doubt to give the tired mother a long rest, he would take little Bel to the beach out by old Fort Point, where he made swords for her out of driftwood, played at Jack the Giant-Killer, and told stories about Mr. and Mrs. Sea-Gull and what they said to each other. He even borrowed fairy-tale books from the public library in order to learn stories to tell his little friend on these Sunday outings. There came a birthday, with very little to make it gay, but the kind-hearted young man bought a small jointed doll with his meagre earnings, and the mother made a set of beautiful clothes for it out of bits of bright-coloured silks she had saved from her sewing. This, with a little table whittled out of a cigar-box and a ten-cent set of dishes, made a glorious day for the happy child. This friendship was maintained in later years, and when the once poor clerk became a bank president, Fanny Stevenson put her money in his bank.

So life went on for the mother and child until one eventful day, when a tall, handsome man in high boots and a wide hat suddenly appeared at the door, and crying out, “Is this my little girl?” caught her up in his arms. As one risen from the dead, the husband and father had returned, and, to the child’s amazement, they immediately moved into what seemed to her a very fine house, and she had a wax doll for Christmas.

For a few succeeding years happiness seemed to have returned to dwell with the little family. Osbourne soon made his way in the busy city and all went well. They lived in San Francisco for several years. There a son was born to them, and they named him Lloyd, after their good friend, John Lloyd, now a successful lawyer.

Those peaceful days were brought to an end when Mrs. Osbourne discovered that her husband had again betrayed her, and she returned to her father’s house in Indiana. After nearly a year she yielded to entreaties and promises of reform, and again journeyed to California, taking Cora Van de Grift, one of her younger sisters, with her.

A little while after their return to San Francisco, in 1869, Osbourne bought a house and lot for his family in East Oakland, then known as Brooklyn, at the corner of Eleventh Avenue and East 18th Street. Settled under their own rooftree in the golden land of California, the family for a time were measurably happy. Mrs. Osbourne, who is described as being then “a young and slender woman, wearing her hair in two long braids down her back,” was evidently making a strong effort to forget past differences and to make home a pleasant place for her children. Though she cared little for society in the general sense of the word, yet she contrived to gather about her in East Oakland a little intimate circle of clever, talented, and agreeable people. Among them were Judge Timothy Rearden, a well-known attorney and littérateur of San Francisco; Virgil Williams, director of the San Francisco School of Design, and his wife; Yelland, Bush, and other distinguished artists; the musician Oscar Weil, and many more whose names do not now come to mind.

She built a studio where she painted, had a dark room where she took photographs — and photography in those days of “wet plates” was a mysterious and unheard-of accomplishment for an amateur; then there was a rifle-range where she set up a target, and, occasionally, when it was the cook’s day out, she would make wonderful dishes, while odd moments were filled in at a sewing-machine making pretty clothes. By this time she had become a famous cook, and often prepared dinners fit to set before a king. She little thought then that some day she would break bread with real kings, even though they were but Polynesian monarchs.

Of all her activities that from which she drew the purest joy was her gardening, for in this fortunate place, where sun and soil and balmy air all conspire to produce a paradise for flowers, “her Dutch blood began to come out,” as she said, and she threw herself with ardour into the business of digging and pruning and planting. The little cottage was soon curtained with vines, and the whole place glowed with the many-coloured hues of gorgeous roses. There, too, the tawny golden bells of the tiger lily, her own particular flower, hung from their tall stalks. This was the first of the many wonderful gardens that were made to bloom under her skilful tending in various parts of the world.

The charming domestic picture of her life in this period can be given in no better way than by quoting the words of her daughter:

“At that time our fashionable neighbors gave ‘parties’ for their children. One night a fire broke out in a house where I had gone to a party. My mother was at home, sitting at her work, when she suddenly cried ‘Something is the matter with Bel!’ and rushing out, ran across ploughed fields, her slippers falling off, leaving her to run in stockings all the way. It was not until she was half-way there that she saw the smoke and realised the meaning of her intuition. When she found that I was all right and had been sent home she fainted and had to be carried home herself. She made my clothes herself, and I can remember to this day how pretty they were. I was very dark and of course ashamed of it, but she told me it was very nice to be different from other people, and dressed me in crisp yellow linen or pale blue, which made me look still darker, on the principle that Sarah Bernhardt followed in exaggerating her thinness when it was the fashion to have a rounded form. My mother told me to consider my dark skin a beauty, for she believed that if children had a good opinion of themselves they would never be self-conscious.

“All the other girls in my school had given parties and I begged to be allowed to give one too. Our little house was not very suitable for the purpose, but my mother put her wits to work. She fitted up the stable with a stage and seats, and persuaded a neighbor who played the cornet to act as ‘band.’ Then she taught a small group of us to act ‘Villikens and his Dinah,’ which she read aloud behind the scenes, and ‘Bluebeard,’ made into a little play. My paternal grandmother, a straight-backed, severe looking old lady, was then visiting us. How my mother managed it I don’t know, but Grandma, who abhorred theatricals, was soon reading ‘Villikens’ for us to practice, and she even consented to appear as one of Bluebeard’s departed wives. A sheet was hung up to represent a wall; the wives stood behind it and put their heads through holes that had been cut for the purpose; their hair was pulled up and tacked to imaginary nails, and very realistic pieces of red flannel arranged to represent gore. My grandmother was a truly awful sight when my mother had painted her face and made her up for the show. The party was a great success, and only the other day I met a woman who had been one of the guests and she still remembered it as one of the striking events of her childhood.

“My mother influenced me in those days in many ways that I shall never forget, especially in her hatred of anything that savored of snobbery. When I gave the party I placed the invitations in little pink envelopes and put them on the desks of my schoolmates. A neighbor’s son who was poor and had to carry newspapers and peddle milk, sat next to me in school. Children are snobs by nature, and this boy was never asked to any of our parties. I consulted my mother as to what I should do about Danny, for he had been nice to me and I hated to leave him out. ‘Of course you must invite him,’ she said. ‘But none of the other girls invited him to their parties,’ said I. ‘There is nothing against him, is there, except being poor?’ ‘Nothing at all,’ I replied, and so I was directed to include him in the invitations. I shall never forget poor slighted Danny’s radiant face when he saw there was a note for him. He came to the party dressed in new clothes from head to foot, and made such a success that after that he was always asked in ‘our set.’

“My mother also taught me to be considerate of other people’s feelings. My teacher once kept me in for slamming a door; I told my mother about it and admitted that I had slammed it purposely because my teacher was so cross. In the guise of an entertaining story, she told me how the teacher, a pretty young woman named Miss Miller, had come to teach a big class, a stranger, alone, and that perhaps she had a headache from having cried the night before from homesickness. In this way she harrowed my feelings to such an extent that I went to Miss Miller of my own accord and begged her pardon, and the poor girl wept and loved me, and thenceforth made life miserable for me among my schoolmates by acts of ‘favoritism.’“

In the little rose-covered cottage in Oakland a second son, Hervey, was born to the Osbournes. He was an extraordinarily beautiful child, with the rare combination of large dark eyes and yellow curls, but there was an ethereal look about him that boded no long stay on this earthly sphere.

It was perhaps partly to fill a great void that she began to feel in her life that Mrs. Osbourne took up the study of art in the School of Design conducted by Virgil Williams in San Francisco. Mother and daughter studied there side by side. While there Mrs. Osbourne won the prize, a silver medal, for the best drawing. She seemed not to value it at the time, but after her death her daughter found it in a little box laid away in her jewel-case.

When the little yellow-haired boy was about four years old, the cloud which had menaced the happiness of the family for so long again descended upon them. For years Mrs. Osbourne had made earnest and conscientious efforts to avoid the disruption of her marital ties, plighted with such high hopes in the springtime of her girlhood, but her husband’s infidelities had now become so open and flagrant that the situation was no longer bearable. Divorce was at that time a far more serious step than it is now, and, for the sake of her family, she hesitated long before taking it, but there is no doubt that she was deeply wounded and humiliated by this painful episode in her life, and, in 1875, partly to remove herself as far as possible from distressing associations, partly to give her daughter the advantage of instruction in foreign schools of art, she took her three children and set out for Europe. When she left California for this journey it is no exaggeration to say that every bond of affection that held her to Samuel Osbourne had been broken.