Read A Writer's World Online

Authors: Jan Morris

A Writer's World (4 page)

It was dusk, and the lights were coming on. Before long we heard a deep roar far in the distance, and the blast of a whistle, and then the clanging of a bell. Down the line we could see the beam of a powerful light. The travellers gathered their luggage, the children skipped, the loungers chewed the faster, a few extra passers-by dropped into the station; and suddenly the
Rocket
was with us, four huge shining diesel units, big as houses, with the engineer leaning grandly out of his window; and a string of flashing coaches, all steel and aluminium; and a glimpse of padded sleepers; and black porters jumping from the high coaches and grabbing the bags; and travellers looking indolently out of diner windows, sipping their coffee; and a chink of light, here and there, as somebody moved a window-blind. The diesels roared, the conductors jumped aboard, the doors shut noiselessly, and off the great train went, like a long silver ship, cool, clean, glittering and powerful. Soon it would be out of the plains, and climbing into the Colorado mountains.

After my year in America I became
The Times
correspondent in the Middle
East, at a time when that region was, as usual, a hotbed of trouble, inflamed
by the establishment of the State of Israel in Palestine seven years before, by
the rivalries of oil, by Soviet scheming and by the lingering influence and
presence of the British Empire. I later evoked the experience in a book,
The Market of Seleukia.
My bailiwick embraced the whole region, and my base
was Cairo, a city which I had known under British control, and under King
Farouk, but which was now, after a military coup in 1952, the independent
republican capital of President Gamal Abdel Nasser.

Egypt

Rolling grandly northward out of the African interior, at last the noble River Nile splits into the several streams of its Egyptian delta, and creates a region so rich, so old, so deep-rooted in constancy, that there is something almost obscene to its fecundity. At the head of this country, at the point where the river divides, there stands the city of Cairo. It is the capital of Egypt, the largest city in Africa, the metropolis of the Arab world, the intellectual centre of Islam, and for more than a millennium it has been one of the great places of the earth.

*

Nothing ever quite dies in Cairo, for the air is marvellously clear and dry, and the temper of the country astringently preservative. If you stand upon the Mokattam Hills, the bare-back ridge that commands the place, you can see the pyramids of Giza upon its outskirts. From here they look faintly pink and translucent, like alabaster pyramids. They stand upon the very edge of the desert, where the sands are abruptly disciplined by the passage of the river, and they look fearfully old, terribly mysterious and rather frightening. Years ago the traveller would find these monuments
lonely and brooding in the sand, with a Sphinx to keep them company and an attendant priesthood of unscrupulous dragomen. Today the city has expanded upstream, and digested a little irrigated desert too, until a line of villas, night clubs, hotels and golf courses links the capital with the Pharaohs, and the pyramids have acquired a distinctly suburban flavour. They are to Cairo what the Tivoli Gardens are, perhaps, to Copenhagen.

Another layer of the city’s life is darkly medieval, straight-descended from the times when the Arab conquerors, storming in from their Eastern deserts, seized Egypt in the name of Islam. Look westward from your eyrie on the hill, and you will see a mottled section of the city, brownish and confused, from which there seems to exude (if you are of an imaginative turn) a vapour of age, spice and squalor. This is the Cairo of the Middle Ages. A forest of incomparable minarets springs out of the crumbled hodge-podge of its streets: one with a spiral staircase, one with a bulbous top, some single, some double, some like pepper-pots, some like hollyhocks, some elegantly simple, some assertively ornate, some phallic, some demure, rising from the huddle of houses around them like so many variegated airshafts from an underground chamber. There is said to be a mosque for every day of the Cairo year, and around them there lingers, miraculously pickled, the spirit of mediaeval Islam, just emerging from the chaos of animism and pagan superstition. Among these narrow lanes and tottering houses the Evil Eye is still potent, and a hundred taboos and incantations restrict the course of daily life.

At one of the great gates in the city wall you may still see dirty scraps of linen and paper pinned there in supplication to some misty saint of prehistory, and when there is a festival at a mosque, and the squeaky swings are erected for the children, and an endless crowd clamours through the night around the tomb of the local holy man, then all the gallery of medieval characters emerges into the street in the lamplight – the half-mad dervish, tattered and daemonic; the savage emaciated beggar, with long nails and gleaming eyes; the circumciser, preparing his instruments delicately at a trestle table; the saintly imam, bland and courteous; the comfortable merchant, distributing sweetmeats and largesse; the clowns and peddlers and pickpockets, and many a small company of women, identically dressed in coarse-grained black, squatting in circles at street corners, gossiping loudly or idly rapping tambourines.

Two or three minutes in a wild-driven bus will whisk you from this enclave to the boulevards of modern Cairo, the power-house of the
Middle East. Westernized Cairo was born in 1798, when Napoleon arrived in Egypt with his team of savants, and it has developed since under a series of foreign influences and interferences. Today, truly independent at last, it is a city so sophisticated and well equipped that all the other Arab capitals pale into provincialism. The Republic of Egypt is the self-appointed leader of the Arab world, and there is no denying the dynamism and assurance of its capital. A company of tall new buildings has burgeoned beside the river: two great hotels, all glass plate and high tariffs; a tower with a revolving restaurant on top; vast new official offices, immaculate outside, raggle-taggle within; expensive apartment blocks and sprawling housing estates. A splendid new corniche runs along the waterfront, from one side of the city to the other. A spanking new bridge spans the river. It is not a stylish city, contemporary Cairo, and its sense of dignity comes almost entirely from its river and its past, but it has undeniable punch and power.

*

It is the very opposite of a backwater. It is a fermenting city, often bombastic, always on the move. Fielding tells the story of a blind man, asked to convey his impression of the colour red, who replied that it had always seemed to him ‘somewhat like the sound of a trumpet’. Cairo is not silvery: but something similarly blatant and penetrating is the image that should be summoned for you, when it leaps into the headlines again. Something is always happening here. It may be some great economist flying patiently in, or a statesman flying philosophically out, or a new démarche from Moscow, or a British economic mission, or a fulmination against Israel, or a reconciliation with Iraq, or the arrival of a Russian dam-builder, or a meeting of the Arab League – a threat, a parade, or simply the President of Egypt sweeping by, with a roar of his convoying motor cycles and a scream of sirens, in his big black bullet-proof car.

It is a blazing place. It blazes with heat. It blazes with a confrontation of opposites, the clash of the modern and the traditional. Above all it blazes with the glare of contemporary history. Pause on a bridge in Cairo, amid the blare of the traffic and the shove of the citizenry, and you can almost hear the balance of the powers shifting about you, as the black, brown and yellow peoples come storming into their own. In Cairo is distilled the essence of the Afro-Asian risorgimento. It is fertile in ideas and bold ambitions – often undistinguished, sometimes positively childish, but always intensely vigorous, brassy, combative and opportunist. Its corporate tastes run to the belly-dancer, the dirty story, overeating, hearty
badinage. It loves fireworks and big-bosomed singers. Its newspapers are clever. Its cartoonists are brilliantly mordant. Its radio programmes, laced with propaganda, shriek from every coffee-house. It is a city with an incipient fever, always swelling towards the moment when the sweat will break out at last.

All the material amenities of Western life are available in Cairo, but it never feels remotely like a Western city. It welcomes you kindly, and guides you helpfully across the streets, and engages you in cordial conversation – only to do something distinctly queer at the end of the lane. Sometimes these things are frightening (when a mob streams down the back streets, or the great tanks rumble by). Sometimes they are very charming (when you share a bowl of beans with a jolly family in a park). Sometimes they are baffling (when you wake in the morning to learn of some totally unpredictable about-face of national policies). Sometimes they are marvellously encouraging (when some young upstart politician expresses a truth so clear, so clean, so free of inherited trammels that all our horny conjectures seem out of date). The particular forces of history and conflict that have moulded our Western societies have had little share in the making of Cairo. It is a city sui generis, sustained by all the hopes, strengths, weaknesses and grievances of an emergent world.

It is not really a rich city, any more than Egypt is a rich country. It is, though, a capital of formidable character and natural power. It stands there at the head of its teeming delta like a watchtower at the gate of a lush garden, and around it the world seems to lie supine, so that when this old city stretches its arms, its elongated shadow spreads across Asia and Africa and along the Mediterranean shores like the image of a genie. It is unlike any other city on the face of the earth: just as the greatheart Nile, passing proud but placid through the hubbub of the capital, marches down to the sea with a sad deep majesty all its own, as of a man who has watched the cavalcade of life pass by, and wonders what all the fuss is about.

Gamal Abdel Nasser’s revolutionary regime, although I admired it in many
ways, was frankly autocratic, and I often had occasion to write about its
techniques, both in the city and in the countryside.

If you leave your car for long in the village street of Bai-el-’Arab you are likely to find things scribbled in the dust on the windscreen: a funny face perhaps, a name or two, an obscure witticism, and ‘Long Live Gamal Abdel Nasser!’ There is probably not a village in the Egyptian Republic where
you can escape the impact of al-Gumhuria – the regime led by Colonel Nasser which, in the eyes of its supporters, is now dragging Egypt by the heels from its misery. This does not mean that Bai-el-’Arab looks or feels very different because of the junta’s ruthless reforms. It remains largely inviolate, like a thousand others, all but untouched by the material progress of a century or more, still deep in poverty and ignorance.

Its intricate jumble of mud huts lies off the main road in the delta country north of Cairo. From its dusty courtyards, across the fields, you may see the great white sails of the Nile boats sweeping by. Near by, blindfold oxen tramp endlessly round their water-wheels, and men with their clothes rolled up to the thigh pump water into irrigation canals with archaic instruments. The fields of cotton, wheat and beans are dazzlingly bright. The narrow roads are lined with trees. Only an occasional car passes by with an alarming blast of its horn.

Both Muslims and Copts live in this small community, and it is easy to enter their houses, for they are friendly and hospitable. As you drink their coffee you may see for yourself how the
fellah
, the Egyptian peasant, lives: in squalor indescribable, sharing his mud floor with dogs, goats, chickens, turkeys and sometimes cattle, with a hard bed to lie on, and an open fire to cook by, and a litter of junk and tin cans, the whole enveloped in a pall of dust. Dirt and want dominate the lives of these people, but their society is not without grace. Their courtesy is instinctive, and here and there you will find traces of aesthetic yearnings; a door-knocker made curiously in the shape of a hand, some childish colourful wood-carving, an ornamental tray or a trinket of beaten brass.

*

A convoy of cars recently arrived in this village bringing a high dignitary of the regime, Major Magdi Hassanein, and a number of important visitors. They were welcomed with ceremony, for the purpose of the dignitary’s visit was to choose suitable
fellahin
from Bai-el-’Arab for resettlement in Liberation Province, an enormous agricultural area which is being reclaimed by irrigation in the western desert. A good house, new clothes and secure communal living were among the prizes for selection, and the response was ecstatic. In a field beside the road a marquee of large carpets was erected, and a band struck up a reedy melody, all third-tones and offbeats. Caparisoned Arab horses performed their celebrated dance – the
haute
école
of rural Egypt. Slogans of enthusiasm were shouted, and the women shrilled the queer high-pitched whistle they reserve for weddings and such festivities.

Liberation Province, like many other projects of the regime, is a courageous and imaginative conception, but if this government is in many ways reasonable, it is also despotic. The Press is muzzled; laws of profound effect are issued suddenly and unpredictably; foreign issues are shamelessly exploited for purely political ends; opponents of the regime are removed without ceremony. So at a whisper from the cheer-leaders at Bai-el-’Arab there is a roar of approval and a chorus of ‘Long Live Major Magdi Hassanein!’

Inside the school some of the candidates for Liberation Province are lined up for visitors to see, like material for some new master race. ‘They must all be under 30, and literate, and of good appearance. See how intelligent they look! They will wear a fine new gabardine uniform in Liberation Province. They will be examined by psychologists to see if they are suitable. Come and see them taking their written examination.’

There they sit at a wooden table, these new Egyptians, each in a spotless white
galabiya
, each fingering a newly sharpened pencil, each with a virgin question sheet in front of him. ‘They will start in a moment. It is a very stringent test. Watch them prepare for it! No, no, certainly they have not been chosen already. They are about to begin. Wait!’ But here the candidates rise as one man, with a look of ineffable piety upon their faces, and bawl a few more ‘Long Lives!’ before resuming their academic duties.

*

So despotism applies itself to the humanities, and it may be that an iron hand is necessary for the rebuilding of Egypt, together with regular infusions of compulsory pride and loyalty. On balance, despite the scepticism of the financiers, the odium of the intellectuals, the misgivings of the liberals, the fears of the Jewish minority and the growing alienation of the Arab world, al-Gumhuria seems to be good for Egypt. But who can foresee whether the thrusting young men of the junta, with their examinations and their big battalions, will be able to last the course; or whether they will be outlived, like so many before them, by the flies, the mud houses and the old tin cans?

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