A Separate War and Other Stories (33 page)

GEORGE

CHILDISH DEFIANCE

That's for me to know and you to find out.

O'HARA glances at FRIEDMAN, and he adjusts dial upward with audible click. HOLD SUBLIMINAL and ADD SUBLIMINAL: Little finger being pushed back to breaking point.

BIG CLOSE-UP on O'HARA'S face, smiling. Sharp intake of breath from GEORGE (OFF).

O'HARA

Whom are you going to kill?

GEORGE

Stop it. Make him stop it.

O'HARA

Whom are you going to kill?

GEORGE

Make him stop.

O'HARA

MOVING EVEN CLOSER TO GEORGE, SMILING

More.

HOLD SUBLIMINAL and ADD SUBLIMINAL: Knitting needle being pushed through thigh. GEORGE moans. SOMATIC: Female sexual tension 0.40. BIG CLOSE-UP on O'HARA, panting through her nose, teeth clenched.

O'HARA

Whom are you going to kill?

GEORGE

I…can't…say.

O'HARA

More…

Click and HOLD SUBLIMINAL and ADD SUBLIMINAL: Extreme pressure on testicles. SOMATIC: Female sexual tension 0.75.

MEDIUM TWO SHOT of GEORGE and O'HARA. GEORGE has head thrown back, features contorted, screaming; O'HARA leaning over him, hands on his forearms, shouting into his face:

O'HARA

AT THE TOP OF HER LUNGS

Whom are you going to kill whom are you going to kill whom are you going to kill?

HAZLIK (OFF)

WHISPERS

God.

FRIEDMAN

CALMLY, ACADEMICALLY

This level of pain is greater than that experienced by one who burns to death.

JOHNS

SLIGHTLY BOTHERED

You might as well try something else. This isn't going to work.

FRIEDMAN

You're probably right.

GEORGE'S screams stop abruptly. SUBLIMINALS OUT.

O'HARA

Whom are you going to kill whom are you going to kill whom are you?

O'HARA slips lithely off him and holds hand out to FRIEDMAN.

O'HARA

Quickly.

FRIEDMAN HANDS her a small ampoule. She grabs GEORGE by the hair—his head is lolling and he's whimpering like a child—and holds his head up while she crushes ampoule under his nose. Immediate SOMATIC: Male sexual tension 0.70, SMELL: Full-strength Stiffner ©.

O'HARA

TEASING GROTESQUELY

I've got something you wa-ant.

GEORGE looks at her sickly and takes in ragged breath. SOMATIC: Male sexual tension 0.75.

GEORGE

HOARSELY

Come here.

O'HARA

Not until you tell me. Whom did Fredrika order you to kill?

FULL-BODY SHOT of O'HARA past GEORGE. O'HARA pulls shift over her head and, underneath, is wearing only a little wisp of bright material which clings wetly to her. She has a ripe young figure, shiny with perspiration. SOMATIC: Male sexual tension 0.85, painful erection.

O'HARA

Who-o-o?

GEORGE shakes his head violently, incapable of speech or not trusting himself. A little salvia has trickled out of the corner of his mouth. O'HARA approaches him and kneels, begins caressing the back of his hand with her breast. FEEL: Featherlight touch of breast on back of hand which is struggling to clutch but unable to turn over. SOMATIC: Male sexual tension 0.93. SMELL: Female, male musk.

O'HARA

Just one little name, and I'll take care of you.

O'HARA stands and turns her back to GEORGE; slowly slides final garment down. SOMATIC: Male sexual tension 0.95.

O'HARA (FACING AWAY)

Just tell me, George.

GEORGE groans something intelligible. O'HARA turns and, in a quick smooth motion, mounts his hand and begins rubbing back and forth. FEEL: Slippery labia, unnaturally hot and wet. SMELL: Female musk UP. SOMATIC: Male sexual tension 0.99; unbearable, gut-wrenching frustration.

O'HARA

HUSKILY

If you want…

GEORGE

SCREAMS

Haz-lik!
Hazlik
!

FEEL, SMELL, SOMATIC all OUT. O'HARA slides off GEORGE and slips back into clothes. FEEL: Wetness on back of hand turning cold and sticky as HAZLIK crosses in blind fury. ADRENALINE: 0.75.

HAZLIK

BARELY CONTROLLED

You are going to die…

TIGHT TWO SHOT: HAZLIK and GEORGE. HAZLIK has produced a shooter and is holding it at GEORGE'S head. He lowers aim, pointing it at his groin.

…and it's up to you whether you die quickly or in great agony.

GEORGE

Don't…don't kill…

HAZLIK

Who ordered the contract? Who wants me dead?

GEORGE

I don't know, she never tells me, please,
please
don't kill…

MORENO (OFF)

He's probably telling the truth, Hazlik.

HAZLIK thumbs safety on shooter; it begins to hum. ADRENALINE: Down to 0.50.

HAZLIK

You're right.

HAZLIK turns to face MORENO and drops shooter in tunic pocket. ADRENALINE: 0.35.

HAZLIK

Let's go talk to Fredrika.

JOHNS

Shall we kill him?

HAZLIK

Eventually.

TO O'HARA, LEERING

You may practice on him first. Don't worry about marks.

CUT TO: Main room again. Party going full swing, people laughing and chattering. FREDRIKA is seated near the bar, looking deadly. DOLLY in for TIGHT GROUP SHOT as HAZLIK and MORENO approach.

SOUND UNDER and HOLD ADRENALINE.

FREDRIKA

COLDLY, TO HAZLIK

Where is my husband?

HAZLIK

He's enjoying his own private party right now.

MORENO

And being positively garrulous.

FREDRIKA

Oh? I'm glad to hear that. I was afraid he wasn't having a very good time.

MORENO

HISSES

He still—

HAZLIK

INTERRUPTING

He talked, Fredrika. I know he came here to kill me.

You
came here to kill me.

FREDRIKA

WHISPERS

You fool. Both of you, fools.

MORENO

No, dear, for a change you play the fool. This time you went too far.

FREDRIKA

VENOMOUS

If you kill me, an army will be at your door by dawn.

HAZLIK

By dawn, I will have an army here to meet them.

MORENO

Two armies.

HAZLIK

Perhaps, though, if you will tell me who contracted for my death…

FREDRIKA

You know I can't do that.

HAZLIK

This one time; this last time, you had better.

FREDRIKA

LOOKING AT MORENO

Alone.

HAZLIK

All right. (TO MORENO) You will excuse us?

MORENO makes exaggerated bow. FREDRIKA and HAZLIK leave wordlessly. MORENO watches them go and speaks softly into his bracelet.

CUT TO: TIGHT TWO SHOT of FREDRIKA and HAZLIK alone in a corridor. HAZLIK opens an ornate, old-fashioned manual door.

HAZLIK

WRYLY

My chambers.

LONG SHOT past HAZLIK and FREDRIKA to opulent bedroom; a fantasy of glass and velvet and silk. SUBLIMINAL: Feel of velvet and silk, sound of fine glass tinkling. Slight SMELL: Dope. SOMATIC: Dope 0.08. A tall, beautiful girl sits naked on the couch by the bed, smoking dope and reading. Unruffled, she puts down the viewer and slips a housecoat over her shoulders; crosses to exit between HAZLIK and FREDRIKA.

HAZLIK

I'll call for you later. (MOTIONS TO FREDRIKA)

Have a seat, dear.

HAZLIK crosses to a large bar and selects a fine decanter.

HAZLIK

Brandy?

FREDRIKA

Just a taste.

HAZLIK pours two small glasses of brandy, his back to FREDRIKA, watching her in a mirror. She doesn't move. He reaches in tunic pocket and takes out his shooter. SOUND: Soft hum; still activated. He crosses to FREDRIKA with shooter in right hand and drink in left.

HAZLIK

Distilled from the finest Antarean vintage.

FREDRIKA accepts, not looking at shooter, and takes a small sip.

FREDRIKA

It travels well.

HAZLIK returns to the bar and gets his glass, then sits on bed about two meters from FREDRIKA. He empties the glass in one swallow. TASTE and SMELL: Fine brandy; SOMATIC: Liquor burning on its way down.

HAZLIK

Well?

FREDRIKA

The man who contracted for your death is one of my oldest and most valued customers.

HAZLIK

Was. As our friend pointed out, you are no longer in the business. (PAUSES) You may yet live, though.

FREDRIKA

LAUGHS SOFTLY

You can't allow me to live.

TAKES LONG SLOW SIP OF BRANDY

Neither can Moreno.

FREDRIKA reaches up and takes a long pin out of her hair. The hair falls in a soft white cascade around her shoulders. She was very beautiful once.

HAZLIK

RAISING SHOOTER

That pin is a weapon.

FREDRIKA

With proper knowledge, anything is a weapon. (PAUSES) Don't worry. I won't throw it at you.

HAZLIK

More of your nerve poison?

FREDRIKA

Oh, you found out George's little secret? How many men did it take?

HAZLIK

Two. We have atropine now, though. (TAKES AMPOULE OUT OF HIS POCKET AND SHOWS IT TO HER) You might as well tell me who your customer was. If nothing else, I can promise you a pleasant death.

FREDRIKA

Having made a lifelong study of the subject, I can assure you that there is no such thing as a pleasant death. Not even painless death is pleasant, not even for an eighty-year-old woman.

FREDRIKA stands and begins walking. For once, she looks as old as she is. CAMERA FOLLOWS as she talks, fiddling with the pin.

FREDRIKA

You don't recall the last time you contracted for my services.

HAZLIK (OFF)

Of course not.

FREDRIKA

It was a most unusual request. Also very difficult. But I accepted the challenge.

HAZLIK (OFF)

So? You were paid well, no—

FREDRIKA

I wouldn't have risked it if it hadn't meant so much to you. I've always respected you, Theo; loved you in my own way.

ADRENALINE: 0.20. SUBLIMINAL: Rattlesnake coiling.

FREDRIKA

You were very disturbed, agitated. You had tried a multitude of other possible solutions before coming to me. None of them was satisfactory.

ADRENALINE: 0.40. SUBLIMINAL: Guillotine rising, rusty squeak.

HAZLIK (OFF)

What has this to do—

FREDRIKA

Patience. Old people do rattle on.

FREDRIKA stops walking a little more than an arm's length from HAZLIK. ADRENALINE: 0.50, SUBLIMINAL: Losing balance on edge of cliff.

FREDRIKA

You were afraid that your empire was going to crumble because of the weakness of one man.

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