“Oh you named it—for the pleasure.”
“Yes; but you didn‘t, you don’t, understand what the pleasure may be. There are refinements—!” she more patiently dropped. “I mean of consciousness, of sensation, of appreciation,” she went on. “No,” she sadly insisted—“men
don’t
know. They know in such matters almost nothing but what women show them.”
This was one of the speeches, frequent in her, that, liberally, joyfully, intensely adopted and, in itself, as might be, embraced, drew him again as close to her, and held him as long, as their conditions permitted. “Then that’s exactly why we’ve such an abysmal need of you!”
BOOK THIRD
—I—
The two ladies who, in advance of the Swiss season, had been warned that their design was unconsidered, that the passes wouldn’t be clear, nor the air mild, nor the inns open—the two ladies who, characteristically, had braved a good deal of possibly interested remonstrance were finding themselves, as their adventure turned out, wonderfully sustained. It was the judgement of the head-waiters and other functionaries on the Italian lakes that approved itself now as interested; they themselves had been conscious of impatiences, of bolder dreams—at least the younger had; so that one of the things they made out together—making out as they did in endless variety—was that in those operatic palaces of the Villa d’Este, of Cadenabbia, of Pallanza and Stresa, lone women, however re-enforced by a travelling-library of instructive volumes, were apt to be beguiled and undone. Their flights of fancy moreover had been modest; they had for instance risked nothing vital in hoping to make their way by the Brünig. They were making it in fact happily enough as we meet them, and were only wishing that, for the wondrous beauty of the early high-climbing spring, it might have been longer and the places to pause and rest more numerous.
Such at least had been the intimated attitude of Mrs. Stringham, the elder of the companions, who had her own view of the impatiences of the younger, to which, however, she offered an opposition but of the most circuitous. She moved, the admirable Mrs. Stringham, in a fine cloud of observation and suspicion; she was in the position, as she believed, of knowing much more about Milly Theale than Milly herself knew, and yet of having to darken her knowledge as well as make it active. The woman in the world least formed by nature, as she was quite aware, for duplicities and labyrinths, she found herself dedicated to personal subtlety by a new set of circumstances, above all by a new personal relation; had now in fact to recognise that an education in the occult—she could scarce say what to call it—had begun for her the day she left New York with Mildred. She had come on from Boston for that purpose; had seen little of the girl—or rather had seen her but briefly, for Mrs. Stringham, when she saw anything at all, saw much, saw everything—before accepting her proposal; and had accordingly placed herself, by her act, in a boat that she more and more estimated as, humanly speaking, of the biggest, though likewise, no doubt, in many ways, by reason of its size, of the safest. In Boston, the winter before, the young lady in whom we are interested had, on the spot, deeply, yet almost tacitly, appealed to her, dropped into her mind the shy conceit of some assistance, some devotion to render. Mrs. Stringham’s little life had often been visited by shy conceits—secret dreams that had fluttered their hour between its narrow walls without, for any great part, so much as mustering courage to look out of its rather dim windows. But this imagination—the fancy of a possible link with the remarkable young thing from New York—
had
mustered courage: had perched, on the instant, at the clearest lookout it could find, and might be said to have remained there till, only a few months later, it
l
had caught, in surprise and joy, the unmistakeable flash of a signal.
Milly Theale had Boston friends, such as they were, and of recent making; and it was understood that her visit to them—a visit that was not to be meagre—had been undertaken, after a series of bereavements, in the interest of the particular peace that New York couldn’t give. It was recognised, liberally enough, that there were many things—perhaps even too many—New York
could
give; but this was felt to make no difference in the important truth that what you had most to do, under the discipline of life, or of death, was really to feel your situation as grave. Boston could help you to that as nothing else could, and it had extended to Milly, by every presumption, some such measure of assistance. Mrs. Stringham was never to forget—for the moment had not faded, nor the infinitely fine vibration it set up in any degree ceased—her own first sight of the striking apparition, then unheralded and unexplained: the slim, constantly pale, delicately haggard, anomalously, agreeably angular young person, of not more than two-and-twenty summers, in spite of her marks, whose hair was somehow exceptionally red even for the real thing, which it innocently confessed to being, and whose clothes were remarkably black even for robes of mourning, which was the meaning they expressed. It was New York mourning, it was New York hair, it was a New York history, confused as yet, but multitudinous, of the loss of parents, brothers, sisters, almost every human appendage, all on a scale and with a sweep that had required the greater stage; it was a New York legend of affecting, of romantic isolation, and, beyond everything, it was by most accounts, in respect to the mass of money so piled on the girl’s back, a set of New York possibilities. She was alone, she was stricken, she was rich, and in particular was strange—a combination in itself of a nature to engage Mrs. Stringham’s attention. But it was the strangeness that most determined our good lady’s sympathy, convinced as she had to be that it was greater than any one else—any one but the sole Susan Stringham—supposed. Susan privately settled it that Boston was not in the least seeing her, was only occupied with her seeing Boston, and that any assumed affinity between the two characters was delusive and vain. She was seeing her, and she had quite the finest moment of her life in now obeying the instinct to conceal the vision. She couldn’t explain it—no one would understand. They would say clever Boston things—Mrs. Stringham was from Burlington Vermont, which, she boldly upheld as the real heart of New England, Boston being “too far south”—but they would only darken counsel.
There could be no better proof (than this quick intellectual split) of the impression made on our friend, who shone herself, she was well aware, with but the reflected light of the admirable city. She too had had her discipline, but it had not made her striking; it had been prosaically usual, though doubtless a decent dose; and had only made her usual to match it—usual, that is, as Boston went. She had lost first her husband and then her mother, with whom, on her husband’s death, she had lived again; so that now, childless, she was but more sharply single than before. Yet she sat rather coldly light, having, as she called it, enough to live on—so far, that is, as she lived by bread alone: how little indeed she was regularly content with that diet appeared from the name she had made—Susan Shepherd Stringham—as a contributor to the best magazines. She wrote short stories, and she fondly believed she had her “note,” the art of showing New England without showing it wholly in the kitchen. She had not herself been brought up in the kitchen; she knew others who had not; and to speak for them had thus become with her a literary mission. To be in truth literary had ever been her dearest thought, the thought that kept her bright little nippers
m
perpetually in position. There were masters, models, celebrities, mainly foreign, whom she finally accounted so and in whose light she ingeniously laboured; there were others whom, however chattered about, she ranked with the inane, for she bristled with discriminations; but all categories failed her—they ceased at least to signify—as soon as she found herself in presence of the real thing, the romantic life itself. That was what she saw in Mildred—what positively made her hand a while tremble too much for the pen. She had had, it seemed to her, a revelation—such as even New England refined and grammatical couldn’t give; and, all made up as she was of small neat memories and ingenuities, little industries and ambitions, mixed with something moral, personal, that was still more intensely responsive, she felt her new friend would have done her an ill turn if their friendship shouldn’t develop, and yet that nothing would be left of anything else if it should. It was for the surrender of everything else that she was, however, quite prepared, and while she went about her usual Boston business with her usual Boston probity she was really all the while holding herself. She wore her “handsome” felt hat, so Tyrolese, yet somehow, though feathered from the eagle’s wing, so truly domestic, with the same straightness and security; she attached her fur boa with the same honest precautions; she preserved her balance on the ice-slopes with the same practised skill; she opened, each evening, her
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with the same interfusionof suspense and resignation; she attended her almost daily concert with the same expenditure of patience and the same economy of passion; she flitted in and out of the Public Library with the air of conscientiously returning or bravely carrying off in her pocket the key of knowledge itself; and finally—it was what she most did—she watched the thin trickle of a fictive “love-interest” through that somewhat serpentine channel, in the magazines, which she mainly managed to keep clear for it. But the real thing all the while was elsewhere; the real thing had gone back to New York, leaving behind it the two unsolved questions, quite distinct, of why it
was
real, and whether she should ever be so near it again.
For the figure to which these questions attached themselves she had found a convenient description—she thought of it for herself always as that of a girl with a background. The great reality was in the fact that, very soon, after but two or three meetings, the girl with the background, the girl with the crown of old gold and the mourning that was not as the mourning of Boston, but at once more rebellious in its gloom and more frivolous in its frills, had told her she had never seen any one like her. They had met thus as opposed curiosities, and that simple remark of Milly’s—if simple it was—became the most important thing that had ever happened to her; it deprived the love-interest, for the time, of actuality and even of pertinence; it moved her first, in short, in a high degree, to gratitude, and then to no small compassion. Yet in respect to this relation at least it was what did prove the key of knowledge; it lighted up as nothing else could do the poor young woman’s history. That the potential heiress of all the ages should never have seen any one like a mere typical subscriber, after all, to the
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was a truth that—in especial as announced with modesty, with humility, with regret—described a situation. It laid upon the elder woman, as to the void to be filled, a weight of responsibility; but in particular it led her to ask whom poor Mildred
had
then seen, and what range of contacts it had taken to produce such queer surprises. That was really the enquiry that had ended by clearing the air: the key of knowledge was felt to click in the lock from the moment it flashed upon Mrs. Stringham that her friend had been starved for culture. Culture was what she herself represented for her, and it was living up to that principle that would surely prove the great business. She knew, the clever lady, what the principle itself represented, and the limits of her own store; and a certain alarm would have grown upon her if something else hadn’t grown faster. This was, fortunately for her—and we give it in her own words—the sense of a harrowing pathos. That, primarily, was what appealed to her, what seemed to open the door of romance for her still wider than any, than a still more reckless, connexion with the “picture-papers.” For such was essentially the point: it was rich, romantic, abysmal, to have, as was evident, thousands and thousands a year, to have youth and intelligence and, if not beauty, at least in equal measure a high dim charming ambiguous oddity, which was even better, and then on top of all to enjoy boundless freedom, the freedom of the wind in the desert—it was unspeakably touching to be so equipped and yet to have been reduced by fortune to little humble-minded mistakes.
It brought our friend’s imagination back again to New York, where aberrations were so possible in the intellectual sphere, and it in fact caused a visit she presently paid there to overflow with interest. As Milly had beautifully invited her, so she would hold out if she could against the strain of so much confidence in her mind; and the remarkable thing was that even at the end of three weeks she
had
held out. But by this time her mind had grown comparatively bold and free; it was dealing with new quantities, a different proportion altogether—and that had made for refreshment: she had accordingly gone home in convenient possession of her subject. New York was vast, New York was startling, with strange histories, with wild cosmopolite backward generations that accounted for anything; and to have got nearer the luxuriant tribe of which the rare creature was the final flower, the immense extravagant unregulated cluster, with free-living ancestors, handsome dead cousins, lurid uncles, beautiful vanished aunts, persons all busts and curls, preserved, though so exposed, in the marble of famous French chisels—all this, to say nothing of the effect of closer growths of the stem, was to have had one’s small world-space both crowded and enlarged. Our couple had at all events effected an exchange; the elder friend had been as consciously intellectual as possible, and the younger, abounding in personal revelation, had been as distinguished. This was poetry—it was also history— Mrs. Stringham thought, to a finer tune even than Maeterlinck and Pater, than Marbot and Gregorovius.
o
She appointed occasions for the reading of these authors with her hostess, rather perhaps than actually achieved great spans; but what they managed and what they missed speedily sank for her into the dim depths of the merely relative, so quickly, so strongly had she clutched her central clue. All her scruples and hesitations, all her anxious enthusiasms, had reduced themselves to a single alarm—the fear that she really might act on her companion clumsily and coarsely. She was positively afraid of what she might do to her, and to avoid that, to avoid it with piety and passion, to do, rather, nothing at all, to leave her untouched because no touch one could apply, however light, however just, however earnest and anxious, would be half good enough, would be anything but an ugly smutch upon perfection—this now imposed itself as a consistent, an inspiring thought.