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Authors: Deborah Gregory

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“No. I’m not scared anymore. I’m just sad,” I reply. “Sad that I could let myself forget so quickly how happy I was that the Cheetah Girls wanted
me
in their group.”

“Okay, Dor-een-da. It’s up to you. We would like you to tour with us, but remember, there are hundreds of girls who would be very happy to be in your place.”

“I know, Ms. Dorka, and I’m sorry, but right now, I’m not one of those girls. I’m a Cheetah Girl.”

“Good-bye then—Cheetah Girl,” Ms. Dorka says, smiling. “God’s gift is a good name for you. You are very brave, and also very talented. And so young, too … only twelve years old.”

I gasp. How did she know? Of course—Mrs. Bosco must’ve told her.

“We would have gotten a tutor for you and everything,” Dorka says. “Of course, it will be less expensive to hire someone older than you—but you are very special. I’m sure you and your Cheetah Girls will be touring the world someday, just as you say.”

“Thanks, Ms. Dorka,” I say. “Bye, now. Bye, everyone.”

“Good-bye, Dorinda!” they all say, waving to me as I walk out the door, and close it behind me forever.

When I walk outside onto Lafayette Street, I practically run all the way to Chanel’s house, which is only a few blocks away. I am so mad at myself for missing rehearsal with my crew! I should have made up my mind yesterday, but I guess I really wanted to know if I got the job for the Mo’ Money Monique tour—
for real
, if you know what I’m sayin’.

“Well, looky, looky,” says Aqua, when I walk into the exercise studio in Chanel’s loft, where my crew have just finished rehearsing.

“We didn’t think you were coming,” Bubbles says, her eyes twinkling. Her hair looks nice. She’s put it up with one of those cheetah squingee hair things.

“I didn’t think I was, either, but I missed y’all too much—so I’m not going on that tour,” I blurt out. “I’d rather be ‘po’ up from the floor up,’ and a broke Cheetah Girl, than some backup dancer.”

All four of them jump up and down, and start yelling and screaming.

“Chanel, what’s going on in there?” Juanita yells from the kitchen.


Nada, Mamí!
” Chanel yells back. “We’re just happy!”

“We knew you’d be back,” Bubbles says, poking out her mouth at me. “Now, listen. We only got a week left before we perform at the Apollo Amateur Hour contest. But we’re gonna sing ‘Wanna-be Stars in the Jiggy Jungle,’ okay? I mean, we rocked the house at the Kats and Kittys Klub Halloween bash with that number, remember?”

“Yeah, that was a dope night,” I say. Then I realize something. “Hey, how come you didn’t write a song about
me
?”

Bubbles gives me that cheetah-licious look of hers, and says, “Who said I didn’t? I just didn’t finish it yet.”

“What’s it called?” I ask, excited.

“Guess.”

“Do’ Re Mi, Can’t You See?”

All four of them heckle me, and Aqua says, “We’d be po’ for she’ if you wuz writing the songs!”

Bubbles stops laughing long enough to say, “The song’s called, ‘Who’s ’Bout to Bounce, Baby?””

“Word. That’s dope.”

Juanita walks into the studio, huffing. She’s wearing her running sweats and shoes, and she’s got a towel around her neck. “Let’s hit the road, girls. Running your mouth isn’t the same thing as running,
está bien
?”

“What? You mean we’re running
again
?” Angie moans.

“That’s right,” Juanita says sharply. “Any complaints?”

“Dag on,” Angie says. “We sure do run a lot.”

“Yeah, well, I’m ready for Freddy today, baby,” Bubbles says, giving me a little squeeze of affection.

Without any further delay, we hightail it down to the East River and start running uptown. One week until show time, I tell myself as we go. That is really, really dope.

Bubbles is right. We are “ready for Freddy.” We’re gonna rock the Apollo, so what you know about that, huh?

I look around at my crew—Chanel up front as usual, the rest of us lagging behind—and I realize something. In spite of everything that’s gone down, they still don’t know the
whole
truth about me.

Telling them I’m really twelve years old right now might push my crew right over the edge. I mean, they put up with me lying to them about the Mo’ Money Monique tour, but I’d better not rock the boat again—at least not for a while.

While I’m at it, I decide I’m not going to tell my crew that I’m not legally adopted, either. If I do, then I’ll have to tell them what happened, and I don’t wanna embarrass my mom.

“My mom …” I like the way that sounds. Besides, I know they want me to be happy, so I wanna pretend that I’m adopted for a while longer. Who knows? Maybe by the time I decide to tell them, Mrs. Bosco will have adopted me for real.

Anyway, the deal is, I can be a good friend to my crew, and still keep one or two little secrets to myself, you know what I’m sayin’?

By the time we get to 23rd Street, I notice something very strange. I’ve been so busy thinking about stuff that I suddenly realize I’m running by myself. Even Angie, Aqua, and Bubbles are running faster than me!

I can’t believe that—
Bubbles
, running faster than
me
! She should eat sweet potato pie
every
day! Trying to catch up, I yell, “Hey, Bubbles, wait up!”

She pays me no mind, and yells back, without looking, “Yo, God’s gift to the world—
catch up if you can
!” That sends them all into Cheetah heckles.

Yeah, I’m back, all right. Back where I belong. I’m not a wanna-be—not when I’m with my crew. That’s what the world needs now and they’re gonna get some at the Apollo Theatre, on Saturday night!

Wanna-be Stars in the Jiggy Jungle

Some people walk with a panther
or strike a buffalo stance
that makes you wanna dance
.

Other people flip the script
on the day of the jackal
that’ll make you cackle
.

But peeps like me
got the Cheetah Girl groove
that makes your body move
like wanna-be stars in the jiggy jungle
.

The jiggy jiggy jungle!
The jiggy jiggy jungle!

So don’t make me bungle
my chance to rise for the prize
and show you who we are
in the jiggy jiggy jungle!
The jiggy jiggy jungle!

Some people move like snakes in the grass
or gorillas in the mist
who wanna get dissed
.

Some people dance with the wolves
or trot with the fox
right out of the box
.

But peeps like me
got the Cheetah Girl groove
that makes your body move
like wanna-be stars in the jiggy jungle
.

The jiggy jiggy jungle!
The jiggy jiggy jungle!

So don’t make me bungle
my chance to rise for the prize
and show you who we are
in the jiggy jiggy jungle!
The jiggy jiggy jungle!

Some people lounge with the Lion King
or hunt like a hyena
because they’re large and in charge
.

Some people hop to it like a hare
because they wanna get snared
or bite like baboons and jump too soon
.

But peeps like me
got the Cheetah Girl groove
that makes your body move
like wanna-be stars in the jiggy jungle
.

The jiggy jiggy jungle.
The jiggy jiggy jungle
.

So don’t make me bungle
my chance to rise for the prize
and show you who we are
in the jiggy jiggy jungle!

The jiggy jiggy jungle.
The jiggy jiggy jungle
.

Some people float like a butterfly
or sting like a bee
’cuz they wanna be like posse
.

Some people act tough like a tiger
to scare away the lynx
but all they do is double jinx
.

But peeps like me
got the Cheetah Girl groove
that makes your body move
like wanna-be stars in the jiggy jungle
.

The jiggy jiggy jungle.
The jiggy jiggy jungle
.

So don’t make me bungle
my chance to rise to the prize
and show you who we are
in the jiggy jiggy jungle
.

The jiggy jiggy jungle!
The jiggy jiggy jungle!

The Cheetah Girls Glossary

At the end of her rope-a-dope:
To run out of moves. When you wanna give up.

Boo-boo:
A mistake. A cuddly dog like Toto.

Boomerang toes:
Feet that have corns, bunions, or critter-looking toenails.

Bouffant:
A puffed-up hairdo.

Bounce:
To leave. To jet. To go away and come back another day.

Cellulite:
Lumpy fat that looks like cottage cheese and makes grown-up ladies go to beauty parlors and throw duckets out the bucket trying to get rid of it.

Chitlin’ circuit:
Wack clubs that don’t pay singers well.

Diggable planet:
A cool place.

Dopiest dope:
The coolest of them all.

Easy-breezy tip:
When something doesn’t take a lot of effort. When you’re not sweatin’ it.

Knuckleheads:
Bozos who don’t have jobs and hang out all day doing nothing.

Large and in charge:
Successful.

Mad moves:
To dance really well.

My face is cracked:
I’m embarrassed.

Not having it:
When you don’t like something.

Penguin feet:
Dancer’s feet that are slightly pointed outward.

Pigeons:
Girls with fake eyeballs and tick-tacky weaves.

Rope-a-dope:
When you’re doing something
really
well—like double-Dutch jump rope, freestyle moves.

She’s on a jelly roll:
When someone is jammin’ with snaps, knowledge, or moves.

Something is jumping off:
When something is about to happen.

Stub-a-nubs:
Fingernails that have been chomp-a-roni’d to the max.

Whazzup:
A popular salutation for greeting members of your crew.

Word:
Right. I hear that. Is that right? I know that’s right.

Acknowledgments

I have to give it up to the Jump at the Sun peeps here—Andrea Pinkney, Lisa Holton, and Ken Geist—for letting the Cheetah Girls run wild. Also, Anath Garber, the one person who helped me find my Cheetah Girl powers. And, Lita Richardson, the one person who now has my back in the jiggy jungle. Primo thanks to the cover girl Cheetahs: Arike, Brandi, Imani, Jeni, and Mia. And to all the Cheetah Girls around the globe: Get diggity with the growl power, baby!

ABOUT THE AUTHOR

Deborah Gregory earned her growl power as a diva-about-town contributing writer for
Essence, Vibe
, and
More
magazines. She has showed her spots on several talk shows, including
Oprah, Ricki Lake,
and
Maury Povich
. She lives in New York City with her pooch, Cappuccino, who is featured as the Cheetah Girls’ mascot, Toto.

All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Copyright © 1999 by Deborah Gregory

ISBN 978-1-4532-7769-0

This edition published in 2014 by Open Road Integrated Media, Inc.

345 Hudson Street

New York, NY 10014

www.openroadmedia.com

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