Complete Works of Joseph Conrad (Illustrated) (129 page)

BOOK: Complete Works of Joseph Conrad (Illustrated)
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‘About this time Jim, leaning on a gun-carriage, looked at the river, and turned his back on the house; and the girl, in the doorway, panting as if she had run herself to a standstill, was looking at him across the yard. Tamb’ Itam stood not far from his master, waiting patiently for what might happen. All at once Jim, who seemed to be lost in quiet thought, turned to him and said, “Time to finish this.”

‘“Tuan?” said Tamb’ Itam, advancing with alacrity. He did not know what his master meant, but as soon as Jim made a movement the girl started too and walked down into the open space. It seems that no one else of the people of the house was in sight. She tottered slightly, and about half-way down called out to Jim, who had apparently resumed his peaceful contemplation of the river. He turned round, setting his back against the gun. “Will you fight?” she cried. “There is nothing to fight for,” he said; “nothing is lost.” Saying this he made a step towards her. “Will you fly?” she cried again. “There is no escape,” he said, stopping short, and she stood still also, silent, devouring him with her eyes. “And you shall go?” she said slowly. He bent his head. “Ah!” she exclaimed, peering at him as it were, “you are mad or false. Do you remember the night I prayed you to leave me, and you said that you could not? That it was impossible! Impossible! Do you remember you said you would never leave me? Why? I asked you for no promise. You promised unasked — remember.” “Enough, poor girl,” he said. “I should not be worth having.”

‘Tamb’ Itam said that while they were talking she would laugh loud and senselessly like one under the visitation of God. His master put his hands to his head. He was fully dressed as for every day, but without a hat. She stopped laughing suddenly. “For the last time,” she cried menacingly, “will you defend yourself?” “Nothing can touch me,” he said in a last flicker of superb egoism. Tamb’ Itam saw her lean forward where she stood, open her arms, and run at him swiftly. She flung herself upon his breast and clasped him round the neck.

‘“Ah! but I shall hold thee thus,” she cried. . . . “Thou art mine!”

‘She sobbed on his shoulder. The sky over Patusan was blood-red, immense, streaming like an open vein. An enormous sun nestled crimson amongst the tree-tops, and the forest below had a black and forbidding face.

‘Tamb’ Itam tells me that on that evening the aspect of the heavens was angry and frightful. I may well believe it, for I know that on that very day a cyclone passed within sixty miles of the coast, though there was hardly more than a languid stir of air in the place.

‘Suddenly Tamb’ Itam saw Jim catch her arms, trying to unclasp her hands. She hung on them with her head fallen back; her hair touched the ground. “Come here!” his master called, and Tamb’ Itam helped to ease her down. It was difficult to separate her fingers. Jim, bending over her, looked earnestly upon her face, and all at once ran to the landing-stage. Tamb’ Itam followed him, but turning his head, he saw that she had struggled up to her feet. She ran after them a few steps, then fell down heavily on her knees. “Tuan! Tuan!” called Tamb’ Itam, “look back;” but Jim was already in a canoe, standing up paddle in hand. He did not look back. Tamb’ Itam had just time to scramble in after him when the canoe floated clear. The girl was then on her knees, with clasped hands, at the water-gate. She remained thus for a time in a supplicating attitude before she sprang up. “You are false!” she screamed out after Jim. “Forgive me,” he cried. “Never! Never!” she called back.

‘Tamb’ Itam took the paddle from Jim’s hands, it being unseemly that he should sit while his lord paddled. When they reached the other shore his master forbade him to come any farther; but Tamb’ Itam did follow him at a distance, walking up the slope to Doramin’s campong.

‘It was beginning to grow dark. Torches twinkled here and there. Those they met seemed awestruck, and stood aside hastily to let Jim pass. The wailing of women came from above. The courtyard was full of armed Bugis with their followers, and of Patusan people.

‘I do not know what this gathering really meant. Were these preparations for war, or for vengeance, or to repulse a threatened invasion? Many days elapsed before the people had ceased to look out, quaking, for the return of the white men with long beards and in rags, whose exact relation to their own white man they could never understand. Even for those simple minds poor Jim remains under a cloud.

‘Doramin, alone! immense and desolate, sat in his arm-chair with the pair of flintlock pistols on his knees, faced by a armed throng. When Jim appeared, at somebody’s exclamation, all the heads turned round together, and then the mass opened right and left, and he walked up a lane of averted glances. Whispers followed him; murmurs: “He has worked all the evil.” “He hath a charm.” . . . He heard them — perhaps!

‘When he came up into the light of torches the wailing of the women ceased suddenly. Doramin did not lift his head, and Jim stood silent before him for a time. Then he looked to the left, and moved in that direction with measured steps. Dain Waris’s mother crouched at the head of the body, and the grey dishevelled hair concealed her face. Jim came up slowly, looked at his dead friend, lifting the sheet, than dropped it without a word. Slowly he walked back.

‘“He came! He came!” was running from lip to lip, making a murmur to which he moved. “He hath taken it upon his own head,” a voice said aloud. He heard this and turned to the crowd. “Yes. Upon my head.” A few people recoiled. Jim waited awhile before Doramin, and then said gently, “I am come in sorrow.” He waited again. “I am come ready and unarmed,” he repeated.

‘The unwieldy old man, lowering his big forehead like an ox under a yoke, made an effort to rise, clutching at the flintlock pistols on his knees. From his throat came gurgling, choking, inhuman sounds, and his two attendants helped him from behind. People remarked that the ring which he had dropped on his lap fell and rolled against the foot of the white man, and that poor Jim glanced down at the talisman that had opened for him the door of fame, love, and success within the wall of forests fringed with white foam, within the coast that under the western sun looks like the very stronghold of the night. Doramin, struggling to keep his feet, made with his two supporters a swaying, tottering group; his little eyes stared with an expression of mad pain, of rage, with a ferocious glitter, which the bystanders noticed; and then, while Jim stood stiffened and with bared head in the light of torches, looking him straight in the face, he clung heavily with his left arm round the neck of a bowed youth, and lifting deliberately his right, shot his son’s friend through the chest.

‘The crowd, which had fallen apart behind Jim as soon as Doramin had raised his hand, rushed tumultuously forward after the shot. They say that the white man sent right and left at all those faces a proud and unflinching glance. Then with his hand over his lips he fell forward, dead.

‘And that’s the end. He passes away under a cloud, inscrutable at heart, forgotten, unforgiven, and excessively romantic. Not in the wildest days of his boyish visions could he have seen the alluring shape of such an extraordinary success! For it may very well be that in the short moment of his last proud and unflinching glance, he had beheld the face of that opportunity which, like an Eastern bride, had come veiled to his side.

‘But we can see him, an obscure conqueror of fame, tearing himself out of the arms of a jealous love at the sign, at the call of his exalted egoism. He goes away from a living woman to celebrate his pitiless wedding with a shadowy ideal of conduct. Is he satisfied — quite, now, I wonder? We ought to know. He is one of us — and have I not stood up once, like an evoked ghost, to answer for his eternal constancy? Was I so very wrong after all? Now he is no more, there are days when the reality of his existence comes to me with an immense, with an overwhelming force; and yet upon my honour there are moments, too when he passes from my eyes like a disembodied spirit astray amongst the passions of this earth, ready to surrender himself faithfully to the claim of his own world of shades.

‘Who knows? He is gone, inscrutable at heart, and the poor girl is leading a sort of soundless, inert life in Stein’s house. Stein has aged greatly of late. He feels it himself, and says often that he is “preparing to leave all this; preparing to leave . . .” while he waves his hand sadly at his butterflies.’

September 1899 — July 1900.

 

THE INHERITORS

 

 

An Extravagant Story

By

JOSEPH CONRAD & FORD M. HUEFFER

 

“Sardanapalus builded seven cities in a day. Let us eat, drink and sleep, for to-morrow we die.”

 

 

 

CONTENTS

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

CHAPTER SIXTEEN

CHAPTER SEVENTEEN

CHAPTER EIGHTEEN

CHAPTER NINETEEN

 

 

CHAPTER ONE

 

“Ideas,” she said. “Oh, as for ideas — ”

“Well?” I hazarded, “as for ideas — ?”

We went through the old gateway and I cast a glance over my shoulder. The noon sun was shining over the masonry, over the little saints’ effigies, over the little fretted canopies, the grime and the white streaks of bird-dropping.

“There,” I said, pointing toward it, “doesn’t that suggest something to you?”

She made a motion with her head — half negative, half contemptuous.

“But,” I stuttered, “the associations — the ideas — the historical ideas — ”

She said nothing.

“You Americans,” I began, but her smile stopped me. It was as if she were amused at the utterances of an old lady shocked by the habits of the daughters of the day. It was the smile of a person who is confident of superseding one fatally.

In conversations of any length one of the parties assumes the superiority — superiority of rank, intellectual or social. In this conversation she, if she did not attain to tacitly acknowledged temperamental superiority, seemed at least to claim it, to have no doubt as to its ultimate according. I was unused to this. I was a talker, proud of my conversational powers.

I had looked at her before; now I cast a sideways, critical glance at her. I came out of my moodiness to wonder what type this was. She had good hair, good eyes, and some charm. Yes. And something besides — a something — a something that was not an attribute of her beauty. The modelling of her face was so perfect and so delicate as to produce an effect of transparency, yet there was no suggestion of frailness; her glance had an extraordinary strength of life. Her hair was fair and gleaming, her cheeks coloured as if a warm light had fallen on them from somewhere. She was familiar till it occurred to you that she was strange.

“Which way are you going?” she asked.

“I am going to walk to Dover,” I answered.

“And I may come with you?”

I looked at her — intent on divining her in that one glance. It was of course impossible. “There will be time for analysis,” I thought.

“The roads are free to all,” I said. “You are not an American?”

She shook her head. No. She was not an Australian either, she came from none of the British colonies.

“You are not English,” I affirmed. “You speak too well.” I was piqued. She did not answer. She smiled again and I grew angry. In the cathedral she had smiled at the verger’s commendation of particularly abominable restorations, and that smile had drawn me toward her, had emboldened me to offer deferential and condemnatory remarks as to the plaster-of-Paris mouldings. You know how one addresses a young lady who is obviously capable of taking care of herself. That was how I had come across her. She had smiled at the gabble of the cathedral guide as he showed the obsessed troop, of which we had formed units, the place of martyrdom of Blessed Thomas, and her smile had had just that quality of superseder’s contempt. It had pleased me then; but, now that she smiled thus past me — it was not quite at me — in the crooked highways of the town, I was irritated. After all, I was somebody; I was not a cathedral verger. I had a fancy for myself in those days — a fancy that solitude and brooding had crystallised into a habit of mind. I was a writer with high — with the highest — ideals. I had withdrawn myself from the world, lived isolated, hidden in the countryside, lived as hermits do, on the hope of one day doing something — of putting greatness on paper. She suddenly fathomed my thoughts: “You write,” she affirmed. I asked how she knew, wondered what she had read of mine — there was so little.

BOOK: Complete Works of Joseph Conrad (Illustrated)
13.08Mb size Format: txt, pdf, ePub
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