0513485001343534196 christopher fowler (12 page)

Several days later, Jonathan returned to the stairwell window and looked out into the centre of the building. It was a still, sunny day, and a sparrow perched on one of the sturdy weed-stems that sprouted from the wall of the hidden room. Jonathan stared at the tiny window with the thick iron bar across it, and occasionally - as if it could sense that someone was watching - a pale face, despairing and nightmarish, passed before the gap like the moon fleetingly glimpsed through clouds. It was a sight that he would never forget, an eternal penance. His skin prickling, he hastily returned to the warm city streets and the choking traffic beyond.

There is a brief respite in the sobbing, crying maelstrom. The city's
agonies are temporarily assuaged. A sacrifice accepted; a building
restored. For the most fleeting of moments, the tough old woman
raises her crumpled face to the sun and smiles.

A century and a half ago, within the thick Wren walls of the
Theatre Royal, Drury Lane, a body was discovered with a dagger
in its ribs. Somebody was murdered in the theatre and quietly
bricked in. Nobody knows why, or whether the victim was still
alive when the last brick was cemented into place.

THE MAN WHO WOUND A THOUSAND

CLOCKS

The Sultan Omar Mehmet Shay-Tarrazin was a ruler much given to statistics, not particularly through his own choice. It was simply that he had so much of everything, there was a fascination in quantifying it. He had seventy-three concubines and four hundred and twenty-six children.

His great summer palace of white and ochre wood,
Mehmet Shay
Tarrazin yali
, built between two streams known as the 'Sweet Waters of Asia' on the banks of the Bosphorus, stood on the threshold of two continents. It had nearly six hundred rooms, passages, portals, halls and courtyards. The Sultan trained fifty imported Arabian stallions, each an undefeated champion in its class. The land he owned stretched so far and wide that one could ride from dawn to sunset for six days on the fleetest of his horses and still cross no more than one fifth of his property. His political allies could be found as far afield as Britain, China and the Cape of Good Hope. He sailed fleets of gold-crested vessels laden with cinnamon, cumin, hashish and nutmeg, and fought holy wars for the reliquaries of gods, and issued stern unpopular edicts, and cremated his chancellor for dropping tangerine peel on the steps of the royal harem, which was unfortunate for the innocent chancellor, who was allergic to tangerines and still alive to protest his innocence when the execution pyre was lit. The Sultan's slightest whim became the harshest law.

How did one man ever become so powerful? Omar Mehmet Shay-Tarrazin was the last thin trickle in a long dark bloodline winding down through the centuries from the offspring of Suleyman the Magnificent himself. His family had ruled in every shy corner of the East, and though depleted still planned to continue its rule far into the future, until fate intervened.

Shay-Tarrazin's wife, Melek (the woman chosen by Allah, his grandfather, and his father in that order) had been raised solely for the purpose of betrothal to the Sultan, and was so finely bred that she could walk no more than five paces without requiring assistance. But one hot morning she died in childbirth, and her sickly son only survived the ordeal until sunset. Now there was no-one pure enough to continue the line without polluting it, so Shay-Tarrazin made do with his plump young concubines and his ivory stallions, and watched his power slowly settle until he relied entirely on the news of couriers for his dealings with the outside world, and hardly ever left the grounds of his palace. His wealth and status allowed him a life beyond all restriction, and yet it was filled with so many rules, laws, arrangements and appointments that he became a prisoner of his own making.

It happened that the Sultan was newly fascinated by the concept of time. Like many royal rulers he was seized by fads, and longed to make sense of a world he mostly witnessed through the tortoiseshell latticework of the throne-room. Having grown bored with the wonders of astrology, biology and alchemy (and having cremated the practitioners of all three sciences whom he had invited to the palace to instruct him) he turned to more ethereal concepts, and discovered time. He liked the idea very much. It was tantalisingly intangible, unlike biology, which had required the dissection of living animals, or alchemy, which had blackened the walls of his temples and filled the orange-orchards with the stench of smouldering sulphur.

Shay-Tarrazin knew that time would only exist in its measuring, so he started collecting clocks of every size and description, from a microscopic Russian gold chimer to a twenty-two-foot-high gilded Ormolu state-clock that took fifteen men to carry it. There were Austrian clocks with dancing figures that popped from doorways and fought duels with tigers. There was a German clock featuring an enamel tableau in which an executioner beheaded his kneeling victim on the quarter-hour.

There was a set of Siberian winter-solstice clocks that fitted inside each other like wooden dolls. There was a Castilian clock that predicted the weather with miniature globes of coloured water, and a Brazilian timepiece that measured the passing moments by the fall of tiny purple gems. There was a Belgian celestial clock depicting the movement of the heavens, topped with a gold-chased orrery. There were Portuguese ceramic clocks, Chinese Coptic balsa clocks, booming British grandfather clocks, imperial Ottoman clocks inlaid with mother-of-pearl and decorated with panels of Kutahya tiles, clocks in polychrome, walnut and stained glass - it made the head spin to even think about them.

There were nine hundred and ninety-nine of them.

And they all required winding.

So enamoured did the Sultan become with the concept of time that he came to rely upon it completely. Before the idea had been explained to him, the daily business of his kingdom had been ordered by the position of the sun, so that no work was ever undertaken after dark, and tasks were completed eventually, with no sense of haste or urgency. Life was allowed to run its natural, unhurried course. But once Shay-Tarrazin had installed time in his palace, he and his courtiers, their retinue, the concubines, consorts, servants, cooks and porters were all capable of being late. And as being late upset the running of the kingdom, it became an offence punishable by beheading or cremation. The Sultan was not a wise man, or a fair man, or even a good man, but his empire ran well and provided commercial intercourse with the world, advancing business and society, and making the globe spin a little faster on its axis.

So it became absolutely imperative to keep the clocks wound.

For this purpose, the Sultan sent five dozen of his guards to search the city for a reliable man, someone with a sense of routine and responsibility.

Sabin Darr was such a man. He was twenty-two years old, had a wife and three small children each as handsome as he, and earned a living as a carver and furniture repairer of no small ingenuity. He dwelt in a small orange house in the green foothills of the river basin, and was taken by surprise when the king's men hammered at his front door with the butts of their daggers.

While his family cowered behind their modesty curtains, Sabin Darr stood before the guards and answered each of their questions as truthfully as he could. It quickly became clear that he was the man for the job, but as he proved reluctant to join them, three of the king's men slipped between the curtains and ran his wife and children through with their sabres. Hearing their cries above the slither of steel, Sabin ran back to find his sandals splashed with the blood of his family. Half-blinded by grief and fury he watched as the guards dropped torches of burning pitch on to the roof of his house, and bade him mount the horse they had set aside for the first part of his journey to the clockhouse of Shay-Tarrazin.

For Sabin Darr, time stopped on that terrible day.

The Sultan himself came out to greet the slender caique that docked before the steps of his palace. He explained why he needed Sabin Darr.

The job had to be performed by someone with no social ties. It was demanding and all-consuming. Every single clock and watch had to be wound each day, and there were so many that it would require every hour of daylight to perform the task. Those that were slow or fast would have to be recalibrated until they were as accurate as the most immaculate timekeeper in the palace. Some clocks required ladders to reach their winding mechanisms. Some had winders that were so microscopically tiny and fine that special tweezers had to be used to turn them. Some clocks had processions of mechanical figures with joints that seized up in the warm dry air, preventing their steady movement. They had to be cleaned and lubricated. Some clocks had keys that were hidden away in elaborate decorations, and required the solving of a puzzle to free them. Some could only be wound at certain hours of the day, because their winding holes were in their faces, and the hands passed over them, preventing access. Yet others were not wound by conventional keys at all, but by the balancing of vials of oil and water, by filling with sand, by the displacement of marble pebbles, by the resetting of tumblers, by the stacking of ball-bearings, and by turning upside down.

Sabin was set to work in the great hall of the clockhouse, which had been built in a raised piazza beyond the main courtyard of the palace, above the shining blue Bosphorus, and he learned how to keep time. His task was arduous. There were only just enough minutes in the day to wind every single clock before the chimes of six rang out. Each night as the sun settled inside banks of heated crimson dust, he raced to refresh the final mechanism and only just succeeded. His winding schedule was so exact that the spring of each timepiece was fully unwound upon reaching it.

After leaving the hall he was presented with an oval copper tray of bread, meat, wine and fruit. At night he washed the noise of ticking from his head and fell asleep on an arrangement of yellow velvet pillows in the Eunuchs' quarters of the
Selamlik
. As he lay looking out at the deepening sky, he remembered his wife and children, and tumbled his thoughts into salted teardrops.

The Sultan's fascination with time gradually dimmed, but the course of his kingdom was now set. With time had come punctuality, and efficiency, and profitability. It was not a concept, like the alchemical one of turning coal into gold, that he could easily discard. His guards checked on Sabin every day, and issued him with a warning; should he fail to wind just one of the clocks on one occasion, he would forfeit a digit from his left hand.

This was proof that the Sultan was not a wise man, for such a punishment could only reduce the clockwinder's dexterity, but punishment was regarded by Shay-Tarrazin as a purely legal matter, and everyone knew that laws were not subject to the influence of common sense.

In time, Sabin Darr's wrath turned into the infinite sadness of resignation. He learned the art of winding the clocks, and had them rearranged in careful declension, so that he might perform his task with the greatest efficiency. Thus, Sabin was able to fulfil his daily chores, Shay-Tarrazin was able to behead any cook whose dishes arrived a minute late at his table, and everything was cared for in its fashion.

It happened that a favoured son of the Sultan's (as much as any child born of a concubine could find favour in his court), returning from an excursion in Rome, wished to ingratiate himself with his father. This was for the sake of his mother, who had reached the age of two-and-twenty and had been discarded, and now languished in a shabbier section of the harem, unloved and forgotten. Through guile and deceit the boy had been able to procure a fine Italian timepiece for presentation as a gift. It possessed six onyx clock-faces, each smaller than the last, each requiring daily winding with its own special silver key.

The new clock was the thousandth, and a straw to break a camel's back; it upset the balance of the clockhouse, since Sabin Darr's schedule operated on the thickness of a hair. After much calculation and consideration, planning and paperwork, he reordered the collection to incorporate the new clock, and rehearsed the windings through the course of one night. The following day, still weary from his exacting rehearsal, he slipped while running between the final two clocks and dropped one of the winding keys. It slid across the marble mosaic floor and came to rest beneath the case of a water-clock, and Sabin lost precious seconds retrieving it. As the clocks all began to chime six, there still remained one last clock to wind.

Moments later, two guards marched into the great room. They laid his hand on an alabaster block. One of them expertly slammed a sabre-blade down on his little finger, neatly severing it at the base. The other laid the red-hot tip of a dagger he had heated in a
mangal
, a cremation brazier, across the little stump, cauterising the wound and instantly staunching the flow of blood. It was all very efficient.

That evening, to ease his pain (for he was not a man without pity) the Sultan sent a beautiful honey-eyed and amber-breasted harem girl called Safieh to deliver Sabin's food. Abducted as a child by corsairs, she had been sold into the seraglio as an
ikbal
, a love slave, and was the most adept at her arts. She fed him lovingly, inserting her tapered brown fingers into his waiting mouth, and sweetly played to him on her
ney
, which is an instrument rather like a lute. After Sabin had eaten his fill she entwined with him on the velvet cushions, and brought alive his memories of the woman he had loved (for she knew his history), and stayed with him until one hour before dawn.

It was almost worth losing a finger for.

But lest you should think that the hero of this tale is merely some passive reed, bending this way and that with the events of his life, forgetful of avenging his poor family, rest assured that he was concocting a cunning plan.

First he made a series of careful tests and calculations, just as he had for the winding of the clocks. He knew that Shay-Tarrazin and his guards had only one way of knowing if he had fulfilled his nightly task, and that was by checking that all the clocks were working, and that he had wound the last clock before the chimes of six. So Sabin started to wind each of the clocks with a single quarter-turn less, which meant that each timepiece ran down and stopped just a few moments before he reached it. He still reached the final clock on time; in fact, he arrived a fraction earlier now that there was time to spare. This made Sabin's life a little easier, but more important, it changed time by imperceptibly stretching it. As the days turned into weeks and months became years, the Sultan's interests moved on to other concepts, such as animal husbandry and flying machines, and he visited the clockhouse less and less frequently. Sabin continued to underwind the clocks, carefully allowing their mechanisms to slow, their springs to expand, their hands to shift less sharply, so that time itself geared down to a lazier pace.