Anne Belinda (25 page)

“Parlour-maid,” said John.

“Nonsense!”

“She is.”

“My good man, why on earth?”

“To earn her living.”

Aurora's small grey eyes darted a sharp question. She went on eating and looking at John, but she finished her salmon before she spoke. Then she said:

“Cut the beef, please. And don't give me the sort of skimpy helping you did before. I'm hungry. What's Anne doing earning her living? Didn't Anthony Waveney leave her provided for?”

“He altered his will.”

“Why?”

John had his back to her. He added another slice to her plate and did not answer. When he had handed her salad and potato, and filled up her glass, he began to carve for himself.

“Sir Anthony left everything to Jenny,” he said as he came over to the table.

Aurora, knife and fork in hand, was frowning portentously at the rather
passé
water-lily.

“We've begun at the wrong end,” she said.

John agreed with her.

“The bother is,” said Miss Fairlie, “that I don't know where I ought to begin.” Her frown deepened and focussed itself upon John. “You see it's a question of how much you know, and how much I know, and whether we both know the same things. What do you know about Anne, John Waveney?”

John considered.

“A good deal,” he conceded. “I know, for instance, that she wasn't in Spain with you last year. Do you mind if I ask what Jenny said to you when you turned up at Waterdene that evening? Did
you
know that Anne was supposed to have been travelling with you in Spain?”

“No, I didn't.”

John nodded.

“I thought Jenny seemed a bit nervous. What did she tell you?”

Aurora ate beef. Presently she said:

“I can't tell you.”

“All right—then I'll tell you. One of us has got to put his cards on the table, or we shan't get any forrader. Jenny told you that Anne had been in prison?”

“Yes—she did. Who told you?”

“Nicholas Marr told me three weeks ago. Anne told me herself yesterday.”

Miss Fairlie's deep complexion had become several shades deeper. She produced a plum-coloured bandanna handkerchief and wiped her brow with it.

“Anne told you herself!”

John nodded.

“She got a year. The charge was stealing pearls.”

“How many people know?” said Miss Fairlie roughly.

“Nicholas and Jenny, Mr. Carruthers, you, and me—also Mrs. Jones, who was Anne and Jenny's nurse. Anne gave her name as Annie Jones.”

“No one else knew?”

“Sir Anthony.”

“What a mix-up!” said Aurora. “What an infernal mix-up! And Jenny—I say, you don't mean to say Jenny takes the money!”

“That's too crude.” John's tone was very dry. “Jenny isn't in the least crude; she's all affectionate generosity. Anne can actually have half—on conditions.”

“What conditions?”

“The conditions are dictated by Nicholas. She's not to go there; and she's not to see them; and she's not to write to Jenny, or annoy her in any way.”

Miss Fairlie laid down her knife and fork. She got up and helped herself to more salad. Then she sat down again.

“I see. What's your position in the matter?”

“I'm going to marry Anne.”

“Sportsman!” said Aurora. “When?”

“As soon as she will. She's still saying ‘No.'”

“Yes—she would. Look here, John Waveney, what's behind all this? I've known Anne since she was three. She's straight—dead straight. Why, bless my soul, I do know when a woman's straight and when she isn't. I'd bank on Anne!”

“So would I,” said John. “You're a brick, Miss Aurora!”

“Drop the Miss! Well? What's behind it?”

“I can't tell you.”

“I'd bank on Anne. But I'm not so sure that I'd risk anything I really cared about on Jenny. Is that it?”

“I can't say.”

“H'm. I'll have some gooseberry tart. And you can put the cream and sugar on the table. Handed sugar is one of the economies of the rich. Muriel hasn't got a self-respecting sugar-bowl in the house; but such as it is, we'll have it between us and finish it. Jenny had the impudence to tell me I oughtn't to take cream on account of my figure—Yes, go on. Don't be afraid of it; I like lots—and I just said to her ‘My good girl, when you're already forty round the waist, you won't let a matter of another five inches or so come between you and your cream and sugar.' By the way, Anne's too thin by half.”

“She's with a beastly woman who doesn't give her enough to eat.”

“She'd better come and stay with me at once.”

“I say, you are a brick! I'm afraid she won't, though. Look here, Aurora, how much talk is there?—about Anne, I mean. Are people really saying things?”

“People always say things.”

“What are they saying about Anne?”

“They come and ask me what was the matter with her, and say what a pity she couldn't be at Jenny's wedding. Some of 'em have the impudence to ask me whether she was really in Spain with me. I'm not going to forgive Jenny that in a hurry. I don't like telling lies. I wasn't brought up to tell 'em, and I don't like it. It's demoralizing. Every time I do it, it comes a bit easier. I'm beginning to take a pride in it. Disgusting I call it! And all because Jenny pitched on me!”

John laughed.

“You did it awfully well yesterday.”

“That's what's so demoralizing. Look here, the whole thing's got to be put a stop to. Let Anne come here at once, mug up Spain—I've loads of photographs—go about with me, show herself. Then she can go and stay with Jenifer Courtney for a week or so. You can hang round until people begin to talk about you. Then the engagement is given out, Anne goes down to the Marrs, and you're married at Waterdene. That'll give 'em something else to think about. How's that for a plan?”

“There are only three objections.”

“Objections? Nonsense! What are they?”

“Anne won't. Jenny won't. And Nicholas certainly won't. I don't know about Mrs. Courtney, but I should think she'd do what Jenny wanted her to.”

Aurora snorted.

“Jenifer's a downright fool about Jenny—a hen with one chick, and would like everyone to believe it was the one and only bird of paradise. Change the plates and give me some cheese. There's gorgonzola and a marrowless cream thing suited to infants in arms. I'll have gorgonzola—I like to taste what I'm eating. Why did you bite my head off when I asked you if you were in love with Anne?”

John helped himself to cream cheese and grinned.

“You were so sudden. I'd only met you about an hour before. Besides, I didn't know myself—nor did Anne. You don't generally go about telling other people before you know yourself.”

“Pass me the butter. I do wish I could cure Horrocks of skimping the butter—I think Muriel must be afraid of getting fat. I like butter and biscuit, not biscuit and butter. Does Anne know you're in love with her?”

“She ought to,” said John with an odd fleeting smile.

CHAPTER XXXIII

John got a letter from Anne that evening. It made him very angry. It had no proper beginning, because after writing “Dear John” twice, and “John dear” once, Anne had wasted three good sheets of paper by tearing them into small pieces and putting them into the kitchen fire. For this she was rebuked by Mrs. Brownling.

“Nothing chokes a fire like paper. Why, I've known a love-letter or two keep a family on loo-warm water for a week.”

Anne might have retorted that there was nothing like never cleaning flues if you really wanted to keep your water cold; but she was too cast down to retort at all.

This was the letter that John read:

“I mustn't go on meeting you. I oughtn't ever to have met you at all. I blame myself very much. You mustn't come again. I really mean this. It puts us both in quite a false position. I can't be Annie Jones and Mrs. Fossick-Yates' parlour-maid and Anne Waveney at the same time. I'm not Anne Waveney any more—I want you to understand this; I'm Annie Jones, and Annie Jones can't come and meet you. I ought to have realized this before. I think I did really. When we met Aurora to-day, it showed me what a false position I was in. Please don't meet me any more, and please don't write or anything.”

The letter ended just like that, without a signature.

When he had read it through twice, John sat down to answer it with the light of battle in his eye:

“D
EAR
A
NNE
,

“I'm beginning this way, because I don't feel in the least like saying ‘Darling Anne' at the moment. However, you won't get this letter until to-morrow morning, so if I've stopped feeling angry by then, I will send you a telegram. Your letter is an infuriating one. I can't think why you wrote it. It's a frightful waste of time for one thing; and it's a frightfully bad letter for another. I don't think you know how to write letters. You ought to begin in the left-hand corner with ‘Darling John' or ‘My darling John.' Or, if you were in a nasty standoff sort of temper, which I'm afraid was the case, you might at least have put ‘Dear John.' I knew a man once whose name was Macgregor Dennison—we used to call him ‘Grigs.' He couldn't write letters either. But he knew he couldn't, and always used a
Polite Letter-Writer.
It tells you how to write to everybody. He was engaged to three girls at once when I knew him, and he wrote to them all every week. And they all said they'd never had such letters in their lives. They simply lapped them up and asked for more. The letters were very affectionate, but quite proper. I think you'd better have a
Polite Letter-Writer.
I will see if I can get you one. I will come round on Sunday at the usual time. Please don't be late, or I shall think you're not coming; and then I shall have to come and fetch you, and perhaps that would be a shock for Mrs. Fossick-Yates. I am not very fond of her, but I should not like to give her a fatal shock.

“Please be punctual. I shall be at the corner at half-past two, and I will wait there until three. After that I shall be obliged to risk giving Mrs. Fossick-Yates a shock.

“J
OHN
.”

“P.S.—I am still frightfully angry.”

Anne got this letter by the early post. She changed colour several times whilst reading it. Finally she laughed. It was undoubtedly pleasant to have made John Waveney angry. Her spirits rose to a dangerous degree.

Presently the telephone bell rang. Anne flew to it. Suppose he had really sent a telegram. Suppose Mrs. Fossick-Yates—

She clapped the receiver to her ear, and caught the words: “A telegram for Jones.”

A muffled sound broke from her lips. It was really an imprecation directed against the absent John, but the operator took it to indicate an uncertainty as to the name of the person to whom the telegram was addressed.

“J for Johnny; O for—”

“No—no—
no!
” said Anne, her voice smothered but desperate.

“J for Johnny; O—”

“No,”
said Anne. “I mean I've got that. Please give me the telegram.”

“The telegram is for J-O-N-E-S—Jones.”

“Yes, I know. Will you give it to me?”

“For Jones, 183, Ossington Mansions, Ossington Road. Are you taking it?”

“Yes. Do go on!”

“I am going on.”

“To Jones, 183, Ossington Mansions, Ossington Road—”

“Yes, yes.”

“Handed in at Vere Street at eight a.m. Are you taking it?”

Anne heard a door open behind her. She did not dare look round. Despair descended on her. She said, “Yes, I am,” and felt her knees shake.

“This is the telegram: ‘Second reading admissible.—J. M. W.'”

Anne hung up the receiver with a limp hand and turned to find Mr. Fossick-Yates regarding her with interest.

“Was that for me?” he questioned.

“No, sir.”

“Thank goodness!”

Anne moved away. Was he going to ask her any more questions? Apparently he was not. She drew a breath of thankfulness, and took refuge in the kitchen.

At ten she received a parcel. It contained a small book bound in bright red. On the cover there appeared in gold:

THE ART OF LETTER WRITING

BY

A P
EERESS
.

Anne pushed the book well down inside her box and turned the key on it with a vicious click. Then she went into the kitchen to polish silver. Her colour was so bright that Mrs. Brownling commented on it.

“Haven't been rouging, have you, dear? It's fashionable enough, as everyone can see—and I won't say it don't brighten some faces up a bit—but in my young days, if you said rouge, you said the scarlet woman, and that was all about it. I remember when I was engaged to a gentleman of the name of Higgs that was in a soap-chandler's business and afterwards did very well in the wholesale, there was a very handsome lady that lived no more than three doors down from us. It was when my poor father was on the staff of the British Museum and overworking something shocking. They were nice little houses, though steep in the stair and a wicked basement. Well, Mr. Higgs put his foot in it—and I must say he might have had more sense. Right in the middle of Sunday supper he comes out with ‘What a handsome neighbour we've got! A fine woman,' he says, ‘a dashed fine woman—dashed fine eyes, dashed fine complexion!' You should have seen how my father looked. I told you how strict he was. He opened his mouth; but my mother got in first. She was a Miss Smith from Brighton, and very quick with her tongue. ‘The lady's eyes may be her own, but her complexion isn't,' she says. And my father says: ‘Silence, Matilda!' And then he says to Mr. Higgs: ‘Profanity and immorality are disapproved of by me, sir.' And after that there were some un-pleasant remarks passed on both sides, and in the end it came to my engagement being broken off which I dare say was all for the best, for he'd a shocking high temper, and it's better to find it out before than after.”