Authors: Michael John Harrison

Tags: #General, #Fantasy, #Fiction, #Science Fiction, #Short Stories (Single Author)

Viriconium (81 page)

At this the boy only pummelled harder.

“Has plenty come down?” his father asked.

“Aye.”

“That’s all we can do then.”

The boy pulled the brush gently back into the room, disassembling the extensions one by one while the man stood looking down at him breathing heavily, hands on hips, watching in case he had fetched the obstruction out. They ripped the bag off, revealing the fireplace choked to three-quarters of its height with soot: nothing else. The boy screwed the Sellotape up contemptuously into a glittering sticky ball. He invited me to look up the chimney, but all I saw was a large dark recess, much rougher than I had imagined it would be, blackened and streaked with salts, like a cave.

“The fact is,” he said to me, “I don’t know how your friend keeps a fire there at all.”

When I told Mr. Ambrayses this he said anxiously, “Was Petromax with them?”

I laughed.

“Of course he wasn’t. Is he a sweep?”

“Never let anyone in here,” he shouted. “Describe them! That boy: were his hands big? Clumsy, and the nails all broken?”

“How else would a chimney sweep’s hands be?”

He ignored this and, as if preoccupied by the answer to his first question, whispered to himself, “It was only the sweeps.” Suddenly he got down on his back among the hair clippings and screwed-up bits of paper on the floor, pulled himself into the hearth, and tried as I had done to look up the chimney. Whatever he saw or failed to see there made him jump to his feet again. He went round the room pulling cupboards open and slamming them shut; he picked up one or two of the postcards his daughter had sent him from Australia, stared in a relieved way at the strange bright stamps and unreal views, then put them back on the mantelpiece. “Nothing touched,” he said. “You didn’t let them touch anything?” When I said that I hadn’t, he seemed to calm down.

“Look at these!” he said.

He had used up an entire pack of Polaroid film, he told me, photographing three pairs of women’s shoes someone had thrown into a ditch at the top of Acres Lane where it bends right to join the Manchester Road. “I noticed them on Sunday. They were still there when I went back, but by this morning they had gone. Can you imagine,” he asked me, “who would leave them there? Or why?” I couldn’t. “Or, equally, who would come to collect them from a dry ditch among farm rubbish at the edge of the moor?” The pictures, which had that odd greenish cast Polaroids sometimes develop a day or two after they have been exposed, showed them to be flimsy and open-toed: one pair in black suede, an evening shoe with a brown fur piece; one made of transparent plastic bound at the edges in a kind of metallic blue leather; and a pair of light tan sandals with a crisscross arrangement of straps to hold the upper part of the foot.

“They were all size four,” said Mr. Ambrayses. “The brand name inside them was Marquise: it was a little worn and faded but otherwise they seemed well-kept.”

All at once he dropped the photographs and went to look up the chimney again.

He whimpered.

“Never let anyone in here!” he repeated, staring helplessly up at me from where he lay. “You have a lot to learn about Petromax.”

Two or three days later he locked up his house and went to Hull, to look, he said, for a rare book he had heard was there. The door of his garden shed banged open in the wind half an hour after he had gone, and has been banging since.

If Mr. Ambrayses was, as I now believe, the other survivor of the experiment with the mirror—the one who, sickening in that slum behind the Rue Serpolet, heard even in his sleep echoes of a voice in the deserted bathhouse, and who, dragged delirious and sweating with wrecked dreams through the freezing back lanes on their last night, never saw the ethereal lights of the High City—why was his memory of Viriconium the reverse of Petromax’s?

It seems unlikely I will ever find out.

Petromax avoids me now he has set his poison in me. I see him around Huddersfield, but his wife keeps close to him. If they notice me they go up another street. They often have a child with them, a girl of about ten or eleven whose undeveloped legs stick out of the hem of a thick grey coat however warm the weather. She dawdles behind them, or darts away suddenly into a shop doorway, or she stops in front of the Civic Centre and refuses to walk with them, making a grunting noise as if she is suppressing a bowel movement. You can see that this is only another formalised gesture: they are a family, and her effort not to belong is already her contribution.

Petromax’s mirror, if anyone wants to know, is in the lavatory of the Merrie England Café, a little further down New Street than the El Greco, between the Ramsden Street junction and Imperial Arcade.

Go straight through the café itself, with all its cheap reproductions of Medieval saints and madonnas,
Mon Seul Desir,
all those unicorns and monkeys, where the iron lamp fittings and rough plaster bring you close to the Medieval soul in its night “untainted by any breath of the Renaissance,” and you find on the left a doorway made to look like varnished oak. The steps are painted cardinal red; for a moment they appear wet. Go down them and the warm human buzz of traffic and conversation fades, distance dilutes the familiar scraping hiss of the espresso machine. There behind the pictogram on the neat grey door, above the sink with its flake of yellow soap and right next to the Seibel hand dryer, is Petromax’s mirror. It is smaller than you would think, perhaps eighteen inches on a side.

How did they force themselves through? The mere physical act must have been difficult. You can picture them teetering on the sink, as clumsy and fastidious as the elephant on the small circus chair. Their pockets are stuffed with whatever they think they might need: chocolate, Tekna knives, gold coins, none of which in the last analysis will prove to be any good. They have locked the door behind them (though Petromax, who goes through last, will open it again, so that things remain normal in the Merrie England up above), but every sound from the kitchen makes them pause and look at one another. They try an arm first, then a shoulder; they squirm about. At last Petromax’s feet disappear, kicking and waving. The soap is stuck to the sole of his foot. The lavatory is vacant. “Well, that’s it, isn’t it?” says a voice from the corridor. “It’s for the kids really, isn’t it?”

Mr. Ambrayses was right: the mirror is of no use to me. I went down there; I stood in front of it. Except perhaps myself, I saw no one trapped and despairing in it. When Petromax whispered me its location, did he already know I would never dare go through, in case I found Viriconium as he found it?

A couple with two children live on the other side of me to Mr. Ambrayses. The day he went to Hull they came out and began to dig in their garden with a kind of excited, irritable energy. A gusty wind had got up from the head of the valley, rattling the open windows, blowing the net curtains into the room. They had to shout to make themselves heard against it, while the children screamed and fell over, or killed worms and insects.

“Do you really want this dug up?”

“Well, it hasn’t done very well.”

“Well, say if that’s it. Do you want it dug up or not?”

“Well, yes.”

It didn’t seem like gardening at all. The harder the wind blew the faster they worked, as if they were in some race against time to dig a shelter for themselves. “A spider, a spider!” bellowed the two little boys, and the father humoured them with a kind of desperate calm, the way you might in the face of an air attack or a flood. He is a teacher, about thirty years old, bearded, with a blunt manner meant to conceal diffidence. “Is it going to break, this storm?” I heard him say to his wife. It was hard to see what else he could have said, unless it was “this stuff.” Soon after that they all went back in again. The wind buzzed and rustled for a while in my newspaper-stuffed fireplace, but it was dying down all the time.

Viriconium!

ABOUT THE AUTHOR

M. JOHN HARRISON is the award-winning author of eight previous novels and four collections of short stories. His fifth novel,
In Viriconium,
was shortlisted for the Guardian Fiction Prize, and his sixth,
Climbers,
won the Boardman Tasker Award. His most recent novel,
Light,
was awarded the James Tiptree Jr. Award and shortlisted for the 2002 Arthur C. Clarke Award.

VIRICONIUM
A Bantam Spectra Book / November 2005

Published by Bantam Dell
A Division of Random House, Inc.
New York, New York

This is a work of fiction. Names, characters, places, and incidents either are
the product of the author’s imagination or are used fictitiously.
Any resemblance to actual persons, living or dead, events,
or locales is entirely coincidental.