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Authors: The Cricket on the Hearth

Charles Dickens (5 page)

Chapter II - Chirp the Second
*

Caleb Plummer and his Blind Daughter lived all alone by themselves,
as the Story-books say—and my blessing, with yours to back it I
hope, on the Story-books, for saying anything in this workaday
world!—Caleb Plummer and his Blind Daughter lived all alone by
themselves, in a little cracked nutshell of a wooden house, which
was, in truth, no better than a pimple on the prominent red-brick
nose of Gruff and Tackleton. The premises of Gruff and Tackleton
were the great feature of the street; but you might have knocked
down Caleb Plummer's dwelling with a hammer or two, and carried off
the pieces in a cart.

If any one had done the dwelling-house of Caleb Plummer the honour
to miss it after such an inroad, it would have been, no doubt, to
commend its demolition as a vast improvement. It stuck to the
premises of Gruff and Tackleton, like a barnacle to a ship's keel,
or a snail to a door, or a little bunch of toadstools to the stem
of a tree.

But, it was the germ from which the full-grown trunk of Gruff and
Tackleton had sprung; and, under its crazy roof, the Gruff before
last, had, in a small way, made toys for a generation of old boys
and girls, who had played with them, and found them out, and broken
them, and gone to sleep.

I have said that Caleb and his poor Blind Daughter lived here. I
should have said that Caleb lived here, and his poor Blind Daughter
somewhere else—in an enchanted home of Caleb's furnishing, where
scarcity and shabbiness were not, and trouble never entered. Caleb
was no sorcerer, but in the only magic art that still remains to
us, the magic of devoted, deathless love, Nature had been the
mistress of his study; and from her teaching, all the wonder came.

The Blind Girl never knew that ceilings were discoloured, walls
blotched and bare of plaster here and there, high crevices
unstopped and widening every day, beams mouldering and tending
downward. The Blind Girl never knew that iron was rusting, wood
rotting, paper peeling off; the size, and shape, and true
proportion of the dwelling, withering away. The Blind Girl never
knew that ugly shapes of delf and earthenware were on the board;
that sorrow and faintheartedness were in the house; that Caleb's
scanty hairs were turning greyer and more grey, before her
sightless face. The Blind Girl never knew they had a master, cold,
exacting, and uninterested—never knew that Tackleton was Tackleton
in short; but lived in the belief of an eccentric humourist who
loved to have his jest with them, and who, while he was the
Guardian Angel of their lives, disdained to hear one word of
thankfulness.

And all was Caleb's doing; all the doing of her simple father! But
he too had a Cricket on his Hearth; and listening sadly to its
music when the motherless Blind Child was very young, that Spirit
had inspired him with the thought that even her great deprivation
might be almost changed into a blessing, and the girl made happy by
these little means. For all the Cricket tribe are potent Spirits,
even though the people who hold converse with them do not know it
(which is frequently the case); and there are not in the unseen
world, voices more gentle and more true, that may be so implicitly
relied on, or that are so certain to give none but tenderest
counsel, as the Voices in which the Spirits of the Fireside and the
Hearth address themselves to human kind.

Caleb and his daughter were at work together in their usual
working-room, which served them for their ordinary living-room as
well; and a strange place it was. There were houses in it,
finished and unfinished, for Dolls of all stations in life.
Suburban tenements for Dolls of moderate means; kitchens and single
apartments for Dolls of the lower classes; capital town residences
for Dolls of high estate. Some of these establishments were
already furnished according to estimate, with a view to the
convenience of Dolls of limited income; others could be fitted on
the most expensive scale, at a moment's notice, from whole shelves
of chairs and tables, sofas, bedsteads, and upholstery. The
nobility and gentry, and public in general, for whose accommodation
these tenements were designed, lay, here and there, in baskets,
staring straight up at the ceiling; but, in denoting their degrees
in society, and confining them to their respective stations (which
experience shows to be lamentably difficult in real life), the
makers of these Dolls had far improved on Nature, who is often
froward and perverse; for, they, not resting on such arbitrary
marks as satin, cotton-print, and bits of rag, had superadded
striking personal differences which allowed of no mistake. Thus,
the Doll-lady of distinction had wax limbs of perfect symmetry; but
only she and her compeers. The next grade in the social scale
being made of leather, and the next of coarse linen stuff. As to
the common-people, they had just so many matches out of tinder-
boxes, for their arms and legs, and there they were—established in
their sphere at once, beyond the possibility of getting out of it.

There were various other samples of his handicraft, besides Dolls,
in Caleb Plummer's room. There were Noah's Arks, in which the
Birds and Beasts were an uncommonly tight fit, I assure you; though
they could be crammed in, anyhow, at the roof, and rattled and
shaken into the smallest compass. By a bold poetical licence, most
of these Noah's Arks had knockers on the doors; inconsistent
appendages, perhaps, as suggestive of morning callers and a
Postman, yet a pleasant finish to the outside of the building.
There were scores of melancholy little carts, which, when the
wheels went round, performed most doleful music. Many small
fiddles, drums, and other instruments of torture; no end of cannon,
shields, swords, spears, and guns. There were little tumblers in
red breeches, incessantly swarming up high obstacles of red-tape,
and coming down, head first, on the other side; and there were
innumerable old gentlemen of respectable, not to say venerable,
appearance, insanely flying over horizontal pegs, inserted, for the
purpose, in their own street doors. There were beasts of all
sorts; horses, in particular, of every breed, from the spotted
barrel on four pegs, with a small tippet for a mane, to the
thoroughbred rocker on his highest mettle. As it would have been
hard to count the dozens upon dozens of grotesque figures that were
ever ready to commit all sorts of absurdities on the turning of a
handle, so it would have been no easy task to mention any human
folly, vice, or weakness, that had not its type, immediate or
remote, in Caleb Plummer's room. And not in an exaggerated form,
for very little handles will move men and women to as strange
performances, as any Toy was ever made to undertake.

In the midst of all these objects, Caleb and his daughter sat at
work. The Blind Girl busy as a Doll's dressmaker; Caleb painting
and glazing the four-pair front of a desirable family mansion.

The care imprinted in the lines of Caleb's face, and his absorbed
and dreamy manner, which would have sat well on some alchemist or
abstruse student, were at first sight an odd contrast to his
occupation, and the trivialities about him. But, trivial things,
invented and pursued for bread, become very serious matters of
fact; and, apart from this consideration, I am not at all prepared
to say, myself, that if Caleb had been a Lord Chamberlain, or a
Member of Parliament, or a lawyer, or even a great speculator, he
would have dealt in toys one whit less whimsical, while I have a
very great doubt whether they would have been as harmless.

'So you were out in the rain last night, father, in your beautiful
new great-coat,' said Caleb's daughter.

'In my beautiful new great-coat,' answered Caleb, glancing towards
a clothes-line in the room, on which the sack-cloth garment
previously described, was carefully hung up to dry.

'How glad I am you bought it, father!'

'And of such a tailor, too,' said Caleb. 'Quite a fashionable
tailor. It's too good for me.'

The Blind Girl rested from her work, and laughed with delight.

'Too good, father! What can be too good for you?'

'I'm half-ashamed to wear it though,' said Caleb, watching the
effect of what he said, upon her brightening face; 'upon my word!
When I hear the boys and people say behind me, "Hal-loa! Here's a
swell!" I don't know which way to look. And when the beggar
wouldn't go away last night; and when I said I was a very common
man, said "No, your Honour! Bless your Honour, don't say that!" I
was quite ashamed. I really felt as if I hadn't a right to wear
it.'

Happy Blind Girl! How merry she was, in her exultation!

'I see you, father,' she said, clasping her hands, 'as plainly, as
if I had the eyes I never want when you are with me. A blue coat—
'

'Bright blue,' said Caleb.

'Yes, yes! Bright blue!' exclaimed the girl, turning up her
radiant face; 'the colour I can just remember in the blessed sky!
You told me it was blue before! A bright blue coat—'

'Made loose to the figure,' suggested Caleb.

'Made loose to the figure!' cried the Blind Girl, laughing
heartily; 'and in it, you, dear father, with your merry eye, your
smiling face, your free step, and your dark hair—looking so young
and handsome!'

'Halloa! Halloa!' said Caleb. 'I shall be vain, presently!'

'I think you are, already,' cried the Blind Girl, pointing at him,
in her glee. 'I know you, father! Ha, ha, ha! I've found you
out, you see!'

How different the picture in her mind, from Caleb, as he sat
observing her! She had spoken of his free step. She was right in
that. For years and years, he had never once crossed that
threshold at his own slow pace, but with a footfall counterfeited
for her ear; and never had he, when his heart was heaviest,
forgotten the light tread that was to render hers so cheerful and
courageous!

Heaven knows! But I think Caleb's vague bewilderment of manner may
have half originated in his having confused himself about himself
and everything around him, for the love of his Blind Daughter. How
could the little man be otherwise than bewildered, after labouring
for so many years to destroy his own identity, and that of all the
objects that had any bearing on it!

'There we are,' said Caleb, falling back a pace or two to form the
better judgment of his work; 'as near the real thing as
sixpenn'orth of halfpence is to sixpence. What a pity that the
whole front of the house opens at once! If there was only a
staircase in it, now, and regular doors to the rooms to go in at!
But that's the worst of my calling, I'm always deluding myself, and
swindling myself.'

'You are speaking quite softly. You are not tired, father?'

'Tired!' echoed Caleb, with a great burst of animation, 'what
should tire me, Bertha?
I
was never tired. What does it mean?'

To give the greater force to his words, he checked himself in an
involuntary imitation of two half-length stretching and yawning
figures on the mantel-shelf, who were represented as in one eternal
state of weariness from the waist upwards; and hummed a fragment of
a song. It was a Bacchanalian song, something about a Sparkling
Bowl. He sang it with an assumption of a Devil-may-care voice,
that made his face a thousand times more meagre and more thoughtful
than ever.

'What! You're singing, are you?' said Tackleton, putting his head
in at the door. 'Go it!
I
can't sing.'

Nobody would have suspected him of it. He hadn't what is generally
termed a singing face, by any means.

'I can't afford to sing,' said Tackleton. 'I'm glad YOU CAN. I
hope you can afford to work too. Hardly time for both, I should
think?'

'If you could only see him, Bertha, how he's winking at me!'
whispered Caleb. 'Such a man to joke! you'd think, if you didn't
know him, he was in earnest—wouldn't you now?'

The Blind Girl smiled and nodded.

'The bird that can sing and won't sing, must be made to sing, they
say,' grumbled Tackleton. 'What about the owl that can't sing, and
oughtn't to sing, and will sing; is there anything that HE should
be made to do?'

'The extent to which he's winking at this moment!' whispered Caleb
to his daughter. 'O, my gracious!'

'Always merry and light-hearted with us!' cried the smiling Bertha.

'O, you're there, are you?' answered Tackleton. 'Poor Idiot!'

He really did believe she was an Idiot; and he founded the belief,
I can't say whether consciously or not, upon her being fond of him.

'Well! and being there,—how are you?' said Tackleton, in his
grudging way.

'Oh! well; quite well. And as happy as even you can wish me to be.
As happy as you would make the whole world, if you could!'

'Poor Idiot!' muttered Tackleton. 'No gleam of reason. Not a
gleam!'

The Blind Girl took his hand and kissed it; held it for a moment in
her own two hands; and laid her cheek against it tenderly, before
releasing it. There was such unspeakable affection and such
fervent gratitude in the act, that Tackleton himself was moved to
say, in a milder growl than usual:

'What's the matter now?'

'I stood it close beside my pillow when I went to sleep last night,
and remembered it in my dreams. And when the day broke, and the
glorious red sun—the RED sun, father?'

'Red in the mornings and the evenings, Bertha,' said poor Caleb,
with a woeful glance at his employer.

'When it rose, and the bright light I almost fear to strike myself
against in walking, came into the room, I turned the little tree
towards it, and blessed Heaven for making things so precious, and
blessed you for sending them to cheer me!'

'Bedlam broke loose!' said Tackleton under his breath. 'We shall
arrive at the strait-waistcoat and mufflers soon. We're getting
on!'

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