20th Century Ghosts (29 page)

At a trainyard in Lima, a railroad bull had caught Killian and Gage dozing together under their shared blanket, where they were hid in a shed. He had kicked them awake and told them to get. When they hadn't got fast enough, the bull struck Gage in the back of the head with his billy, driving him to his knees.

The next couple days, when Gage came awake in the mornings, he would say to Killian he was seeing double. Gage thought it was funny. He would sit for a while just where he was, turning his head from side to side, and laugh at the sight of the world multiplied. He had to blink a lot and rub at his eyes before his vision would clear. Then, three days after what happened in Lima, Gage started falling down. They would be walking together, and then Killian would notice all of a sudden that he was walking alone, and he would look back, and see Gage sitting on the ground, his face waxy and frightened. They stopped in a place where there was nothing, to rest for a day, but they shouldn't have stopped, Killian shouldn't have let them stop. They should have gone where there was a doctor. Killian knew that now. The very next morning Gage was dead with his eyes open and surprised by the creekbed.

Later Killian heard talk at campfires, heard other men tell about a railroad cop named Lima Slim. From their descriptions he guessed that this was the man who had struck Gage. Lima Slim had often shot at trespassers; once he had forced some men at gunpoint to jump off a train moving fifty miles an hour. Lima Slim was famous for the things he had done. Famous to bums anyway.

There was a bull at the Northampton yard named Arnold Choke some said was as bad as Lima Slim, which was why Killian didn't want to go there. After a long time of standing in the half-open doorway, he felt the train slowing down. Killian didn't know why; there wasn't a town ahead he could see. Maybe they were approaching a switch. He wondered if the train would come to a complete stop, but it didn't stop, and after a few seconds of losing speed, in a series of quick violent jerks, it began to accelerate again. Killian jumped. It wasn't really going that slow, and he hit hard on his left foot, and the gravel slid away under his heel. The foot twisted underneath him, and a sharp pain stabbed through his ankle. He did not shout when he pitched face-first into the wet brush.

It was October or November maybe, Killian didn't know, and in the woods by the train tracks was a carpet of dead leaves in colors of rust and butter. Killian limped across them. The leaves were not all gone from the trees. Here and there was a flare of crimson, streaks of ember-orange. A cold white smoke lay low to the ground in among the trunks of the birch and the spruce. On a wet stump Killian sat for a while, and held his ankle gently in his hands, while the sun rose higher, and the morning mist burned away. His shoes were burst and held together by dirt-caked strips of burlap, and his toes were so cold they were almost numb. Gage had had better shoes, but Killian had left them, just as he left the blanket. He had tried to pray over Gage's body, but had not been able to remember any of the Bible, except a sentence that went
Mary kept all these things, pondering them in her heart
, and that was from the birth of Jesus and no thing to say over a dead man.

It would be a warm day, although when Killian at last stood, it was still cool in under the shadows of the pines. He followed the tracks until his ankle was throbbing too badly to go on and he had to sit on the embankment and rest again. It was swelling badly now, and when he put weight on it, he felt a bitter, electric pain shoot through the bone. He had always trusted Gage to know when to jump. He had trusted Gage to know everything.

There was a white cottage away through the trees. Killian only glanced at it, and looked back at his ankle, but then he lifted his head and looked into the trees again. On the trunk of a nearby pine, someone had snapped away some bark, and carved an X in the wood, and rubbed coal in the X so it would stand out black. There were no secret hobo marks like some said, or if there were, Killian didn't know what they were and neither had Gage. An X like that, though, sometimes meant you could get something to eat at a place. Killian was strongly aware of the tight emptiness in his stomach.

He walked unsteadily through the trees to the yard behind the cottage and then hesitated at the edge of the woods. The paint was peeling and the windows were obscured by grime. Close against the back of the house was a garden bed, a long rectangle of earth with the rough dimensions of a grave. Nothing was growing in it.

Killian was standing there looking at the house when he noticed the girls. He had not seen them at first because they were so still and quiet. He had come at the cottage from the rear, but the forest extended up and around the side of the house, and the girls were there, kneeling in some ferns with their backs to him. He could not see what they were doing, but they were almost perfectly motionless. There were two of them, kneeling in their Sunday dresses. Each of them had white-blond hair, long and brushed and clean, and each had in her hair an arrangement of little brassy combs.

He stood and watched them and they knelt and were very still. One of them turned her head and looked back at him. She had a heart-shaped face and her eyes were a glacial shade of blue. She regarded him with no expression. In another moment the other girl turned her head to look at him as well. This other smiling a little. The smiling one was possibly seven. Her expressionless sister was perhaps ten. He lifted his hand in greeting. The unsmiling girl watched him for a moment longer, then turned her head away. He could not see what she was kneeling in front of, but whatever it was held her interest completely. The younger girl did not wave either, but seemed to nod at him before she too went back to looking at whatever was on the ground before them. Their silence and stillness unsettled him.

He crossed the yard to the back door. The screen door was orange with rust, and bellied outwards, pulling free from the frame in places. He took off his hat and was going to climb the steps to knock, but the inner door opened first and a woman appeared behind the screen. Killian stopped with his hat in his hands and put his begging face on.

The woman could have been thirty or forty or fifty. Her face was so drawn it seemed almost starved and her lips were thin and colorless. A dishrag hung from the waist strap of her apron.

"Hello, ma'am," Killian said. "I'm hungry. I was wonderin if I could have somethin to eat. A bite of toast maybe."

"You haven't had any breakfast anywhere?"

"No, ma'am."

"They give away a breakfast at Blessed Heart. Don't you know that?"

"Ma'am, I don't even know where that is."

She nodded briefly. "I'll make you toast. You can have eggs too if you want them. Do you want them?"

"Well. I guess if you made 'em, I wouldn't throw 'em in the road."

That was what Gage always said when he was offered more than he asked for, and it made the housewives laugh, but she didn't laugh, perhaps because he wasn't Gage and it didn't sound the same coming from him. Instead she only nodded once more and said, "All right. Scrape your feet on the—" She looked at his shoes and stopped speaking for a moment. "Look at those shoes. When you come in just take those shoes off and leave them by the door."

"Yes, ma'am."

He looked again at the girls before he climbed the steps, but their backs were to him and they paid him no mind. He entered and removed his shoes and walked across the chilled linoleum in his dirty bare feet. There was an odd stinging sensation in his ankle whenever he stepped on the left foot. By the time he sat there were already eggs sputtering in the pan.

"I know how you wound up at my back door. I know why you stopped at my house. Same reason all the other men stop here," she said, and he thought she was going to say something about the tree with the X on it, but she didn't. "It's because the train runs a little slower going into that switch, quarter a mile back, and all of you jump off so you won't have to see Arnold Choke in Northampton. Isn't that about it? Did you jump off at the switch?"

"Yes, ma'am."

" 'Cause of Arnold Choke?"

"Yes, ma'am. I've heard he's one you want to avoid."

"He's just got the reputation he does because of his last name. Arnold Choke isn't a danger to anyone. He's old and he's fat and if any of you ran from him he'd probably pass out trying to get you. Not that he'd ever run. He might run somewhere if he heard they were selling burgers two for a dime," she said. "You listen now. That train is going thirty miles an hour when it hits that switch. It doesn't slow hardly at all. Jumping off there is a lot more dangerous than going into the yard at Northampton."

"Yes, ma'am," he said, and rubbed his left leg.

"There's a pregnant girl tried to get off there last year who jumped into a tree and broke her neck. Do you hear me?"

"Yes, ma'am."

"A pregnant girl. Traveling with her husband. You ought to pass that around. Let other people know they're better off to stay on the train until she's good and stopped. Here's your eggs. You like some jam on this toast?"

"If it's no trouble, ma'am. Thank you, ma'am. I can't tell you how good this smells."

She leaned against the kitchen counter holding her spatula and watched him eat. He did not speak, but ate quickly, and in all that time she stared at him and said nothing.

"Well," she said when he was done. "I'll put a couple more in the pan for you."

"That's all right. This was plenty."

"You don't want them?"

He hesitated, unsure how to answer. It was a difficult question. "He wants them," she said, and cracked two eggs into her pan.

"Do I look that hungry?"

"Hungry isn't the word. You got a look like a stray dog ready to knock over trash cans for something to eat."

When she set the plate in front of him he said, "If there's somethin I can do to work this off, ma'am, I'd be glad to do it."

"Thank you. But there isn't anything."

"I wish you'd think of somethin. I appreciate you openin your kitchen to me this way. I'm not a no-account. I don't have no fear to work."

"Where are you from?"

"Missouri."

"I thought you were southern. You got a funny way of sounding. Where are you going to?"

"I don't know," he said.

She didn't ask him anything else, and stood against the counter with her spatula and again watched him eat. Then she went out and left him by himself in the kitchen.

When he was finished, he sat at the table unsure of what to do, or if he should go. While he was trying to decide, she came back, holding a pair of low black boots in one hand, a pair of black socks in the other.

"Put these on and see if they fit," she said.

"No, ma'am. I can't."

"You can and you will. Put them on. Your feet look about the right size for them."

He put on the socks and pulled the boots on over them. He was tender about sliding his left foot in, but still there was a sharp stab of pain through the ankle. He sucked in a harsh breath.

"Is there something wrong with that foot?" she asked.

"I twisted it."

"Getting off that train at the switch?"

"Yes, ma'am."

She shook her head at him. "Others will die. All for fear of a fat old man with six teeth in his head."

The boots were a little loose, perhaps a size too big. A zipper ran up the inside of each boot. The leather was black and clean and only a little scuffed at the tips. They looked as if they had hardly been worn.

"How do they fit you?"

"Good. I can't have them, though. These are just new."

"Well. They aren't doing me any good and my husband doesn't need them. He died in July."

"I'm sorry."

"So am I," she said with no change in her face. "Would you like some coffee? I didn't offer you coffee."

He did not answer so she poured him a cup, and herself a cup, and she sat down at the table.

"He died in a truck accident," she said. "It was a WPA truck. It rolled over. He wasn't the only one who died. Five other men were killed with him. Maybe you read about it. It was in lots of papers."

He didn't reply. He hadn't heard of it.

"He was driving—my husband. Some say it was his fault, that he was careless at the wheel. They investigated it. I guess maybe it was his fault." She was quiet for a while and then said, "The only good thing about his death is he doesn't have to walk around with that guilt on him. Living with having it his fault. That would have spoiled him inside."

Killian wished he was Gage. Gage would have known what to say. Gage would have reached across the table then and touched her hand. Killian sat in the dead man's boots and struggled for something. At last he blurted: "The most terrible things happen to the best people. The kindest people. Most of the time it isn't for any reason at all. It's just stupid luck. If you don't know for sure it was his fault, why make yourself feel sick thinkin it was? It's hard enough just to lose someone that means to you, without all that."

"Well. I try not to think about it," she said. "I do miss him. But I thank God every night for the twelve years we got to have together. I thank God for his daughters. I see his eyes in theirs."

"Yes," he said.

"They don't know what to do. They've never been so confused."

"Yes," he said.

They sat at the table for a little while, and then the woman said, "You look about his size all around. I can let you have one of his shirts and a pair of trousers as well as the boots."

"No, ma'am. I wouldn't feel right. Takin things from you I can't pay for."

"Stop that now. We won't talk about pay. I look for every small bit of good that can come out of such a bad thing. I'd like to give them to you. That would make me feel better," she said and smiled. He had took her hair for gray, wrapped up in a bun behind her head, but where she sat now she was in some watery sunlight from one of the windows, and he saw for the first time that her hair was blond-white just like her daughters'.

She got up and went out again. While she was away, he cleaned the dishes. The woman returned in a short time with a pair of khaki trousers and suspenders, a heavy plaid shirt, an undershirt. She directed him to a back bedroom off the kitchen, and left him while he dressed. The shirt was big and loose and had a faint male smell on it, not disagreeable; also a pipe-smoke smell. Killian had seen a corncob pipe on the mantel over the stove.