Read Allegiant Online

Authors: Veronica Roth

Allegiant (17 page)

Caleb walks into the dormitory. There’s a stain on his shirt that looks like sauce, but he doesn’t seem to notice it—he has the look in his eye that I now recognize as intellectual fascination, and for a moment I wonder what he’s been reading, or watching, to make him look that way.

“Hi,” he says, and he almost makes a move toward me, but he must see my revulsion, because he stops in the middle of a step.

I cover the screen with my palm, though he can’t see it from across the room, and stare at him, unable—or unwilling—to say anything in reply.

“You think you’ll ever speak to me again?” he says sadly, his mouth turning down at the corners.

“If she does, I’ll die of shock,” Christina says coldly.

I look away. The truth is, sometimes I want to just forget about everything that’s happened and return to the way we were before either of us chose a faction. Even if he was always correcting me, reminding me to be selfless, it was better than this—this feeling that I need to protect even my mother’s journal from him, so that he can’t poison it like he’s done to everything else. I get up and slip it under my pillow.

“Come on,” Uriah says to me. “Want to go with us to get some dessert?”

“You didn’t already have some?”

“So what if I did?” Uriah rolls his eyes and puts his arm across my shoulders, steering me toward the door.

Together the three of us walk toward the cafeteria, leaving my brother behind.

CHAPTER
TWENTY

T
OBIAS

“W
ASN’T SURE IF
you would come,” Nita says to me.

When she turns to lead me wherever we’re going, I see that her loose shirt is low in the back, and there’s a tattoo on her spine, but I can’t make out what it is.

“You get tattoos too, here?” I say.

“Some people do,” she says. “The one on my back is of broken glass.” She pauses, the kind of pause you take when you’re deciding whether or not to share something personal. “I got it because it suggests damage. It’s . . . sort of a joke.”

There’s that word again, “damage,” the one that’s been sinking and surfacing, sinking and surfacing in my mind since the genetic test. If it’s a joke, it’s not a funny one even for Nita—she spits out the explanation like it tastes bitter to her.

We walk down one of the tiled corridors, nearly empty now at the end of a workday, and down a flight of stairs. As we descend, blue and green and purple and red lights dance over the walls, shifting between colors with each second. The tunnel at the bottom of the stairs is wide and dark, with only the strange light to guide us. The floor here is old tile, and even through my shoe soles, it feels grainy with dirt and dust.

“This part of the airport was completely redone and expanded when they first moved in here,” Nita says. “For a while, after the Purity War, all the laboratories were underground, to keep them safer if they were attacked. Now it’s just the support staff who goes down here.”

“Is that who you want me to meet?”

She nods. “Support staff is more than just a job. Almost all of us are GDs—genetically damaged, leftovers from the failed city experiments or the descendants of other leftovers or people pulled in from the outside, like Tris’s mother, except without her genetic advantage. And all of the scientists and leaders are GPs—genetically pure, descendants of people who resisted the genetic engineering movement in the first place. There are some exceptions, of course, but so few I could list them all for you if I wanted to.”

I am about to ask why the division is so strict, but I can figure it out for myself. The so-called “GPs” grew up in this community, their worlds saturated by experiments and observation and learning. The “GDs” grew up in the experiments, where they only had to learn enough to survive until the next generation. The division is based on knowledge, based on qualifications—but as I learned from the factionless, a system that relies on a group of uneducated people to do its dirty work without giving them a way to rise is hardly fair.

“I think your girl’s right, you know,” Nita says. “Nothing has changed; now you just have a better idea of your own limitations. Every human being has limitations, even GPs.”

“So there’s an upward limit to . . . what? My compassion? My conscience?” I say. “That’s the reassurance you have for me?”

Nita’s eyes study me, carefully, and she doesn’t respond.

“This is ridiculous,” I say. “Why do you, or they, or anyone get to determine my limits?”

“It’s just the way things are, Tobias,” Nita says. “It’s just genetic, nothing more.”

“That’s a lie,” I say. “It’s about more than genes, here, and you know it.”

I feel like I need to leave, to turn and run back to the dormitory. The anger is boiling and churning inside me, filling me with heat, and I’m not even sure who it’s for. For Nita, who has just accepted that she is somehow limited, or for whoever told her that? Maybe it’s for everyone.

We reach the end of the tunnel, and she nudges a heavy wooden door open with her shoulder. Beyond it is a bustling, glowing world. The room is lit by small, bright bulbs on strings, but the strings are so densely packed that a web of yellow and white covers the ceiling. On one end of the room is a wooden counter with glowing bottles behind it, and a sea of glasses on top of it. There are tables and chairs on the left side of the room, and a group of people with musical instruments on the right side. Music fills the air, and the only sounds I recognize—from my limited experience with the Amity—are plucked guitar strings and drums.

I feel like I am standing beneath a spotlight and everyone is watching me, waiting for me to move, speak, something. For a moment it’s hard to hear anything over the music and the chatter, but after a few seconds I get used to it, and I hear Nita when she says, “This way! Want a drink?”

I’m about to answer when someone runs into the room. He’s short, and the T-shirt he wears hangs from his body, two sizes too large for him. He gestures for the musicians to stop playing, and they do, just long enough for him to shout, “It’s verdict time!”

Half the room gets up and rushes toward the door. I give Nita a questioning look, and she frowns, creating a crease in her forehead.

“Whose verdict?” I say.

“Marcus’s, no doubt,” she replies.

And I’m running.

I sprint back down the tunnel, finding the open spaces between people and pushing my way through if there are none. Nita runs at my heels, shouting for me to stop, but I can’t stop. I am separate from this place and these people and my own body, and besides, I have always been a good runner.

I take the stairs three at a time, clutching the railing for balance. I don’t know what I am so eager for—Marcus’s conviction? His exoneration? Do I hope that Evelyn finds him guilty and executes him, or do I hope that she spares him? I can’t tell. To me each outcome feels like it is made of the same substance. Everything is either Marcus’s evil or Marcus’s mask, Evelyn’s evil or Evelyn’s mask.

I don’t have to remember where the control room is, because the people in the hallway lead me to it. When I reach it, I push my way to the front of the crowd and there they are, my parents, shown on half the screens. Everyone moves away from me, whispering, except Nita, who stands beside me, catching her breath.

Someone turns up the volume, so we can all hear their voices. They crackle, distorted by the microphones, but I know my father’s voice; I can hear it shift at all the right times, lift in all the right places. I can almost predict his words before he says them.

“You took your time,” he says, sneering. “Savoring the moment?”

I stiffen. This is not Marcus’s mask. This is not the person who the city knows as my father—the patient, calm leader of Abnegation who would never hurt anyone, least of all his own son or wife. This is the man who slid his belt out loop by loop and wrapped it around his knuckles. This is the Marcus I know best, and the sight of him, like the sight of him in my fear landscape, turns me into a child.

“Of course not, Marcus,” my mother says. “You have served this city well for many years. This is not a decision I or any of my advisers have taken lightly.”

Marcus is not wearing his mask, but Evelyn is wearing hers. She sounds so genuine she almost convinces me.

“I and the former representatives of the factions have had a lot to consider. Your years of service, the loyalty you have inspired among your faction members, my lingering feelings for you as my former husband . . .”

I snort.

“I am still your husband,” Marcus says. “The Abnegation do not allow divorce.”

“They do in cases of spousal abuse,” Evelyn replies, and I feel that same old feeling again, the hollowness and the weight. I can’t believe she just admitted that in public.

But then, she now wants the people in the city to see her a certain way—not as the heartless woman who took control of their lives, but as the woman Marcus attacked with his might, the secret he hid behind a clean house and pressed gray clothing.

I know, then, what the outcome of this will be.

“She’s going to kill him,” I say.

“The fact remains,” says Evelyn, almost sweetly, “that you have committed egregious crimes against this city. You deceived innocent children into risking their lives for your purposes. Your refusal to follow the orders of myself and Tori Wu, the former leader of Dauntless, resulted in countless deaths in the Erudite attack. You betrayed your peers by failing to do as we agreed and by failing to fight against Jeanine Matthews. You betrayed your own faction by revealing what was supposed to be a guarded secret.”

“I did not—”

“I am not finished,” Evelyn says. “Given your record of service to this city, we have decided on an alternate solution. You will not, unlike the other former faction representatives, be forgiven and allowed to consult on issues regarding this city. Nor will you be executed as a traitor. Instead, you will be sent outside the fence, beyond the Amity compound, and you will not be allowed to return.”

Marcus looks surprised. I don’t blame him.

“Congratulations,” says Evelyn. “You have the privilege of beginning again.”

Should I feel relieved, that my father isn’t going to be executed? Angry, that I came so close to finally escaping him, but instead he’ll still be in this world, still hanging over my head?

I don’t know. I don’t feel anything. My hands go numb, so I know I’m panicking, but I don’t really feel it, not the way I normally do. I am overwhelmed with the need to be somewhere else, so I turn and leave my parents and Nita and the city where I once lived behind me.

CHAPTER
TWENTY-ONE

T
RIS

T
HEY ANNOUNCE THE
attack drill in the morning, over the intercom, as we eat breakfast. The crisp, female voice instructs us to lock the door to whatever room we are in from the inside, cover the windows, and sit quietly until the alarms no longer sound. “It will take place at the top of the hour,” she says.

Tobias looks worn and pale, with dark circles under his eyes. He picks at a muffin, pinching small pieces off and sometimes eating them, sometimes forgetting to.

Most of us woke up late, at ten, I suspect because there was no reason not to. When we left the city, we lost our factions, our sense of purpose. Here there is nothing to do but wait for something to happen, and far from making me feel relaxed, it makes me feel jittery and tense. I am used to having something to do, something to fight, all the time. I try to remind myself to relax.

“They took us up in a plane yesterday,” I say to Tobias. “Where were you?”

“I just had to walk around. Process things.” He sounds terse, irritated. “How was it?”

“Amazing, actually.” I sit across from him so that our knees touch in the space between our beds. “The world is . . . a lot bigger than I thought it was.”

He nods. “I probably wouldn’t have enjoyed it. Heights, and all.”

I don’t know why, but his reaction disappoints me. I want him to say that he wishes he had been there with me, to experience it with me. Or at least to ask me what I mean when I say that it was amazing. But all he can say is that he wouldn’t have liked it?

“Are you all right?” I say. “You look like you barely slept.”

“Well, yesterday carried quite the revelation,” he says, putting his forehead into his hand. “You can’t really blame me for being upset about it.”

“I mean, you can be upset about whatever you want,” I say, frowning. “But from my perspective, it doesn’t seem like there’s much to be upset about. I know it’s a shock, but as I said, you’re still the same person you were yesterday and the day before, no matter what these people say about it.”

He shakes his head. “I’m not talking about my genes. I’m talking about Marcus. You really have no idea, do you?” The question is accusatory, but his tone isn’t. He gets up to toss his muffin in the trash.

I feel raw and frustrated. Of course I knew about Marcus. It was buzzing around the room when I woke up. But for some reason I didn’t think it would upset him to know his father wasn’t going to be executed. Apparently I was wrong.

It doesn’t help that the alarms sound at that exact moment, preventing me from saying anything else to him. They are loud, screeching, so painful to listen to that I can barely think, let alone move. I keep one hand clamped over my ear and slide my other hand under my pillow to pick up the screen with my mother’s journal on it.

Tobias locks the door and draws the curtains closed, and everyone sits on their cots. Cara wraps a pillow around her head. Peter just sits with his back against the wall, his eyes closed. I don’t know where Caleb is—researching whatever made him so distant yesterday, probably—or where Christina and Uriah are—exploring the compound, maybe. Yesterday after dessert they seemed determined to discover every corner of the place. I decided to discover my mother’s thoughts about it instead—she wrote several entries about her first impressions of the compound, the strange cleanliness of the place, how everyone smiled all the time, how she fell in love with the city by watching it in the control room.

I turn on the screen, hoping to distract myself from the noise.

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