Another You (27 page)

With great affection
,
M
.

Dearest Martine
,

I will be honest. I, too, have more than one scenario. There are, however, only two, and I keep returning to them—not in nightmares, as you do, or even in dreams, but during the course of a day, never deciding, always in a state of conflict. In the first, I walk away from everything. One cannot truly do this, but I imagine that in cowardice I could rationalize my behavior and avoid the pain of returning to the house, let those who cursed me for a coward curse me for a coward. I could join a business venture beginning in New York, arrange through lawyers, if need be, the care of the children, their schooling. I could send you a large check, which you might cash or not, however you decided, as a thank-you for all you have done. That would be irresponsible, at the very least. Entirely deplorable. But I know deep in my heart that I am capable of doing that. In the second scenario, I return not so much to the house and children as to you, feeling that there is still the possibility that after all the malingering, and in spite of my deficiency of character you would fold me in your arms. Though Alice might be lost to me—isn’t she lost to us?—you would step forward as if out of the fog, and that fog would be the past, which would dissipate, wafting away as I stood with you in my arms. I feel that possibility within me
.

You and Amelia have asked what I envision. One of the above
.

M
.

13

TONY HEMBLEY STOOD
at the grave, beside the other mourners. She had asked him not to come, but when did Tony, headstrong Tony, listen to anyone, let alone a woman who had already been demonstrated to be unable to influence the way he thought about anything, herself included? What had he thought? That she’d be secretly glad to see him? Was he egotistical enough to suppose his presence might make it easier for her to endure the funeral, or just so guilty he had decided to intrude himself in a place where he had no business, perhaps even deceiving himself into thinking his presence revealed a man of good character, one who offered friendly support, who stood by in times of trouble.

Marshall was thinking:
This could quite possibly have been McCallum
.

She thought:
Not long ago, Evie was alive; not long ago, that man standing across the grave with his scarf flung to the side like a schoolgirl’s ponytail and I were lovers
.

Sonja was surprised that the sausage nurse had come to the funeral. Dressed all in black, with a black wool scarf tied to hold her black hat on her head, the woman dabbed at her eyes as the priest spoke of Evie’s many good qualities. A teenage girl stood next to her, equally fat, equally sad, a paisley scarf in shades of beige and brown draped over the shoulders of her long black coat. She stood close to her mother’s side, staring straight ahead, shifting from one foot to the other, waiting for the funeral to end. Sonja had never seen the girl before she and her mother walked into the church, and she had never
seen the old man in the wheelchair—at the church, or elsewhere—though she imagined it must have been the black man who had called on his behalf to inquire where the burial would take place. Marshall had taken the call; at first, he had been taken aback by the lengthy explanation the caller gave about who he was himself: a caretaker; a “student of life in our universe,” he had apparently told Marshall. Now, the black man held the handles of the wheelchair, his orange leather gloves enormously puffy, as if two small life rafts had inflated on his hands. The man was expressionless except when he bent forward to whisper to the old man, to quickly place one consoling hand on the old man’s shoulder, then withdraw to his official position. She watched them out of the corner of her eye as the priest sprinkled holy water on the grave.

As the true faith united her with the throng of the faithful on earth, your mercy may unite her with the company of the choirs of angels in heaven.…

“Who knows?” Marshall whispered, sensing her implied question as she gazed—apparently, not as subtly as she thought—at the two men. “Maybe Evie had a boyfriend.”

“Very funny,” Sonja said, with no trace of amusement. Across the grave, Tony caught her eye and would have held it, except that she looked away. Jenny Oughton stood several yards away from them, alone, her violet coat (so that was why she had had such unusually colored gloves at the hospital, Marshall was thinking) unbuttoned and whipped by the now-steady wind, a large embroidered shoulder bag hanging from her shoulder. She wore earrings that caught the sun so that Marshall had difficulty keeping his eyes off Jenny Oughton. It was as if she were signalling, flashing a message to him or, more likely, to Sonja, who had earlier raced to embrace her, obviously touched that her busy friend had found time to come, on this frigid day, not only to the church, but also to Evie’s burial.

The priest spoke, and many in the crowd blessed themselves. The sausage woman elbowed her daughter, and her daughter repeated her mother’s motions, quickly, out of time with everyone else. Her scarf fell to the ground, but when she bent to pick it up, her mother put her hand on the girl’s arm, and the girl straightened without having touched it. The sausage woman’s foot slid forward to pin it to the ground, which caused the girl further dismay. Finally, in spite of her
mother’s warning, she bent forward and snatched it up from under her foot. In the sudden, strong wind, the girl found that she was holding something that looked like an unwieldy towel swept up from a clothesline in a great wind, or a huge, flapping pennant. The priest saw it in his peripheral vision and missed a beat, then began again the drone of his prayer. If looks could kill, the girl’s mother would have killed her, yet Sonja was relieved for the distraction, happy to have something to focus on so she wouldn’t think of the sadness of the occasion, and of how bereft she was, and cry.

Take away out of their hearts the spirit of rebellion, and teach them to see your good and gracious purpose.…

It was a cold March day, the ground frozen, the trees leafless. Evie had gone into the hospital in winter and she had died in winter—Evie, who so loved flowers. Sonja regretted not taking her more bouquets. She regretted passing along one of the Godzillas Tony had given her, putting it on Evie’s bedside table as if it had been her token of love to Evie, not a secondhand valentine from her lover.

She hadn’t told Evie the history of the windup toy, but she had told her about Tony, confessed the way Evie confessed to the priest, though Evie had been Sonja’s only priest, and she had spared Evie the details, spared herself the shame of making her story more specific. Just the outline: a man at work, a mistaken notion that she would go so far and then no further, followed by the mistaken impression that sleeping with Tony could remain a harmless game, having as much to do with being childishly silly, with letting go and having some fun, as with sex itself. Well: what had she really spared Evie, if she’d told her about their chasing each other through empty houses, playing hide-and-seek, going through the houses and closing the drapes or dropping the blinds as they discarded their clothes, the excitement building as the house grew darker, the potentially prying eyes of neighbors or passers by adding to the thrill? She had reassured Evie that it was something she’d done in the past—in the not-distant past, she hadn’t told her. And the end of it? She’d made it sound as if their folly had finally impressed them with their silly, risky behavior; she’d implied that she had simply seen the light one day, regained her common sense, reminded herself that her marriage to Marshall meant something. It meant, at that moment, that he was standing at her side, head bowed in prayer. He hated funerals—didn’t believe in them.
He was there because of Sonja, there because he was her husband, there because he loved Evie, however much he had been cowardly in avoiding her after her stroke.

What a disturbing winter it had been, with hardly anyone doing what was proper. The word came to Sonja’s mind because Tony sometimes used it, as in “a proper tea.” She had once found his Englishness charming and often amusing, his diction as arch as his behavior seemed uninhibited.
A proper fuck
, she had said to him once, turning down the bed in their motel room and smoothing the sheets, lighting a little devotional candle she’d bought while wandering through the drugstore in search of Evie’s beloved Muguet des Bois dusting powder. Instead of wildly discarded clothes and a football tackle, she had wanted them to sit on opposite sides of the bed and undress, to make love with classical music playing on the radio and the candle glowing. To her horror, Marshall had come upon the candle in her purse several weeks before. She had left it unzipped and, passing by, he had sneezed, then sneezed again, then reached into her bag, which was on the kitchen chair, for a tissue, coming up with a handful of pens and credit card receipts and the candle, yet he’d acted as if scooping a candle out of her purse was entirely unexceptional. He’d stuffed it back along with everything else, without even commenting, dropping the little white candle back in the glass holder, extracting a tissue and sonorously blowing his nose. There it had been, the moment that could have changed everything, and he had simply blown his nose long and hard, his quizzical look a response only to her standing and staring at him, horrified.

Now the priest was standing next to Marshall, mentioning Evie by name: first name, middle name, maiden name, married name—all the endless, confusing identities of women born in Evie’s generation—and then, his words obscured by a howl of wind, clasping Marshall’s hand, the ceremony apparently finished, the Bible clasped in his gloved hand, the ungloved hand he had used to turn the pages extended to everyone who gathered around them. The priest offered further condolences as Marshall returned the priest’s handshake. He thought how different this funeral had been from his father’s, when he and Gordon had stood alone at the grave, listening to a soprano sing a song his father had loved, an a cappella version of Robert Frost’s “The Road Not Taken.” His father’s lawyer had been the only
other person present. The lawyer and the singer had come together, in a limousine. Where had the woman been found? She was short and not at all attractive—Gordon had joked that the lawyer had borrowed her from amateur night at some nightclub—wearing blue harlequin glasses and singing with a voice alternately glorious and shrill, her spike heels sinking in the grass during the laboriously prolonged song. It would have pleased Gordon, who loved ironies, to know that their father had mistaken a poem written to mock another poet for a deeply felt expression of conflict, but he hadn’t told Gordon that. It had seemed too disrespectful of his father, who had been moved by something he hadn’t known was ultimately a kind of joke. Evie would have been at the funeral except that she had the flu, and Sonja hadn’t come because she had had a miscarriage the night before. Gordon had said with great relief that his wife was also ill. Marshall doubted it, though no doubt Gordon had also thought he’d been lying when he said Sonja was sick. Why had he hesitated to tell his brother the truth about Sonja’s miscarriage?

A man and a woman about Sonja and Marshall’s age, who had come late, reminded Sonja that they had often visited Evie when they went to the rest home to see the woman’s mother. They were Catholics, Sonja had noticed during the funeral; they had genuflected, and now the woman greeted the priest by name as she reached out to clasp his hand.

Marshall excused himself and walked toward the old man, stopping to say hello and to hug Mrs. Azura, who had been Evie’s neighbor in the townhouse she’d lived in before her stroke. Mrs. Azura was a kind woman who had brought jars of homemade soup to the nursing home, who had always insisted to Evie that she would eventually make a full recovery and return to her home, where they would be neighbors again. Mrs. Azura had been so emphatic with Evie in saying they would be living side by side again that Sonja had never been sure, until Mrs. Azura’s house went on the market while she continued to speak to Evie as if her being away was only a temporary thing, that the woman knew better than what she was saying. Another woman from the townhouse complex was also at the funeral, but Sonja knew her hardly at all, and Mrs. Azura had to whisper her name to Sonja so she could greet her: Andrea FitzRoy, a divorced woman in her late fifties who had taught Evie how to do bargello.
She had strawlike dyed hair and clown circles of rosy color on her cheeks. As she offered her sympathy to Sonja, clasping her hand to communicate her sincerity, Marshall reappeared and said that the old man’s attendant had explained that the old man had lost his voice to laryngitis. He had told Marshall that Evie had been a longtime friend he had known many years back, someplace in New England, the attendant thought. The old man’s name was Ethan George Bedell, and he had been a college friend of Marshall’s father. He had known Gordon and Marshall when they were little boys—too little to remember him, he was sure. Marshall did not remember, but he was surprised that Evie had kept contact with someone through the years who was such an old friend, but of whom she had never spoken. Mr. Bedell had asked the male nurse to bring several photographs to give to Marshall. He had brought them but left them in the glove compartment of the van, he’d told Marshall, not sure what would be the proper time to present them. As he delivered this information, he had obviously been torn between staying at the old man’s side and immediately going to get the photographs. Marshall had, of course, asked them to join the others at their house for coffee. He reported this information to Sonja in bits and pieces, interrupting himself to thank people for coming, to make sure they understood the directions to the house. Listening, Sonja remembered the day not long ago when she had sat beside Tony in his car, imagining a fantasy garden, while he had questioned her about directions to the new motel. “Just follow me,” the priest said to Mrs. Azura, who finally had to admit that she had no car, that she had taken a cab to get there. The priest insisted on giving her a ride, as Marshall gently scolded her for not calling them to arrange transportation to the funeral.