A Dark and Stormy Knit (Black Sheep Knitting Mystery) (2 page)

For some reason, Maggie didn’t want to touch it.

She stood back, gazing at the cat-face meter cover, taking in the variety of stitches and fibers. Then she pulled out her phone, snapped a picture, and sent it with a text to Lucy.

Are you coming this morning? You have to see this. Before someone takes them all down. Me-ow-sky!

Maggie walked a bit farther down the street and took a few more photos. Then she sent another text and photo to two more friends who also worked in town. Dana, a psychologist, had an office on Main Street just above the bookstore. She was also on staff at a nearby hospital, and her hours in town were scattered. No telling if she’d be in this morning, though Maggie hoped so.

Suzanne worked for Prestige Properties on a side street off the main thoroughfare. She often worked from home or was driving around, showing houses to clients. But she might get a peek at the display this morning. Maggie knew they’d both be upset if she didn’t alert them.

She heard her phone beep, signaling a text coming in. Lucy had answered first:

Already on the way. Will jog last lap. This better be good.

Maggie didn’t reply. What could she say? Yarn bombers had struck during the night, and the parking meters were covered with knitting graffiti . . . a parade of cat faces. Lucy was more of dog person but would appreciate this prank, though it looked like the unsanctioned decorations would not last very long.

A dark-green pickup truck, marked with the official seal of Plum Harbor Incorporated Village, stood at the far end of the avenue alongside a blue-and-white police cruiser. Two men in hard hats, gloves, and matching tan jackets jumped out of the truck and chatted with a police officer through his car window.

Did it take an armed law officer and two brawny guys in protective gear to handle the equivalent of teapot cozies? Yes, apparently.

She heard another vehicle approach from the opposite end of the street, and she turned to see a large white van. Some apparatus on top looked like a satellite dish, and the lively red logo on the side left no mistake about who was inside.
News Alive 25!
was chasing down this hot story.

Oh dear . . . let me out of here . . .

If she didn’t beat a hasty retreat, some cheerful woman with fluffy hair and lots of lipstick was bound to hop out of that van and chase her down for a “person on the street” interview.

“And I am
not
ready for my close-up, Mr. DeMille,” Maggie mumbled.

She quickly gathered her knitting bag and purse from the backseat and scurried up the walkway to the front porch of the shop. She unlocked the door and jumped inside, taking care to leave the sign turned to the closed position: “Sorry . . . Resting Our Needles Right Now. Please Come Back Soon.”

The Black Sheep Knitting Shop covered the first floor of a Victorian house and was a perfect, cozy haven for knitters—and, very often, shopkeepers—hoping to hide away from the world for a while.

Maggie felt instantly at ease as she dropped her belongings on the counter near the register and headed to the storeroom to make a pot of coffee. Her usual morning routine. Lucy would be expecting a cup . . . or two. That was for sure.

The storeroom, formerly a kitchen, was still equipped with a stove, a fridge, and other culinary necessities. Maggie had considered pulling it all out when she’d opened the shop about three years ago. But she was soon glad she had not. She often held events at the store—book signings, afternoon tea, and
even “Friday Night Stitching & A Movie.” Her own knitting circle, the Black Sheep Knitters, enjoyed sharing a good meal almost as much as stitching together. Maggie was sure now that if the shop had not come equipped with a kitchen in back, she would have been obliged to add one.

A stairway in the storeroom kitchen led to an apartment on the second floor. There was an outside entrance as well, but the upstairs tenant—Phoebe Meyers—was Maggie’s part-time assistant and most often used the inside stairs for her coming and going. Maggie listened a moment for Phoebe’s footsteps but didn’t hear any signs of life. Nothing but the coffeemaker dripping and hissing.

She was not surprised. It was not quite eight o’clock, the crack of dawn for Phoebe, who rarely appeared in the shop until ten. Maggie didn’t begrudge the college student her sleep, though she did wish Phoebe would lead a healthier lifestyle. Phoebe was up all hours, either studying for her courses or out with her boyfriend Josh’s band. Her second—unpaid—job was as unofficial manager, roadie, and number-one fan of the Big Fat Crying Babies. Phoebe had hinted that her romance with Josh had hit a few snags lately. But she hadn’t offered any details.

Maggie wondered if the friction had to do with all the grunt work Phoebe did for the band. She wasn’t sure Josh appreciated Phoebe’s efforts, and maybe that had dawned on Phoebe, too. But last night Phoebe had helped with a gig out in Gloucester, and Maggie knew she wouldn’t be up for a while.

Too bad. Phoebe, of all people, would love to see the meters tarted up in such a clever fashion. She would appreciate the absurdity and the artistry . . . and the subversive, radical
attitude behind the display. Maggie appreciated that as well, having come of age in the 1970s . . . peace, love, and revolution. And all that. But she was still sure it was better not to wake Phoebe.

A sharp knock sounded on the door, and Maggie looked out the bay window at the front of the shop, peeking around the winter display. Yes, it was Lucy . . . and not some early-bird customer or—heaven help her—the crew from
News Alive 25!
She hoped that group had worked their way down to the harbor by now.

Maggie spotted Lucy’s dogs first. Mainly their big wet noses, fogging up the glass. She could not understand why the dogs needed to sniff and drool all over the shop window every morning. What possible scent there could be of any interest to them? Windex?

She grabbed her coat and stepped out on the porch to talk with Lucy. “Did you see the meters? Isn’t it wild?”

Lucy looked winded from her sprint and sufficiently shocked, two pink spots on her cheeks, her blue eyes bright.

“Totally and completely wild. It’s absurd. And amazing. But creepy, too . . . in a way.”

She unzipped the top of her jacket and pulled off her knit cap. Her long, wavy hair had been gathered in a hasty ponytail, and dark-blond strands came loose, curling around her face. “A little creepy, I agree.” Maggie nodded as they headed back down to the sidewalk to take in the bizarre needlework.

“Someone . . . a group of people, most likely . . . went to some trouble knitting these things and sneaking out here in the middle of the night to cover the meters. I wonder if anyone saw them.”

Lucy considered the question while staring at one of the cat faces. They weren’t all purple, Maggie realized. Some were blue or green or black as well. And on some, the ears were a different color from the face. As if several knitters had interpreted the same pattern. She’d taught enough knitting classes to recognize that result.

Lucy was looking them over, too, stretching out the black whiskers that graced a dark-red cat. “Main Street gets pretty deserted at night. All the shops would have been closed. Even the restaurants close early during the winter. And there are only a few apartments on this street.” Lucy looked over at Maggie again. “Who do you think it was?”

“I’m not sure . . . but I have a good guess.” Maggie paused. “The Knit Kats. Who else could it be?”

“Oh . . . right. They would do something like this.” Lucy smiled. “I never thought knitting graffiti artists would strike in our quiet little town. But you never know.”

“Me, either. But you never know where the Knit Kats will strike next. That’s part of their mystique.”

The Knit Kats did have a certain mystique. The group could be called fiber artists, but they displayed their work anonymously, in public places, always with a clever flair. They often poked fun at somber public works—statues or monuments. Or brought attention to wasted tax dollars, like an unsightly and unnecessary pedestrian footbridge that arched over a turnpike in Peabody. The crafty knitting circle had hit the news about two years ago, Maggie recollected, and had not been caught yet, their targets ranging from the city of Boston all the way out to Rockport, at the tip of the Cape Ann peninsula.

Maggie pulled off the nearest cat face to check the stitching.

“Nice work. Whoever did this is very accomplished. And creative. Looks like they took a pattern for a stuffed toy or child’s hat and just altered it here and there.”

Lucy had pulled one off, too, and was looking it over. “Yes, it is nice work . . . Are the identities of the Knit Kats still secret?”

“I took a look at the group’s website once, a year or so ago. They were anonymous then, and I’ve never heard that they’d come out of the closet.”

Lucy dropped the cover over a meter again. “Perhaps the right term would be ‘bag’? As in cat is out of one?”

“Right . . . or maybe even ‘knitting bag.’ But the Knit Kats have managed to maintain their anonymity, as far as I know. I’m sure the press has tried to unmask them. Every time they do something like this, I’ll bet some ambitious reporter tries to track them down.”

“Speaking of reporters, here they come . . .” Lucy turned from the meters and pointed toward the end of the street.

Maggie turned to see the same TV crew she’d spotted earlier whipping around the corner. “I saw that van a few minutes ago. They must have made a big circle through the village.”

She hoped the van would pass. But it swung into a parking spot a few feet from where they stood. A woman in the passenger seat pointed at the knitting shop, then looked out the window, smiling and waving as she scrambled to release her seat belt.

Maggie stared down at her boots, still holding one of the cat faces. She quickly put it back on a meter.

“Oh dear . . . looks like the paparazzi have us cornered.
Let’s make a run for the shop and lock the door.” She turned, about to do just that.

Lucy grabbed her arm. “What do you mean? You’re the perfect person for an interview. A knitting expert who also knows about the Knit Kats? It would be great publicity for the shop. Andy Warhol once said everyone will get fifteen minutes of fame.”

“I’d rather have some warning before my minutes. So I can plan a better outfit.”

She shook off Lucy’s hold, determined to take cover with or without her friend. “You could be interviewed just as easily as I could. Really, I don’t mind.”

Lucy smiled and started to follow with her dogs. But before she could reply, another voice called after them.

“Ladies? Hello there! . . . I’m Chelsea Porter, from
News Alive 25!
I’d love to get your thoughts about these cat faces on the parking meters.”

Maggie had made it to the porch, but the newswoman was right behind her. Chelsea Porter had dark-red hair. A thick wedge of bangs fell straight to her eyebrows, and a white down coat matched a supernaturally bright smile.

A brawny guy in an orange ski jacket followed like a loyal pet—a big video camera balanced on one shoulder.

Lucy had jumped out of their way and now stood on the lawn just below the porch, her two dogs sniffing tufts of winter grass and bits of snow.

Maggie stared at the duo like a deer caught in headlights. The reporter prattled on. “Are you waiting for this shop to open? It’s adorable.”

“I’m the owner of this adorable shop. And we open at nine.”

Chelsea Porter was unfazed by Maggie’s tart tone. “The owner? Fantastic! You must know a lot about knitting.”

“Yes, I suppose I do,” Maggie admitted cautiously.

“Could you spare a minute? You’re the perfect person to interview. Can I have your name, please?” Chelsea Porter pulled out a pad and pencil.

Maggie’s first impulse was to escape into the shop, like a mouse darting into a familiar hole in the wall.

She hesitated. Then sighed. Lucy was right. This could be good for business. Didn’t people say any publicity is good publicity?

“Maggie Messina,” she said finally, spelling her last name while Chelsea wrote it down. “This is the Black Sheep Knitting Shop . . . on Main Street, Plum Harbor. We carry a vast array of yarns. Knitting and spinning tools . . . and lessons for all—”

Chelsea quickly cut off Maggie’s promotional pitch. “I’ll tape a nice intro later. We can shoot with the shop in the background. This porch is a little dark.”

Better to hide my wrinkles, Maggie thought. But she followed the reporter, then allowed herself be set in place by the cameraman—like some large lawn ornament—about halfway down the walk with her shop in the background.

“Is the sign showing?” Maggie glanced over her shoulder, hoping the shop’s name would be in full view. What was the point of putting herself through this torture otherwise?

“We’ll get a nice shot. No worries . . . I’m just going to ask you a few questions, Maggie. It won’t take long.” Chelsea positioned herself alongside Maggie and angled herself toward the camera with practiced flair.

While she and the cameraman worked out a few more details, Maggie felt around her coat pockets and came up with . . . a ChapStick. She could have sworn she had a lipstick down there, but this would have to do. She swiped some on, then rearranged her scarf—one she had knit herself—at a more fashionable angle.

Just goes to show, you never know what’s going to happen when you wake up in the morning, Maggie reflected.

“You look great, Mag,” Lucy called out. She stood nearby, smiling very widely. Too widely, Maggie thought. I’ll get back at you later for talking me into this, my friend, she silently promised.

“Ready to roll, Chel.” The cameraman’s face was now obscured by the camera, which was pointed straight at them.

Chelsea turned to her. “We’re talking to Maggie Messina, owner of the Black Sheep Knitting Shop, here on Main Street, Plum Harbor. So, you had quite a surprise when you arrived at your shop today, Maggie. Didn’t you?”

“I’ll say. Got out of my car, and there they were. Cat faces covering the parking meters. Up and down the street. I’ve never seen anything like it,” she said honestly.