Authors: Giorgio Scerbanenco
‘Is this your sister?’ From a small leather briefcase Duca had taken out an 18×24 photograph and held it up to her, in the little room illuminated now only by a lamp with a plastic shade, bought at Upim or La Standa, and placed next to the TV set.
Every now and again his father had talked to him about his work and each time he did he told him, talking about his days in Sicily with the Mafia, that the only method which had proved effective over the years, with both criminals and honest people, with good and bad people, was a fist in the face.
These people are crafty, don’t waste your time on them. Forensics is one thing and that’s fine, but a police force using nice words, persuasion, psychological games, only makes new criminals. First give them a punch in the face, and then ask the question, you’ll see, a person who’s taken a punch responds better because he’s realised that when the need arises you can talk his language. And if the person who’s taken the punch
is an honest man, don’t worry, even honest men can have accidents
.
He had never liked the theory, and was even convinced that it was wrong, but now he had applied it. The photograph he had chosen to show the woman was one of the most indecent shots of her dead sister. It was just like a punch in the face.
Apart from looking at the photo, Alessandra Radelli did nothing, she didn’t turn red, didn’t turn white, didn’t start to cry, didn’t even say ‘oh.’ Nothing. But her face seemed to become smaller.
‘Is this your sister?’ he asked again, more loudly.
‘Yes,’ she said.
‘Sit down, signorina.’ He already knew everything about her, from the phone company where she worked, from the landlord—she paid her rent regularly—and from the caretaker—she never received men, nor had she received them when her sister was still there.
‘Do you know anything about these photographs?’
She shook her head, she was starting to breathe heavily, it was probably the heat, the room was small, even more hot air came in from the window that looked out on the courtyard. Mascaranti had found the light switch and lit the thing which hung from the ceiling of the room and which revealed itself to be an attempt at a chandelier.
‘What did your sister live on? Did she have a job?’
She knew perfectly well what they meant, and she started speaking. She seemed almost calm, but her face remained, inexplicably, smaller than when they had arrived. Of course, of course, Alberta had found work immediately, as soon
as she had arrived from Naples: she had become a shop assistant.
‘Where?’
She told them where, a shop, although the term was a little vulgar: better to say a ‘men’s boutique’ in the Via Croce Rossa, where a young man enters, climbs a small carpeted staircase, and in a softly furnished little room his measurements are taken for a shirt by two young female shop assistants, or if he needs gloves for the car, French ties from Carven, original American pants, or anything else, the two shop assistants, guided by another lady, are always there, and one of the two assistants had been Alberta Radelli.
‘How long did she work there?’
‘Two or three months,’ she wasn’t sure.
Mascaranti was writing everything down.
‘And then?’
‘She left.’
‘Why?’
She couldn’t remember, maybe Alberta had quarrelled with the manageress.
‘And after that?’
One by one, she told them all the places where her sister had worked, those that she knew, including the phone company. Mascaranti wrote them all down and then counted them up: in the year and a half she had been in Milan, Alberta Radelli had worked a total of almost eleven months, most of the time as a shop assistant. More than they had expected. The remaining seven months were taken up with intervals of unemployment.
‘But she also gave lessons, I got a lot of lessons for her.’ The famous arithmetic, history, and geography lessons to schoolboys.
‘How much did she charge per lesson?’
‘Six hundred lire.’
As much as an hourly cleaner but, apart from the social injustice and the debasement of cultural values, Alberta Radelli didn’t have much to play with from these lessons. Cruelly, he turned over the photograph, which for a while he had kept face down, and showed it to her again. ‘You realise your sister was doing something that wasn’t very nice’—look at the photo, he seemed to be saying—‘and I can’t believe you didn’t know anything about it, given that you lived together.’
She nodded, as if to say, yes, she knew something, and Mascaranti was getting ready to write it down, but all she said was that she had occasionally had her suspicions, because sometimes, even when she wasn’t working, her sister gave her twenty or thirty thousand lire to help her with her monthly bills.
‘And where did she say the money came from?’
‘Once she told me she was translating a book from French and that she had been given an advance.’
‘And did you believe her?’
Pitifully, she shook her head. ‘No.’
‘Did you tell her you didn’t believe her?’
She hadn’t really told her she didn’t believe her: she had tried to find out if she had someone, she thought in fact that she did have someone, a man who might not have been very
young, quite a generous man, but she hadn’t tried to find out more, otherwise she wouldn’t have accepted the money. In her clumsy way, she was sincere.
‘So you didn’t know,’ he had to be even more brutal, ‘that she earned that money by picking up men, or being picked up by them, different ones each time.’
No, she didn’t know, and finally she began to tremble a little, but without crying, her whole face was visibly trembling, and yet she wasn’t crying. ‘What’s happened? She’s been dead for a year, we’ve already suffered so much, my father and I, what are you looking for now?’
It wasn’t easy to explain what they were looking for and he didn’t even try, because he himself wasn’t sure exactly what they were looking for, maybe the truth, if he didn’t find the very idea of the truth laughable. What is the truth? Does it even exist?
‘All right, you don’t know anything about this,’ he said, putting the photo back in the leather briefcase, ‘but maybe you can tell us something else that could help us. Your sister must have had friends, acquaintances. Did you ever see any friend of your sister’s? Did your sister ever talk to you about anyone?’
The trembling ceased gradually, resignedly, because it’s useless to tremble or cry, what’s the point of it? ‘She always said she was going to see some friend or other, but I can’t remember all of them and anyway she only ever mentioned first names.’
He made her tell him what she remembered, and Mascaranti wrote everything down. The friend she remembered most was the schoolteacher. ‘She hadn’t graduated yet, but
Alberta called her the schoolteacher. She came here to the house, once, to pick her up.’
He was interrogating: having been interrogated so many times by the prosecuting attorney at the trial, and also in prison, he was now the one asking the questions, and it was an interesting experience. ‘So you don’t remember the name, is that right, you only knew her as the schoolteacher?’
No, she said, she remembered the name, Livia Ussaro: she must have written it down in the little address book.
‘Thank you,’ he said, ‘could I see this address book?’
She went into the hall, took it from the hook from which it was hanging next to the telephone and brought it in to him. Without looking at it, he put it in the briefcase together with the photograph. ‘I’ll bring it back in a few days.’ Livia Ussaro didn’t sound a very likely name, it might be a pseudonym: start looking for a woman called Livia Ussaro and you probably wouldn’t find anything. And he was getting tired of Mascaranti holding that little notebook that vanished inside his big hands, that little Biro, and the fact that he was writing everything down.
‘Do you remember any other friends?’
‘She mentioned so many. She’d say,
I’m going to see Maurilia
, or else somebody would phone and say,
this is Luisa, is Alberta there?
’
Was she winding him round her little finger, or was it innocence in a pure state, a precipitate of innocence, obtainable only in a laboratory?
‘I was also thinking of men friends,’ he said, patient but already irritable.
‘No, never men.’
Mascaranti ran his Biro through his hair: he wasn’t trying to write on his head, but the woman had said ‘never men’ quite seriously, straight out, it had come from her heart, she wasn’t trying to deceive anyone.
‘The photograph I showed you suggests your sister may have had a number of male acquaintances. Whatever it was she did, she’s dead now, and there’s no point in your trying to cover it up, we’ll find out in the end anyway. Men must have phoned your sister, maybe lots of them, and some may have given their names. Please tell me the truth.’
‘No man ever phoned her,’ she said immediately, and she seemed genuinely sorry that she couldn’t help him.
She wasn’t lying. ‘It’s possible,’ Mascaranti said. ‘Maybe she didn’t let them phone here because she didn’t want to make her sister suspicious.’
While they were about it, they committed another violation of her rights as a citizen and did a quick search of the apartment.
‘Your sister must have left some personal objects here. We’d like to see them.’
Unaware that the constitution gave her the right to refuse, she took them to the one bedroom in the apartment. There were two small beds like the cots of four-year-old children who sleep with teddy bears clutched to their chests, and indeed, on the light wooden headboards, bears, dogs, butterflies, and snails with long horns had been painted. ‘She slept here with me, I left her clothes in the wardrobe, and everything else she had is in that suitcase on top of the wardrobe.’
Mascaranti pulled down the suitcase, opened it, and was about to start writing down everything it contained, but Duca stopped him. ‘Leave it, there’s nothing here.’ There were a large number of bras, knickers and suspenders, some hair clips, a hairdryer, a novel by Moravia, a fountain pen, and an opened packet of cigarettes: Alpha, rather a strong brand for a young woman.
‘We’ve finished.’ No, not everything was nasty. Alberta’s unfortunate sister may have been weak and foolish, but she didn’t know anything, she hadn’t been part of anything that wasn’t above board. But in the hall, before they left, he still asked, ‘Did you ever figure out why your sister killed herself?’
She said no with the same expression on her face, and finally her eyes grew moist. ‘I don’t know, it was terrible when they called me to the morgue, I hoped it wasn’t her. The evening before she’d talked about the two of us going on holiday together, she said she wanted to go a long way away, somewhere abroad. She was cheerful, and I told her off, I said we didn’t have enough money to go abroad, the landlord had asked for the latest instalment, it was fifty thousand lire, but she wanted to go on holiday, as far away as possible, she said.’
So that was why, that day, she had told Davide, alongside the gentle river, that she needed fifty thousand lire, and he had given it to her: it was for the expenses, the caretaker, the lift that didn’t work, the heating, which her sister had to pay. But why she had killed herself, if she
had
killed herself; nobody knew, the sister even less than anyone else. He
was pleased, at least there was something here that wasn’t nasty. He tried as best he could to apologise for his cruelty. ‘I’m sorry, signorina, if we disturbed you at night, but you work all day and we couldn’t come at any other time,’ but his attempt at kindness had a disastrous effect: Alessandra Radelli started sobbing and as they began descending the staircase they heard her sobs until the door closed.
Downstairs, they got in the Giulietta, and Davide was still at the wheel, the unofficial driver of an unofficial police commando, and having crossed the city they got out at the Hotel Cavour, their headquarters, as they did every evening.
‘A bottle of dry Frascati, not chilled,’ he ordered as soon as they were in the two connecting rooms. They took off their jackets, apart from Davide, and loosened their ties, even Davide. They were in the second phase of the treatment: change of poison. Davide could drink all the wine he wanted, even a wine that had an imaginary similarity in taste to whisky, but never again a single drop of whisky, or any other strong liquor. For two days, Davide had been holding out quite well, only his silence was tending to get worse.
Mascaranti was a bureaucrat, he needed to write a report of the work they had done during the day, and a plan of what they would do the following day.
‘The sister’s a dead end,’ he said. ‘She didn’t tell us anything we didn’t already know.’
‘Good,’ Duca said. He liked the Frascati the way it was now, almost warm, maybe more than Davide did. ‘For now, let’s concentrate on the address book,’ he took it from the briefcase and handed it over to Mascaranti. ‘Phone all those
numbers and if anyone replies who had anything to do with Alberta Radelli or knew her, make a note of it and we’ll go and see them. Apart from this one,’ he took back the book and opened it at the letter
U
, made a note of the number and the address: Livia Ussaro. Ussaro like
hussar
. A nice pseudonym: maybe she even wore a jacket with gold braid. ‘Go and rest, we’ll start again tomorrow morning.’ He gave him back the book. ‘Remember we have to give it back as soon as possible.’
It wasn’t yet ten, but the silence in the two rooms was total, the penultimate noise had been that of Mascaranti closing the door as he went out, and the last noise that of the Frascati gurgling into the glass as Davide poured it. Now there was nothing, Davide certainly wouldn’t say a word, and Duca didn’t like silence. He went and opened the two windows: it might let in the heat, but also a bit of traffic noise from the Piazza Cavour.
‘Do you like playing the policeman?’ Apart from the general silence, there was also Davide’s silence, which ended up arousing the bizarre suspicion that he was alive only in appearance, that he continued to move, eat and drink, but as if by inertial force, being already dead.
He didn’t smile, and he needed time to respond. ‘But I’m not doing anything.’