Read Zelda Fitzgerald: Her Voice in Paradise Online
Authors: Sally Cline
Chinese style,
1
;
Dos Passos, John, and,
1
;
Ellerslie, ZSF painting at,
1
,
2
,
3
,
4
;
exhibitions: American Art Association at Anderson Gallery,
1
;
Asheville Artists’ Guild,
1
;
Cary Ross Gallery,
1
;
Mrs Maude King’s Sketch Club,
1
;
Museum of Fine Arts, Montgomery,
1
,
2
,
3
;
Women’s Club, Montgomery,
1
Federal Art Project, Alabama, ZSF donates paintings to,
1
;
Gatsby, ZSF draws pictures of,
1
;
Gill, Brendan, on,
1
;
Haardt, Sara, buys ZSF paintings,
1
;
Highland Hospital, painted screens,
1
,
2
;
Kalman, Xandra, ZSF gives painting to,
1
;
landscapes,
1
;
La Paix paintings,
1
;
Livingston, Jane S. on,
1
;
Mayfield, Sara on,
1
;
ZSF gives painting to,
1
;
Mencken, H. L., buys ZSF paintings,
1
,
2
;
Modernists,
1
;
Murphy, Honoria on,
1
;
Murphy, Sara on,
1
;
buys ZSF painting,
1
;
New York, ZSF’s cityscapes of,
1
,
2
;
painted bowls, trays and baskets,
1
;
paintings and drawings
Antheriums,
1
;
Au
Claire
de
la Lune,
1
;
Ballet
Figures,
1
;
Crossing Roses,
1
,
Diving
Platform,
1
;
Etude
Arabesque,
1
;
Ellerslie,
1
;
Ferns,
1
;
Chinese
Theater,
1
;
Cornet
Player,
The,
1
;
Football,
1
;
Girl
With
Orange
Dress,
1
;
Hope,
1
;
Laurel,
1
;
Mediterranean
Midi,
1
;
La Nature,
1
;
Plaid
Shirt,
The,
1
;
Portrait
of
a
Russian,
1
;
Rams,
1
;
Red
Devil,
1
;
Scott
in
Thorns,
1
;
Le Sport,
1
;
Spring
in
the
Country,
1
;
Tiger
Lilies,
1
;
Tulips,
1
;
Two
Figures,
1
;
Untitled
dogwood blossoms,
1
;
Untitled
flower painting,
1
;
White Flowers
in
a
Vase,
1
paper dolls (late),
1
;
paper dolls, plans to publish book of,
1
;
Paris, experimental art scene,
1
,
2
,
3
;
ZSF’s cityscapes of,
1
;
Parker, Mary on,
1
;
Picasso and,
1
;
Ringling School of Art, Sarasota,
1
;
Salies-de-Béam, ZSF paints in,
1
;
Scottie: artworks for,
1
,
2
,
3
,
4
,
5
;
on,
1
;
Shafer, Carolyn on,
1
;
Stein, Gertrude, FSF gives ZSF paintings to,
1
;
Stewart, Donald Ogden and,
1
;
Van Gogh, Vincent, influence on,
1
,
2
;
dignity,
1
;
and domesticity,
1
,
2
,
3
,
4
,
5
,
6
,
7
;
emotional attachment to women,
1
,
2
,
3
;
emotional bond with FSF,
1
;
emotional dependence,
1
,
2
,
3
,
4
,
5
,
6
,
7
,
8
,
9
,
10
;
extreme frankness,
1
;
independence, need for,
1
,
2
,
3
,
4
,
5
,
6
,
7
;
loneliness and confusion,
1
;
pride,
1
;
repressed anger,
1
;
‘romantic readiness’,
1
;
secrecy and reflectiveness,
1
;
self-confidence,
1
;
self-dramatization,
1
;
Dance: ambitions,
1
,
2
,
3
,
4
,
5
,
6
,
7
;
declines ballet company offer,
1
,
2
,
3
,
4
;
early roles,
1
;
FSF’s attitude to,
1
,
2
,
3
,
4
,
5
,
6
,
7
;
Gavrilov, Alexandra,
1
;
in Montgomery,
1
;
Nijinsky,
1
;
professional engagements,
1
;
Rosenberg, Amelia Harper,
1
;
as route to independence,
1
,
2
,
3
;
Scottie, ballet classes,
1
,
2
,
3
,
4
;
Sedowa, Julie,
1
;